oh no, what did that Wailord do?
noise dept.
2025 on Tumblr: Trends That Defined the Year
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if i look back, i am lost
macklin celebrini has autism

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occasionally subtle
EXPECTATIONS
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Sweet Seals For You, Always
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seen from Belgium
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@joycetothe-world
oh no, what did that Wailord do?

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Jana Sojka, I contain multitude, 2019
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âIâm studying for my PhD. Â My husband is supporting me, but my parents really opposed me being here. Â Theyâre very traditional. Â They think I should let my husband work, and I should be staying home with our child. Â They just want me to be comfortable. Â Theyâve managed my entire life so that I would be comfortable. Â But I need things to be more difficult. Â I need to be uncomfortable so that I can grow. Â These last few years Iâve been a traditional mother. Â Every day was a routine. Â I didnât feel like I was progressing. Â Or innovating. Â I felt so lost, but I kept telling myself that my child relied on me. Â I told myself that I couldnât leave his side. Â But in reality, I was the one relying on my son. Â Itâs not that I couldnât leave his side. Â Itâs that I wouldnât know what to do if I did.â (Hong Kong
Pastry Chef Attempts to Steal my Heart (and succeeds)
this is so cute!!!

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If the SU movie were a 90s anime, this scene would still hurt as bad if not worse
âMy patients tell me about their experiences. Â But I canât tell them about mine. Â Itâs frustrating. Â Like the connection is so close. Â Like we could be friends in different circumstances. Â But itâs impossible. Â I have a role to fill. Â The therapistâs role is to hear. Â To listen. Â To help without asking. Â To understand my patientsâ problems, but to control my emotional response. Â So I canât tell them what Iâve been through. Â I canât tell them that I have no close relationships. Â I canât tell them that my mother didnât want me. Â That she abused me with hands and words. Â That she was never happy that I existed. Â As a child I was kept hidden from the outside world. Â I couldnât speak of my experiences. Â I couldnât express my emotions. Â If it wasnât for the church, I would not have survived. Â The Bible was the first place I ever heard: âItâs good that you are alive.â Â These are words that every child needs to hear. Â If you go too long without hearing them, things get very dark. Â And I didnât hear them until I was seventeen. Â Even today Iâm constantly fighting the temptation to be alone. Â Itâs so difficult for me to form friendships. Â I must challenge myself to trust people: that they wonât hurt me, that they wonât make fun of me, that they like spending time with me. Â Because if I donât keep fighting, Iâll spend all my time alone. Â Itâs so comfortable to be alone. Â To become lost. Â And to lose the will to live.â (Berlin, Germany)
hereâs your super quick âFuck PG&Eâ (thread) for those who arenât aware of whatâs happening in California
á( á )á
Nursery / 18 x 24 in. / oil on wood panel / 2019
http://mryczek.com/available-work/
âWe came out together. Â It felt safe because we had similar backgrounds. Â Weâd both been in long-term relationships with men, so we didnât need to explain ourselves. Â Everything felt comfortable. Â She was the chaser at first. Â She had no brakes. Â It was a Big Love: really fast, really deep, really far. Â And she was the one who first verbalized it. Â She put a name to it. Â We came back from a holiday in Beirut, and she said: âNow this is a serious relationship.â Â And from that moment things began to change. Â Now Iâm the chaser. Â I always feel anxious about her true feelings. Â I see every little thing as a rejection. Â Like when she goes to sleep without saying goodnight. Â Or when I see her spontaneously smile with her children, in a way that she doesnât with me. Â And then thereâs touch. Â I need it. Â It helps calm my anxieties. Â It gets me out of my mind. Â It can be really small, just two seconds on the back of the neck, and I can feel grounded again. Â But without it I feel complete rejection. Â And she didnât have a problem with it for the first six months. Â But now she says she feels a bit cramped. Â She needs a little space. Â And then I wonder if itâs me. Â I think of my dad. Â Always needing hugs, always needing kisses, always needing reassurance, too much, too much, too much. Â My mother felt suffocated. Â So I think: âMaybe itâs me.â Â And honestly, when I think itâs a problem with me, for a moment I feel reassured. Â Because that means itâs not a problem with us.â (Amsterdam, The Netherlands)

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I see that youâre sitting quietly at the table as I enter the void.
Your hands are folded in your lap and you turn your head slightly as I draw close.
Youâre wearing a brown corduroy jacket with dull silver buttons Iâve never seen, and a navy button up shirt I have seen. The collars arc smoothly away from each other, accentuating your lean frame. You have your favorite youthful wide legged pants, and the green Vans you got discounted from your friend. Your glasses are clear, round as always, and your hair is tousled the way I last remember. I sit across from you at the table.
âHello,â I venture.
âHi.â You smile, the same crooked one, a dimple appearing on one side but not the other. âYouâre early today.â
The acrylic paintings of Olan Ventura reference the still-life paintings of the Old Masters, yet take a contemporary turn in conveying what only appear to be printing errors that run hues off the canvas. See more of his work on HiFructose.com.
Using ballpoint pen, Helena Hauss draws scenes that she says are âabout self-acceptance through self-deprecation and satire.â See more here.
welcome home â§â§

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