Prelude: A Day's Work
I donât normally call for back-up, but the guy never left his apartment, or at least he hadnât since the incident with his exâs father.Â
The building was a rat trap, still, it was full of people: junkies, criminals, their kids, people who screwed themselves over or were screwed. Plus, the bastard was big. That was his Super, no laser beam eyes, no phasing through the floor, no lightning from his finger tips, just big and strong in a building full of innocents, kind of innocent anyway.Â
The law was supposed to clear the building. That left me to beat him down or get pounded down long enough to wear him out, give the law a fighting chance.
Time to get on the suit. Rubber, leather, Kevlar, Itâs a variation of what I used to wear, less armor, though. Iâm tougher than I used to be. The helmet still works as a mask, even though anyone can find out who I am. I wear the costume because itâs my uniform. It tells people who I am, what Iâm here to do. It also draws attention to me. When youâve got potential bystanders, you want all attention on you. Plus it freaks the perps out.Â
I stand near a broken-down playground, looking up at the building. The swings are gone. Thereâs graffiti all over the slides, the jungle jim. I now know what Jill does behind the school. Our guy, Macâs his name, will  take the building down, or the law will.
I yell to him, to a fifth floor apartment. Itâs a hot summer in Cleveland in a building without air-conditioning. The windows are open.  âHey Mac! Play nice and walk on out of there, OK? Weâll get you wrapped up and on your way. No-oneâll get hurt.âÂ
Nothing. âCome on Mac. You knew this day was coming. You canât tear down your exâs house and expect no one to show up.âÂ
Still nothing. Doesnât the bastard know heâs supposed to respect his elders? Â âAll that power and youâre afraid to fight an old man.â
âDonât give me that shit.â Garbo speaks at last. âI know about you. Youâre Swift Arrow. You canât die.â Good to know Iâve got a reputation.
âI can die; no oneâs been able to get it done is all. Tell you what, I bet if you come down here and kill me, all these troops, and youâve got to know youâre surrounded, theyâll be so impressed or so scarred, theyâll let you walk right out of here.â No answer. I start pacing back and forth. If the law has done its job there wonât be anyone around. Â Even so, I want him looking at me, not at possible hostages. âCome on, Mac. You can take me. You walked through The New Sentinels, a whole freaking super-team. The Silver Patriot still wets himself when he hears your name. Of course, breaking Miss Victoryâs nose like you did, now that wasnât exactly chivalrous of you, but what do I expect from a guy who terrorizes his girlfriend and breaks her fatherâs legs.â
âHe deserved it.â
âDid your son deserve to watch? Bet that messed him up. No way heâs recovering from that.â
âLeave my son out of this.â
âYouâre fault there, Mac. You brought him into this. Might as well put the kid in an institution, âcause thatâs where heâs going to wind up, unless itâs in prison like his dad.â
I hear the sound before I see anything, a combination crack and boom, and Mac is through a window and part of a wall five stories above and coming down towards me. No costume for him. No, for him itâs jeans and a flannel shirt and work boots all wrapped around 300 lbs of mad desperation, big enough that when he hits the ground he sinks in, pieces of the apartment building raining down around him. His aim is off. Heâs ten feet from me. I run over and kick him in the head. If he was normal, I would have sent his head flying into Lake Erie; as it is, it hardly fazes him, so I kick again. Â Blood begins to trickle from his nose, but thatâs it, and heâs out of the hole he made and coming towards me.Â
I back up, pull the thermite from my belt, pellets, easy to throw. They explode on contact, but Mac doesnât. He keeps coming. Most of his shirtâs gone, and I think his hairâs on fire. He takes a swing. Faster than I thought. He lands one in the gut, and I go flying. I hit the ground and roll. When I stop, I try to find the bastard before he hits again. Heâs coming. Iâm still on the ground. I go for his knees, my boot full on his knee cap. He screams, but nothing breaks. Iâm up, but so is he. Instead of punching, he grabs my arm and swings. Â Suddenly Iâm flying toward the apartment building. I crash hard. The building stays up, but I end up in the bathroom of a first floor apartment. I smash through a toilet. Water spays everywhere. Itâs wet and loud, but Mac doesnât follow me in. Itâs not till I pull myself outside the broken walls that I hear shouts of âDaddy.â
Mac stands there looking at me, then up toward his apartment. I lose it. âYou bastard! You kidnapped your own son!â Â Stupid. Â Taunting a giant. He rushes me. Â I fly back in the bathroom, then through it. We in a kitchen. I can take it. But the building wonât. âAre you trying to kill him?â I shout.
Macâs not thinking. He goes for my throat. Iâm on my back. I stop him with both feet. I kick him back into the bathroom. His head smashes through the sink. Itâs old hard porcelain. Itâs got to hurt. He shakes his head, the blow and the water confusing him.Â
I look around. The place is old enough to still have steel pipes. Itâs cheap enough that they were never replaced. In the kitchen, under the sink, a steel waste pipe, I pull it free as Mac rushes in after me. I time it right, and he gets my full swing in the face. He stops dead. I hit him again, two, three times. Most of his teeth are out, but heâs still standing.Â
Just then, we hear the helicopters. You can tell from the sound that theyâre big military models. âListen to me. If I donât drag you out of here in five minutes, theyâre going to start shelling the building. I might survive - Â You might survive, but your boyâll be dead. You hear me, dead.â
*
I make him crawl out on his hands and knees. Anything less and heâd probably get a mobile rocket in the stomach. The handlerâs rush him; start wrapping him in plastic or whatever the hell it is. The key to keeping big guys down is dampening momentum and leverage, donât let them push off anything. Give them room to move, swing an arm, and they tear down walls. They drug him next. That gets to him. You can see the fear in his eyes. He yells, âItâs OK, Zack.â âDadâs OK.â And that makes me sick.Â
I want to go to the boy, but the social services are already on him. Itâs probably better. Whatâs he going to say to the man who put his dad in jail? âThanks for not killing himâ ?
The kidâs gone, and Macâs bolted into a reinforced semi-trailer by the time Richman walks over to me. Heâs in his swat outfit, body armor, black helmet with âLAWâ stenciled across the top.Â
âThought that one would finally put you underground.â
âYou told me the building was clear.â
âHow were we to know someone was hiding in his closet.â
âYou should have known the boy was grabbed.â
âHe wasnât grabbed. Probably took the bus here â visiting dear-old-dad.â
âShit.â
I donât look at him, âHave the money in my account by the end of the day. OK?â
âMac was right, you know. They  think you canât die. It scares the shit out of them.â He smiles. âMe, I figure you just havenât met the right purp yet.â
I look at him and smile. âOh, I can die. Iâve been dead before.â
Hey, Check out this piece, written by my buddy and podcast guest RIchard Wagle! Itâs the prelude to the superhero pulp serial novel he is working on, there is more on his page, also, so go check that out, too! Itâs great stuff!


















