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laithraihan

#mob psycho 100

zipsunz

CHOICE 🥄 A Ritsu Kageyama Animation Meme

(youtube version)

#mob psycho 100

grimalkinmessor

MP100 Character Birthdays + Zodiacs

(fuck whoever fucked up the wiki like WHY)

The first episode is set in 2012, post-May 12th. Some ages are changed from manga to anime so those have been noted as well. If a character isn't on this list it's because they don't have a canonical birthday.

—Main Characters—

Kageyama Shigeo:

- Birthday; May 12, 1998

- Star Sign; Taurus

- Lunar Sign; Tiger (Earth)

Kageyama Ritsu:

- Birthday; July 2, 1999

- Star Sign; Cancer

- Lunar Sign; Rabbit (Earth)

Hanazawa Teruki:

- Birthday; April 13, 1998

- Star Sign; Aries

- Lunar Sign; Tiger (Earth)

Reigen Arataka:

- Birthday; October 10, 1984

- Star Sign; Libra

- Lunar Sign; Rat (Wood)

—Regular Students—

#mob psycho 100 #i just feel like i need this

hivemindscape

we were shown the kick-off and the later unraveling of Ritsu's trauma. I tried to put the mindfuckery that went on inbetween into pictures

#mob psycho 100 #the previous tags

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watermelonstar

rayman

#mob psycho 100

r0wa

not succumb

#mob psycho 100 #r0wa I owe you my life

backfliips

A lot of people on twitter wanted me to explain how I draw expressions, so here you go

Unless you're drawing explicit realism, in my opinion, expressions should be exaggerated to some degree. If you aren't doing a 1:1 recreation, the point is to get the FEELING across. Try making the expression you want to draw and feeling how your face pinches and stretches.

Skin doesn't just "disappear" when your face moves it around --- that's where wrinkles come from! Pay attention to where your skin creases when you emote, and use it to your benefit. It's a fine line between overdoing it and underdoing it -- find your own balance.

Ultimately, every expression has a little bit of push and pull, unless your face is completely neutral (and even then, there are still some wrinkles...). Learning to think of expressions as actions and reactions is VERY helpful in learning to draw them without needing a reference, and in learning how to stylize and push expressions based on references as well!

I think a lot of people end up with stiff or unexpressive emotions in their art because they're just trying to recreate a picture instead of understanding WHY and HOW the face is moving --- and it's a tough thing that takes a while to really pick up and learn. Hopefully is helpful in showing a way of thinking about it that can influence your process and approach to emotions!!!

Also, bonus: even without the lines, the planes alone still show a LOT of emotion.

cloudmancy

unreasonably charmed by Pendant in the shape of a ram's head, Eastern Mediterranean, 5th–4th century BC, made of glass

cloudmancy

I never thought about this... you're right, that's awesome

orxinus

thats my fat old man!!

context: @sexyman-contest-2025

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bakuhatsufallinlove

424

All right, listen. It’s pretty damn funny that two weeks ago I posted all like, “oh I don’t really comment chapter-by-chapter, I’m waiting to see what happens next,” but this one broke me.

This chapter was everything I wanted for bkdk, and it’s so much more tender than I ever dreamed it could be.

#my hero academia

gittetj

I was looking for something else in the comic and came across this page and it just struck me how clearly it communicates something I’ve thought about a lot of times - that Shou doesn’t just see an ally in Ritsu, he is very heavily projecting all his own problems onto him.

Shou saw this boy during the 7th Branch arc, quickly picked up on him radiating ABUSIVE FAMILY ISSUES (amplified by the fact that Ritsu was extra nervous around Mob after he found out about Ritsu’s new hobby of beating people up in dark alleyways), and just decided that this was someone like himself, maybe the only person he’s ever met who might be able to understand him, so of course he’s not going to let that go. That in itself is fine, and it’s mutual too - Ritsu later flat out tells Shou that he finds him relatable. Ritsu also needed to know that he was not alone in order to progress, but the difference between him and Shou is that Ritsu isn’t assuming anything about Shou, he knows they’re not really the same even though they have things in common. Ritsu isn’t convinced that he has any right to say how Shou should handle his family situation, he’s just supporting him in what Shou has already decided: That he needs to stop his dad.

Meanwhile this page is nothing but Shou telling Ritsu how he should think and feel about his own “abuser”, because clearly Shou has figured out the only right way to handle a situation like this. He’s assuming that Ritsu has also lived with some kind of family tyrant, that Mob must have purposely hurt Ritsu like Shou’s dad has hurt him, and that the same problem solving can be applied to stopping it. He’s assuming all kinds of things based on basically nothing but Ritsu’s anxious behavior and the fact that Mob is very powerful. His insistence that Ritsu should know he’s better than his brother? That’s likely something Shou has told himself many, many times. That’s likely what has kept him going while setting up his plan to ruin Touichirou’s world domination schemes, and what cemented his honestly pretty naive belief that he could beat his dad in a fight. The thing about feeling inferior? Probably also something Shou has had to struggle with as growing up changed his view on his dad from being someone worth looking up to, to being both an embarrassment and someone to be feared, thereby dragging Shou down because he sees it as his responsibility to keep his dad in check.

There are just so many assumptions. In Shou’s mind of course Ritsu will understand and help even though Shou just kidnapped him, because they’re practically the same! (That that particular plan actually worked is wild, but that’s a different story.) And of course Ritsu will be able to hold his own against a bunch of adult espers, because he’s tough and clever just like Shou! And it breaks my heart when Mob saves Shou from being blasted to pieces by his dad and Shou assumes it’s Ritsu, because I think he wanted so badly to believe that if he couldn’t take Touichirou down himself, then at least someone like Ritsu could do it instead. I don’t think it ever really occured to him before that anyone not exactly like himself would be willing to stand up for him in that way.

Projecting this hard onto someone is not… good. This makes it hard for me to imagine any friendship happening between Shou and Ritsu after the World Domination arc as a seamless and natural thing. Shou’s overwhelming fascination with Ritsu is just kind of worrying and never shown to be returned.

Shou has shouldered far more responsibility than a kid his age should ever have to, but his perception of the world is often childish and self-centered and involves a lot of black and white thinking. At one point Touichirou calls him a spoiled brat, and in a way I think that’s true. Shou has been used to ordering people around and thinking of himself as a leader, but giving people orders about what they should think and feel doesn’t exactly make for a good basis for establishing positive relationships with other people.

There’s no silver lining to this, it’s just me thinking, as I’ve done many times, that Shou’s gonna have a hard time adjusting to being a regular kid.

#mob psycho 100

katyatalks

Important points for Mob Psycho 100 animators to follow, compiled 2016/05/09 & 2016/05/11. “We felt the animators wouldn’t look at it if we presented it in a normal way, so we made it as if it were a manga.” From Animestyle010 (2016/12)

#mob psycho 100

gittetj

Ritsu did not sleep that night.

#mob psycho 100

cmirael

draw ritsu pls? :)

:D

#mob psycho 100

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eldritchsquared

came across this video again needed to share

wanderingpeonies

[VIDEO DESCRIPTION + TRANSCRIPT: a video of will wood in dark lighting, with a question box that reads “please drop the kin list mr. wood”. he says “hair, a knife, six beetles, 17 roaches, which are different from beetles, my own eyes, and a head of lettuce that someone threw away in my trashcan. i didn’t have lettuce, someone else threw it in there.” the video cuts to a second segment and he says “i also kin popcorn ceilings, ableton live, DAW, logic pro, pro tools, final cut, premiere, and aperture—“ he cuts off as a quiet voice out of the shot laughs and says “nerd.” several other voices out of the shot laugh, and will wood also laughs. he continues, stuttering for a moment and saying “fandango”. the video cuts again and he says “lastly, i kin patricia cagliono, alfredo corleone, uh, carley rae jepsen’s ‘call me maybe’, my rat’s back legs, and the number eight.” /END DESCRIPTION]

#I cannot find who patricia cagliono is #😭😭😭#will wood

iruru0726

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