Feb 18. Lecture âCritical design Speculative approaches How it relates to prototyping & interaction designâ (notes)
Lecture started with rather discussional way, we were suggested to watch a video and follow a number of characteristics to keep in mind for further discussion.
Those videos triggert, which trigger lively discussion, about ethics, about form. About purpose and need for this exact for of prototyping. My background in contemporary art and years of being fan of critical theory kept my interest especially when my classmates were undermining ctitical approach for knowledge development, I felt bothered and that pushes me to think of other argument.Â
One of the questions we discussed was a project by an inventors of the term âcritcal designâ Anthony Dunne and Fiona Raby. A dolls with collection of DNA of love partners, which list of characteristics written around the doll. The idea might sound fun, crazy, but also extremly unethical and uncomfortable for majority of class. We who grew up in the word full of missuse of personal data scares us with idea that our biometrics might be secretly collected and stored in a form of dolls by one of our past or future partners. Almost horrible scenario made our class argue, on one hand Impossibility and unnesecety of such a design object seems rediculous to produce, since it will never have any comercial value. But on the other hand such an extrem grotesaue form of design make it most vived what we value in idea of privacy for personal data and samples of own bodies.
In the following reseach through design also seems interesting for my way of thinking about the world of object.
Power of design, when it is comforting to look at smth questionable and superficial?
Anthony Dunne and Fiona Raby developed a long list of characteristics to devide affirmative design, meaning design which follows current status quo of existing world and critical design aiming to overcome current state of affairs
Some of the problematic points of these aproaches mentioned in class were lack of responsibility, distant high-brow approach, lack of self-criticism, overcomlective way to sparce discussion.
NB!
Speculative approaches - judge concepts as concepts; Critical design - place holders, not actually ment to be an answer; Indangetic design, which comes from process:
Bruce M. Tharp, Stephanie M. Tharp, Ken Friedman. (2013) Discursive Design: Critical, Speculative, and Alternative Things.Â
Bardzell, S., Bardzell, J., Forlizzi, J., Zimmerman, J., & Antanitis, J. (2012).Critical Design and Critical Theory: The Challenge of Designing for Provocation. Proc. DISâ12, p288â297. ACM Press.Â
Bardzell, J., & Bardzell, S. (2013). What is âcriticalâ about critical design? In Proc. CHIâ13, p3297â3306). ACM Press.
Dunne, A. (1999) Hertzian Tales: electronic products, aesthetic experience, and critical design (2005 ed.) The MIT Press, Cambridge MA.Â
Tharp, B. M., & Tharp, S. M. (2013). Discursive design basics: Mode and audience. Nordes, 1(5).Â
Tonkinwise, C (2014). How We Intend to Future: Review of Anthony Dunne and Fiona Raby, Speculative Everything: Design, Fiction, and Social Dreaming, Design Philosophy Papers, 12:2, p169-187. Routledge
Monge, M. (2016, April 8)Â Designing for Social Change How do designers help us understand âwicked problemsâ? (2016, April 8) from https://nearnow.org.uk/stories/design-and-social-change