mel has moved back to my multi.
i plan to continue most threads over on my multi and will be replying over there going forward
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@kingrising-moved
mel has moved back to my multi.
i plan to continue most threads over on my multi and will be replying over there going forward

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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corporate wants you to find the difference between this picture and this picture
he cringes away from the touchā a shock of anxiety going through him at the sensation. because it's too real, cuts through the disconnect that's settled over him. "please," he says, not wanting to be cruel, "don'tā" but the room starts to bleed in again, even with his eyes shut against it. the decals on the wall that send a stab of pain through his heart whenever he walks by them; the vinyl flooring masquerading as wood, cold and false beneath his free hand.
the thought presses in againā you failed. you failed him, you failed her, you're failing all of them, right now, on the other side of that door. he lets out a ragged laughā not derisive, not at her. but there's something incredulous to it, something directed inward. this is the last place doctor king should be, knelt on the floor telling a grown man, her attending, how to breatheā when he should be out there, breathing for someone else. when they both should.
he doesn't say anything. doesn't tell her he's heard of it, has explained it to countless patients, has held their hands and done it with them. that somewhere, he doesn't believe it would work on him, not when he's like this. but he needs to get up. he knows he does. and he can't. but maybe he can do this. breaths shudder in and out of him, trying to follow the counts, half tethered down, feeling childish, embarrassedā while the other half still floats somewhere out of reach.
"please, doctor king." he rasps, "i'll trā" a breath squeezes out of him, air he doesn't have to give, but it fights its way out all the same. "i can't be the reason you're not out there."
when he jerks away from her touch, mel's hand doesn't try to follow him. she understands the feeling. she's the same. particularly around those that she doesn't know well. instead her hand drops to her own leg as she counts him through their breathing. she can sense he's trying to follow, even if he doesn't quite make it each time. but there's no comment. no telling him that he can do it. she simply keeps going.
hearing him speak, he's still breathless and a slight frown embeds itself between mel's brows as she looks at her attending. she knows she needs to be out there. that she's supposed to be leading her section, but she's unable to move from this place on the floor. unable to leave him behind. she knows what that's like all too well.
it feels like she's on a tightrope herself. attempting to balance when there's so much at stake. if it had been becca, she wouldn't have to think twice for what to say. even a patient, she'd have a better understanding of where to start. but this is her boss. her new boss on her very first day here. she's shaking her head. somewhere, deep down, she knows this is the place that she's supposed to be.
"and i can't be the reason that you don't make it back out there." his breathing is still out of sync, so she keeps hers in sync. in, hold, out, hold. "it's... crazy... out there and we need you. interns are doing reboas." she doesn't state a name, maybe he'll work it out, maybe he won't, but it's a detail that doesn't matter now. "we're going to do it together, okay? we're going to get back up and get out there." there's a dose of insistence in her tone, that she's not to be argued with. "are you with me?"
he takes in as much as he's able to on the journey, mind doesn't cease it's constant onslaught of processing. they don't pass many people as they walk, a fact that he is infinitely grateful for. will the crew of the enterprise be able to track him here? for he has no doubt that they will risk breaking the prime directive in retrieving him- no matter how many times he warns against it.
third year. well, it's better than nothing. at the very least she must have some kind of first aid supplies. while it will be a slower process than what he is used to, he cannot complain.
nothing in his expression belies whatever is going on in his mind when they reach her building & stand at the foot of the stiars. ā i am functioning enough to use the stairs. ā he says as she watches him carefully, a hint of indignation in his tone. spock is a stubborn man, has always been fiercely independent. he would drag himself up the stairs before admitting defeat.
only a flicker of his jaw as he begins the journey, setting his teeth as the movement pulls at the wounds on his body. it is lucky that vulcan physiology is much tougher than that of a human. relief when they reach the top, but filtered before it can show upon features. ā i apologise. i have yet to ask your name. ā
her movements are in time with his as they make their way up the stairs, she's never more than a step away, timing herself to follow him as closely as possible. she doesn't want to appear as if she's helping too much when it's clear that he thinks he's well enough, but she'd rather be a step away than waiting at the top if something should go wrong.
when they make it to the top of the stairs, her steps hasten ever so slightly, only to get a step or two ahead so she can reach the door and begin to unlock it. at his question, she pauses, fingers wrapped around the key that's about to turn in the lock. "it's mel... dr. melissa king, but i prefer mel. what's your name?" she opens the door and steps inside first, if only to hold the heavier door open for him. "straight through and to the right. make yourself comfy on the sofa and i'll get my kit."
closing the door once he's past, mel's quick to dash off into the kitchen, slinging her bag on the hook as she passes. it's all but half a minute later that she's moving to sit on the small coffee table and opening the kit beside her. "do you need a hand taking the jacket off? i can get you something else to wear and wash your clothes for you."
LEANING IN
LEANING IN CLOSER

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accidentally became important at work n its ruining my life
armĀ extendsĀ outwardĀ inĀ aĀ sortĀ ofĀ curtainĀ toĀ coverĀ youngĀ dr.Ā kingĀ in,Ā rightĀ overĀ herĀ shoulders.Ā heĀ letsĀ herĀ comeĀ closerĀ inĀ theĀ crookĀ ofĀ hisĀ underarm,Ā which,Ā isĀ notĀ usuallyĀ whatĀ he'dĀ do,Ā butĀ jack'sĀ alwaysĀ carriedĀ aĀ certainĀ fondnessĀ forĀ mel.Ā she'sĀ aĀ lotĀ likeĀ him,Ā heĀ figures.Ā hopefullyĀ better.Ā lessĀ regrets.Ā lessĀ roofĀ visits.Ā seemsĀ toĀ beĀ theĀ sameĀ amountĀ ofĀ tragedy,Ā though,Ā andĀ thatĀ tugsĀ atĀ jack.Ā āĀ i'mĀ sorry.Ā y'know,Ā itĀ sucksĀ whenĀ weĀ don'tĀ everĀ getĀ aroundĀ toĀ healingĀ ourselves.Ā āĀ runsĀ outĀ ofĀ time,Ā heĀ expects.Ā speakingĀ ofĀ runningĀ outĀ ofĀ time,Ā jackĀ managesĀ toĀ slapdashĀ anĀ entireĀ lifeĀ introspectiveĀ togetherĀ intoĀ theĀ nextĀ minuteĀ andĀ aĀ half,Ā whileĀ heĀ andĀ melĀ raceĀ theĀ clockĀ thatĀ ticksĀ everĀ onwardĀ onĀ hisĀ wristĀ outstretchedĀ beforeĀ them.Ā
āĀ whenĀ cancerĀ patientsĀ comeĀ in,Ā theĀ terminalĀ ones,Ā especiallyĀ womenā¦Ā mothers,Ā itā¦Ā āĀ god,Ā whatĀ isĀ heĀ doing?Ā jackĀ isĀ usuallyĀ mumĀ onĀ theĀ aspectsĀ ofĀ hisĀ firstĀ wife'sĀ death.Ā āĀ everyoneĀ thoughtĀ i'dĀ shutĀ down.Ā stepĀ out,Ā whenĀ thatĀ firstĀ oneĀ rolledĀ throughĀ theĀ doorsĀ afterĀ myĀ wife'dĀ gone.Ā iĀ thinkĀ theyĀ wereĀ allĀ expectingĀ it.Ā butĀ iĀ justĀ startedĀ tryingĀ harderĀ toĀ keepĀ herĀ alive,Ā andĀ iĀ dunnoĀ ifĀ thatĀ wasĀ goodĀ orĀ bad.Ā ifĀ itĀ wasĀ whatĀ wasĀ bestĀ forĀ theĀ patientĀ orĀ bestĀ forĀ me.Ā iĀ probablyĀ stillĀ overcompensateĀ some,Ā whenĀ patientsĀ remindĀ meĀ ofĀ myĀ wife.Ā āĀ headĀ cocksĀ toĀ theĀ sideĀ asĀ heĀ looksĀ atĀ mel.Ā āĀ iĀ guessĀ i'mĀ sayingĀ it'sĀ okayĀ toĀ beĀ affected.Ā youĀ areĀ theĀ onlyĀ oneĀ whoĀ canĀ decideĀ whatĀ youĀ doĀ withĀ it,Ā though.Ā andĀ it'sĀ okayĀ ifĀ youĀ needĀ toĀ comeĀ sitĀ inĀ theĀ stairwellĀ forĀ anotherĀ twoĀ minutes.Ā āĀ andĀ sixteenĀ seconds.Ā
mel may be silent but it doesn't mean for a second that she's not listening, not processing everything that's being said to her. it's only as he says it that she realises just how little she truly feels like she's aware of dr. abbot's personal life. what happens outside of the hospital. she's not certain if that's for the better or worse all things considered. should she be glad that she doesn't know or glad that she's finding out more? if anything, it makes her feel less alone. that she's not the only one carrying around her grief with her wherever she goes. instinctively, she knows she's not the only one, but to know for certain is something in and of itself.
"i know what you mean." and she knows it's not a competition, just a simple fact of her life by this point when she pauses before she says. "my mom had a malignant pheochromocytoma..." there's another pause, thinking she might have said too much, gone into too much detail. others often didn't like that, so instead she chooses silence. there's a twitch in her body, the thought of moving away before she can say anything more, anything else that she shouldn't. she nods her head when he meets her eye, swallowing down the feelings that want to threaten to emerge. "i'm here. i want to be here. i want to work." she needs to make that clear. that three minutes in the stairwell doesn't mean she won't make it back onto the er floor. she'll be back... in one minute and thirty two seconds.
a shudder courses through him at the thought, his smile relaxing another inch.
ā you putting a curse on me, king? ā when she follows up with a very insensible suggestion about how to deal with his nightmares, he is sure she's putting some sort of candy-cane shaped hex on him. ā oh, you are. ā either that, or she has some very interesting ideas he is going to have to dig into later. ā don't tell me you're one of those tiktok witches. ā
frank presses the cool bottle against his chest, playing wounded, just to nod and agree with her. ā damn, you're right. you can never let them meet. ā
another zinger rests on his lips, but just as he tilts his head, a bit closer to her than strictly necessary, robby slaps his hands and says he is done for the night, and he instead asks her about her favorite movie. ā so what was it? the one movie you could never stop watching? ā
it's easy to talk to frank. there's less thought behind each of her words, it's easier to say exactly what's on her mind without having to consider and filter them first. she's not a witch, not even close. "no, no, not a witch... but that's what someone who was a witch would tell you if they didn't want you to know they were a witch." her smile is teasing, playful, relaxed.
it's followed by a shrug as mel takes another drink from the can in her hand. "i can try, but if becca happens to be in the hospital and she bumps into dr. metha... i don't know if there's anything i can do. you're just gonna have to come up with funnier jokes. or, you know, any funny jokes."
she blinks and for a moment, she swears there was about to be something else that frank was about to say. something in the tilt of his head, the look in his eyes before it's gone in a blink. she bade goodnight to dr. robby before her eyes travel back to frank. she thinks about it for barely a moment before the answer instinctively comes. "matilda." another second, another pause, this time there's more thought to it. "... or barbie in the nutcracker."
i'm going to reiterate what becca said in the show and say that someone should kiss mel
i'm going to reiterate what becca said in the show and say that someone should kiss mel

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consider this an interest tracker! i know i've been quite hit and miss here and i want to know who's interested in interacting with me and mel! i'd just love to know who i can reach out to for plots, memes, etc.
āāĀ Ā Ā ź®Ŗź²źŗź±ź²ź¼ź±Ā ź®Æźŗź®®ź®®.Ā Ā Ā (Ā Ā Ā noĀ longerĀ acceptingĀ Ā Ā ) |Ā Ā Ā |Ā Ā Ā |   ⤷   :Ā Ā @kingrisingĀ Ā +Ā Ā Ā mel
āĀ ššØšššØš«Ā š¤š¢š§š .Ā āĀ theĀ voice,Ā lowĀ butĀ firm,Ā cutĀ cleanĀ acrossĀ theĀ hall,Ā justĀ loudĀ enoughĀ toĀ haltĀ melĀ inĀ herĀ tracks.Ā robbyĀ wasĀ alreadyĀ movingĀ towardĀ her,Ā closingĀ theĀ distanceĀ withĀ practicedĀ ease.Ā heĀ gesturedĀ toĀ theĀ emptyĀ spaceĀ inĀ frontĀ ofĀ him,Ā eyebrowsĀ raisedĀ inĀ quietĀ reproach.Ā āĀ youĀ wereĀ supposedĀ toĀ leaveĀ anĀ hourĀ ago.Ā whatĀ areĀ youĀ stillĀ doingĀ here?Ā ā
just five more minutes. it's what mel had told herself... a few times... in the last hour. patients that she wanted to follow up on, another to discharge, results that she wanted to give. turns out that five minutes was apparently closer to sixty. which she hadn't realised until doctor robby's voice is calling out. pausing, she turns on the spot, her mind still thirty seconds ahead when she would have been stepping into the patient's room. "i was just following up on one last patient. their lab results came back and they're good to be discharged. i thought i'd clear them off the board before i left." one last patient... alongside the other five she's seen in the past hour. "shouldn't you have left as well?"
consider this an interest tracker! i know i've been quite hit and miss here and i want to know who's interested in interacting with me and mel! i'd just love to know who i can reach out to for plots, memes, etc.
@pittbled sent you're a good kid.
the reaction is silent, but near instant. the lift in mel's cheeks, the upturn of her lips. she's attempting to teach herself how to control it, but sometimes it slips through the cracks. sometimes the cracks were more visible than she'd like to admit. praise is praise is praise and it's a good one. she's a good one.
"thank you, dr. robby." in the background, her mind is working at a million miles an hour, attempting to determine exactly what it is that has prompted this reaction out of the attending. what had she done that made him think this way? "i appreciate it. i really do."

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Dr. Melissa King + Taylor Swift (insp/template)