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sentimentalbeing2001

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dovvvvv

luthienne

Frank O'Hara, from Selected Poems

[Text ID: it’s April / no May / it’s May // such little things have to be established in the morning]

thisisalovestry

file -> phrases that are going to shift something in me forever

insomniparty

#I’ve really taken this to heart lately

charish-cherish

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prettyshiitty

expressions-of-nature

by Shuhei

stufflikethathere

I love that part of the evening when you can smell everyone’s dinner cooking

sanminzhuyi

The people of Shanghai, 1995.

Photos by Gueorgui Pinkhassov.

dismalspectre

i'm like if a hedonist didn't derive pleasure out of anything

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offshoreoilrig

You need to touch saltwater

grandturtleperson

Background and Concept art of London for One Hundred and One Dalmatians, art director Ken Anderson, colour stylist Walt Peregoy

petaltexturedskies

Virginia Woolf, in a diary entry dated 3 March 1920, from The Diary of Virginia Woolf, Vol. II: 1920-1924

heartclef

Blue Rabbit Running — Bill Traylor (1939-1942)

Poster paint and pencil on cardboard, 22.9 x 30.2 cm

chimaerakitten

Look if a garment is like. Wool or silk. And it’s like, don’t put me in the fucking wash. I’m like yeah of course ma’am I shall lightly dab you with a damp cloth and air you out so you don’t get stinky. But when a polyester garment is like “hand wash only” I’m like who the FUCK do you think you are. You’re plastic. Get in the drum.

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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rigglesquiggles

A mysterious veil descends upon Venice as dusk settles, painting canals with an ethereal glow.

Foggy Dusk, Venice, Italy

petaltexturedskies

Mary Oliver, from "Crows"

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