Just to preface: This is all just rough assumptions and gaul. Completely disregarded the invention of photography and top hats, they're just apart of Albion's ancient ass culture now. Moving on.
So! Purely based on fashion observations I made in all 4 main instalments of the Fable franchise, I've compiled some (very roughly) historically accurate costuming for a select few of the main characters.
Theresa | All Games: 1250s-1880s
She's a walking relic from ages ago. Tried incorporating as many elements from her mysterious wanderer vibe as possible, while also keeping in mind that she doesn't really care for fashion standards. Practical, and a little sentimental, to a fault. Even over her centuries of life, she retains her taste.
Sparrow | Fable 2: 1760s-1810s(ish)
Sparrow was trickier for me to narrow down - as the inclusion of top hats and photography really bothered me with the timeline... But I eventually just disregarded those details, and turned to fashion observations. Lucien's coat, the town criers, and the painted faces of upper class npcs are mostly responsible for this placement. Sparrow is nowhere near rococo fashion, but tried to find the best "rugged" looks I could to match their practicality. I also added a better ruler outfit, too, from later on in their life. Sparrow is also just my personal androgynous baddie no matter what, so.
Logan | Fable 3: 1820s-1830s
Fable 3 has a very unique feel and aesthetic to it, but after doing some digging into early industrialization in England I think it fits like a glove. Not too much into the Victorian Era, not early enough to be Regency. Logan is 100% the kind of person who retained his parent's taste in function>fashion, but he has a soft spot for flair. Clearly signals his position is society, no? And, also, I couldn't forget his love for high collars.
The HoBW (fem) | Fable 3: 1820s-1830s
I had a lot of fun with this one! I adore most of the women's fashion in this game (most. that queen dress should've stayed concept art imo). Tried playing into big sleeves, funky hair, and elegant color schemes. Most of these looks are inspired by the royalty aspect, but I threw in Julie D'Aubigny for a more athletic look. The Princess gives me the vibe of someone who appreciates "vintage" looks, and wants to looks good whilst being a baddass.
Page | Fable 3: 1820s-1830s
On the flipside of the Princess, Page is practical, industrial, and more muted. Still bold (and distinctly steampunk), but she's got more grit. Most of these looks were inspired by her portrait/party look, but I like to imagine how she would make these dresses her own. I know in my heart that she's a DIY warrior.
Ben Finn | Fable 3: 1820s-1830s
The most damning piece of evidence for my Fable 3 era placement was the uniform for the soldiers. I mean - cmon. It's hard to miss those dorky hats. Ben would never do his hair like that, but still, I tried to incorporate his charming demeanour alongside his uniform, as well as an idea of what he could look like in civilian wear (seriously, man needs a change of clothes. you're a rebel dude 🙄).
Reaver | Fable 2/3: 1470s-1830s
A Renaissance man if ever I saw one. I placed the end of his Oakvale era purely based on subtracting 300 from 1770, so yeah. If my math checks out, Reaver's been rocking tights for centuries. Also tried to play into the idea that he just got more gaudy and stuck-up over time, and his fashion choices reflected that. You can see when he evolved as a pirate lord, to when he made himself a baron. He's bold, daring, and always up to date with the latest trends. Hell, he probably started most of them (he also gets the most photos because there was too many pictures that fit).
Gabriel | The Journey: 1880s
This one was the trickiest to find semi-accurate refs of, just because he has such a distinctly traveler style. Couldn't find very many sources of Romani or historical clothing that incorporate his naturalistic style - but found something close enough. Very homemade, very crafty, very flexible. Just imagine these outfits with more fur and leather. I wouldn't so much describe him as a "blank slate", but he has the space to make something more of himself. It pairs well with Theresa's bold, yet mysterious, design in The Journey. Say what you want about that game, but it's the only proper ending we've got.
I'm very normal about Fable. As you can tell from my whole blog.
Thank you to anyone who indulged my fun little side quest that I've been thinking about these past few months.