Kiara and Bouncepig

These vintage X-Men Valentine’s

PSA

You feel like shit is a website set up to help you get out of that funk/improve things just enough to not feel horrible and miserable all the time.  It’s amazing.

Whether you struggle with mental health problems all the time or whether this is a new/temporary state for you, this guide is an easy and judgement-free self-care tool.

PLEASE TRY IT OUT!  Really!  You just click through the questions to answer and follow simple instructions that in the end, ideally, will help you to feel more comfortable and stable on a daily basis. 

I’m feeling ok right now and am about to settle into bed (but this was scheduled hence the early morning post) but I flipped through it for awhile just to see what it is like and holy crap it’s like a choose-your-own-adventure of self-care activities that not only aims to engage you in positive feel good behaviors but also tries to match its suggestions to your level of energy/ability/can even.

I think I am going to use this definitely when I am having a bad time but maybe also try to incorporate it into my life on at least a weekly if not a daily or semi-daily basis.

Most composers spend just 10-12ish weeks working on a film’s music. John Williams spent around 14 weeks on each Star Wars movie, 40ish weeks total for the whole OT……but composing the LOTR trilogy’s soundtrack took four years

The vocals you hear in the soundtrack are usually in one of Tolkien’s languages (esp. Elvish). The English translations of the lyrics are all poems, or quotes from the book, or occasionally even quotes from other parts of the films that are relevant to the scene

When there were no finished scenes for him to score, Howard Shore would develop musical themes inspired by the scripts or passages from the book. That’s how he got all Middle-Earth locations have their own unique sound: he was able to compose drafts of “what Gondor would sound like” and “what Lorien would sound like” long before any scenes in those places were filmed

Shore has said his favorite parts to score were always the little heartfelt moments between Frodo and Sam

Shore wrote over 100 unique leitmotifs/musical themes to represent specific people, places, and things in Middle Earth (over 160 if you count The Hobbit)

The ones we all talk about are the Fellowship theme, the main Shire Theme, and the themes for places like Gondor, Mordor, Rohan, and Rivendell…but a lot of the more subtle ones get overlooked and underappreciated

Like Aragorn’s theme. It’s a lot less “obvious” than the others because, like Aragorn himself, it adapts to take on the color of whatever place Aragorn is in: it’s played on dramatic broody stringed instruments in Bree, on horns in  battle scenes, softly on the flute with Arwen in Rivendell….

Eowyn has not just one but three different leitmotifs to represent her

Gollum and Smeagol both have their own leitmotifs! Whose theme music is playing in the scene can often tell you whether the Gollum or Smeagol side is “winning” at the moment

The melody for Gollum’s Song in the end credits of the The Two Towers is the Smeagol and Gollum themes smushed together (it’s Symbolic)

And then there’s the really obscure ones. Like there’s a melody that plays at Boromir’s death that shows up again in ROTK in scenes that foreshadow a major death or loss

Wikipedia actually has a list of these leitmotifs, click this link and scroll down to check it out if you’re bored

Shore wanted the theme music to grow alongside the characters– so that as the characters changed, their theme music would change with them.  

You can hear that most clearly in the Shire theme. Like the hobbits, it goes through A Lot 

Like compare the childish lil penny whistle theme you hear in Concerning Hobbits/the beginning of FOTR with (throws a dart at random Beautiful Tragic Hobbit Character Development scene because there WAY TOO MANY to choose from) the scene when Pippin finds Merry on the battlefield, where you hear a kind of shattered and broken but more mature version of that same theme in the background 

I could write you a book on how much I love the way the Shire theme grows across the course of these films 

Unlike the hero’s themes, which constantly change and grow, the villain’s themes (The One Ring theme, the Isengard theme, etc) remain basically the same from the very beginning of FOTR to the end of ROTK. Shore said this was an intentional choice: to emphasize that evil is static, while good is capable of change

an illustrated quotation wallpaper I made for uni.

Who exactly is ‘giving kids sex hormones’? oh wait. it’s the endocrinologists and parents inducing puberty in their kids because they think it’s happening too slowly or their endogenous hormone levels aren’t high enough. don’t believe me?

’How and when do I induce puberty in males?’, posted to Endocrine Abstracts. ‘Inducing puberty’, published in the European Journal of Endorcinology.

what are the drugs they’re given? well, the most common is Lupron or leuprolide. Other applications of the drug include:

parents who want their daughters to get taller, or,

parents who are grossed out by their kids’ puberties when they happen faster than they expected.

“Doritos locos taco… Colonel, what’s the procedure?”

“That’s a taco with a special shell, Snake – made not from an ordinary corn tortilla but designed to evoke the famous tortilla chip, packed with extreme flavor. Substitute the shell and prepare the rest of the taco normally.”

“Got it. Excuse me, customer. There’s both Cool Ranch and Nacho Cheese shells here. Which would you prefer?”

“Cool ranch, please.”

lots of angles

lots of candy

uwu aesthetic

receive candy as an offering of love

halloween:

lots of devils

lots of candy

spooky aesthetic

Because the answer to the question they are pretending to ask is the same as the answer to the question “does a person have to date another person” which Is already known by everyone: no.

Of course not, nobody should be forced to date anybody. There’s no possible debate there.

Therefore the only possible Interpretation of the question they are actually asking is “should lesbians consider trans women as valid women”