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Headcanons: The Fantastic Four reacting to your queerplatonic relationship
MASTERLIST | AO3
Requested by: @jamiedc-they-them
Hi!!! I adored your QPR Supergirl fic; could I please ask for a Fantastic Four headcannon for reach of them with a friend/member of the family/teammate who has a QPR with someone outside the team and how they react?
Relationship(s): Reed Richards, Sue Storm, Johnny Storm and Ben Grimm x gn!reader (familial/platonic)
Warnings: None! (Let me know if I need to add any)
(A/N: Thank you to jamiedc-they-them for the request! I can't believe that I haven't written for the Fantastic Four until now. I'd love to write more for these characters, so feel free to send in any requests.)
Johnny is the first to ask, “So, you’re not dating, but they’re more than a friend?”
It’s not malicious or condescending.
He’s just trying to figure it out because he’s not really heard of any relationships like yours.
Once it’s all cleared up, he’s like, “Cool. I’m happy for you.”
That said, it takes him a while to figure out what to say and how to talk about your relationship.
If you had a romantic partner, he’d have relished teasing you about them to no end.
But, since they’re not your romantic partner… what does he say, y’know? What can he say?
He will be delighted if he can convince your partner to join forces with him to make fun of you.
Either way, he’ll make an effort to be friendly to them and make them feel part of the family.
Ben is pretty quick to understand your relationship, but he probably still has some questions that he keeps to himself.
It’s nothing intrusive or malicious.
Rather, he recognises that, with how out of the realm of ‘normal’ your relationship is considered, asking too many questions might make you feel even more scrutinised than you already do.
He knows what it’s like to not feel normal and to feel scrutinised.
All of his questions probably get answered over time, anyway, without him needing to ask.
So, he does everything he can to make sure you know that he supports you and he’ll fight your corner if anyone makes you feel like you or your relationship is weird.
And, he treats your partner with the same level of respect and understanding.
I feel like Reed also understands your relationship pretty much right away, once you’ve explained it to him.
He might be accused of being a little emotionally distant at times but he’s still compassionate.
He understands how you might feel given that your relationship is considered abnormal, even if that’s far from the case.
I feel like one of the ways he’d show support is by giving examples of ‘unconventional’ relationships throughout history, with hopes that you’ll feel validated.
And, he’ll tell you that he’s happy for you, which he really is.
Of the Four, Sue finds it the easiest to understand your relationship.
She understands that love is vast and complex with how it is felt and expressed.
And, beyond that, she sees how happy you are and it brings her so much joy to see.
She’s the most open with how she expresses her support and she makes sure that you know that she supports you and your relationship.
She doesn’t go overboard with it but she’ll ask about your partner and show an interest in them.
They’re important to you so they’re important to her.
She also makes sure that your partner feels welcome when she meets them, like they’re a part of the family.
Of course, all of them are supportive of you and your relationship.
It’s clear how happy you are, and that’s all that matters to them.
Summary : For the first time in your life, you have a real friend, you even consider her your sister.
Warnings : feeling lonely, especially as a child, fluff, happy ending.
Word count : 1.7k
French version (will be published 05/07/2026 at 9pm)
Request : made by anonymous, here's the link to the request. First of all, so sorry for taking so long to write this!!! I promise I'll try to be more regular with your future requests. I hope you'll enjoy this one shot, again sorry for the delay. Enjoy 🥰
Friendship. You know the definition of this word. A quick look to the dictionary and the explanation is the following one : reciprocated feelings of affection or sympathy that are not based on family nor sexual attraction. You know friendship in theory. In practice, it's more complicated.
You've always been a lone wolf. You have no siblings and sure, you've had some acquaintances but no one to call 'friend.' It was a real suffering as a child. You wondered what was wrong with you, you envied the other kids and their best friend, then, with time, you've managed through it. You've ended up accepting you were made to be alone. It's better to be alone than in bad company, as the saying goes. Furthermore, you've found a way to fill that void by going into all these imaginary worlds and meeting all these fictional characters that books have to offer you.
As a consequence, upon arriving in High School, you made no effort to meet people. Some tried to reinvent themselves but not you. You've been keeping to yourself. Besides, in a town as small as Beacon Hills, who new persons could you meet?
It doesn't hurt you at all to be alone anymore. As long as you have your book of the moment with you, that's all that matters.
At school, you take your book out at any given opportunity. In class, it's a bit more complicated to discreetly read, yet with time, you've discovered with which teacher you could do it. Your favorite class to read is PE. Coach couldn't care any less about his students, outside of the lacrosse team. You hide in a quiet corner and read until the end of the class; because of this, you don't have good grades in PE, but you don't mind, you can make it up with the other subjects.
However, that day, while you're delving into your novel hidden under the bleachers, your favorite book in hands, Coach suddenly appears next to you, snatching your novel and screaming at you to run and do one more lap as a punishment. Stunned, you do as he says without even trying to get your book back; you'll just have to read Anne Shirley and Diana Barry's meeting later.
You try to catch up the other students, nevertheless, they're way too ahead of you. There is only one boy who seems to struggle as much as you do, if you're not mistaken, his name is Stiles Stilinski, though he's still ahead so he manages to leave you behind. You're so late that even the fastest classmates ends up running past you while you struggle to catch your breath.
At the end of the class, you throw yourself on the ground, taking deep breaths while you reach for your water bottle. With the strength you have left, you sit up and drink half of the bottle in one go. Most of the students go to the changing room. From afar, you hear Coach yelling an order, but you don't pay attention to it, not having heard your name.
When you start breathing normally again, you want to stand up, you just don't have the force to do it. Suddenly, someone extends a hand to you, inviting you to take it. Looking up, you recognize Kira Yukimura, the new lacrosse player who moved here not too long ago. You accept her hand and get on your feet the following second.
"Thank you," you simply say.
"You're welcome. I saw Coach made you run more than the others, I can't imagine how tired you must be," Kira explains, playing with the cones in her hands.
"I just discovered a new stage of fatigue."
"Hey, you, the reader, may this be a lesson!" Coach screams, catching both of your attentions. "I better not find you reading during my class again. I expect you to participate more and above all to get a better grade by being at least a C- student or I'll call your parents."
"But, it's almost the end of the semester! I'll never be able to improve that fast," you state, offended.
"Should've thought about it before reading Anne of Cheesy Gables in class."
"It's Anne of Green Gables," you correct, mumbling. "May I get my book back, please?"
"You'll get it at the end of the day, after your detention," he informs you, making you even more desperate. "Now, go get change, both of you!"
Without adding another word, you follow his order. Kira puts the cones next to Coach's stuff then says:
"Well, looks like you've made Coach very mad!"
"And I'll need a miracle to get a C- in three weeks when I haven't ran at all this semester and I hate this."
"I can help you if you want."
At her suggestion, you stay silent for a second. It's interesting except she's probably only saying this to be polite so you shake your head.
"It's kind, but no need. I'll manage."
"I don't mind it and it's always more encouraging to run with someone else. We can train after school."
"Don't you have lacrosse training?"
"Not every day and we can also do it during weekend."
"I'd like it, then," you accept after thinking about it.
"Great, get some rest tonight, we'll have a lot of work. We start tomorrow," she smiles.
True to her words, Kira trained you the following day and thanks to her, you did get a C-. You don't know how she did it to help you so fast. You thought that after this, you would stop talking, though, when you trained you found out you actually had a lot in common.
For the first time in your life, you have an acquaintance who has become a friend. For the first time, you're excited to go to school and talk to someone. You're not necessarily close with her group of friends but Kira has quickly become someone important for you. You think you can even say Kira has become your best friend and you know she feels the same. You think you've never laughed this hard with someone outside your family.
Kira really took you under her wings and showed you what friendship is and that you can have it too. You never believed you'd say this but you're glad Coach found you reading. You don't know what you'd do without Kira, her friendship is the most precious thing you've ever had. You feel seen and heard, Kira made her way to your heart. Before, you didn't understand what some people meant by 'chosen family.' For you, no one could be as important as the people related to you, however, Kira, without knowing it, proved to you it's possible.
Although you've never said it out loud, let alone to Kira, you see her as your sister. You'd do anything for her, to protect her. You know her group of friends would do anything for her, too — even though you don't know them, you quickly understood they had a special bond —, however, you can affirm without mistaking that none of them are as close to Kira as you are. As Anne Shirley would describe it, Kira and you are kindred spirits.
When you meet each other, you usually go to the café halfway between both of your houses. Your order your favorite drinks and you drink them at the café or if there's nice weather, you go to the park nearby.
Today is a sunny day so you'll enjoy it by tanning and talking about the last show you've watched.
You're waiting for your order when Kira has to go outside for a few minutes because her dad called her. The barista calls your name first, you close your book and quickly grab your drink and stay nearby, waiting for Kira's then you go back to your reading.
"Coffee for Kira!" the barista exclaims before frowning once he sees you getting closer.
"I'll get it, it's my sister's," you explain, he nods as he hands you the cup.
"Great, have a nice day!"
"You, too!" you respond before turning around and finding Kira. "Oh, you're done with your call?"
"Yes, let's go."
You give Kira her coffee, she thanks you and you leave the place.
As soon as you arrive at your usual bench — you like it because you have a beautiful view on the park and it's quiet —, Kira clears her throat, catching your attention.
"You called me your sister," she announces, point blank.
"What?"
"When you took my coffee, you said it was for your sister."
"Did I?" you question, your eyebrows knitting together, you didn't even catch this.
"Yes," Kira confirms with a smile while you avoid her gaze. "Hey, don't be embarrassed. I'm not saying this to mock you, I swear."
"I know, it's still embarrassing, though…," you start with a low voice. "I didn't do it on purpose. I don't know why I said it. I mean, I know but I didn't think… I should shut up," you finish, taking a big sip of your drink.
"Y/N, you know you can tell me everything. Is this really how you see me? As your sister?" your best friend asks, genuinely curious.
"Yes?" you reply, not sure of yourself. "I know it sounds stupid yet before you, I've never had any friends and I didn't think I could have a friendship with someone this quickly. I think of you as my best friend, my sister, it's easy to be at ease with you. I told you things I've never told my parents. I feel understood with you," you admit before feeling awkward again. "Forget everything I've just said."
"It's the same for me. I consider you my sister, too," Kira states with a smile.
"Even when you have so many other friends who are better than me?"
"Don't devalue yourself!" she sighs, annoyed. "I get along pretty well with my other friends but we don't have this bond I have with you. I'm really happy I talked to you that day. You mean so much to me."
"You even more to me. I hope I never lose your friendship, it means the world to me."
"You'll never lose me. I'm your sister by heart just like you're mine and nothing will change that."
Kira points her little finger to you and with a smile your link yours to hers as you tear up.
Headcanons: Being in a queerplatonic relationship with Kara Zor-El
MASTERLIST | AO3
Requested by: Anon
Hey there please can I ask for headcannons on being in a queer platonic relationship with Supergirl (2026)?
Relationship(s): Kara Zor-El x gn!reader (queerplatonic)
Warnings: None! (Let me know if I need to add any)
(A/N: The second I saw this in my inbox, I got to work because I've been meaning to write more QPR fics and, of course, I'm itching to write for Kara. It took me a couple of hours, if that. As always, I've never been in a QPR and, while I identify as arospec and I desire a QPR, I know I'm more than likely gonna get stuff wrong. Feel free to correct me if that's the case! Let me know if you'd like more fics with Kara and the reader in a QPR, or, of course, send in any requests, really!)
Kara doesn’t overthink your relationship.
She cares deeply about you and you care deeply about her.
That’s all that matters.
When you get closer to her and she wholeheartedly trusts you, she’ll tell you about where she’s from.
Thankfully you don’t think she’s lost her mind.
It will take her a while to fully open up about her feelings around her past, and she’s grateful for your patience even if she doesn’t say it outright.
She doesn’t mind telling you about her intergalactic adventures, but it can be a little awkward to talk about because, y’know, a lot of that was fuelled by her drinking copious quantities of alcohol to escape her trauma and sense of alienation.
When she tells Clark about you, he tries and fails to hide his excitement.
He asks if the two of you are dating, if she wants to date you or if you want to date her.
It takes Kara explaining your relationship for Clark to fully understand it.
Either way he was always going to be supportive.
He’s glad that Kara has someone on Earth that she feels connected to — in whatever way that is.
(He’s dying to meet you but he tries to be normal about it as best he can. But, come on. Of course he wants to meet his cousin’s favourite person).
After her conversation with Clark, though, she will ask you outright, ‘Hey, so, what are we exactly?’
It’s not out of insecurity but because she wants you both to be on the same page.
She’s happy with things as they are, and so are you.
You can choose to label it or not.
She doesn’t find it too awkward to ask you about your boundaries or laying out hers, but it does take a bit for her to get used to being vulnerable.
But, you’re one of the few people she’s comfortable being truly vulnerable around.
She doesn’t introduce you to Krypto before she tells you the truth about her home planet because it’d probably look a little weird if her dog randomly started flying.
But, once she tells you, she’s so excited to introduce him to you.
(Clark is completely jealous that Krypto gets to meet you before he does but he won’t admit that).
Krypto adores you and it means so much to Kara to see the two of you get along.
She’s a little hesitant to let you watch him without her around because she knows how strong he is compared to you.
She tries to train him to go easy on you, to mixed results.
If he trashes your home, she’ll stay up until everything’s back in order and she’ll refuse your help when you offer it (it’s her way of apologising).
She has a framed photo of you and Krypto and it’s her favourite possession.
Because of you, she’ll leave Earth less and less.
She loves being introduced to things by you.
Even if it’s not always interesting to her, she can’t help but find it charming seeing how much you care and how much it means to you.
Little by little she starts to see the beauty of Earth because you live there.
Hi, can I please request some headcanons of what being Enola and Sherlock’s adopted sister and having a crush on Sarah Chapman (from Enola Holmes 2) would include please? Thank you sm :) <3
A/N: A reminder for everyone that I only write RPF if the character is historical and their story is largely fictionalised, a great example is Assassin's Creed characters. So, Sarah in Enola Holmes 2 is a character based on a real person, but her story and personality was fictionalised, and that's why I'm willing to write for her.
Warnings: implied period-typical homophobia.
HAVING A CRUSH ON SARAH CHAPMAN WOULD INCLUDE:
You first met her at a feminist meeting, back when she started getting into politics
You were kind of assigned as her “teacher”, showing her how everything works, introducing her to everyone, making sure she’s not a spy
She soon told you that the reason she wanted to get into politics was the health treatment of matchgirls, and wanted to make a difference
She just needed help to prove it
Luckily, you were from a family with detectives and tipped Sarah’s findings to your siblings
Sherlock was busy with a case, but Enola offered her help
You knew she hadn’t gotten much fame, that people thought Lord Tewkesbury’s kidnapping was solved by Sherlock and not her
So you gladly accepted her help (and kind of had wished she would take the job rather than Sherlock)
She got right into work
While Enola was doing her detective work, you grew closer to Sarah
You found your cheeks warming up with every smile she sent your way
You tried to tell yourself you were only imagining it, why would someone like her like you?
Especially as she was a woman, like yourself
You knew liking women wasn’t proper, many thought of it as an illness
But you still couldn’t help it, falling deeper day by day
And sometimes you got slight signs that she liked you too
But you always brushed them off as your imagination bullying you
You attended a ball together, and you couldn’t help but watch as men admired her
She was gorgeous in her dress, so it was no wonder people wanted to be near her
And your heart wanted to explode, scream to the world how you liked her and not just as a friend, have that tiniest sliver of chance that she’d tell you she likes you too
But you had to power it through
Enola’s detective work progressed, tying together with Sherlock’s
Even after the battle at the theatre and succeeding to get matchgirls to march out of the factory, you weren’t able to tell her about your feelings
Even though Enola tried to encourage you, and Sherlock also gave you two a knowing look
And maybe one day you would.
Maybe one day the world would be ready to see two women in love.
Maybe one day, you’d get to live out the dreams you had been seeing about her
Until then, you had to keep fighting for your rights, and maybe that would end in something more than what the movement initially had aimed for…
---
Tags: ask to be added to this character's taglist!
Requests for Enola Holmes are open until 8th of July 2026. If you wish to request, please read my rules first. Requests are NOT open for any other fandoms, only Enola Holmes.
One thing I’ve always adored about you write stuff is how you choose words that go with the fandom, like “proper” and “like yourself” - which I know we use today, but just less.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch • No registration required • HD streaming
When the team first finds you, you’re living on the edge of a snowy mountain town, far away from people. The area is weirdly cold year-round. Rivers freeze overnight, trees grow frost patterns, and sometimes snow falls even in summer. Naturally, demon hunters assume.
“Yeah… something supernatural is definitely here.”
So they go investigate. Instead of a demon. They find you. Standing in the middle of the forest. Ice blooming under your feet.
Your abilities are very similar to Elsa’s. Creating ice structures instantly. Freezing the ground or air. Forming weapons like ice spears or blades. Accidentally causing snowstorms when emotions spike But unlike Elsa, you’ve had zero training.
So things go wrong sometimes. Doors freezing shut. Frost spreading when you panic. The air temperature dropping whenever you get scared Which means when the demon hunters approach you. The entire forest freezes.
Rumi
Immediately senses you’re not a demon. Actually steps in front of the others to stop them attacking. Calm voice.
“Wait. She’s not hostile.”
She’s the first person you trust.
Mira
Initially thinks you’re some kind of ice spirit or magical being. Very suspicious at first. But when you accidentally freeze a whole tree out of fear and start apologizing over and over. She softens.
“…Okay yeah. Definitely not a villain.”
Zoey
Is fascinated instantly. Literally says.
“OH MY GOD YOU’RE LIKE A SNOW QUEEN.”
You panic and accidentally freeze the ground.
Zoey:
“COOL. I MEANT COOL—WAIT NOT LIKE—”
You didn’t run away from people because you hated them. You ran away because you hurt someone before. Maybe. You froze a lake someone fell through or you accidentally injured someone when your powers exploded during an emotional moment. Since then you’ve believed:
“I’m dangerous.”
So you stay away from everyone. Even when you want friends. They start visiting you regularly. Bringing food. Teaching you things. It becomes a routine.
Zoey
Asks you to make tiny ice sculptures. Collects them like trophies.
Mira
Teaches you combat basics. Realizes your ice powers could be devastating against demons.
Rumi
Teaches you control through breathing and focus. Helps you calm storms before they start.
A demon attack reaches the town near your mountain. You hear screaming.And even though you’re terrified. You go. When the demon hunters arrive to fight. They see something insane.
The entire battlefield is covered in ice. Demons frozen solid. Ice spikes erupting from the ground. And in the center of it all. You. Shaking. Terrified you lost control again.
Instead of being scared of you. They’re stunned.
Zoey:
“HOLY— YOU’RE AMAZING.”
Mira:
“We could really use someone like you.”
Rumi gently says.
“You’re not a monster. You saved them.”
And that moment hits you harder than anything. Because no one has ever said that before.
Later that night you’re sitting quietly away from the group. Ice crystals forming in the grass around you. Rumi sits beside you. You whisper.
“What if I lose control again?”
Rumi responds softly.
“Then we’ll help you regain it.”
Pause.
“You’re not alone anymore.”
And for the first time in years. You don’t feel like a danger. You feel like part of a team.
Zoey convinces you to make ice stage effects for their performances. Fans think it’s special effects. Mira asks you to create ice weapons for missions. Rumi helps you build a giant ice training arena to practice your powers safely.
Eventually, you stop hiding your abilities. Because the demon hunters taught you something important. Powers aren’t dangerous. Being alone with them is.
Of course! Thank you for understanding. Please find it below.
Hi, could you write Enola Holmes + prompt H10. Person A hugs B after they thought that B is dead, with platonic friend reader? Thank you!
Summary: When Enola finds out you, her best friend, have decided to snoop on one of her cases on your own, she has to race against time to save you.
Prompt: H10. Person A hugs B after they thought that B is dead
CAN'T LOSE YOU
Enola knew you were always envious of her job, romanticised it almost. But she never knew that one day you’d go snooping on your own.
It was meant to be just a little thing, a harmless thing. She knew you thought so as you took one of her files and set foot towards the address, mostly unaware how dangerous her job really was. There were always people that were intending to get her, always people who would go great lengths to hurt her.
And if they found out who you were — who you were to Enola — they would have a weapon greater than anything else could ever be. You were her friend, or more like a sibling when she was growing up. The thought of you being snatched, hurt, or worse was something that sucked air out of her lungs.
I can’t lose you, she thought as she hurried down the streets towards the address where she knew you had gone.
The gates creaked open to the courtyard, echoing off the walls as Enola stepped in.She knew from the first glance that an ambush was waiting for her just around the corner, goons thinking she’d be desperate enough to run without thinking. Of course, she wasn’t. She had learned over the years that worrying actually made her sharper if she channelled it correctly, and this was the exact kind of situation where she was able to use it to her advantage.
Worrying created motivation to be patient and think. And that’s what she had done, weaving together a plan to avoid the ambush, trick those who were waiting for her, hiding in the shadows.
It took longer than she would have liked, but she squeezed through a narrow crack in the wall, quickly moving through the maze-like building, stopping before every corner, but it seemed like everyone was outside waiting for her. Men underestimating a woman’s wit once again, Enola thought with a smirk.
She arrived at the opening of a long hallway with three doors on both sides, but one of them was different from the others — it had a large padlock hanging on it. And Enola knew immediately that it was the room you, or at least someone, was being held in.
She heard nothing when she approached the room, which made her heart drop slightly. She knew you. You would definitely kick and scream, demand to be let out.
Unless…
Her hands threatened to shake, but she took a hairpin out of her hair, before shoving it into the lock, thanking Tewky in whispers for teaching her to lockpick.
The door opened with a click not even ten seconds later, and she opened the door slowly.
There you were, sitting on a chair with tear-streaked cheeks, but awake and relatively uninjured. She let out a voice that was half a sob, half a relieved laugh.
“Enola?” you breathed out in unison with her gasping out your name, and she nodded, digging out her sheathed pocket knife from her bra, and cut your bindings off. She helped you up.
“You’re okay,” she whispered, before surging forward for a hug so powerful she almost made you fall. “Don’t ever do that again.”
“I won’t,” you choked out, holding back tears as you squeezed your arms around her. “I promise.”
She retreated, looking around the room once. “Everyone is outside waiting for me, so we can’t use windows to get out. But I’ll think of something. Come on.”
You nodded, and followed Enola as she led you out of the room. She glanced back at you, and found herself thinking that bravery was one of the first steps of becoming a good detective, but your wit had to be worked on.
Maybe she would train you after all, to become a detective with her. But until then, she trusted you had now learned your lesson to trust her word when she’d say you’re not ready to go on jobs with or without her, not even when going to talk to a customer.
---
Tags: ask to be added to this character's taglist!
Requests for Enola Holmes are open until 8th of July 2026. If you wish to request, please read my rules first. Requests are NOT open for any other fandoms, only Enola Holmes.
This version of Ada isn’t just your guardian. She’s your mother even if she never says it out loud. Ada doesn’t do attachments. Not in her line of work. So finding out she had a daughter? It didn’t fit into her life, it disrupted it.
Whether you were someone she had to protect, or a truth she uncovered later, one thing was certain. You changed everything. At first, she kept her distance.
Watched from afar. Made sure you were safe without letting you see her. Because if she stayed away, you’d stay out of her world. That was the idea. You saw her. Really saw her. Not as some stranger in red, not as a shadow, but as someone important and instead of fear? You ran to her.
“Mom?”
That word hit harder than anything she’d ever faced. Ada froze. She’s handled bioweapons, betrayals, impossible missions, but this? She didn’t know what to do with this. Ada doesn’t suddenly become soft.
She’s still composed, still distant on the surface. But underneath? Everything shifts. She starts staying longer instead of disappearing. She learns what you like, even if she pretends she doesn’t care. She memorizes your routines, your habits, your little expressions. Her love isn’t loud. It’s precise. Intentional. Protective.
She doesn’t baby you, but she’s gentler than anyone else has ever seen her. Calls you “kid” more than anything affectionate, but her tone softens every time. If you’re scared, she won’t say “it’s okay”—she’ll just sit beside you until it is and when you hold her hand?
She hesitates for half a second, before holding it back. Ada knows her world isn’t safe and that weighs on her constantly. There are nights she watches you sleep, quiet and still, and thinks. You deserve better than me. But leaving? That would hurt you more. So she stays.
Even if she doesn’t believe she deserves to. You are her one weakness and she hates that, because it means you’re a target. If anyone even looks at you wrong? They’re dealt with before they can take another breath. No hesitation. No mercy.
You fall asleep on the couch, waiting for her. When she comes back, she pauses. For a moment, she just stands there, looking at you. Then she quietly. Picks you up (carefully, like you might break). Tucks you into bed. Brushes your hair back from your face
“…You shouldn’t wait up,” she murmurs.
But there’s something softer in her voice. Something almost warm. You get hurt. Not badly, but enough and for the first time? Ada panics. Her hands are steady, but her voice isn’t quite.
“Stay with me. Look at me.”
She doesn’t leave your side. Not for a second and when you reach for her? She doesn’t hesitate. She holds you close. Too close.
“I’ve got you,” she says quietly.
That’s the closest she’s ever come to saying I love you.
Ada Wong may never be the kind of mother who says it out loud. No grand speeches. No constant affection. But her love? It’s in everything she does. She stays. She protects. She comes back, every time and in her world?
Imagine your horse passing away, and the Fellowship comforting you.
The Battle for Middle-Earth had too many casualties. King Theoden being one of the ones that hurt the most, that was a complete arrow in the gut. But the fellowship, minus Boromir, endured.
Except for the loss of your beloved horse.
You had trained her yourself, watched as she went from a foal to a beautiful mare. Defended her when others said that a female horse wouldn’t be as good in battle as a male. You proved them wrong. She had proved them wrong.
But, unfortunately, she had given her life doing so.
You had fallen off of her, when she had been stabbed through by the tusks of an Oliphaunt, not able to get out of the way because of the closeness of the battle. The crush of the enemies, and your allies, all at once made it impossible to move unless you were as big as they were. But your horse - she was a smart one, she had bucked you off before the tusks made contact, saving your life, giving hers in return.
You weren’t the only one to see her sacrifice. Aragorn had seen it and had gone running through the battle to your side, to help you up, to make sure that you were okay, to comfort your dying horse as shock and sorrow ran its course through your body.
Legolas bent down next to you, offering his hand. Gimli came running along next, his eyes once filled with adrenaline from battle, now looked sad - almost watery. Everyone had loved your horse.
Everyone had loved how you treated it as a dear friend, rather than just a ride.
You took Legolas’s hand and got up to your feet, looking at your noble friend on the ground, then up at the Oliphaunt that was trampling away.
“We will not let her death be in vain,” Gimli said, holding onto his axe.
“For her,” Legolas said, arrow already in bow, aiming otwards one of the riders of the large beast.
“For her,” Aragorn nodded at you.
“For her,” You repeated, memories of training with her, memories of sleeping in the stables overnight with her because it was more of a home than your own home. Memories of how she would make you laugh by stubbornly flicking her tail at anyone who annoyed her.
For her, you charged.
You suffer from sensory overload but don't understand it. Luckily Robin is there to offer some comfort. Mentions of anxiety.
***
a/n: I hope this is OK, I did a little research into symptoms as I've never experienced it, but hope you enjoy! Thank you for the request 😊
***
This crawl had not come at a good time. Today was one of those days where everything felt like it was just too much. You were already anxious about the prospect of going back into the Upside-Down, but now with the entire group packed into the basement of The Squawk and talking over each other, everything was starting to snowball.
You sat on one of the beaten-down sofas, tapping your leg rhythmically. One of the lights had started flickering and you were doing your best to ignore it. Dustin and Hopper were arguing about something. Robin flopped down next to you and sighed.
"Jesus, do they not get sick of hearing themselves after a while?" She joked. You gave a small laugh in response. It was so loud in here, yet she was so nonchalant, relaxed like nothing was happening. How did she do it?
"That plan is never going to work, it's stupid!" Dustin fired at Hopper. The chief rolled his eyes.
"Love to hear you come up with a better one."
"I can come up with ten better plans right now." Dustin told him.
The light was flickering again. You could feel the anxiety rising in your chest.
"Guys, stop arguing like children." Jonathan protested.
"He started it." Dustin shot back.
It was too much. "God, shut up!" You exclaimed suddenly. "Jesus Christ!"
Now every single pair of eyes was on you, tucked away in your corner of the room. Robin was looking at you in surprise. "Hey, are you OK?"
Suddenly you felt incredibly guilty. Here they all were trying to come up with a plan to kill Vecna, and you were screaming at them. No one else was having difficulty dealing with events, why were you having such a hard time? It didn't make sense.
"Sorry, everyone. I'm so sorry." You were embarrassed, not able to look Robin in the eye. "I just need some air." You jumped up and ran out.
***
The crisp breeze outside was a welcome relief as you took a breath, already feeling the anxiety lessen. That room felt too claustrophobic anyway. It was so much nicer out here.
"Hey." You heard a voice behind you. Robin took a few tentative steps forward until she was next to you. "Are you alright?"
"I'm sorry." Was all you could say again.
"You don't have to apologise to me." She chuckled. "You just said exactly what I was thinking. But it's not like you to get angry like that."
You folded your arms, feeling small all of a sudden. Robin was being so nice to you, and looking at you like she desperately trying to understand, but how could she? You didn't even understand.
"It was just so loud in there, and the lights and everything. It was like a pot bubbling over, and I couldn't handle it." You sobbed.
"Hey." She moved forward to wipe the tears off your cheeks. "Please don't cry."
"It doesn't make sense. The rest of you can handle it just fine, why can't I?"
Robin shook her head. "Everyone's got their own stuff. Just like I have a hard time deciphering tone. So if you got a little overwhelmed, no one will hold it against you."
"You don't know what it's like." You told her.
"No, but I know you. And I know how awesome and kind you really are." She smiled. "And so does everyone else. They know you didn't mean it."
She put an arm over your shoulder and pulled you in. "Now, how about we go back in there, and if it gets too loud again, we'll come up with a signal. Squeeze my hand once, it's almost too much. Twice, we need to get some space. Sound OK?"
You nodded. "Yeah, I think we can manage that. Thank you, Robin."
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The Croft Manor library was supposed to be quiet. Keyword: supposed. Instead, the room echoed with the sound of muddy boots tracking across the marble floor. You didn’t even look up from your book.
“…Lara.”
Silence. Another step. Then another.
“…Lara Croft.”
“Hello, darling!” Lara’s cheerful voice rang out.
You slowly closed your book. Standing in the doorway was your wife, the legendary archaeologist herself, covered in dirt, scratches, and leaves stuck in her braid. You stared.
“…You promised.”
Lara winced slightly.
“Well—”
“You promised this time would be a short expedition.”
“It was!”
“You were gone for three months.”
“In archaeological terms that is short.”
You pinched the bridge of your nose. Lara cautiously approached you like a lion approaching something that might bite.
“Before you say anything,” she added quickly, “I did bring you something.”
Your eyes narrowed.
“Unless that something is a time machine so you can come home sooner, I don’t—”
She placed a small velvet box on the table. You froze.
“…Lara.”
She opened it. Inside sat a delicate ancient ring. Gold. Engraved. Beautiful.
“I found it in a Byzantine temple,” Lara explained proudly. “About 1,200 years old.”
You stared at her.
“…You stole an artifact.”
“I rescued it.”
“Lara.”
“Alright, fine, I stole it.”
You tried not to smile. Tried. Failed. Lara noticed immediately and grinned.
“Ah, there it is.”
“You’re unbelievable,” you muttered.
She stepped closer, gently taking your hand. Her thumbs brushed over your knuckles, grounding and warm despite the cold air she carried from outside.
“I missed you,” she said softly.
Your irritation melted a little.
“…You say that every time.”
“And it’s true every time.”
Lara slipped the ring onto your finger beside your wedding band. Perfect fit.
“You didn’t have to bring me treasure,” you said quietly.
Lara leaned closer.
“But I like spoiling my wife.”
Your face warmed. Before you could respond, Lara wrapped her arms around your waist and lifted you slightly off the floor.
“Lara!”
She buried her face in your neck.
“You smell like home,” she murmured.
You sighed, giving in as your arms slid around her shoulders.
“You smell like a jungle.”
“Romantic.”
“Not remotely.”
Lara laughed softly. Then she pulled back just enough to kiss you. Gentle. Warm. The kind of kiss that carried months of missing each other. When she finally pulled away, her forehead rested against yours.
“So,” Lara said.
“Yes?”
“How angry are you exactly?”
You pretended to think.
“…Moderately.”
“Punishment?”
You smiled sweetly.
“You’re staying home for the next month.”
Lara gasped dramatically.
“A month?!”
“You married me.”
“Darling,” she said, grinning as she kissed you again, “best decision I ever made.”
Could u please request a Diana prince sister reader who gets hurt protecting Diana?
Diana Prince x Sister! reader
The battlefield smelled of ash and smoke, thick with the scent of burning metal and something worse, blood. Diana had lost track of you in the chaos.
Parademons swarmed like vultures from above, and the boom of explosions drowned out her every call. She was fighting off four of them at once when she heard it:
“DIANA — LOOK OUT!”
She turned just in time to see a blade, jagged, alien, poisoned, flying toward her back and then she saw you.
You threw yourself in front of her without hesitation, your armor catching the blade just enough to keep it from piercing your heart, but not enough to save you from the rest. The impact knocked you flat against the dirt with a sickening crack.
“No—NO!”
Diana’s scream echoed louder than thunder. The blade meant for her now protruded from your side, blood dark against your Amazonian leathers. Your breathing was short, fast, wrong.
She fell to her knees beside you, cradling your body in shaking arms. “Why?” she whispered, voice cracking. “Why would you do that?”
You smiled faintly, your eyes glassy. “Because… I promised mother. You’re the world’s protector… someone had to protect you.”
Diana’s hands were already glowing with golden magic as she tried to slow the bleeding. “I don’t need protection—”
“Liar,” you rasped, coughing. “Even gods bleed, sister.”
She let out a choked laugh, though her eyes were wet. “You always were the reckless one.”
“Learned from the best,” you whispered. “Tell Bruce he still owes me a spar. And that I totally would’ve won.”
“You’re not saying goodbye,” she said firmly. Her magic flared again, gold running through her fingertips and into your wound, sealing it in golden light. “I’m not letting you go. Not when I just got you back.”
You looked at her, your expression soft. “You were always the strong one, Diana.”
Her grip tightened. “And you were always the brave one.”
The battlefield quieted around you. Whether it was the end of the fight or just the weight of the moment, you weren’t sure. You let your head fall against her shoulder.
“You’re going to live,” Diana whispered. “You hear me? You’re going to live. Not just because of magic, or strength, but because I need you.”
Request: Yes / No Hi please may I ask for a FTWD sibling figure to Alicia who is aroace? Anon
Requests are open, but for anything I write for but Riverdale, I’m not feeling much inspo for that right now! <3 Have a nice day/night
Alicia Clark x Non-Binary!Reader (I made it non-binary since there wasn't a gender wasn't specified)
Word count: 1405
Warnings: LGBTQ+ hate mentioned, but I believe that’s it!
Y/N: Your Name
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(Not my photo, credit to whoever made it!)
The first thing I learned after the world ended was how to survive. The second thing I learned was that surviving didn’t magically erase what had hurt before. Walkers didn’t care who you loved. They didn’t care who you wanted to spend your life with. They didn’t care whether you wanted a relationship at all. They didn’t care whether you wanted a relationship at all. But people… People still did. Or at least, the ghosts of them did.
I’ve been with the group for almost eight months. Long enough that Morgan trusted me to go on supply runs with Alicia. Long enough that June stopped asking if I was sleeping okay after every nightmare. Long enough that I didn’t feel like an outsider anymore. Most days, it felt… normal. Well, as normal as life during the apocalypse could be.
We were camped outside an abandoned ranger station for the night. The fire crackled softly while Maddison stirred something that vaguely resembled stew. Morgan and Dwight were discussing tomorrow’s route. Nick was sharpening his knife. June was reorganizing medical supplies for what had to be the hundredth time. Alicia sat beside me on one of the fallen logs, quietly cleaning her rifle. Nobody was talking to me. Nobody expected me to entertain them. Nobody expected anything, really. That should’ve made me feel comfortable. Instead… it made me nervous, because every time people got close enough to know me… Eventually, they found out. And eventually, they look at me differently. Even if they didn’t mean to, they always did. I stared into the fire, barely listening to the conversation around me.
“You okay?”
I looked over. Alicia had set her rifle aside, she was watching me carefully.
“Hmm?”
“You’ve been staring at the fire for like ten minutes.”
“I have not.”
“You totally were.”
“I was thinking.”
“You were brooding.”
“I don’t brood!”
She raised an eyebrow. “I have literally seen you brood.”
“I contemplate.”
She laughed. “They’re the same thing.”
“They’re not.”
“They kind of are.”
I rolled my eyes. “They’re definitely not.”
She bumped my shoulder lightly. “Whatever helps you sleep.”
I smiled despite myself. That was becoming a problem. Not the smiling, but feeling… safe. I’ve spent so many years leaning to keep parts of myself locked away that being accepted by this group almost felt suspicious. Like eventually they’ll realize I wasn’t worth keeping around. Like eventually I’d say the wrong thing. Like eventually… they’ll find out.
The next morning, Alicia and I volunteered to check a small grocery store a few miles down the road. Most of the shelves had already been picked clean years ago. We still managed to find a few cans tucked behind fallen displays.
“Jackpot!” Alicia said, holding up three cans of soup. I found a dusty box of crackers that hadn’t expired before everything fell apart.
“I think these are edible.”
“I’ll take your word for it.”
“You afraid?”
“I’ve eaten Strand’s cooking.”
“...Fair.”
We both laughed. The sound echoed strangely through the empty building. It had become easy to laugh with Alicia; she was like the sister I never had. She was easy to talk to, to exist with… too easy.
“You know…” She said after a minute.
“Hmm?”
“I don’t actually know much about your life before.”
I froze. She noticed immediately.
“You don’t have to tell me.”
“No.” I forced myself to keep searching. “It’s okay.”
She didn’t push. That was one of the things I appreciated most about her. She never forced conversations. She just… left the door open.
“My parents weren’t great.”
She looked over but stayed quiet.
“They’re dead.”
“I’m sorry.”
I shrugged. “It happened early.”
Another pause.
“They weren’t exactly…” I searched for the word. “...Supportive.”
“About?”
“Um… I’m aromantic… and asexual.”
The words hung between us. I couldn’t read her expression. She wasn’t frowning. She wasn’t smiling. She was just… listening.
“I never really told my parents.” I laughed bitterly. “They would’ve hated it. My dad always talked about how LGBTQ+ people were ruining everything. My mom kept saying I’d change my mind. So…”
I shrugged weakly. “I lied. I pretended to have celebrity crushes. I made up people I liked. I even let my friends try setting me up because it was easier than explaining why I never wanted to date.”
The memories made my chest ache. “I spent years pretending. So much pretending that…”
I looked away. “I don’t even know when I stopped pretending for other people and started pretending for myself. I kept thinking maybe everyone was right. Maybe one day I’d wake up and suddenly want all those things…. But it never happened.”
A tear slipped down my cheek before I realized I was crying.
“I felt guilty… Guilty because my parent swanted grandkids. Because they wanted this future for me. Because I couldn’t give it to them…”
I wiped my face quickly.
“It sounds stupid.”
“It doesn’t.”
I looked at Alicia.
“It really doesn’t.”
I laughed once. “It does. The world literally ended, and somehow… I still worry about disappointing people who have been dead for years… I know they’re gone, but every time I think about actually saying who I am… I still hear them.”
I stared at the ground. “I’ve never actually told anyone before.”
“You…” I laughed weakly. “Congratulations, you’re the first person who’s ever met the real me.”
Silence. Long enough that my stomach twisted. Long enough that regret started creeping in. Maybe this had been a mistake… Maybe…
A warm hand rested gently over mine. I looked up, and Alicia was smiling. Not a forced smile, or an awkward one, just… Alicia.
“You know what my first thought was?”
I blinked. “What?”
“I’m really glad you trusted me enough to tell me.”
I stared. “That’s it?”
She looked confused. “What do you mean?”
“I just told you I’m aroace.”
“Yeah?”
“And?”
“And… thank you for trusting me.”
I frowned. “You’re not…”
“Not what?”
“Confused?”
“I know what aromantic and asexual mean.”
“No, I mean…” I couldn’t even finish the sentence. She understood anyway.
“You thought I’d look at you differently?”
I nodded.
She squeezed my hand. “Y/N.”
Her voice was gentle. “You don’t have to hide with me.”
The words hit harder than I expected.
“You don’t have to pretend you’re interested in dating. You don’t have to fake crushes. You don’t have to laugh along when people assume you’ll settle down with someone someday.”
She smiled. “You don’t have to be anyone except yourself.”
My vision blurred again. “I’ve spent so long pretending.”
“I know.”
“I don’t really know how to stop.”
“You already started.”
I looked at her.
“You told me.” She smiled. “That’s a pretty big first step.”
I laughed through the tears. “I was honestly expecting this to be awkward.”
“Why?”
“Because it always was in my head.”
She shook her head. “I don’t think there’s anything awkward about someone telling me who they are.”
She nudged my shoulder. “For what it’s worth, you know what I see when I look at you?”
I shook my head. “I see the person who insists on carrying twice as much firewood as everyone else.”
I snorted.
“I see the person who somehow finds books in places that shouldn’t have books.”
I smiled.
“I see someone who makes Morgan laugh. Someone June trusts. Someone Al trusts to watch her back. I see my sibling.”
She shrugged. “The fact that you’re aromantic and asexual doesn’t erase any of that. It just means I know you a little better now.”
I laughed quietly. “That’s… really anticlimactic.”
She grinned. “Were you expecting a dramatic speech?”
“A little.”
She pretended to think. “Okay.”
She cleared her throat dramatically. “Hear ye, hear ye! Y/N had informed me they are aroace, and literally nothing about our relationship has changed!”
I burst into laughter. The kind that made my stomach hurt.
“There!” She smiled proudly. “Dramatic speech accomplished.”
I wiped tears from my eyes. “I hate you.”
“No, you don’t.”
I didn’t, not even a little. For the first time since I figured out who I was years before the world ended, I realized something. Acceptance wasn’t supposed to feel like fireworks. It wasn’t supposed to be some huge, life-changing speech. Sometimes acceptance was just someone looking at you after you shared the part of yourself you’ve hidden for years, and treating you exactly the same as they had five minutes earlier.
Was wondering if you could do some headcannons with reader being elevens 'sibling' at hawkins lab? Reader's basically the same age as eleven but can shapeshift. Just some headcannons about life in the lab, after they escape, meeting the party and other headcannons through more of the major plot lines of the stranger things storyline?
Tysm and have agood dayyy
A/N: This is the last El request my ST priority line had </3 Also sorry if I've forgotten something big from here, I have only watched the series through exactly once (not one single rewatch), and had to read through ST wiki about what happened in seasons 1-3 during writing this. I remembered some stuff but not much on my own.
HC: BEING ONE OF ELEVEN'S "SIBLINGS"
You and Eleven were both taken from your mothers as babies
And you never knew life beyond the lab
Your shapeshifting manifested young, before you could even form full sentences
Actually nobody knew what you looked like as you because your face was always a blend of multiple people near you
You were able to sneak to the kitchen to eat cookies by shapeshifting into one of the nurses
But you soon found out that caused you serious consequences
You quickly learned to respect Papa out of fear
You and El had met as toddlers, but were able to spend time together properly much later
You both knew you couldn’t speak freely though, so you had your own secret language, that sounded innocent to others but you both knew it had a deeper meaning.
One saw right through the two of you, though
He didn’t run to tell anyone, though
He started providing peeks of what Papa didn’t tell you
Or he talked to El, really, he ignored you for the most part
But El told you about what One had told her later
You started dreaming of escaping early on
But wouldn’t do so in many years
The lab started treating her as dangerous after they thought she had massacred everyone, and wouldn’t listen to her nor you about it being One
You weren’t allowed to spend so much time together after that anymore
But eventually she opened the rift, and that’s when everything changed
El escaped first, she had only a small window to do so in the chaos and you urged her being the one to escape, as you would have it easier anyway
You shapeshifted into her so they wouldn’t look for her, as you were secondary
Later, they thought she somehow escaped during transport
Papa was livid
You escaped roughly two months after El did after the lab had finished moving elsewhere, impersonating a researcher on their way out for a smoke break.
You had stood in a parking lot at 2 AM and had no idea what to do next
But you decided to find El
You found out she had been taken in by a scary man called Hopper
But he took care of her
Hopper was reluctant to take in a second kid with terrifying powers and no documentation
But El gave him one puppy dog look
Hopper took in a second kid with terrifying powers and no documentation
You and El argued about Kali
She wanted to find her
You wanted to forget all about your past in the lab, and Kali had escaped
But you went with her anyway
After you came back, you finally met the gang
They were wary first, but quickly grew on you
You shapeshifted into Will to trick the Mind Flayer
And that gave you a window to seemingly destroy it
Over the next summer, El got a boyfriend, and you got a job as a cashier
You had gotten the job by shapeshifting into the manager and announcing that a new cashier has been hired, and will begin next morning
The real manager thought he’s losing his mind when everyone was confused about him not remembering such things
And on top of that, Mind Flayer came back, and it was worse than last time
But you were able to destroy it — though at the expense of El losing her powers
When Hopper died — or disappeared — El went somewhere inside herself that you couldn't follow
You sat outside her door for two days straight, begging her to let you in
When the Byers moved away from Hawkins, you just hopped at the back of the truck, even though Mike’s family had agreed to look after you
Joyce looked at you, sighed and handed you a box of kitchen utensils
You tried your best to listen and understand when El explained about losing her powers
You had no idea what was she going through
The thought of life without powers in itself wasn’t scary, but without them you would be basically dead against Demogorgons, you could only deceive but not fight in a way El could
At Lenora, El was struggling at school. The bullies presented a new kind of threat, far more cruel than anything Upside Down had ever done to you
Angela was the first person you never shifted into. You thought about it in great detail, fantasised of all the things you could make her do, but El forbade you against it
You could tell she felt a bit better though when you told her about your ideas how you’d embarrass Angela if she let you impersonate her
But you understood that doing such things could reveal you to the authorities, Angela was popular outside of school too after all, and her parents would raise a mess out of it
When El broke Angela’s nose, you regretted listening to her though, as she got into a lot of trouble over it
And especially when she went back to Brenner to restore her powers
You were furious for it — but eventually understood
You had been defined by him your whole lives, she needed to close the door herself
After Papa’s death, you both cried.
You didn’t really mourn for him, but he had still been a big part of your childhood, and his death was one major door closing
The battle at the Upside Down after that marked the end of Vecna — or so you thought
Him not being done became clear when Hawkins started to crack open
Almost two years later, Vecna resurfaced and was kidnapping children
Including Mike’s little sister
You shapeshifted into a nurse to help Mike and Nancy get to their mother
And got a clarification that the mysterious Mr. Whatsit indeed was Henry
In addition to that, getting Max out was a hassle and Eleven couldn’t reach her, which made you all concerned
At Camazotz, you first tried to lure the children out and escape by pretending to be Henry
But Max told you to stop it
Tricking them would only make them not trust you once you transform back and reveal not being Henry
Your powers were little help during the battle, so you just resulted into poking the monster with weapons with Steve and Dustin
You stood by Eleven, holding her hand as Joyce finally finished Vecna, One, Henry
And then it was finally, truly over
But then El dropped a bomb
She told you Kali told had told her that all three of you have to die or else they’ll never stop making new children to torture
And you knew that was true
So this is where you can decide what happens
1) You sacrifice yourselves
2) You escape and never come back
3) You lose your powers when Upside Down gets destroyed and the military loses interest in you
Whatever ends up happening, you’re happy El has been your sister through it all, and you’d never trade your time together for anything
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Can we have some Clark and Mary platonic fluff headcabons with uhlike kid rreader
Family figures (platonic/familial)
Summary: In a way, you found a way through the healing process of your parents being gone, though it leads you to the dark.
Note: Kind of ran with this idea. Started out fluff, then turned into...well, how Backrooms descended into a nihilistic chaos realm. The reader is 18, as I'm not comfy doing younger readers.
MASSIVE SPOILERS FOR THE FILM
Clark
He hires you at Cap'n Clark's Ottoman Empire.
It's not even a sympathy hire - though that becomes it much later - it's more just that he sees something in you; someone lost, who sort of gave up on life despite your young age.
Due to the small town your guys live in, he remembers your last name from the news (he stayed up late once in the store, drinking his life away, when he say the report of your parents dying in a car crash and your being the survivor).
You, being their legacy, felt like you owed them something. To make something of yourself.
When Katherine comes in, she befriends you - at first by his wish, then just as she gets to know you.
Through her, Clark learns that you have nowhere to stay.
She offers her bit, but Clark gently shuts it down, not wanting the smoking influence of her and Bobby to infect you as he calls it.
While offended, she agrees.
He tells her he'll sort something out.
"You can stay here," he says, "never have to be late to work. Never have to earn your keep. Never have to change. Just...be."
Out of options, and the first person - aside from Kat, to just...replace was the wrong word, but fill that void - was there.
In an attempt to bond, he tells you about his divorce - about how his wife never got off "her fat arse" to help him, gesturing around the store as if it proves that he is a sort of "architect".
"Where do you go?" you ask him.
"Fuck does that mean?" he asks, taking a swig and offering you one. You take it.
"When we close, you come back from somewhere."
"Therapy," he says, "I see a shrink. Divorce shrink. Why, you wanna go?"
You shrug. Maybe.
"No," he says, "No, you've got me. She'll just spin it around to be your fault somehow. Tell you that you grabbed the wheel or something."
You go to sleep, slightly buzzed, but feel him pull the cover over you.
The next morning, he gestures for you to follow him. Doing so, he shows you an odd object in the electrical box - a thing that is out of place.
You try to remove it with your nails, only for one to chip.
"Hey, easy. Be careful," he chides.
"Sorry," you say.
"Look, we'll sort this shit out later, ok? Lights are back on. Let's just go film this promo. You like filming, yeah?"
You nod.
"Can even help block it, if you want? Be the youngest director ever?"
To your surprise, Bobby and Kat listen to your ideas.
The chair still breaks, though, and Clark snaps.
His face when you tell him softly that you're already open makes you feel the whole world collapse. He's trying. He's trying.
People do come in, just not many.
Still, when he looks up to see you helping them out with enthusiasm, he smiles.
"Looking at goofball over there?" Kat asks, flipping through her magazine.
"I don't think I've ever seen anyone be so alive as they were with us and filming that advert."
Kat lowers the magazine, looking at you, watching the people leave with a certain sadness.
"They're a good kid."
"Aren't you like, their age?"
"You say that as if you're pushing old."
"That's the nicest thing you've anyone has ever said to me."
"...Ok. Look, I'm 20, kids not. Hence...kid and goofball."
"You have any siblings?"
"Nope," she says, popping the bubble gum in her mouth.
"What about you? Any kids?"
Clark goes silent.
"Sorry," she says. "...Yeah," he says. Moment over. "They deserve the world, and look what it took."
"Getting real philosophical, boss."
Clark snorts, that childlike part of him still being there.
Still, though, he knows it, and Kat knows it: how he looks after you, even gave you a place to stay.
She never says it: never voices how it slightly unnerved her that you slept where you worked - she didn't know about Clark doing it - but with how the town could be...
The shift was ended, and you both found yourself having a drink again - one bottle between you both; he liked to tell himself he was responsible, damn it.
The lights once again went out, but not before the TV flickered - a space that you had never seen before appeared on it.
You both go downstairs, he leading the way a bit as you trembled a small bit in the dark.
"Don't worry," he whispered, "I won't let anything happen to you."
The light upstairs comes back on, but another appears.
An impossible one. Through a crack in the wall that shouldn't be there.
His hand phases through first. He then gestures for you to try. Yours goes through as well.
He gestures for you to get back.
"I'll see what's happening. I'll be back, I promise."
"Wait --"
"I'm not dying ok. But I'm not...I'm not having you die either."
You look at him in a new light: he really does care.
It's not healthy, you know that - how you both latched onto each other as this sort of..figure in your life.
His wife left him, and he never had a kid. Then you came along.
You lost your parents, and then he came along.
"Be careful," you said, sounding younger than you actually were - you felt like the age you were when your parents died.
This man gave you a space to call your own; he made sure you had drink (the non-healthy kind) and food ("whatever you wanted," he said to that).
Still, he...he filled that void.
He nods before going through.
He's been gone a while.
He does come back, though, panting and holding a stool, but he does come back.
His reaction, after sitting on the stool he brings back, is to laugh and clap his hands.
You find things. Items clipped through each other.
"No one will ever believe this shit", you say.
"Language," he says, even if he lets out a 'shit' as he trips over a clipped-in table.
However, you notice how...he becomes with it.
He only ever wants to go back.
Making the map? Makes sense. It helps.
But, there is a look in his eyes. Not one of the child-like glee that you put it to before.
But one of control, like he is the master of this world that you don't understand.
"What if we documented it?" you asked.
"It'll certainly boost sales," he jokes, but you see him buzzing with excitement at the idea.
He visits the only other people he knows who have a camera.
So, your gang is assembled.
Kat is, understandably, freaked out.
Clark calls for you all to hurry up.
"Hey," you say, "I get it. It's fucking weird. But, look, we're here, ok? I'm here."
There was something about the fact that you: A) stayed, and B) still had that innocence to you.
Maybe Clark was wrong; it hadn't all been stripped away.
So, under your commitment, she entered the Backrooms.
You were last.
"Fucking finally," Clark said, "this way."
When he mentions the pool, you have a brain flicker, like you can't fully remember that place.
Kat notices, "Goofball?"
"They're fine," he snaps, "aren't you?"
You nod. You've never seen him this way before.
He doesn't even say sorry.
You hear Kat and Bobby talking behind you, Bobby even zooming the camera in on you a bit.
You just follow Clark, watching him go to places you don't really recognise - yet you sort of do.
You pause, the couple bumping into you.
"What's that?" Bobby asks, zooming in on the car.
Your breath picks up.
Clark walks over, standing in front of you, "That's the car that killed their parents."
You gulp and feel Kat put a hand on your shoulder.
"Just give them a minute," Kat says.
Clark agrees, but you hear him huff a bit.
Kat then turns you around, "Hey, look at me," she says, hand going on your cheek, "you're ok. You're with us."
Bobby zooms him. He knows about your friendship and her caring nature, so he's not jealous.
However-- "We done?" Clark asks, though a tad gentler than before.
"Sorry," you say.
"It's fine," he says, continuing on.
Kat squeezes your hand. Bobby even pats your back.
You then make it to a steep incline.
Bobby agrees to go down, seeing you still shaken from before.
He goes down, only to then ask to be taken back up.
Kat tries to calm him down, and you repay him for before with a hand on his arm - only for Clark to constantly try and ask Bobby what he saw.
"Dad -"
Bobby is dragged down. You and Kat hold onto him, only for Clark to pull you back. "I'm stronger," he says.
You notice his grip is much looser than yours.
Bobby goes down the incline, and you all soon follow - though not by choice.
Kat sprints after him.
You get up, Clark grabbing your arm once you do and telling you one thing:
"Stay close to me."
You do, Clark, holding the camera now.
In the Christmas tree room, a creature follows you. You trip trying to get in.
Clark tells you to "hurry the fuck up!" before closing the door once you get through.
He then slips. You remember a vague and distorted memory of this room.
Kat calls to you both from the other side, though you can't see her.
The last thing you hear before a large blackout is, "behind you!"
Coming back, you're in a chair, and a woman is sitting to your left - a human and living one to be clear.
You feel your breathing pick up: pieces of memories are coming back, some overlapping with your crash - you can even see a shard of glass on the table.
You hear talking. You look to Clark, the man who took you in and gave you a semblance of a fam--
"Stop fucking crying!" he yells, slamming the table.
You flinch. You flinch from the man you attached yourself to as a father figure.
He looks back at Mary.
"You'd say it's their fault the crash happened, just like my wife would be mine!"
He looks to you, "I told you, we don't have to change," he says, with a sadistic yet soft smile on his face.
It's the last time you see him, as he is eaten just after by an entity that looks just like him.
Let's go back to that therapist that Clark mentioned before..
Mary
Yeah, remember how you agreed not to go see that therapist lady that Clark said about?
You lied.
Clark had passed out, not that it was exactly a rare occurrence, and you had a business card on the bed.
You picked it up before going to the desk phone in the store.
"...Clark? It's 10pm and --"
"It's not --" you stuttered, "it's not Clark."
She sounded more awake then, "May I ask who this is, please?"
You introduced yourself.
"You're his child..."
"Oh...no, not really. I work and live at the store."
"You live at the store?"
"...Yes?"
There's a silence on her end of the line.
"Uh, hello --"
"Clark talks about you a lot. I know there is client confidentiality, but...it must weigh on you."
You look to him again, hearing him snore.
"He helped me."
"I - I know," she says in a soft voice, "look, I, I don't mean to assume, but...if you would like some free sessions, either in person or over the phone like this...I can try to offer some help."
"Oh..." This is the second person to do that.
"He doesn't have to know. I won't tell him, I promise."
You take her up on that offer, calling her some nights.
It becomes a routine - and a place of safety for you in a way.
You can talk about the crash, your guilt about it, and how you sometimes wish you had died in it.
She doesn't offer pity, she offers advice. Genuine advice.
"Don't keep it to yourself. You don't have to tell anyone if you don't wish to - but letting yourself drown in the despair, self-hatred and suicidal thoughts will only continue them."
"Then what makes them easier?"
"While it may not have them go away: connections."
In a later talk, you tell her about Kat, the one other friend that you have.
"How does she make you feel?"
"'Make me feel'?"
"Do you feel attraction to her?"
"That's blunt."
"We usually are in these talks, remember?"
You are, but for some reason, part of you forgot that.
"No. No, no attraction. I just like being her friend."
"I'm glad you have someone at least."
"Is Clark not enough?"
"I think putting all of your emotional recovery into one relationship, especially one as dependent as yours, would not be the most healthy of ideas."
"Hm."
There's a gap in the calls, and it's when you find the Backrooms.
"Clark and I found something."
"What did you find?"
"A...place. But one that shouldn't exist."
You hear her inhale.
"...Go on," she says, shakily.
You tell her what you can remember, and Clark's reaction to it.
When the session ends, you hear her voice shake more.
------------------------------------------------------------------------------
Remember that black out point I mentioned before? That gap when you were in the pool room?
Well...
Mary had become concerned, very concerned.
She hadn't had any sessions with Clark, nor a call from you.
The only call that she did get was one about Clark "opening a window."
She rushed to your store, finding the stacks of letters not even taken inside.
Just as she looked back up, the door was barged into.
You were trying to get out.
She opened the door, putting her hands on your arms.
"What? What's wrong?!" she asked. Yes, client boundaries, but you were freaking out about something.
"I -- we need to -- Kat...oh my god."
"Breathe," she said in a soft tone, "breathe."
"You're safer inside," you said.
She went fully still. That was what her mother said.
Still, seeing you in this state, and with no Clark, she follows.
She tries to ask you what's happening, but you can't answer.
You're in a state of traumatic response.
"I need you to believe me," you said.
She nodded, "I do. I do, I promise."
You go through the door. She gasps.
Then she follows.
"It's moved," you say.
"What - what's moved?"
You point, and she looks: your parents' car. It has more detail on it, the front windshield cracked exactly as it was on that night.
"I don't like remembering it," you say, "it's like I opened a window to something darker."
She turns you around, ditching her degree and role, and instead just being a human being in this moment:
"Listen to me, this was not your fault. You couldn't have done anything more or less. I'm sorry, I'm so sorry about what happened, but you didn't deserve it."
For a moment, you change when she blinks, and she's looking at her younger self.
She blinks again, and it's you.
When you both reach the wall of scribbles, she turns back to ask you, only to see you're gone.
Clark then appears.
"Where are they?"
"Safe," is all he says.
She loses consciousness the next moment.
Waking up, she's in the kitchen, with you slumped on the table.
"What did you do to them?!" she exclaims.
"Don't wake them," he warns.
"Now, this is the fucking life that I wanted - if my wife --" he then pauses, cutting the hair off of the life form of his wife and putting the hair on top of her.
"Now, let's do a role play here with our child in between."
You'd woken up during that hair exchange, but she could tell you weren't listening - in full dissociation mode.
So, she returns to her job one more time, this time, to save you both.
------------------------------------------------------------------------------
She tells Clark, bluntly, that his was his fault - that he is is brain that and he caused the split up with his wife due to the whining.
His projection onto you? A way for him to absolve himself, to make it work with you instead and heal a part of himself that won't ever be full.
Just like she won't be, even if she had flashes of herself.
You're your own person - your own entity.
When Pirate Clark eats human Clark, she sees you struggling with your restraints.
She runs over, helping you get them off before pushing you in front of her.
When she trips, you help her up.
You trip up a slope to the door, and you crawl as a last-ditch effort.
With all her might, she pulls you through the flap, catching you before you fall.
When you're back in the store, she puts you behind her, telling you to focus on finding an exit.
Once through, you both are, of course, knocked out by gas, but she feels your hand go into her own just as you both slip away.
Meeting Phil, she answers what she can before asking where you are.
He looks to the glass in the corner, obviously where his bosses are.
She looks to the glass to her right. You're in there, alone and scared.
She looks back at him.
He nods, "ok, yeah. I'll let you see them after I talk to them."
Even he seems to know that your bond with her is built on both trauma and an understanding that no one else will get it.
You have each other now.
It might not fully heal anything or fix everything - or anything.