Kardas

Yes, I was tearing through books constantly, and talking to this teacher at least weekly. Because even though I always loved reading as a kid, literature was always a very weak subject for me in terms of a teaching-to-standardized-test school setting (I just do awful on "what color were the curtains" type multiple choice questions. Those details don't stick in my memory THEY JUST DON'T). But that didn't matter for this class. I could just read my way out of any bad test score. I have always had fond memories of how I "fudged" my way through that class and "abused' the extra credit policy.

me, dutch: de kikker

Point of order.

King of Horses ran 450 fucking miles at almost entirely a gallop, without more than a few minutes rest, in 4 nights and basically was like "wait why are we stopping?" when Gandalf took him into the city and he ended up in a stable.

This was not his top speed, nor did it push any limits on his endurance.

hehehehehehe XD XD

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

An old, decrepit laundromat gets replaced by an upscale bakery? And people are mad? It’s not that the poor hate organic vegan cupcakes, it’s that most of us don’t have a way to do laundry in our own home.

Run-down corner stores replaced by hand-made designer clothing boutiques? We don’t hate your eco-fabric shawl, but I can’t eat that for dinner after work like I could have a can of beans I grabbed from that corner store when I don’t have time to take the bus to the real grocery store after work.

What gentrification brings in and of itself is not typically bad, it’s that gentrification brings institutions of leisure and pleasure and makes it so that the poor have to go farther out of their way for basic necessities. It turns low-income living spaces into local tourist attractions. It can even create food deserts by putting restaurants, grocery stores, etc. in that the majority of the lower class cannot afford.