nasty crime boy

*Wriggling around on the lab floor* I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute. I’m so cute.

this isnt a vague about anything or anyone in particular (more of a pattern recognition thing), but i think like labeling things as being "not racist" or "not misogynistic", while well intentioned, closes off a dialogue between the work itself, the audience, and the creator(s). like even if you have a work that is devoid of bigotry (which even if its true today, people in the future may view it differently) its still worth examining and having conversations about it. also, i think it like severely limits the scope and reduces the ability for improvement or nuance. alas!

i bet it feels good as fuck to intend to do something and then actually do it

When the female character meets her male love interest and you watch in real time as the writers hollow her out and zombify her with tradwife spores

Turning dog gravity off so they all get whisked away

I don't give an amazing digital fuck

the most evil person alive would like to start their career in mental health