Glass facade detail (1984)
occasionally subtle
Stranger Things
Lint Roller? I Barely Know Her

Love Begins
wallacepolsom
Today's Document
Acquired Stardust
2025 on Tumblr: Trends That Defined the Year
noise dept.

shark vs the universe

titsay

ellievsbear
Sade Olutola
Sweet Seals For You, Always
RMH
Alisa U Zemlji Chuda
Misplaced Lens Cap
sheepfilms
dirt enthusiast

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@karhukaveri
Glass facade detail (1984)

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Ways to Beg, T. J. Sandella
ok hear me out - what if all of life is magic and we just forget? what if your heartbreak is a gift just as much as your love? imagine that you’re more than a human being and we’re here for just a little while, and everything feels like so much because we can’t contain it in our little human bodies, so we have two choices in living: numb out or dive deep. and if you dive deep, you end up creating in some way or another. all of humanity has coped with being human by creating music and art and movies, by witnessing the gift of nature, by falling in love (and then making art about it). maybe it is better if it’s too much. what if we can crack ourselves open even more? or just make a little promise to ourselves to give in to this experience each morning? see what it has to offer you.
Pedro Salinas, excerpt from "A Reason for Love (#2)", Memory in My Hands: The Love Poetry of Pedro Salinas (trans. Ruth Katz Crispin) [transcript in ALT]
To be loved is to be known; to be seen.
Excerpts Sources:
Is it okay to say this? - Trista Masteer // Blasted - Sarah Kane // Reassurances to Hades - Kristina Haynes // The Seven Husbands of Evelyn Hugo - T.J. Reid // My Mother/Madame Edwarda/The Dead Man - Georges Bataille //"The Last Poem in the Book," These Days (Alfred A. Knopf, 1989); Over and over again - Frederick Seidel // My Mother/Madame Edwarda/The Dead Man - Georges Bataille // Adult Children of Emotionaly Immature Parents - Lindsay C. Gibson // She Satisfies A Fear with the Rhetoric of Tears - Sor Juana Inés de la Cruz // My Life Is Pathetic! - Heather Havrilesky

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James Baldwin in conversation with Nikki Giovanni
[ID:
BALDWIN: (highlighted and underlined) It isn’t even a question of keeping yourself happy. It’s a question of keeping yourself in some kind of clear relationship, more or less, to the force which feeds you. (end highlight) Some days you’re happy, some days you ain’t. But somehow we have to deal with that on the simplest level. Bear in mind that this person facing you is a person like you. They’re going to go home and do whatever they do just like you. (highlighted) They’re as alone as you are. (end highlight and underline).
GIOVANNI: Because that becomes a responsibility, doesn’t it?
BALDWIN: Well, it’s called love, you know.
GIOVANNI: We agree. Love is a tremendous responsibility.
BALDWIN: It’s the only one to take, there isn’t any other. /end ID]
“Becoming a writer in a language that is not yours by birth, though, goes against nature; there is nothing organic in this process, only artifice. There are no linguistic “instincts” to guide you on the path and the language’s guardian angels rarely whisper into your ear; you are truly on your own. Says Cioran: “When I wrote in Romanian, words were not independent of me. As soon as I began to write in French I consciously chose each word. I had them before me, outside of me, each in its place. And I chose them: now I’ll take you, then you.” Many who shift to writing in a second language develop an unusually acute linguistic awareness. In an interview he gave in 1979, some seven years after he moved to the United States from his native Russia, Joseph Brodsky speaks of his ongoing “love affair with the English language.” Language is such an overwhelming presence for these people that it comes to structure their new biographies. “English is the only interesting thing that’s left in my life,” says Brodsky. The need to find le mot juste starts out as a concern, turns into an obsession, and ends up as a way of life. These writers excel at the art of making virtue of necessity: out of a need to understand how the new language works, they turn into linguistic maniacs; out of a concern for correctness, they become compulsive grammarians.”
— Born Again in a Second Language  h/t @playsuits (via cesaire)
What goes too long unchanged destroys itself. The forest is forever because it dies and dies and so lives.
—Tales From Earthsea: Dragonfly, by Ursula Le Guin
the bad news is that no feeling is final. the good news is that no feeling is final. hope this helpsÂ

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i love when. poems are. ❣️🌷💖
“Believe me, what you want is someone to have dinner with. Sleep with from time to time, telephone every day or write. It’s what you set up that is defeating. Make it very modest. And give yourself permission to make a few mistakes. You know, blow it a bit. Have a few drinks and fall into bed with somebody. It doesn’t have to be the final thing.”
— Leonard Cohen on relationships, 2007 (via leonardcohenofficial)
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What a blessing to be moved by anything at all
Ed Mell, Iris, oil on canvas

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Clarence River Floodplain, Northern NSW Australia [OC] 2587 x 3449 - Author: Stu_Murphy_Artist on Reddit
Gripping my bathroom sink repeating I am not afraid to keep on living I am not afraid to walk this world alone