Il gabbiano (Marco Bellocchio, 1977)
Show & Tell

tannertan36
occasionally subtle
I'd rather be in outer space 🛸
Peter Solarz

blake kathryn
Game of Thrones Daily
Not today Justin

Origami Around
TVSTRANGERTHINGS

Product Placement

pixel skylines
Three Goblin Art

#extradirty
Mike Driver
Claire Keane
One Nice Bug Per Day
ojovivo
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@lafemmequiment
Il gabbiano (Marco Bellocchio, 1977)

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Toi... le venin (Robert Hossein, 1959)
Toi... le venin (Robert Hossein, 1959)
Darkness. The lights come back on, revealing a beautiful, luminous, neocapitalist setting. (Yes, let's make it an industrial Milanese landscape, if not an enlarged colour still of Antonioni's Ravenna.) Laura's mimetic ballet now consists of the following: She holds a doll in her arms, or beside her, very large and reproducing her own features. She slowly unscrews its head and screws on another, exactly the same. Then she repeats the action with one arm, then the other, etc., until she has reconstructed the entire doll, which is therefore the same, but different. Tragic music accompanies her ballet and action.
Italie magique (Pier Paolo Pasolini, 1965)
Ci vediamo stasera in casa di ... Rosanna Schiaffino (1967)

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other highlights of this programme include Tomas Milian lighting his cigarette like this
and Tomas Milian changing for his big musical number out of his sweater & into a leather jacket, but then deciding he had better double down on the masculinity by opening his shirt to the stomach, while keeping the leather jacket somewhat closed
dedicated followers of our histoire will know I've sat through some highly dubious films without blinking, even with a certain pride (of him for being himself & of me for unsuspected depths of loyalty), but there are moments in a woman's life when she has to shield her eyes from the man she has invited into her heart and her television
Ci vediamo stasera in casa di ... Tomas Milian (1967)
Ci vediamo stasera in casa di ... Tomas Milian (1967)
Colpire al cuore, Gianni Amelio
Agnès Varda behind the scenes of Documenteur, 1981

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Voleur de crimes in 35mm in Frankfurt next month????
based on the weather forecast & the three-hour train ride (one way) I'd say the answer is "no"
Works by Paul Delvaux Les gommes (Lucien Deroisy, 1969)
La mort de Mario Ricci (Claude Goretta, 1983)
'Les enfants terribles' (dir. by Jean-Pierre Melville) [1950]
Bulle Ogier in Duelle (une quarantaine) (1976)
Direction: Jacques Rivette
Costumes: Renée Renard

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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best gian maria volonté glasses🤨
il terrorista
christ stopped at eboli
lucky luciano
actas de marusia
him slaying on his boat
wake up and die
for your consideration ✍️
La mort de Mario Ricci !!!
L'homme qui ment (Alain Robbe-Grillet, 1968)