hot take but not all relationship dynamics in fanfic have to end with âto loversâ actually
noise dept.
Fai_Ryy
sheepfilms
Cosimo Galluzzi
d e v o n
Interview Vampire Daily
Sade Olutola
h

shark vs the universe
cherry valley forever
Not today Justin

đ

blake kathryn
â
ojovivo
Keni
2025 on Tumblr: Trends That Defined the Year
seen from Venezuela
seen from United States

seen from United States

seen from United States

seen from Singapore

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from Russia
seen from Bangladesh
seen from Singapore
seen from United States
seen from United States

seen from Indonesia
seen from United States

seen from Canada

seen from Germany
@kariachi
hot take but not all relationship dynamics in fanfic have to end with âto loversâ actually

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
*gasp* Fic.
Max on Kevin's mom.
~~
[id: Four images: a banner and three pictures listing prices with sample artwork. The banner reads 'The Screaming Emu' in orange across a blue, black, and green bird monster.
The second image shows Andalite heads in varying levels of detail with prices listed: $10 for a sketch, $15 for line art, $20 for line art with flat colors, and $25 for line art with full coloring and shading.
The third image shows a digital painting of the bust of a blue budgie parrot with the caption: $75 for lineless art.
The fourth image shows a dragon standing upright with lines marking off segments of its body listed with prices: No additional charge for the head, +$10 for a bust up drawing, +$15 for a waist up drawing, and +$25 for a full body drawing. /end id]
--
Hey! My commissions are open. For a lot of reasons I need more money than Iâm currently able to make at my job. I would be incredibly grateful if you commissioned me.
Contact me via private message or ask through @thenixartâ or via my email: [email protected]
Payments through Paypal or kofi (ko-fi.com/nixkat > accepts card payment). Products are digital and will be emailed in .png format unless otherwise specified.
Extras!
-Additional characters are $5 per character. -Simple backgrounds like colored rectangles or circles or polka dots cost nothing. Complex backgrounds are $15. -Saucy/Suggestive art (T&A mostly and some kinks) has an additional charge of $25
I draw:
-Monsters, aliens, fantasy creatures -Animals and Furries/Anthros -Humans
I do not draw:
- Genitals, Body fluids, Sexual Acts - Incest, Pedophilia, Sexual Assault/Sexual harassment
Art examples:
[id: Art of a tumbleweed made of human arms. /end id]
[ID: A simple drawing of Laios Touden from Dungeon Meshi as a wolfman-type werewolf with a tail. He's drawn from the hips up and wearing his plate armor. /End ID]
[id: Digital art of the Pokemon, boldore, a deep blue and orange rock monster with three limbs and two yellow lined ears in the middle of its face in the place of eyes laying down on a simple green grass background bordered with grey. /end id]
[id: Digital art of the character Chur from Magi-Nation seated cross-legged in profile with his face turned towards the viewer. He is bald with scaly green skin, dark green facial hair, orange eyes, and a yellow gem embedded onto his forehead. Heâs wearing a brown and grey fur bikini with arm and leg guards that have orange spikes on the shoulders and orange claws on the boots. The tail on his fur bikini is pointed curved upwards and is striped.Â
Behind him is a red-orange rectangle as a background. /end id]
[id: A digital painting of two women, one tall Black and with red hair and one shorter white and prematurely gone grey, on a hike in a birch-maple forest in autumn. They are on a wood planked path with a split in the path in front of them. The taller woman holds a map folded in one hand and points at the path directly in front of them while the shorter woman looks at her and looks to be speaking. /end id]
ââHe was already dead. He died a year ago the moment he touched her. Theyâre all dead. They just donât know it yet.ââ
â Eric DravenÂ
itâs a pretty well-known phenomenon that you only get a couple seconds with your horror creature fully visible onscreen before it gets âchuckied,â a term coined by yours truly referring to the shift between the first and second acts of childâs play (1988) as the audience gets used to seeing the little chucky puppet moving around and consequently can no longer buy into the filmâs serious slasher tone in the absence of the horror of the unknown. the tuunbaq in the terror and the dogomorph in alien 3 (1992) are also famous victims of chuckyingâjust like how lovecraftian horror usually falls flat on the screen, too much visibility and your scary, amorphous creature will become a very morphous puppet or cgiâd in picture. the easiest way to combat this is of course to keep the creature obscured for as much of the piece as possible; for instance, despite their oppressive presence throughout their respective works, the beast in over the garden wall is shown for less than six frames and the eponymous kaiju of cloverfield (2008) is never properly shown, allowing each to retain their mystery and danger. another route is to simply lean into the campiness of it, like the later childâs play franchise and alien resurrection (1997). in the case of the blob (1958) a mere satirical title sequence song is enough to completely transform a fairly standard creature feature into an enduring masterpiece of hokey fun. the third option to combat chuckying is for the horror creature to constantly transformâthe thing (1982), the fly (1986), and aliens (1986) show their creatures in loving detail, but there is always something the audience hasnât seen yet, something they donât know to brace themselves for. itâs a fine line to walk, of course, but thatâs the nature of the game when you want to turn the concept of the unknown into something knowable enough to bite you

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
mebbe this sounds weird, but i honestly find dominoâs existence in the mcu so comforting.Â
hereâs this world of bigotry, prisoner abuse, tortured children, careless rich assholes, bloodthirsty monsters and cosmic horrors, and hereâs this lady who can stroll through all of it with her hands in her pockets and emerge without a scratch.Â
her powers arenât flashy but damn they are effective.Â
sheâs not super strong or fast. fuck it. she doesnât need to be.Â
sheâs not invulnerable or a genius. doesnât matter. things usually work out for her anyway.Â
sheâs not an Avenger or an X-man or a member of Shield, but when presented with a room full of tortured children she doesnât hesitate, doesnât cry, doesnât waste time, she has a 2-step plan and it goes 1. get âem on a bus 2. murder anyone who tries to stop her getting âem on a bus. yeah, there may be other problems, but sheâll work something out. she always does.
growing up at the mansion, those kids will adore gentle giant Colossus, who lets them ride on his shoulders and teaches them about the importance of non-violence.Â
they will pray to the memory of domino, who cut off their torturerâs head and got them on a bus.Â
Random Headcanon: In the modern, western world thereâs a very strong stereotype? cultural expectation? social pressure? around mutants regarding proper use of their powers. âGoodâ and âbadâ are very defined, very distinct, no grey allowed. A mutant is expected to use their powers in service of others, specifically in protection of others, as this is seen as the only really âvalidâ use of them. After all, if you can heal people why wouldnât you become a doctor (no matter whether you have the temperament or stomach for the job), a firefighter if you can control water (even if you have terrible asthma that would be ill-served by the smoke)? Peopleâs health and safety are on the line, and you could, technically, help. So you have to.
Mutants, and by extension others with powers, are expected to become cops, firefighters, superheroes, because the predominating culture states that these and more power-specific jobs like doctor are the only jobs that allows them to be a âgoodâ person. To do otherwise is to be horribly selfish at best, or under suspicion of being actively malicious at worst. And doing so young is encouraged, to prevent âgoing down the wrong pathâ.
A mutant who goes starts fighting crime as soon as they have full control of their powers? Is good and righteous and an icon
A mutant who keeps their head down and opens a bakery? Is selfish and untrustworthy and a suspect by default
You either become a hero or youâre considered a potential villain.
The fact that this means a sad number of mutants, when faced with health concerns and prejudice and desires to not be any of the things society says they have to be, see the black and white options and say âfuck it thenâ? Only serves to fuel the fire.
You see a bit of this with Alan (as soon as heâs proven not to be a villain the sheriff declares heâll work with them and nobody bats an eyelash) and Cooper (fourteen, same as Alan, but as soon as he has any contact with Plumber work everyone is all for him to drop everything and join the organization, seeming more entrenched than even the Tennysons by his second UA appearance) especially.
Servantis didnât have to do much to get Alan, Manny, Helen, and Pierce to want to work with the Plumbers, essentially just wiping and replacing a few memories and letting cultural conditioning and social pressure do the rest of the work for him.
Resources For Writing Deaf, Mute, or Blind Characters
Despite the fact that I am not deaf, mute, or blind myself, one of the most common questions I receive is how to portray characters with these disabilities in fiction.
As such, Iâve compiled the resources Iâve accumulated (from real life deaf, mute, or blind people) into a handy masterlist.
Deaf Characters:
Deaf characters masterpost
Deaf dialogue thread
Dialogue with signing characters (also applies to mute characters.)
A deaf authorâs advice on deaf characters
Dialogue between deaf characters
Mute Characters
Life as a Mute
My Silent Summer: Â Life as a Mute
What Itâs Like Being Mute
21 People Reveal What Itâs Really Like To Be Mute
I am a 20 year old Mute, ask me anything at all!
Blind Characters:
The 33 Worst Mistakes Writers Make About Blind Characters.
@referenceforwriters masterpost of resources for writing/playing blind characters.
The youtube channel of the wonderful Tommy Edison, a man blind from birth with great insight into the depiction of blind people and their lives.
An Absolute Write thread on the depiction of blind characters, with lots of different viewpoints and some great tips.
And finally, this short, handy masterpost of resources for writing blind characters.
Characters Who Are Blind in One Eye
4 Ways Life Looks Shockingly Different With One Eye
Learning to Live With One Eye
Adapting to the Loss of an Eye
Adapting to Eye Loss and Monocular Vision
Monocular Depth Perception
Deaf-Blind Characters
What Is It Like To Be Deafblind?
Going Deaf and Blind in a City of Noise and Lights
Deaf and Blind by 30
Sarita is Blind, Deaf, and Employed (video)
Born Deaf and Blind, This Eritrean American Graduated Harvard Law School (video)
A Day of a Deaf Blind Person
Lesser Known Things About Being Deafblind
How the Deaf-Blind Communicate
Early Interactions With Children Who Are Deaf-Blind
Raising a DeafBlind Baby
If you have any more resources to add, let me know! Iâll be adding to this post as I find more resources.
I hope this helps, and happy writing! <3
Updated with more resources, specifically for characters who are blind in one eye.
Gwen didn't even bother to say anything as her cousin grabbed Kevin's drink off the table at his return. Just let him settle down and take a swig, smirking at the way his face contorted as he forced himself to swallow. As if it might be prompted to attack again he set it back where he'd found it.
"So," she said, "what was that the other day about me watching Kevin all the time?" Ben just glared at her, hacking a little.
"The fuck is he drinking?"
"Pepsi, with about three packets of salt." Jaw going slack, the glare slipped from Ben's face in favor of a scrunchy confusion and concern.
"...how often is he doing this?"
"Four times since I noticed."
"....how is he not just, a fucking potato chip by this point?" Taking a sip of her own drink, Gwen shrugged.
"I don't know, but when I figure out what the hell he is-"
Regular reminder that Gwen's plan for dealing with Charmcaster, as the end of OV, seems to have been "hold her without due process or trial in a small, windowless space, in one of her victims' apartment, alone, until we're friends again".
Like, damn kid.
Even leaving aside the whole 'violation of human rights' thing, this girl really went through the whole of To Catch a Falling Star and still came out the other end like 'stockholm syndrome, that's an idea-'
They never show us an 'if Gwen was evil', but I think this and other shit gives us a good idea of the directions she would go.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
also love (/sarcasm) how every hero is down with murdering robots even if they're sentient people. Like, folks, that's literally still murder even if they aren't made of meat
#God I hate this trope#Even worse when it's aliens because like what does that make Superman then?#Is he just 'one of the good ones'? (via @gangler)
Oh! That reminded me of the Invasion! event. Even heroes with no kill codes fully down to kill aliens that didnt even have the excuse of being robots, just largely nonhumanoids. Invading aliens also included Thanagarians and Chameleon Boy's people.
The only invading aliens that folks didnt jump to lethal force with? And the only ones that switched sides to join the side of the Superheroes? The fully human looking Daxamites.
So yes, Superman and Martian Manhunter and Starfire? They get mercy/aren't typically on the chopping block even if they get temporarily turned evil b/c they're 'one of the good ones' and also typically humanoid and made of meat.
__
(do not add undescribed images to my post)
Idea for a Batman vs Superman story: surprise! Batman is actually wrong for once this time. Not that he always isn't, but narrative always makes exceptions for him.
Lois and Clark pursue Batman for both child abuse and idkâeverything else, how about that? I think it'd make for a very interesting plot: it goes into how you see things clearly when you're the third party. That it's very easy to say what's right or wrong when you're not the one involved.
But when it's one of your colleagues/friends who has a habit of taking orphans/abusing them or basically being a one man fascist deep stateâthen what do you do? He works with you. You're supposed to be a hero. When Lex Luthor does it, it's not okay? But if Bruce Wayne does it, it is? Think Clark, think. You saw he kicked Dick out, Clark. You've seen the way he treats the kids, you've seen the way he treats the League. You've seen his attitude towards the poor and marginalised. You're someone who understands him deeply and knows what makes him tick and you know why he is the way he is. But if you let him roam free and abuse everyone around you, what kind of hero do you call yourself? Do you make excuses for him because it's ânot that simple?â
So, yeah. Batman vs Superman that actually makes sense.
P.S. the child abuse I'm talking about isn't the âRobin is child endangermentâ argument. It's [waves hand] everything else.
P.P.S: I hate that panel of Wally tearing Bruce a new one concerning âchildren superheroesâ. I mean, it makes sense. Wally grew up with Dick, he knows what kind of parent Bruce was. And they have the entire Justice League hissing through their teeth and going all âhe did not say that. Lol.â and they think they're revolutionary or cool or any of these things.
But they're not.
What is the Justice League if it condones abuse within its circles. What is the Justice League when it sees a hero mistreating their sidekick and does nothing about it? Because they know him?
Either don't bring it up at all and I'll somehow suspend my disbelief (the way I do with really good comics like Grimm and BtAS) or if you're bringing it up make sure the narrative doesn't condone it but NOPE! DC and dudebro writers of the medium only know how to half arse things.
there really is a problem here
pattern recognition
âconstitutional rightsâÂ
âthe american civil liberties unionâ
âlawsâ
âprisoner rightsâ
the acknowledgement that these things exist.Â
the implication - subtle or overt - that these things are undesirable, or foolish, or at least ineffective. theyâre a joke. they donât matter.Â
what matters, then? control. power. keeping the dangerous monsters that threaten us locked away, through whatever means necessary. and inhumane, torturous means ARE necessary, can always be justified by just how evil and bad and POWERFUL this prisoner is.Â
the message, reinforced, over and over and over: prison is for bad people. bad people in prison are powerful. prison must sometimes hurt the bad powerful people to make sure the bad powerful people donât escape.Â
i mean, iâm not saying comic books are solely responsible for the fact that prisoners in America are treated like animals and nobody, nobody on the left or the right or fucking anywhere else gives even the tiniest shit. iâm not saying comic books are solely responsible for the fact that wonder womanâs pants cause a greater uproar than the constant, graphic, gratuitous depictions of prisoner abuse in Suicide Squad.Â
but comic books have been publishing shit like this for decades, and i think it is at least fair to say they have not helped.
and maybe letâs talk about Amanda Waller, Warden Wolfe, and Nick Fury up there. All people who, in their respective comics, repeatedly express their contempt for the human rights of prisoners. All abusers of prisonersâ rights. All black. Why is it that when Marvel and DC decide to depict a character who serves The Greater Good but is nonetheless so lacking in empathy they can treat prisoners like animals, they make that character black? why do they seem so willing to give powerful black characters that very specific role?Â
The cops hit Alan with a damn car, threaten to shoot him, and their recruitment of him is treated as a happy ending.
Fistina's promised reward for doing her time in prison is the opportunity to become a cop, promised after helping save the day.
Kevin- someone abused and groomed by a group of cops- his 'good' future consists of either being a cop running around foiling the plots of the group that abused him and others over and over because the cops decided nothing concrete could actually be done about them, or being a cop running the 2.0 version of the group, depending on how you interpret the line.
And here, loves, we see a small sample of how the copaganda of the B10 sequels includes the tying of becoming a better person or even just proving you aren't a bad one to involvement with law enforcement, alongside some 'bad apple' arguments- that the wrongs cops do is justified/an honest mistake outside of a few 'bad apples' that they want to deal with but just can't effectively for some reason.
I think the only time I've ever seen the "No killing" rule done in a way that really sticks to me years later is in Avatar where Aang refuses to kill Ozai not because of moral superiority. In fact Aang even acknowledges that Ozai most likely deserves it. But rather his refusal is a desperate plea because he is 12 years old and doesn't want that burden on his soul, so desperately doesn't want to tarnish one of the last few remaining teachings of his own culture that have been erased from history. That has stuck with me so much more even into adulthood.
It's a situation where it works. A character, in this case specifically a very young character, having a line in the sand they personally will not cross, in this case bolstered by trauma surrounding the genocide of his people.
Where 'no killing' rules fall apart are- well there's multiple points. When they're treated as the be-all of morality (how many things are there out there where the hero does horrible shit, but since they don't kill they're still considered superior to those who do). When they push their line in the sand on other people no matter the circumstance ('Yes they're in the middle of eating your leg off you but if you kill them you'll be tainted with murder forever'). When the threat involved really does just need to go (see: everything with the Joker at this point, nothing has worked, there are no other options that don't end in innocent people dying at best). When they become hypocrites about it ('I didn't directly kill anybody/didn't go out of my way to kill anybody, so if people die from my actions it's not my fault').
A 'no kill' rule isn't itself a problem. It's a part of a character. The problem arises from how it's handled within a work, how that character maintains said rule, why they have it, and what the circumstances are.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Ben: I'm not a cop, I've just trained to be a cop after being deputized by the cops, am assigned jobs by the cops, am paid by the cops, act under the authority of and mostly follow the rules of the cops, my actions during an arrest are treated as the actions of a cop, I was assigned a partner by the cops, come from a family of cops-
Sometimes one remembers that the most common ancestral race of hobbits is described by Tolkien as "browner of skin" then the less common two (who might have been mostly outbred over the many years? on the topic of the "fairer of skin and also of hair" set Concerning Hobbits describes that "the strong Fallohidish strain could still be noted among the greater families, such as the Took and the Masters of Buckland", which to me implies that while there's still clear ancestry there they probably still have heavy Harfoot or even Stoor influence going on- otherwise why describe it as a 'strong strain' rather than just say they're still primarily Fallohidish families? especially when you consider that the section in question is discussing that they were particularly bold and adventurous for hobbits and so given what the Tooks and Brandybucks are like it may be more often a matter of inclination rather than visuals- not to doubt that the visuals show up, but probably not as often as inclination, especially if you allow for the secrecy-focused courting habits mentioned in the first draft of the first chapter of LotR (as published in The Return of the Shadow: The History of Lord of the Rings Part 1, by Christopher Tolkien, pg 17, yes I did go hunting), which would make marriages between differing groups so much more accessible (and may actually be why that's a thing)), that their curly hair is consistently pointed out, and that our initial description of hobbits given in The Hobbit specifically mentions "nimble brown fingers".
And then one gets aggravated all over again at how long it took for non-white hobbits to show up in adaptations and the sheer number of people over the years who have tried to make out like non-white hobbits would be such a horrible canon-breaking thing.
#sorry i got pulled on a bit of a tangent there- longtime followers probably half-expected it#you wouldn't think this would be a post to hunt over but i checked four different books on this one#yes two were just two copies of the hobbit to verify information but still#the whole secrecy in courting and marriage thing might be jossed by the third version of that chapter (pg 29 of the same book)#which mentions a wedding feast#but these are hobbits and it's just as likely that eloping is not considered a good enough reason to not throw a reception party#but yes brown-skinned hobbits are a thing and have been a thing and it boils my turnips when racist idiots try to pretend it's not#my guestimate would be tones probably ranging from olive to medium brown on average#with a heavy lean towards the brown populationwise#given the name 'fallohide' and that 'fallow' is a light brown or yellow-ish brown tone#but of course i can't rightly know#is it what tolkien intended? i don't know i'm not him i'm just working off some of what he wrote#but it's what he wrote there for us