Goultard's accidental queer coding
(And, incidentally, why I headcanon Goultard as transfem/not cis)
Disclaimer : i say goultard's queer coding is accidental because i really dont believe that gou was intended to be read as queer when tot wrote him. Nonetheless, the subtext is still present and i believe any queer person would assume goultard to be somewhat queer while reading the manga. Interpretation can be different from intention. Also, and this applies to most of what i post, i share my personal analysis and interpretation and everyone is free to have their own.
(I got lazy and don't want to format this post properly, so this mess is what you get lol)
Goultard was an outcast since he was born. A very common trope in queer coding.
After he proves himself worthy by showing he can be of use to the village. He's respected, adored, almost worshipped. But only as long as he fulfills the narrow role people want and expect from him. He's rejected and insulted as soon as he doesn't fit into this role.
Strict traditional masculine gender roles are forced on him. The protector. Stronger than any opponent, stronger than himself and his emotions...
I also think of his condition of being a son of iop, this sword of damocles hanging over his head, as a nature that is imposed onto him over and over again when he didnt choose it and doesnt want it. Being a warrior is supposedly in his blood its what hes good at and therefore should do, settling down and having a family is supposedly contrary to this nature. Even though its what makes him the happiest.
I wonder if traditional gender roles vary from one class to another. Is there any specificity between iop men and iop women. If iop men are by default considered more iop than iop women. Is feminity synonym with weakness for iops. Must a iop woman choose to never settle down and stay a real iop or abandon her warrior status/her iopness to raise offspring at home while the iop men can keep fighting. Maybe class affects the form sexism takes.
Ive joked about gou being in a polycule with three outcast witches being proof he isnt cishet and that the three of them were waiting for gou to figure his shit out... kinda real
After being possessed by the symbiote,
(Which can also be seen as him failing at his role of protector, failing to protect his family. He blames himself for it) the way he's rejected, dehumanized, called a monster, a creature, specifically not a man, and at the same time mocked, can be very reminiscent of queer phobia.
His relationship with the symbiote is reffered as them being a couple and compared to a romantic/sexual relationship.
It feels to me like, while gou was possessed, and shortly after, he could allow himself to step out of that preconceived idea of masculinity that comes with being a "hero", and indulge in the gray areas. Not a human or a demon, not a god or a mortal, not a man or a woman. While still having deeply internalized cisheteronormativity, grasping for some "normality" whenever he's faced with someone else's opinion of him. Needing to justify and prove he is not queer, prove he's man enough, prove he isnt weak, like he needs to convince himself as well as everyone else. Hating the subject but bringing it up unprompted. Always overcompensating.
There is something reminiscent of being in a queer relationship for the first time and it happens to be incredibly abusive. You might feel like the abuse is worth it if it means being allowed to be more authentically yourself, you tell yourself your abuser understands you and loves you for who you really are even if they hurt you, and the queerness of the relationship isolates you, making it impossible for you to get help to leave said relationship.
But much later, when his reputation got better (how much did he have to do with it, how much of his reputation is what he carefuly build it to be) and he had to take his father's power and become the new iop god, the pressure to act a specific way, to fit into this box, would have come back. The whole "iops dont cry" thing with gou denying and hiding his emotions in wakfu.
He's often reduced to that image of the unbeatable warrior, the ideal masculinity, the very definition of what a iop should be... what he thinks he should be.
He gets enraged at his fans for essentially worshipping a fake idealized and shallow version of him, making money off of his image and reputation, but rejecting him as a person, his humanity. They dont want to know who he truly is. He wants to be respected for his heroic actions, not because of this fake idealized vision people have of him.
(isnt it fucking hilarious that this is exactly what wakfu and a lot of the fandom does to him too sorry I'll stop being a hater).
Goultard's reputation and how he feels about it is a fascinating subject. Very confusing but thats because he is himself confused about what he wants it to be, but it sure is extremely important to him.
In the end, goultard recognizes the only people who knew and understood him are dead.
His emotions are seen as unmasculine and ridiculous because theyre too intense (seen as hysteric, too sensitive) Vil smisse says he's "worse than a chick". They say he has his mother's character whos literally named cabotine (hysteric).
He sees himself as a poet, someone sentimental, complains that people don't see it, don't recognize it, can't/don't understand this part of him. Kills an entire village because they didnt appreciate this part of him (a little excessive maybe lmao)
The way he presents, wears dresses as a child, skirts later in life, long hair with accessories... not necessarily effeminate but kinda androgynous hes gnc af or whatever. (I dont know what other people think but he always looks super androgynous to me, except in wakfu) Hes very goth looking in the manga which is also queercoded in itself.
His entire relationship with arty like come on.
People call him a homo and assume hes a homo thats pretty queer coded to me lol
Even the text makes fun of him for being the way he is. Hes often shown to be sort of a ridiculous person. Its not just the other characters who think that. They dont really expect you as a reader to sympathize with gou for being ridiculed. There are a few moments that feel gratuitously sadistic towards gou.
Arty also gets disrespected/has homophobia directed at him but always in relation to gou
(People assume arty's queer BECAUSE he's with gou), gou is disrespected/has homophobia directed at him way more and not always because of his relationship with arty (people assume gou's queer because he looks and acts in ways that make people think hes queer)
The whole thing with arty being a dragon is pretty queer coded too, discovering his true nature and being rejected for it, learning to accept himself etc...
But its such a classic trope it also fits other interpretations. Im thinking notably about growing up mixed, hes rejected for not being "human" enough but also not "dragon" enough, too much like a "human" or too much like a "dragon" having trouble figuring out his identity and accepting it, he inherits a long, complex and painful history from one side of his origins, fights to be seen as legitimate by the other dragons, very steven universe-esque.
And it's just very much coming-of-agey in general. His body changing and having new confusing emotions that he struggles to control. Facing new responsibilities. Kind of spiderman like. They do make a little joke about artys adoptive grandpa crail being like his version of uncle ben. So its also a metaphor for growing up in general.
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