updated commission sheet yay!! dm to book a slot or if you have any questions!!
Not today Justin
Sweet Seals For You, Always
noise dept.
Claire Keane

roma★
Misplaced Lens Cap
hello vonnie
I'd rather be in outer space 🛸
$LAYYYTER

almost home
Keni

Love Begins
2025 on Tumblr: Trends That Defined the Year

tannertan36
i don't do bad sauce passes
taylor price

Janaina Medeiros
let's talk about Bridgerton tea, my ask is open


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@kure0me
updated commission sheet yay!! dm to book a slot or if you have any questions!!

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Departure from 101
fav companions foreva! (sketched by me and coloured by blauu)
Liliyas
A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.
Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.
This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!
Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.

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Legion Camp
Concept art for Fallout: New Vegas
Art by Whit Brachna
THE FOLLOWERS OF THE APOCALYPSE
"We hope to forge a brave new world, free of war and poverty, by sharing knowledge and resources. Our primary goal is the free exchange of ideas."
They should invent a way to sit hunched over doing crafts that is Good for your body
Hello everybody
That wwoman I love

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you learn something new everyday. unless you're a historian. then you learn something old
it’s them
never underestimate my ability to cross brooklyn nine nine over with anything
based on this
sometimes you just gotta fuck up your sleep schedule by reading all 100k words of a fic you're not even enjoying, and don't ever let anyone tell you otherwise
White boy ALARMS Chinese restaurant staff by bursting into PERFECT Tears instead of ordering

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Fallout: New Vegas doesn't include many details of the romance between Veronica and Christine, but I've become more intrigued by the question of how many of those details are even true. My big realization after a conversation with Veronica was that everything she tells the Courier about Christine turns out to be wrong, or at least suspect. Not because she's lying, but because she's been lied to. Christine's account directly contradicts a lot of what Veronica says because of Elijah's manipulations, but Christine also doesn't provide many details.
Veronica thinks Christine left the Brotherhood to get away from her homophobic parents, but she apparently joined their version of internal affairs and remained even more committed to the Brotherhood than Veronica is. That raises the question of how Veronica didn't know about this, what role the Brotherhood's culture actually played in Christine's decision, and how much Christine knew about Veronica's status, because Veronica's dialogue makes it sound like they talked in person before Christine "left". Maybe Elijah tampered with messages to Veronica. That would explain why she got over the breakup quicker: she thinks Christine dumped her via text.
But by far the most wrong thing Veronica says about Christine is "I'm sure she's moved on." Girl, you can’t imagine how Not Over you Christine is. It is vital to the themes of Dead Money that Christine hasn’t let go of Veronica. She’s so not over Veronica, she went on a mission of vengeance to kill the guy who broke them up. Yeah, he's committed other atrocities since then, but she definitely volunteered for the job when his name popped up on the hit list. Being too brain-damaged to write and getting her vocal cords scrambled couldn’t stop her from expressing how being separated from Veronica has filled her with murderous rage. Can relate.
They need to meet again. They need to have toxic codependent miscommunicating yuri in the toxic codependency death casino.
together we are... OUTLAST TRIALS!!!