Kartik's Blog

LG from Rafael Migliorini on Vimeo.

lookdev and lighting

Severance Season 2 - Intro Title Sequence / BEHIND THE TITLES from Oliver Latta on Vimeo.

MAKING OF!

Directed, designed, and animated by: Oliver Latta (Extraweg) Music: Theodore Shapiro Text / Typography: Teddy Blanks

Thanks to: Daniel Büttner, Ignas Blažys, Kristina Nedeljkovic, Müge Bulazar, Florian Raphael Panzer, Sean Findley, Stephen Siemens

more info and behind-the-scenes soon!

Any reproduction or illegal distribution of the content in any form will result in immediate action against the person concerned.

BENECKE Product PV from Sparker Design on Vimeo.

This is the new Sandisk. from Abra.Network on Vimeo.

Rebrand reveal for Sandisk.

Direction / 3D: @abra_network Music and Sound Design: @giovanni_dubini

Rebrand team Agency: ELA Advertising ECD: @stephenwitha_p_h ACD Copy: @meganhenricks.jpg Rebrand Team: @jordykuster @meganhenricks.jpg @stephenwitha_p_h @leahbears Marla Steinwald

Mirinda from BUCK on Vimeo.

How do you like your Mirinda?

Mirinda, the fruit-flavored soft drink from Pepsi, needed a makeover — something bright, something fresh, and something playful to appeal to Gen Z.

ALAN THE INFINITE from Parabella on Vimeo.

Alan’s excited! It’s his first day at Lamin’8– a stale, grey, humdrum lamination company. Oh boy! If he buckles up, stays focused and impresses Gary, his unhinged boss, this might just be a job for life. But all is not quite as it seems, and when Alan accidentally unleashes cosmic, supernatural forces into the office, he realises that fitting in at Lamin’8 is going to be infinitely more tricky than he ever could have dreamed.

CREDITS Written & Directed by - Mikey Please & Dan Ojari Produced by - Mikey Please, Dan Ojari, Alex Holberton & Kev Harwood Executive Producers - Mikey Please & Dan Ojari, James Stevenson Bretton, Tom Stuart & Bart Yates Music by - Ben Please & Beth Porter @ The Bookshop band

CAST ALAN - Dan Ojari GARY - Baker Terry PREA - Theodora van Der Beek SUSAN - Jessica Rayner NEIL - Rob Carter SCIENTIST - Elliot Dear

Sound Design - Adam Janota Bzowski, Ben Please & Dan Ojari Sound Mastering - Simon Harris @ Offset

DOP - Simon Paul Camera Assistant. - Giles Warner Additional lighting - Mikey Please, Dan Ojari, Peter Elmore & Max Halstead

Lead Animators - Andy Biddle, Dan Gill, Steve Warne, Anthony Farquhar Smith, Mikey Please & Dan Ojari Animators - James Carlisle, Luke George, Rachael Olga, Nick Black & Angie Palethorpe

Puppet Design - Mikey Please Puppet Fabrication - Mikey Please, Adeena Grub, Rosie Tonkin & Thomas O’Meara Rigging - Robin Jackson Crowd Puppets design and fabrication - Adeena Grub and Natasha Wigoder

Set Design - Dan Ojari Art Direction - Dan Ojari, Emma Rose & Kat Simpson

Modelmakers - Katy Haggerty-Marks, Becky Weston, Rachael Olga, Nick Black, Luke George, Campbell Hartley, Emily Suvanvej, Millie Tennant, Adeena Grubb, Antonia Trister, Jack Pratt, Rebecca Howell, Steph Marshall, Natasha Wigoder, Beatriz Dominguez, Sofia Rodriguez Serrano, Maria Crus, Mireia Mendez & Brin Frost

2D facial Animation - Mikey Please Additional 2D - Mathias Sgard & Elliot Dear

Lead Compositor - Mikey Please Additional compositing - Mathias Sgard, Dan Ojari, Simone Ghilardoti & Tom Fisher Grade - Elroy Gaskin-Payne @ Onsight

Post Production Supervisor - Benjamin Lole Post Production Manager - Mira Valcheva Post Production Creative Supervisor - Quentin Vien 3D Modelling - Lisa George-Gilroy Rig Removal & 3D facial tracking - Elipse FX Production Support - Ali Albion

Recording Engineer - Robert Frank Hunter

Behind The Scenes Film - Joseph Eckworth

THANK YOU - Charlie Perkins, Matt Day, David Cann, David Lupsein, David Rodger, Katie-Mae Griffith, Lydia Larson, Cross Street Studios, Clapham Road Studios

Bye Little Block! / Pá, kis panelom! from Eva Darabos on Vimeo.

A surreal farewell to a blockhouse area.

Bye Little Block! (2020) is my graduation film made at the Animation Master programme of Moholy-Nagy University of Art and Design, Budapest (@MOME Anim).

Awards:

Ottawa International Animation Festival 2020 - Best Design ANIMATOR Poznan 2020 - Best Student Film Barcelona International Short Film Festival 2020 - Best Animated Short Animakom Bilbao 2020 - Jury's Special Mention Festival of Animation Berlin 2021 - Special Mention Sweaty Eyeballs Animation Festival 2021 - Jury's Citation Flatpack Film Festival 2021 - Special Mention Cinefest Miskolc 2021- CineNewWave Award Dargay Attila Award for The Most Promising Hungarian Animation Talent 2021 ‘21 International Film Schools Festival, Uruguay - Best Animated short PRIMANIMA 2021 - Most Popular Hungarian Short KAFF 2021 - Best short film KAFF 2021 - Filmcritics’s Award Cinemira Film Festival 2021 - Best Short Film Cinemira Film Festival 2021- Best Hungarian Animated Short Film Big Cartoon Festival 2021 - Best Student Film ATAFF 2021 - Award of the Student Jury ATAFF 2021 - Jury’s Special Mention PiterKIT 2021- Golden diploma For Imagination and Absurd Humor Zoom Zblizenia 2022 - Special Award La Guarimba Film Festival 2022- La Grotta dei Piccoli Award Castrovillari Film Festival 2022 - Best Original Score (Dávid V. Bodnár) We like’em short 2022 - Best Student Film Animist Tallinn 2022 - Yarlspinner Award Festival Cartón 2022 - Best Student Film Festiwal Spektrum 2022 - Best Animated Short Desenzano Film Festival 2022 - Best Animation GIRAF 18 Calgary 2022 - Jury Award Sottodicotto Festival 2022 - That’s ANIMATO Award

Selections:

Animafest Zagreb, Sarajevo Film Festival, Ottawa International Animation Festival, PÖFF Shorts, London International Animation Festival, Festival of Animation Berlin, Pictoplasma, Anim'est, Anilogue, Anifilm, Premiers Plans Festival d'Angers, Barcelona International Short Film Festival, Fantoche, Tel Aviv International Student Film Festival, Anibar, Anímator Poznan, BUSHO, Friss hús Budapest International Short Film Festival, Festival BAB, Weird 3D Festival, Imagine Science Film Festival New York, New Chitose Airport International Animation Festival, Supertoon, Catch the moon, Filmtettfeszt, Cinefest Miskolc, Cinemira International Youth Film Festival, Short Waves Festival, Fest Anča, Animateka, Insomnia, MONSTRA Festival, Magyar Mozgókép Fesztivál 2021, Primanima, Animakom, KAFF, Imaginaria, Linoleum Kyiv, Kyiv ISFF, Monstrale, Big Cartoon, FIEC Uruguay, Fancine Málaga, Alexandre Trauner ART/Film Festival, Sardinia Film Festival, Macau International Short Film Festival, Linea D'Ombra Vedo Animato, KuanDu Film Festival, Sweaty Eyeballs, Zoom Zblizenia Film Festival, Mecal Pro, Flatpack Film Festival, Animocje, Mediawave Gathering, Animatricks, Zlín Film Festival, La Guarimba, Animist, We like'em short, Rooftop Films NYC, PiterKIT 2021, Hungary Live NYC, Vertigo Film Festival, Castrovillari Film Festival, dotdotdot Vienna, Festival Cartón, Festiwal Spektrum, Desenzano Film Festival, GIRAF 18 Calgary, Interfilm Berlin, Animasivo Mexico City, Sottodicotto Festival, Budapest Architecture Film Festival, Brighton International Animation Festival

FILM CREW

Director: Éva DARABOS Producer: József FÜLÖP Editor: Judit CZAKÓ Script Advisor: Rita DOMONYI Tutor: Réka GACS Music: Dávid V. BODNÁR Sound Designer: Dávid V. BODNÁR Production manager: Eszter GLASER Visual concept: Éva DARABOS Backgrounds: Éva DARABOS, Lili KORCSOK

Animation: Domonkos ERHARDT, Éva DARABOS, Bálint HALASI,Vivien HÁRSHEGYI, Bence HLAVAY, Melinda KÁDÁR, Katalin SÁRDI Clean -up, Coloring : Luca Kata ÁBRÁNYI, Domonkos ERHARDT, Éva DARABOS, Eszter GLASER, Bálint HALASI, Vivien HÁRSHEGYI, Bence HLAVAY, Melinda KÁDÁR, Péter KÁLMÁN, Mays MAHMOUD DWEIRI, Sára SOMOGYI, Anna TŐKÉS, Bori ZÉTÉNYI

A Dream from REISINGER on Vimeo.

Mainframe from Ordinary Folk on Vimeo.

This dead project has found new life! We’re proud to finally share this director's cut with the world. We call it: Person who runs through nondescript mainframes in a beautiful fashion. Such a talented group of artists made this one special and we are thrilled that it's seeing the light of day.

Worlds Of Japan from Steelworks Studio on Vimeo.

At Steelworks Studios, we pride ourselves in constantly challenging our team to push the limits of what can be achieved. What we created in CGI was a beautifully crafted world that re-imagined man-made structures as well as expansive natural vistas. The first-person, soaring POV makes the visuals all the more personal, allowing the viewer to enjoy what could be. Combining detailed visuals with bespoke sound design uplifts the experience to be that much more magically visceral.

Process CGI / Animation

Creative Direction Nidia Dias & Miguel Rato

Design & Animation Ross Mason & Sylvain Gaussens

Comp Nidia Dias

In the Path of Totality | Simons Foundation from Katy Wang on Vimeo.

What connects Bloomington, Indiana to Buffalo, New York? Or Austin, Texas to Akron, Ohio? At a surface level, it may not be much. But for a few minutes on a Monday in spring, they’ll be connected by a celestial event that, for many, will be a once-in-a-lifetime experience.

On April 8, 2024, a total solar eclipse will pass through towns and cities that are home to more than 30 million Americans. People will gather at town squares, festivals, science museums, breweries, garage parking lots, schoolyards and more. For several minutes, the magnificent power of the sun will be dimmed by the Moon, an object 1/400th of its size. The temperature will drop, birds will go quiet and a small part of our world will go dark.

Film commissioned People's TV and The Simons Foundation.

Directed, designed and animated by Gabriel Greenough and Katy Wang Sound design by Jennifer Pague

Music is Everything! from Manojit Nath on Vimeo.

When I saw Rafael share his Spotify inspired styleframes he made during @clausstudios (Justin Claus Harder) Style Frame Workshop, I knew right then and there that I had to give it a shot to bring those breathtaking frames to life. So, last month (Feb 2023) I finally reached out to Rafa asking whether I can animate his designs and he graciously gave me the green light!

While working on this piece, we went back and forth discussing/sharing ideas about animation, design, rhythm for the overall piece. Rafa’s feedback on my animation was a huge help.

Also to put my own spin on things, I ended up designing some frames from scratch & mixed some of my ideas with Rafa’s vision.

For the music I chose this groovy track called WALTZ from Sunny Fruit which I think fits perfectly for this piece.

I think this turned out great & I am happy with it. Also, huge shoutout to my mentor & friend Zac Miller (zmiller.tv/reel) for providing invaluable feedback on design and animation.

Rafa’s Styleframes for this piece - instagram.com/p/ClE-Aw1sZQf/ Rafa’s Instagram- instagram.com/rafa_cezar/

Original Styleframes- Rafael S. Cezar Modified Styleframes for this piece - Manojit Nath Animation - Manojit Nath Music Track - youtube.com/watch?v=yP5WyDLB7iU