Either be groovy or leave, man!

Madame is the greatest star of them all.

Most of these fonts were available as Letraset sheets, so I'm guessing they used those to make the titles (as opposed to using digital fonts, which were very new back then).

"On Leather Wings": Ragtime (1987) [Fonts In Use · Identifont]

"Christmas with the Joker": Engravers Old English (1901) [Daylight Fonts · Fonts In Use · Identifont]

"Nothing to Fear", "The Underdwellers", "The Cat and the Claw": Pendry Script (1981) [Fonts In Use · Identifont]. ("Nothing to Fear" uses an alternate g which isn't shown in the specimen below.)

"The Last Laugh" looks like a shortened version of Rundfunk (1928) [Fonts In Use · Identifont].

"Pretty (Poison)": Commercial Script (1906) [Daylight Fonts · Fonts In Use · Identifont]

"(Pretty) Poison": Compacta Bold Italic (1963) [Daylight Fonts · Fonts In Use]

"P.O.V.": Kabel Light (1927) [Daylight Fonts · Fonts In Use · Identifont]. The Letraset version was called Cable Light.

"The Forgotten", "Two-Face", "Appointment in Crime Alley": Univers 49 (1962) [Daylight Fonts · Fonts In Use · Identifont]

"Be a Clown", "Perchance to Dream": Brody (1953) [Daylight Fonts · Fonts In Use · Identifont]

"It's Never Too Late", "Feat of Clay": Peignot (1937) [Daylight Fonts · Fonts In Use · Identifont]

"I've got batman in my basement": not sure

"Heart of Ice", "Prophecy of Doom": Plaza (1975) [Daylight Fonts · Fonts In Use · Identifont]

"See No Evil": Windsor Outline (circa 1905) [Daylight Fonts · Fonts In Use · Identifont]

"Beware the Gray Ghost": Compacta Bold (1963) [Daylight Fonts · Fonts In Use · Identifont]

"Joker's Favor": Brush Script (1942) [Daylight Fonts · Fonts In Use · Identifont]

"Vendetta": Microgramma Extended (1952) [Daylight Fonts · Fonts In Use · Identifont]

"Fear of Victory", "Dreams in Darkness": Mistral (1953) [Daylight Fonts · Fonts In Use · Identifont]

"The Clock King": Compacta Bold Outline (1965) [Daylight Fonts · Fonts In Use]

"Mad as a Hatter": Goudy Handtooled (1922) [Daylight Fonts · Fonts In Use · Identifont]

"Eternal Youth": ITC Benguiat (1978) [Daylight Fonts · Fonts In Use · Identifont]

So Youth laughed and wept and live its heedless hour, while over the world hung a cloud which spread and spread until its shadow fell in some degree on every living person.

Ace of Cups- Wings 1927

The backgrounds for the entire series were done on black paper, a first for any animated show. It's Batman, which means everything is at night and incredibly dark. So, the majority of the backgrounds were going to be black anyways and using black paper would cut down on the time it took to create all of the backgrounds. Adding color over the black paper instead of the traditional method gave it a much more stylized look that helped make it iconic.

It also forced some other creative choices, such as using an airbrush to do all of the background art. During the early testing, they found that using an airbrush was easier to apply paint with than a paintbrush and that it looked better. Airbrushing let them be more experimental with painting techniques, such as the spattery fades you can see in the "Bane" and "Deep Freeze" title cards above or the soft, deeply shadowed face on "the Last Laugh." The overall effect of airbrushing on a black background is a much darker, moodier vibe than could be achieved with a traditional approach.

In a 2009 interview with IFC, Noel talked about how the Boosh were enjoying New York nightlife!

we fucking knew it. vindication. also phil babe what happened to the flash drive...

Steller’s Jay (Cyanocitta stelleri), family Corvidae, order Passeriformes, Colorado, USA