I HATE AARON PAUL

“Bryan Cranston’s Super Sweet 60″ feat Aaron Paul, Charles Baker and Bob Odenkirk aka an actual Breaking Bad reunion.

How do you like that, genius? Guess you didn’t think of everything.

Leonardo DiCaprio, New York Times, 1995

“I’ve written quite a bit over the years about my admiration for the way Breaking Bad handles pacing. Just when you think there’s a lot that needs to happen before the next huge development, the show bypasses all the details and cuts right to the chase, leaving you goggle-eyed and scrambling to retrieve the pieces of your brain in its wake. And just when you think everything’s set up for the inevitable confrontation, the show turns down the burner and takes its own sweet time, making you wait episode after episode for the payoff. That kind of freedom in the way story is advanced and revealed seems to me to be one of Breaking Bad’s key elements of genius. So you can imagine my delight at the way ‘Blood Money’ depicts the aftermath of Hank’s epiphany. Just as we’re settling back to enjoy a few episodes of cat-and-mouse as Hank pieces together the clues and Walt bumbles along in blissful ignorance, Gilligan closes the garage door, punches Walter’s bullshit lies right in the kisser, and brings us to a skidding halt at the brink of Hank’s existential choice.” (x)

A man who doesn’t spend time with his family can never be a real man.

The Royal Tenenbaums (2001) dir. Wes Anderson

Shame (Steve McQueen, 2011).

Her (2013) dir. Spike Jonze

Why do you do this to yourself?

Catch Me If You Can (2002) dir. Steven Spielberg

I just wanted to say, good work in there. Thanks, but I… I’m pretty sure I lost. Oh, of course you did. It’s an unwinnable position.