Parden my obnoxious giant rainbow, it’s for maximum visibility. This shit is important.

Le Sommeil [The Sleepers], which depicts two women entwined in a post-coital embrace, caused a stir when it was first shown in the 1870s. The police were called in, and the painting was not shown again until the 1980s. But its brief showing had an influence on a number of contemporary artists, and helped challenge the taboos associated with lesbian relationships. For modern audiences it’s a good reminder that people in the 19th century were not ignorant of lesbian relationships, as we tend to believe. And it’s pretty damn sexy, don’t you think?

#JunieBeeNails 🌸🌻🌷

https://www.instagram.com/p/BqSOy5XhfQc/

Solo coming through with the fun selfie taking methods

Le silence a  un son de bourdon dans les verts étendus

Wacom Graphire ET-0405-U Drawing Tablet (1999/2000) Colors match the Apple iMac G3!

suggested by someone on instagram

please kill silicon valley

Interview by Lena Waithe

www.anafrois.com

Millions are suffering, children are suffering. Please donate what you can to this cause, every little will help. If you cannot donate, share, please reblog! Remember, when you give to charity, be thankful to them, you may be fixing their dunya, but they are fixing your akhira.

Only £650 left to raise! Alhamdulillah.

Emily Dickinson, from The Collected Poems; “White As An Indian Pipe,”