we're not kids anymore.

tannertan36

Love Begins
PUT YOUR BEARD IN MY MOUTH
Xuebing Du

ē„ę„ / Permanent Vacation

#extradirty
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ellievsbear
$LAYYYTER

Discoholic šŖ©
taylor price
Today's Document

shark vs the universe

Origami Around
almost home

Kaledo Art
Claire Keane
2025 on Tumblr: Trends That Defined the Year
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@kudispace

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Ga Ave chilling (Taken with instagram)
JILLSCOTTLIVE!
https://www.youtube.com/watch?v=6cPur8EbdO4

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A WORD
Black Culture āØ
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Lena Horne as Georgia Brown Cabin in the Sky (1943) dir. Vincente Minnelli
Today In History
Hattie McDaniel, actress who starred in an Oscar winning role as āMammyā in Gone with the Wind, was born in Wichita, KS, on this date June 10, 1898.
By the mid-1920s, Hattie McDaniel became one of the first African American women to perform on radio. In 1934, she landed her on-screen break in the film Judge Priest. She then became the first African American to win an Oscar in 1940, for her role as Mammy in Gone with the Wind.
She has two stars on the Hollywood Walk of Fame, was inducted into the Black Filmmakers Hall of Fame in 1975, and in 2006 she became the first Black Oscar winner honored with a U.S. postage stamp.
In 2010, she was inducted into the Colorado Women's Hall of Fame.
CARTERā¢ļø Magazine carter-mag.com #wherehistoryandhiphopmeet #historyandhiphop365 #cartermagazine #staywoke #carter #hattiemcdaniel #blackhistorymonth #blackhistory #history #staywoke
The Incomparable Harry Belafonte
āIām not quite sure precisely when social and political activism became a visible brand of my DNA, but it seems to me that I was born into it. It is hard to be born into the experience in the world of poverty and not develop some instinct for survival and resistance to those things that oppress you.ā - Harry Belafonte
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For the brown girls.
The Four Swordsman by Sean TateĀ Ā Ā
[SuperheroesInColor linktr.ee / FB / IG / Twitter / Twitch / Support ]Ā Ā Ā

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Source
āImage Credit: Carol Rossetti
When Brazilian graphic designer Carol RossettiĀ began posting colorful illustrations of women and their stories toĀ Facebook, she had no idea how popular they would become.Ā
Thousands of shares throughout the world later, the appeal of Rosettiās work is clear. Much like the street art phenomenonĀ Stop Telling Women To Smile, Rossettiās empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of womenās bodily autonomy.Ā
āIt has always bothered me, the worldās attempts to control womenās bodies, behavior and identities,ā Rossetti toldĀ MicĀ via email. āItās a kind of oppression so deeply entangled in our culture that most people donāt even see itās there, and how cruel it can be.ā
Rossettiās illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism.Ā Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.Ā
āI see those situations I portray every day,ā she wrote. āI lived some of them myself.ā
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal ā so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled āWOMEN in english!ā or āMujeres en espaƱol!ā which is fitting: Rossettiās illustrations encompass a vast set of experiences that together create a powerful picture of both womenās identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord.Ā Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations inĀ Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
Itās an inspiring show of global solidarity, but the message of Rossettiās art is clear in any language.Ā Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
āI canāt change the world by myself,ā Rossetti said. āBut Iād love to know that my work made people review their privileges and be more open to understanding and respecting one another.āā
From the site:Ā All images courtesy Carol Rossetti and used with permission.Ā You can find more illustrations, as well as more languages, on herĀ Facebook page.
Oooh. I reblogged a partial version of this recently but I didnāt know how many more there were! I LOVE these!
OK SO THERE ARE TONS MORE OF THESE OF THE ARTISTS FB PAGE. GUYS THESE ARE AWESOME.
LOOK
AT
THESE
LETS APPLAUD CAROL ROSSETTI EVERYONE
Ā LOOK
Um, these are like the best thing ever.
I wish i got nice things like that. Everyone is always judging me based on my choices.
Everyone needs to see this! Spread this post!!!
A few of these I absolutely needed to save to remember at times
Iāll send it again because this is wonderful
My favorite thing about this is how thereās diversity in the women even when it isnāt relevant. There are more fat women than just the illustrations regarding body image. There are multiple women in wheelchairs even when the text isnāt focusing on it. there are so many different races and ethnicity even when thatās not what the words are focusing on. One of them doesnāt have a left arm and it isnāt the focus. Itās beautiful, showing the overlap between all these things.
Yes! I was going to say that too.
The Best HuMens are [email protected].
Bern Nadette Stanis, circa 1975. (Photo: Michael Ochs)