my zutophlings + a redraw of smth i drew at 13 (eugh)

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@kizoomtite
my zutophlings + a redraw of smth i drew at 13 (eugh)

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beach episode
Korra looks like Katara who looks like her mother
Katara's daughter Kya also looks like Katara who looks like her mother
Surely that must've been weird for her having to witness in third person exactly what she looked like as a dumb fool in her 20s (minus all the word ending/saving avatar shenanigans)
They robbed us of adult Toph in a full suit of 'knight in shining armour' metal btw
Fire Nation hair thoughts
Notice how in the movie, when they're expecting a fight of some sort, Zuko keeps his hair up and safe in a bun.
Do you think he was scared of losing it again? Sacred of an enemy blade shearing him of an honour he's been painstakingly regrowing each year, no matter how much he questions if he even deserves it?
But then I thought on how open hair isn't really something we see outside of fire nation royalty, and Zuko does not wear his phoenix pin when he buns it so maybe it's an act of humility, or a way to take a respite from the burden of the crown.
But then I thought on how the Ursa and Iroh in part keep their hair mostly down because they nearly never have any intention to fight.
And I thought of how the only time I can think of fire willingly fighting with their hair completely loose is Ozai
Ozai whose so self assured in his own honour that he can't fathom fearing losing it.
And then I thought that maybe Zuko keeping his hair up felt so odd because I was used to a Fire Lord who flaunted honour, rather than valuing it.

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Can we talk about how the progression of costuming in the atla movie was just a blatant strip tease? Not in like a cancel way but more like damn they really did that
Sidenote; Toph still should've been given her full rock body armour instead of that "female fantasy armour that covers absolutely nothing" deal
Alternate movie where as every other character progressively loses their clothes Toph becomes Mecha Rock Toph
I just cannot get over Zuko's hair. It is begging to have fingers running through it. Sure Katara has nice hair, too. And Toph has no reason to take much stock in her hair. But those long, luxuriant, near-black tresses. Yum. Yes I understand that hair is very important to fire nation culture and if anyone was going to have the best hair around it stands to reason the leader of this nation would. But even being possibly/maybe (I really was only half paying attention to what was happening this first watch) brought back from the dead it is still amazing.
Also the fact he was trying to keep it up in a bun whenever there was a risk of a dicey situation, he was living in fear of it accidentally getting cut mid duel
Silksong act 3 spoilerssss
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Imagine how surreal it must have been for Grandmother Silk to be plummeted down into the void, surviving only on mother's adrenaline and then her murderer arrives and she's powerless to do anything except watch and scream as this pale rival attacks her child.
Did she think Hornet would kill Lace? For surely this daughter had proven herself more pale than weaver and would gladly slay an obstacle to her taking Pharloom as her own.
Because that's the nature of pale beings: to dominate. Grandmother Silk must know that because she embodied it yet what if as she watches Hornet attack she sees the void be battered off Lace until finally her only loved child falls-
And instead of slay Lace, Hornet cradles her, and Grandmother Silk realises this daughter has taken after her Grandmother for her urge to dominate has been bested by her urge to mother?
On seeing Hornet in the void, was it relief she felt, rather than dread?
Can we talk about how the progression of costuming in the atla movie was just a blatant strip tease? Not in like a cancel way but more like damn they really did that
Sidenote; Toph still should've been given her full rock body armour instead of that "female fantasy armour that covers absolutely nothing" deal
Star Trek has always had phenomenal makeup but my word, look at the detail here. The seam, the little wires barely visible, the glint of metal, the fact that Brent's actual skin looks like it's the fake part, it's just insane. And not even a drop of CGI used.
Why is it so hot??

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cheese📸
Hero of Time
( ´ー`)
Grace sends this off as a "fuck you" to Stratt and unintentionally eases 40+ years of horrific guilt.
(40+ factoring in the Hail Mary mission, then the time it would take to get back to Erid and the time it would take for the message to get to Earth. Probably closer to 50+ actually).
(I do think Stratt felt bad. She did a lot of terrible things to save the planet, and obviously felt guilt for sending Grace off. I imagine the time waiting to hear back from the Hail Mary was torture for everyone, but she essentially sent three people off to their deaths, one unwillingly. Hearing that Grace made it out alive would be a huge weight off her shoulders.)
One of my favorite Avatar: The Last Airbender episodes is “The Blue Spirit,” and it’s because of the final moments. It begins with that quiet exchange between Aang and Zuko after Aang discovers the Blue Spirit but still chooses to save him. Aang tells Zuko about his old friend Kuzon, from a time when the divisions between the nations didn’t exist. It’s essentially Aang offering an olive branch, asking if they could have been friends. Zuko doesn’t respond with words, but with firebending, and Aang retreats.
We then cut to Zuko lying in bed while the Fire Nation flag looms over him.
The flag feels imposing, almost inescapable. This is the force shaping him. His anger, his sense of duty, and his inability to accept Aang’s offer all trace back to this.
What makes the moment land is the contrast. We move from a quiet, human interaction to a stark image of ideology and power. It’s the show reminding us that Zuko’s struggle isn’t just internal — it’s inherited. He’s not just fighting Aang; he’s carrying the weight of a nation’s expectations.
It becomes a visual reminder that even in moments of vulnerability, the world these characters come from is always pressing in on them.

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damn bro is he really that funny
Op out here in the perspective trenches- the wall corner makes this so yummy to look at, dessert art fr
Zuko's love language is physical touch