Untitled, Black on Gray, 1969
Mark Rothko
YOU ARE THE REASON
2025 on Tumblr: Trends That Defined the Year
Show & Tell
wallacepolsom
Mike Driver
todays bird

oozey mess
we're not kids anymore.
Jules of Nature
Keni
Claire Keane
Cosimo Galluzzi

pixel skylines
One Nice Bug Per Day
occasionally subtle
The Bowery Presents
Not today Justin
PUT YOUR BEARD IN MY MOUTH

Origami Around
official daine visual archive

seen from Mexico
seen from Argentina
seen from Malaysia
seen from Ireland
seen from Italy
seen from Portugal

seen from Germany

seen from United States

seen from Lebanon

seen from United States

seen from United States
seen from Belarus

seen from Belarus
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
@kristianstrand
Untitled, Black on Gray, 1969
Mark Rothko

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
by Boris Lafleur
Kristianstrand - Magic May Mixtape 2025
A mixtape I made last year. No new Magic May Mixtape this year, so I suppose I will have to share something old.
(Runtime: 1:10:40)
To this day, Rothko remains the ultimate litmus test for whether I can trust someone's opinion on art or not
𝗠𝗔𝗥𝗞 𝗥𝗢𝗧𝗛𝗞𝗢
No. 15 (Two Greens and Red Stripe), 1964
signed, partially titled and dated 'MARK ROTHKO 1964 #15' (on the reverse) oil on canvas
93 × 69 in. (236.2 × 175.3 cm.)
📸 thanks to Mark Cashion who takes a lot of good pictures from auction houses and contributes them
© 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
This is one of my personal favorites and it's up for auction because Agnes Gund, who bought it directly from Rothko, died and she was one of the good people in that world.
I hope a lot of these paintings on sale now don't disappear into private collections, but some of them probably will

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
by Enric Mestre, 1966
Kristian Strand - Växtregister (excerpt)
2023, collage
shortwave transmissions (scrapped from LOOPS)
by Boris Lafleur

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
by Aurélie Nemours, 1995
by Cy Twombly, 1970
Michael J Hentz | paper collage | 2026
Boards of Canada - Tape 05
The legendary electronic duo finally share new music following a cryptic rollout. We don't have a release date or album title yet, although their website was updated to include a mailing list earlier today, so we will very likely get more news soon. I'm so excited!
the abstract daydream · art files modern painting · yellow fields and the waterside

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Pavel Tchelitchew (1898-1957)
"Un Personage (Abstract Portrait)", ca.1927
Oil and Coffee grounds on canvas.
Oneohtrix Point Never - Dim Stars
from the single Dim Stars / For Residue (Extended) (2026)
New single from Oneohtrix Point Never showcases more remnants from the Tranquilizer sessions. On the B-side is the extended version of For Residue, previously only available on Japanese CD editions.
Dim Stars possesses many of the same textures as on Tranquilizer, with jittery pads and chord stabs reminiscent of Modern Lust. The resulting groove feels like a disjointed and slowed down deep house track, albeit one that has lost all drums except for the kick. The classic M1 organ preset even makes an appearance, reinforcing the bass. Vinyl crackle and warped nature recordings build the rest of the world around us while the synthesized and the acoustic dance closely with each other. I'm particularly a big fan of when the jazzy guitar is allowed the center stage following what I believe is Lopatin's signature Juno-60. And then, in much of the same fashion as the rest of the songs on Tranquilizer, it all somehow seamlessly dissipates into nothingness, as quickly as it appeared.
This is a nice treat for those who want more of Tranquilizer's strange world of sound. One can only wonder why this was left off the record, and if there are more B-sides left to surface.