weef woof - Working on Comms!

[Image Description One: A depiction of the character of Ghessel, who is an agender and demisexual shepherd living in the area of Salois beside the Long River on the continent of Kyrema over 25,000 years after the Collapse of Modern Civilisation in the Great Cataclysm of 2036-2037. Ghessel is depicted standing here underneath a clear blue sky full of white and fluffy clouds beside the ruins of the Gateway Arch. They are surrounded by a whole flock of fluffy white sheep and are dressed in a simple outfit consisting of a loincloth and a cape and a conical hat while carrying a shepherd's staff. The drawing is set in perspective far away from Ghessel so that the audience can see the whole of the field and the Arch most especially, though we can at least see Ghessel's dark tan skin underneath their cloak]

[Image description Two: A recreation of a Persian miniature designed to have the appearance of having been created in the city of Agrabah in the year 1485 CE/909 AH. It depicts Aladdin I and Yasmin I in their old age examining the Palace Garden which they have been tending for many years as a metaphor for all of the good things and fairness and justice that they have brought to Agrabah over the years of their rule together. Both of them are older and Aladdin I is wearing a modified version of his iconic Prince Ali outfit while Yasmin I is now dressed in a modest light blue outfit with a hijab and a light blue dress. The sky is a light grey above them and the whole of the painting is surrounded by a golden border decorated with brown-coloured depictions of leaves and flowers. There is also a fountain towards which Aladdin I is pointing while Yasmin I holds on to his arm. The whole painting is designed to evoke real life portraits of Mughal and other Persian descended rulers from the fifteenth and sixteenth centuries, reflecting how these two rulers are still celebrated and beloved by their people centuries after their deaths]

[Image description Three: A depiction of the character known as Princess Matilda of Otranto and Theadora, the peasant woman with whom she met and fell in love while she was imprisoned in the dungeons of Matilda's mother Princess Ippolita on the orders of Princess Ippolita's consort and Princess Matilda's father Manfredo. The two of them are sitting underneath a tree that casts its shadow upon them with Theadora being more covered by the tree shadow than Matilda is. Matilda has long brown hair and a dark blue dress and a circlet on her head symbolising her status as a noblewoman of this place and era. Theadora, meanwhile, is a trans woman while Matilda is a cis woman, and she is wearing a peasant woman's headscarf that is white in colour alongside a green dress and she also has long blond hair mostly concealed by her white headdress. The two of them have just escaped from the dungeons of MAtilda's family's castle, and Theadora is still stressed out and nervous about the whole ordeal and the possibility of recapture by Manfredo's forces while Matilda looks at her with concern and sympathy. Matilda is promising the woman whom now she loves that they will both survive whatever MAnfredo and his forces throw at them and they will soon escape Otranto on a ship and find a place where no one recognises them and they will be free to live their own lives free of the burdens of royalty and the generational curse that has plagued their castle and their family since the days of Ippolita's grandfather Prince Riccardo]

Ive been thinking about them a lot recently too since i got tomodachi life and made them lol

A wonderful Valentine's Day comm from the always marvelous @kaereth