Kosuke Tsumura, Final Home, 1994. Nylon parka with dozens of pockets to fill with paper when the weather gets cold, ATOPOS Collection, Athens
Noah Kahan
Monterey Bay Aquarium
taylor price

shark vs the universe
ojovivo
we're not kids anymore.
Stranger Things

tannertan36
Misplaced Lens Cap

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@theartofmadeline
Fai_Ryy
Show & Tell
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor
I'd rather be in outer space đ¸

Love Begins
todays bird
seen from Oman
seen from Slovenia

seen from Malaysia
seen from Venezuela

seen from Japan
seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from United States

seen from United States

seen from Singapore
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seen from Netherlands
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@kapmma
Kosuke Tsumura, Final Home, 1994. Nylon parka with dozens of pockets to fill with paper when the weather gets cold, ATOPOS Collection, Athens

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Wrapped Woman -Â Christo and Jeanne-Claude

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by wolfgang tillmans, london 1993
#VFILESVAULT | Joe's #2
Few things are as perfectly â90s as the second and final issue of Joe McKennaâs eponymous magazine, published in 1998. It features a mix of A-list fashion celebrities (Carolyn Bessette Kennedy, Anna Wintour), anemic models, and âreal peopleâ. Virtually every relevant photographer of the era contributed, including Mario Sorrenti, Steven Klein, David Sims and Juergen Teller.Â
See the full issue of Joeâs #2 here, or if youâre not on VFILES yet, sign up at http://vfiles.com/.
Spruce Old Tjikko, 9550 years old. Sweden.
Installation view of the exhibition Nairy Baghramian: DÊformation Professionnelle, 2017. (Photo: Gene Pittman, ŠWalker Art Center)
Over the past two decades, Nairy Baghramian (Germany, b. Iran, 1971) has created sculptures, photographic works, and drawings that explore relationships between architecture, everyday objects, and the human body. Her works mark boundaries, transitions, and gaps in the museum, prompting us to consider form and meaning in the context of interior and exterior spaces. Drawing on a multiplicity of referencesâincluding dance, theater, design, and fashionâand producing unlikely juxtapositions in material and scale, Baghramian questions and challenges the definition of sculpture.
The exhibition takes its name from a French phrase often translated as âprofessional distortionâ or âjob conditioning,â referring to ways that a personâs worldview can be altered by their chosen vocation. The artist uses the exhibition as an opportunity to take apart her own profession and lay bare the sculptorâs method. In fact, the word âdeformationâ can also be applied to form, pointing to basic actions such as shaping, modeling, or casting. Through her playful yet critical take on the artist survey, Baghramian unpacks and interrogates the conceptual, physical, and social aspects of sculpture-making today.

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Julia Bornefeld 2005
Marburger Kunstverein
PLEATED QUILTED LAYER BAGGY LOUNGE PANTS
JOY in REPETITION by WEBERâŚâŚâŚNo.11
Nick van Woert
Oh My God â They Shot a Cop 1978, 2015

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OAMS menswear autumn-winter 2020/2021
some soft sculptures, summer 2015