i removed the song from the carriage scene because that song choice was AWFUL and was totally ruining the vibe. I think it's better like this imo. the music is supposed to enhance, not distract!
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i removed the song from the carriage scene because that song choice was AWFUL and was totally ruining the vibe. I think it's better like this imo. the music is supposed to enhance, not distract!

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Erotic Churro eating
no i completely agree
What if he's written 'mine' on my upper thigh only in my mind?
Holy hell... we're in trouble. So much trouble.
THE ARTFUL DODGER, 1.06 "Bully in the Alley"

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Book parallels~
The Infernal Devices:
Bloodmarked:
BREE MATTHEWS, Legendborn
Bloodmarked comes out in a matter of DAYS, so while I wait (not very patiently at all), here's a moodboard for Breeđ¤
Will, Tessa and Jem - The Infernal Devices
Artist: @giannyfili
âi was written by a manâ âi was written by a womanâ i was written by sophocles and then translated by anne carson

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i hate all the people who go like "ohh van gogh is overrated" or "you just like van gogh cause it's popular". yeah? so what? can't i like stuff that a lot of people like? can't you admit that dude is an amazing painter and deserves every single fucking ounce of recognition? shut up, please. i'm falling in love with the starry night all over again wheter you find that good or not, bitch
"Van Gogh is overrated"
Well maybe if you watched the museum scene from the Dr Who Van Gogh episode you'd understand.

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and what is âtranslate truthful to the time it was writtenâ even supposed to mean like thereâs no way a translation now in the US could be read the same way it was a couple thousand years ago in Greece when english didnât even exist yet
Yep, in the original Odyssey, in the scene where Telemachus murders the slaves who were âsullied byâ Penelopeâs suiters, he refers to them with a word that roughly just means âthe female onesâ, however most translations will use words like âwhoresâ, âslutsâ and âcreaturesâ, these were all choices of the translators. The original text did not refer to them that way. Dr. Wilson refers to them instead as âgirlsâ, to highlight their age and the brutality of the action. She also fixed all the times the previous male translators dodged around the existence of slaves in the text. Where they call slaves anything but slaves (housemaid, nurse, cook, ect.) Dr. Wilsonâs translation correctly calls them slaves as in the original texts. Itâs really a great translation, it doesnât soften anything, and lays bare the reality of the story. One thing she did too, was she refused to make the descriptions of the women in the story more palatable to modern western beauty standards. The original text, for example, describes Penelopeâs hands as âthickâ. Most male translators change this to âsteadyâ but Dr. Wilsonâs translation calls them âfirm, muscular handsâ to correctly portray the original intent, that Penelope, as a character who weaves every day and every night undoes her weavings, has strong hands, as weaving does make oneâs hands more muscular, and that was clearly what was originally intended to be said given the context of her character and the weavings. Of Odysseus himself, the original epic calls him âpolytroposâ poly, meaning many, and tropos, meaning turn. Some male translators used this to say the story itself had twists and turns, other ignored the word completely to write in a way that made Odysseus seem as though a straight up hero, a man âskilled in all ways of contendingâ, but Dr. Wilson uses it to mean âcomplicatedâ, because Odysseus isnât a straight up hero, he does some really shitty things. So her translation got a lot of men very very mad, because they said that her being a woman has caused her to translate with bias since her translation is so different to others. She pointed out that perhaps people should have suggested that bias in the inaccurate menâs translations. Anyway, go read Dr. Wilsonâs version of The Odyssey. Itâs very good.
Me: -so after it became apparent that âretardedâ had become a term of abuse, educators and psychiatrists switched to other terms like âhandicappedâ or âspecial needsâ in an attempt to -
George Orwell, whom Iâve dragged forward in time with my arcane powers because Iâm lonely and want someone to talk to: You have a telephone in your pocket? It listens to you all the time?
Me: Never mind about that, the point is, young people now mock each other by sending the wheelchair emoji - thatâs a type of electronic heiroglyph - to suggest mental deficiency and shout SPESHUL!!!! while doing offensive imitations of disabled facial expressions and posture. So any attempt to lexographically make crimethink impossible is pretty much doomed because the meaning of words in everyday conversation canât be controlled by a dictionary entry, no matter how many Ministry of Truth employees-
Orwell: It reports your location to the telephone company at all times?