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@kris-a-holic

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krusielle fans you should read call me if you get lost by @lavmana right now or we're all going in the lake. smile emoji.
Happily ever after
Mizisua. From beginning to end.
I'm so excited to see the other two couples..🥲

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Love that they switched who says "My" in these lines.
Forever and Always Mizi is Sua's and Sua is Mizi's no matter what universe <3
I really like how this time around Sua and Mizi relationship is kinda flipped. Instead of Sua being infantilized, it’s Mizi. Their dynamic stays the same in this series, but that particular aspect is flipped. We see that Sua has this idealistic mindset of Mizi, which she views her as this innocent angel. Hence why it hurts her so much to see her having to over-sexualize herself for men. Not only does she hate to see her gf being in such predicaments, but it ruins the image she has for her. The image of complete innocence that Mizi projected onto her in Alien stage. With Mizi being a zombie, Sua was happy that she can finally gain the control of her body back, and she can once again be comfortable with Mizi being the innocent angel she always wanted her to be.
#important
Mizi having a habit of lashing out at Sua with physical violence when Sua says/does something that hurts her is actually why we need toxic grieving rebound Hyumizi even more because Hyuna will just beat her ass back

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I haven’t seen anyone talking about this. And imo. This is one of the most important shots of the whole video.
I keep seeing people say how crazy Mizi is and how innocent Sua was in comparison, but that’s just not true. I adore both Mizi and Sua, by the way. This isn’t criticism of either of them. But you can’t ignore what Sua does here if you want an accurate portrayal of their relationship in this world.
When Mizi becomes an idol, she’s manufactured into a sex symbol, crafted into something that can appeal to the male gaze despite how we KNOW she’s a lesbian. Specifically, we can see how Mizi’s breasts are often framed promiscuously to further her objectification:
So this shot where Sua finds Mizi, tied up and helpless, incoherent, and the first thing she does is frame an unaware Mizi’s breasts as if in a photoshoot—bitterly, ironically, before relief takes over—it goes to show something major about Mizisua’s relationship in both the ALNST and ZOMST verse.
In ALNST, Sua enables Mizi’s infantilization (something often levied against women in a misogynistic context) of herself by keeping Mizi “in the dark” (although Mizi is more aware than either of them want to acknowledge). People rightfully criticize Till for his innocent vision of Mizi to comfort himself with, but Sua has a version of Mizi in her head that she uses to comfort herself, too. She and Till aren’t incredibly different in this regard.
In ZOMST, this translates not to infantilization, but to objectification. Sua is bitter over Mizi’s decision to let the industry use her in this way, she’s disgusted by it, but then she wields it herself when Mizi is finally helpless and incapable of pushing Sua away again by miming taking a photo of Mizi’s breasts.
Mizi is objectified in ZOMST by everyone: the industry, herself, the crowd, and even the person she loves the most.
this is so sick and twisted
we got another mizisua kiss but at what cost....
Happy pride month, ur yuri is forever codependent and doomed

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my favourite lesbians ever
we're one wherever