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Y’all I’m being so serious when I say this: go to the library for witchcraft reasons.
You can usually find books on witchcraft, yes, but there’s also field guides on local foraging and wildlife, cookbooks, books that teach you how to craft and DIY, books about environmental protection and stewardship, books on how to use herbs medicinally, books about other religions, cultures, and spiritual practices. My favorite local library even has a seed swapping program and fantastic resources to research your own family history!
Go to the library for witchcraft. Please. :) <3
Cervimancy: White-Tailed Deer, The Fool
"Wayfinder, Thrillseeker, Roadkill Queen. May your horizons never darken."
Doing a series drawing the Major Arcana as deer species, based on behavior, history, and/or cultural impact. Probably won't be uploaded in order, but here's the first.
The Goborchinn [Irish folklore]
The 11th century Irish chronicle Sex Aetates Mundi (literally ‘the six ages of the world’) describes the existence of the Goborchinn, a race of horse-headed beings.
References to these monsters in Irish manuscripts are scarce and we don’t really know how they treated or were treated by humans, but as they were described in a decidedly negative light, being grouped together with monsters, they were likely malicious.
They are often claimed to be a subspecies of the mythical Fomorians/Fomóraig, the ancient monstrous opponents of the early Irish people, but this is inaccurate. Rather, these two groups share the same origin as they were descended from the same ancestor: after the biblical Flood, Cham (or Ham) mocked his father Noah for being drunk and naked. Under the influence of this curse, Cham became the father of Luchorpáin (think of these as early leprechauns), the Fomóraig and the Goborchinn, a race of human-like beings with the heads of horses. The horse-headed Goborchinn have often been associated with the Fomorians, and while the name can mean either ‘goat-headed’ or ‘horse-headed’, we do know that one of the Fomorian kings in the Lebor Gabála was named Eochaid Echchenn, a name that translates to something like ‘Horsehead’, hence why the Goborchinn are generally accepted to have the heads of horses.
In earlier Celtic mythology, horses and horse-associated spirits were viewed in a more beneficial light, and the Christianisation of these myths might partially account for the change. It is unclear to me whether the Goborchinn were based on earlier, non-Christianized monsters, or to what extent, though it seems there is indeed a connection with earlier Celtic spirits.
Interestingly, there is evidence that these monsters were derived from the Cynocephali, a race of dog-headed humans discussed in older medieval texts. They might also be related to the more well-known Irish water horse monsters.
Sources:
MacCulloch, J. A., 1911, The Religion of the Ancient Celts, Morrison & Gibb Limited, Edinburgh, p. 189-190, 399 pp.
Clarke, M., 2012, The Lore of the Monstrous Races in the Developing Text of the Irish Sex Aetates Mundi, Cambrian Medieval Celtic Studies 63, p. 15-49.
Lyle, E., 2021, Myth and History in Celtic and Scandinavian Traditions, Taylor & Francis, 302 pp.
(Image source: 'Horsehead' by Alex Tuis, visuals for Horsehead)
Áine, Rowan Kal, 2026, digital painting
ᚐᚏ ᚐᚔᚅᚓ

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Dave McKean, The Great God Pan (2015)
A Gathering in the Woods, by Mariachiara Di Giorgio
The British Grasses and Sedges
by Anne Pratt London Society for the Promotion of Christian Knowledge -
35 fine colour plates - no date c1860
Meister E. S. 1430
A piece I did using acrylic ink and gouache. It depicts the Irish god Lugh confronting his grandfather Balor.

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Oh, to be a tiny mermaid to escape the heat
The Irish Mythology Tarot ✨ The Queen of Swords, Boann, Goddess of the River Boyne
If you’d like to join the mailing list for the eventual physical deck, you can do so here.
Nuada Silverarm by Jim Fitzpatrick.
The Origins of Lughnasadh
Lúnasa is an Irish fire festival named after the god Lugh. Lugh was an old Celtic deity, worshipped from Gaul to Ireland,1 and the harvest assembly that carried his name was already old by the time medieval monks wrote it down.2
This piece covers the origins: the god, the assembly, and the archaeology. For the plain overview, including how the names line up (Lúnasa, Lughnasadh, Garland Sunday, Reek Sunday, Crom Dubh's Sunday and the unrelated English "Lammas"), see what is Lughnasadh?. Lúnasa folk customs and the figure of Crom Dubh each have their own article as well.
The god Lugh
Lugh is one of the major Irish gods, who was also known across the Continental and British Celtic world as Lugus.13 He's remembered in place-names from Lyon (Lugudunum, "fortress of Lugus") to Leiden and Legnica.3 When Latin writers described a many-skilled Celtic god who presided over oaths and bargains, they were most likely referencing him.1 The harvest month of August took his name: Lughnasadh, "the festival of Lugh."13
Scholar Dáithí Ó hÓgáin reads the myth of Lugh's defeat of his grandfather Balar, a one-eyed figure whose destroying eye he links to a sun that scorches crops, as an echo of an early harvest-myth, the new god securing the harvest against ruin.1 That's an interpretation, not a documented rite. What's firm is the name: the August festival was Lugh's.
The assembly at Tailtiu
The medieval tradition places Lugh's great assembly site (called an óenach in Irish) at Tailtiu (Teltown, Co. Meath), held each year at the start of August.12 The óenach combined horse-racing, games, and trade with legal and political business.24
In the medieval telling Tailtiu, of the Fir Bolg, cleared the forested plain of Breg into farmland and then died of exhaustion, and her foster-son Lugh founded the feast in her honor (learn more in this episode of The Candlelit Tales).5 The mythology makes the harvest conditional on keeping that feast: as long as it's held, there will be corn and milk in every house and fair weather over it.5
But how old that story is remains unclear,2 and Jeffrey Gantz suggests the harvest festival itself may be a late addition to the Irish calendar, since in a herding economy the year's real turn came nearer Samhain.3 In early Ireland the economy leaned on herding more than tillage,3 and the year turned on the movement of cattle, driven up to the summer pastures around May Day and brought back down at the end of October.6 All of which points to a festival built on the grain harvest being a later addition.3
What's actually at Teltown
The site is a series of earthworks on the Blackwater in Meath, Rath Dubh, Rath Airthir, and the mounds called the Knockauns, many of which have not been fully investigated.4 The annals record the Óenach Tailten as an active institution into the Christian period; in 1168 the line of horses and vehicles was said to run for miles.47 The identification leans on nineteenth-century survey work, and little has been done since to test it.4
Was Lúnasa ever pagan?
Máire MacNeill, who catalogued the festival's survivals, concluded that Lúnasa was a pagan festival, transformed into a Christian celebration at certain sites.8 But by the historical period the Tailtiu assembly wasn't a pagan festival in any meaningful sense. It had a church on site and hosted an ecclesiastical council; in 811 a high king was even blocked from holding the óenach until he settled with the community of Tallaght.24 Lugh stayed attached to it as the culture hero who founded the games, not as a god receiving worship. The association lasted because it served kings: Catherine Swift, quoted by Williams, points out that pulling off the festival proved you had the clout to summon your vassals.2
So the festival has pagan roots and a long Christian afterlife, and the two aren't in conflict. The name, the god, and the harvest threshold are old. The funeral-games origin and the worship that may once have gone with it are exactly the parts the evidence can't pin down.
Older than the gods
The seasonal threshold Lúnasa marks is older than the Celts, and so is the habit of gathering on a hilltop to meet it.
Croagh Patrick's Reek Sunday pilgrimage on the last Sunday of July is the Christian descendant of a Lúnasa hill-assembly, and the archaeologist Chris Corlett reads the summit cairns and the Bronze Age rock art at nearby Boheh, set where the evening sun appears to roll down the mountain, as signs that it was a sacred height since at least the Bronze Age.9 The Celts who named the festival for Lugh inherited a landscape already organized around these seasonal boundaries.
A festival in layers
Put the pieces together and Lúnasa reads less like a single festival than a stack of them on the same turn of the year. The threshold itself, the move into harvest and the gathering on heights to meet it, is the old part, older than the Celts.9 The Gaelic festival built on top, named for Lugh and run as the óenach, is younger, and its grain-harvest framing may be younger still than the cattle-driven hinges of Bealtaine and Samhain.3 Youngest of all is the written story of Tailtiu, and the Christian-era institution the assembly had become by the time the records begin.2 Asking whether the whole thing is ancient or modern flattens it: the seasonal observance is old, the god's festival later, and the myth that explains it later again.
Two companion articles carry this further: one on Crom Dubh, the pagan figure whose "Sunday" the day became, and one on the folk customs of Lúnasa that lasted into living memory. For the wider frame, see the four cycles of Irish mythology and the introduction to Celtic Reconstructionism.
The Sacred Isle: Belief and Religion in Pre-Christian Ireland by Dáithí Ó hÓgáin ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎
Ireland's Immortals: A History of the Gods of Irish Myth by Mark Williams ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎
Early Irish Myths and Sagas by Jeffrey Gantz ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎
"Teltown: An Ancient Assembly Site in County Meath" by Leo Swan ↩︎ ↩︎ ↩︎ ↩︎ ↩︎
Celtic Gods and Heroes by Marie-Louise Sjoestedt ↩︎ ↩︎
Irish Customs and Beliefs by Kevin Danaher ↩︎
The Year in Ireland by Kevin Danaher ↩︎
"Trespass and Building in the Lughnasa Legends" by Máire MacNeill ↩︎
"Prehistoric Pilgrimage to Croagh Patrick" by Chris Corlett ↩︎ ↩︎

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Fresco of Bacchus adorned with grapes in front of Mount Vesuvius
[The Fool]
The Fool. Art by shithowdy.