Oleksandra Melnyk

After that we moved to the maker’s station to turn a family crest to a real piece. We used the cutter machine to cut out the shape and then transferred it onto fabric using the heat press.

I forgot to post this earlier, but earlier we worked in the computer lab and started creating a family crest. We worked on it in Rhino, focusing on clean outlines and details. At first it was a bit confusing, but after some time I got more comfortable.

This video shows the overall process of my project. It brings together my research, experiments and development. You can see how my ideas changed and grew over time. It reflects my theme of nature inside interiors through flowers, different decorations and materials.

At this stage I worked more directly with materials like fabric, beads and wire to build my final details. I explored both soft flower shapes and lamp inspired forms trying to see how they can work together. I like the mix of light, delicate fabrics and more structured wire it makes the pieces feel more interesting.

I focused on small details like flowers and other decorations that can sit on the body.

Final Outfits

I created six final outfits based on my project “Midnight Bloom”.

The designs explore the combination of flowers, lighting and interior atmosphere. I used soft silhouettes, layering and contrast between light and dark colours.

These outfits are designed for women who like elegant and expressive fashion, inspired by nature. They are suitable for evening events, special occasions or fashion shows.

I focused on light fabrics such as tulle and sheer materials to create movement. Floral elements are used as decoration, inspired by cherry blossom decorations and lighting details.

I will also create samples using embroidery, threads and beads to explore texture and detail.

Dolce & Gabbana Research

I looked at the work of Dolce & Gabbana and their use of decoration and rich detail.

Their designs combine floral elements, embroidery and luxurious interiors often using chandeliers to create a dramatic atmosphere.

I was inspired by how lighting becomes part of the visual experience. This connects to my project as I also use chandeliers together with flowers to create interesting designs.

Simone Rocha Research

I looked at the work of Simone Rocha and her use of delicate fabrics and floral details.

Her designs often combine sheer materials with structured shapes. Flowers appear both soft and slightly dramatic sometimes attached directly to the garments.

https://www.showstudio.com/collections/spring-summer-2019/simone_rocha_london_womenswear_s_s_19/lara_johnson_wheeler_reports_on_the_simone_rocha_show

This collage shows my idea of bringing nature into interiors. I used flowers, tree shapes, bulbs, chandelier and warm lights to create soft designs on the body. The shapes follow the dress, but the decoration looks natural and flowing, like it is growing.

Yohji Yamamoto Research

I looked at the work of Yohji Yamamoto and his use of dark tones combined with floral elements.

His designs often feature oversized silhouettes and flowing fabrics. The flowers appear dramatic and sometimes almost abstract, especially when placed on black backgrounds.

I was inspired by how he creates contrast between softness and structure. This connects to my project as I also explore floral forms but aim to make them feel more expressive and less decorative.

Dries Van Noten Research

I looked at the work of Dries Van Noten and his use of bold floral prints.

His designs combine rich colours, layered fabrics and detailed textures. The flowers feel strong and expressive rather than soft or decorative.

I was inspired by how he uses contrast and makes floral elements more modern and complex. This connects to my project as I also explore flowers in a different ways.

Peter Zumthor

I looked at the work of Peter Zumthor for his use of atmosphere and space. His interiors feel calm and minimal .

He focuses on materials, light and how a space makes you feel.

This connects to my idea of combining interior space with natural elements and creating a soft, atmospheric mood.

Designer board

For this board, I looked at designers whose work connects to my idea. I focused on Dries Van Noten, Dolce & Gabbana, Yohji Yamamoto and Simone Rocha.

I was interested in how they use floral prints, textures and layering in their designs.

Some looks are soft and romantic while others feel darker and more structured.

Inspiration board

For this board, I used images from Pinterest that match the mood of my project. I focused on interiors with flowers, soft fabrics and warm lighting.

There are also small details like decorations, textures and patterns that helped me understand how everything works together.

Colour board

This page shows the main colour palette for my project.

I combined soft pinks and greens with deeper tones like brown, blue and black. The warm lighting adds a soft glow and makes the colours feel richer.

Mood board

This page brings together my main visual direction. I focused on scale, texture and how elements interact in space.

Looking at both interiors and fashion helped me understand how these ideas can translate into garments.

Here I started playing with my ideas more. I used the traced shapes and tried them in colour.

I focused on flowers, plants decorations and lights testing different colours and compositions as well.

Some drawings are more finished, some are just quick tests. This helped me see what I like more and what less and what I want to develop further.

At this stage I traced elements from my primary research to better understand their shapes. I focused on flowers, plants and small interior details.

Tracing helped me see how these forms are built . I simplified everything into clean lines, so it’s easier to work with them later.