The Beatles animated TV series (1967)
we're not kids anymore.

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The Beatles animated TV series (1967)

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“If it hadn’t been for the Blue Boxes, there would have been no Apple. I’m 100% sure of that.”–Steve Jobs While “phone phreakers” (hobbyists who were fascinated by the phone system) had used a “blue box” since the 1950s to avail themselves of free phone service, the first digital blue box was designed by Steve Wozniak in 1972. It was marketed and sold by Wozniak (who took the phone phreak name “Berkeley Blue”), Jobs (known as “Oaf Tobar”), and friends in Berkeley and throughout California in 1972 and 1973. Wozniak cites the number of boxes they produced at 40 or 50, while Jobs put the number at 100; but certainly many of those were confiscated as phone phreaking arrests increased throughout 1973 to 1975, in part due to the commercial distribution of the devices. These blue boxes represent the first commercial collaboration between the two Apple computer giants, and the circuit boards the first printed boards by Woz. Very few of the Wozniak originals have survived. In 1971, Esquire magazine published an article titled “Secrets of the Little Blue Box,” subtitled “A story so incredible it may even make you feel sorry for the phone company,” about a loose band of engineers who had figured out how to hack Bell telephones automatic switching systems, moving freely through Bell’s “trunk” telephone systems with the use of specific frequency tones generated by “blue boxes.” The story of these “phone phreaks” was a sensation, and one particularly important reader was a young engineering student at Berkeley named Steve Wozniak. As Wozniak recalls, his first move after reading the piece was to call his good friend Steve Jobs, then still a senior in high school, and the next day they jumped in Woz’s car and headed to the Stanford Linear Accelerator library to comb through the stacks searching for clues that would substantiate the details presented in the Esquire account. They found it, according to Wozniak: “I froze and grabbed Steve and nearly screamed in excitement that I’d found it. We both stared at the list, rushing with adrenaline. We kept saying things like ‘Oh, ….!’ and 'Wow, this thing is for real!’ I was practically shaking, with goose bumps and everything. It was such a Eureka moment” (Wozniak, p.100). As they drove back to Berkeley they discussed the possibility of creating a “blue box” in a state of elation, and within three weeks Wozniak had devised one. Finding the frequencies produced by the analog blue box to vary widely, he then designed the world’s first digital blue box. In his biography, he recalls, “I swear to this day–”the day I’m telling you this and the day you’re reading it–”I have never designed a circuit I was prouder of: a set of parts that could do three jobs at once instead of two. I still think it was incredible” (Wozniak, p.102). Over the next few weeks, with the fortuitous assistance of “Captain Crunch,” a blue boxer named John Draper who featured prominently in the Esquire article and became an instant hero to hackers and phreakers everywhere, Wozniak honed his design, eventually creating the world’s first digital blue box, which was able to produce a much more consistent frequency than the analog contraptions that had existed previously. Now equipped with a “blue box,” the two young men and their friends explored the phone system, including Wozniak’s famous story about reaching the Vatican, and pretending to be Henry Kissinger calling for the Pope (who was unfortunately asleep at the time). Before long, Jobs came up with a plan to market these boxes to willing Berkeley students eager to make free phone calls. They would knock on random doors in the Berkeley dorms and ask for a made-up name, who of course was not available. They would explain they were looking for the guy who makes all the free phone calls, you know, with the blue box. If their mark expressed interest or curiosity, they would proceed to sell him a box. With Jobs’ novel marketing plan and Wozniak’s design, they ended up earning about $6000 on the project, making blue boxes for $40 in parts, and selling them for $150. According to Bill Claxton, who Captain Crunch notes as being in the dorm the first time he went to meet Woz, the earliest blue boxes used solid keys, which were quickly replaced with a soft keypad (as here) in order to make the boxes more affordable. Looking back on the entire experience, Steve Jobs would observe, “Woz and I learned how to work together, and we gained the confidence that we could solve technical problems and actually put something into production.” Lapsley, Phil. Exploding the Phone: the Untold Story of the Teenagers and Outlaws Who Hacked Ma Bell. (New York, 2013). Wozniak, Steve. IWoz: computer geek to cult icon (New York, 2006). Isaacson, Walter. Steve Jobs. (New York, 2011).
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bonehead ain’t having it
The Rolling Stones released "Get Off of My Cloud" in the US on 24 September 1965 (and in the UK in October).
According to Keith Richards the band had hoped to relax a bit after achieving success with "(I Can't Get No) Satisfaction," which had been released in June 1965 and launched the band to international fame. But, as Richards explained, "Suddenly there's the knock at the door, asking us for the follow-up to 'Satisfaction.'" With a melody by Richards and lyrics by Mick Jagger, Richards said he never really liked the song. "The chorus was a nice idea, but we rushed it as the follow-up." He also criticized the production was one of Andrew Loog Oldham's "worst."
"Get Off of My Cloud" topped the charts in the US in November and remained at #1 for 2 weeks. It also hit #1 in the UK, Canada, Germany, and South Africa, and was a Top 5 hit in at least 8 other countries.
Swinging London 1960s

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In the summer of 1963, fashion illustrator and designer Barbara Hulanicki established a mail order company selling affordable fashion appealing to a new generation of young women. She named it Biba.
The mail order company was to became so successful that in 1964 she and her husband decided to open a shop at 87 Abingdon Road in Kensington. Young women flocked to buy the new fashions on offer and it became so popular that many stars of the day were seen visiting the shop.
In 1966, Biba moved to a larger premises at 19-21 Kensington Church Street with singer Cilla Black and broadcaster Cathy McGowan below giving a helping hand.
But the good times couldn’t last for ever, and in 1976 the store closed for good. In November 2009, the brand was successfully relaunched at House of Fraser but that to slowly disappeared into the history book of fashion.
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At the closing of the film where Bender raises his fist in defiance. He was supposed to just walk into the sunset, so to speak, and John Hughes asked him to play around with a few actions. When he was done and they were finishing up, Nelson threw his fist up without running it by anyone. Everyone loved it, and it has also become an iconic symbol of the 1980s.
The Breakfast Club (1985) dir. John Hughes
Covers of Hippy and Campus Girl, French periodicals that ran 1968-1969 and 1970-1971, respectively.
"The New York Look", 1969. Photo by Vernon Merritt; LIFE Magazine.
I went to the oasis exhibition on the first day
・Andy’s autograph is simple and cute
・I didn’t know that the oasis logo from the 4th album was designed by Gem
・I could see the actual scratches and scuffs on Noel's guitar
・I was thrilled to see the actual middle finger trophy
・I got the chance to hold and play actual Liam’s tambourine
・Noel and Liam's handwritten lyrics, Liam's is more rounded. Noel's drawing on the page of Don't Look Back In Anger
・There were so many magazine covers and poster visuals I hadn’t seen and known before
・I found out that one of the tours was titled 'BROTHERLY LOVE', and I felt like, oh wow…
・They had Liam-style sunglasses for visitors to try on so of course I put them on
・I had hardly ever held a guitar before, I wasn’t sure how to handle it at a moment, I ended up resting it flat. and then me with blanked out face
・I bought a logo magnet at the goods shop, lovely texture with acrylic

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Salvador Dalí and Alice Cooper photographed by Andy Warhol at La Goulue in New York City on April 3, 1973.
Sharon on the set of Valley of the Dolls - 1967
The Breakfast Club by Quinnzel Kills
Annie Nightingale in 1970, the year she became the first female disc jockey on BBC Radio 1.

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Liam and a Great Dane playing tag − Songbird Music Video, 2003
Grolier Enterprises Inc, 1965