Mark Rothko, White Center (Yellow, Pink and Lavender on Rose), 1950, Oil on canvas, 205.8 cm × 141 cm (81.0 in × 56 in)
© Kate Rothko Prizel and Christopher Rothko_DACS 2018
Fai_Ryy
almost home
todays bird
noise dept.
One Nice Bug Per Day

roma★
icyghini twinkie
YOU ARE THE REASON
Xuebing Du

if i look back, i am lost
Game of Thrones Daily


ellievsbear
The Stonewall Inn
cherry valley forever
$LAYYYTER

pixel skylines
I'd rather be in outer space 🛸

★

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@josie-packard
Mark Rothko, White Center (Yellow, Pink and Lavender on Rose), 1950, Oil on canvas, 205.8 cm × 141 cm (81.0 in × 56 in)
© Kate Rothko Prizel and Christopher Rothko_DACS 2018

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Walter Gropius
Andrea Calisi (Italian b.1968), The Bridge and the Blue Knight, 2026, Illustration

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jethro Buck (British, b.1986)
Sabrina rises, attended by Water-Nymphs
Mermaid Poem from “Comus: A Masque” by John Milton
illustrated by Arthur Rackham (1867-1939)
Hyacinth Fields
i started this blog in the summer of 2011 when i was 19 year old. i was living in a basement without a bathroom, and i felt lucky just to have a roof over my head.
it is currently the summer of 2026 and i am 34 years old. as i type this, i am sitting in the living room of a house that i own, with my cat sleeping peacefully beside me. i got the degrees, i got the job, i got the husband, i got the house, i got the retirement account.
things are so much different now than they were before but in many ways they are very much the same. i am still haunted by the choices of my parents. i am still gutted by the course that our lives have taken. i am many miles and years away from it all, but it is still right there at the surface, always.
if i could say anything to my sister, i would say this:
i am sorry that i left, and that i could not take you with me. i am sorry our roads diverged so severely and i am sorry that they were forced back together so abruptly. i am sorry for the burdens that you bear. i am sorry for injecting myself into your life. i am sorry that i can't give any more to you, that i can't help you any more than i already have. i am sorry that our relationship has been defined by the people who raised us. i am sorry you are the one who must live with the consequences of decisions that were made before either of us were born. in another life, i think we might have been true sisters, friends to the end, eternal confidantes. but these are the cards that have been dealt to us.
if i hadn't left all those years ago, i think i would have died. i hope you understand that one day, even if you don't understand it now.
"antique store, portland" (2006), lovely librarians

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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oooh I get it it’s always gonna be because of the environment I grew up in
it’s because of the curse
Unknown Jar with registers of plant ornament and animals Ptolemaic Period 100–30 B.C. Egypt, Middle Egypt, Tuna el-Gebel Faience H. 14 cm (5 1/2 in.); Dia. 12.5 cm (4 15/16 in.) The Metropolitan Museum of Art
Deer Beds. Photographed by Katherine Wolkoff.
Illusions, (Detail), (before 1901), by Henry Brown Fuller (American, 1867 – 1934), oil on canvas, 70 3/8 x 45 1/8 in (178.6 x 114.6 cm), Smithsonian American Art Museum, Washington, D.C.
"you need to let it go"
i'll actually take it to the grave, thanks

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Theory
Joshua Reynolds
oil on canvas, 1779-1780
Royal Academy of Arts