Dulwich Festival Week 1, Artistsâ Open House: Jolie Goodman, Rebecca Allen & Trevor Christie
Dulwich Festival 2019 is in Week 1 and on the opening Friday 10th May we got to Dulwich Leisure Centre for âSwimming in the Slow Laneâ, a foyer exhibition of digital prints from Jolie Goodman. A dedicated swimmer wherever she goes, be it SE London or Crete, Goodman has been developing Dulwich Leisure Centre pool ideas on paper since at least late 2016 with her old oil painting titled âWaiting for the Pool to Openâ (#swimming #resolutions #oilpainting #eastdulwich #fitness).
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Another swimming pool project titled âReflections on Swimmingâ was sandwiched in-between this start and the current DF DLC show. âReflectionsâ upscaled Goodmanâs digital swimming drawings and today can be found in the entrance to the new Salomons Centre at Canterbury Christchurch University, Royal Tunbridge Wells. The centre was officially opened by Jo Brand in 2017 and will offer postgraduate courses in the areas of applied psychology and Cognitive Behavioural Therapy (CBT).
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The current Dulwich Leisure Centre foyer exhibition - on through 19th May - is a series of prints about Goodmanâs swimming life at DLC where she finds the experience of her morning swims vary considerably, especially in the slow lane! Again these are digital prints - which are flexible because they can be more easily printed in different sizes.Â
Also borrowing themes from water during DF Weekend 1 was Rebecca Boyd Allenâs series of âOcean Plastic Watercoloursâ abstractions in the Linbury Room at Dulwich Picture Gallery, sharing space with work by Grace Holiday and Liz Charsley-Jory.Â
Rebecca has been working on this series since 2015, with the aim of raising awareness of plastic pollution in oceans. In the Linbury Rebecca explained to us that it is a subtle approach, as sheâs not really interested in portraying this problem in a literal way. Her website explains more:
âI am referencing ⌠the endless flux of shapes which have accumulated in the oceans.  Unlike the way a painter might normally contemplate a still life, it isnât important to me to be in front of actual ocean plastics. Rather, by continually layering shapes and colours, new compositional arrangements and possibilities present themselves and the accumulation of marks gives rise to an ambiguity which is representative of the role of responsibility for the problem.â (https://rebeccaboydallenartist.com/ocean-plastic-watercolours/) Â
Allenâs Linbury works âEbbâ,âAchromatizationâ and new work âSurfaceâ were especially striking. Plastic can be interpreted as endlessly going out to sea.Â
Allen quotes Greenpeace: âScientists have shown that up to 12 million tonnes of plastic is entering our oceans every year - thatâs a rubbish truck full every minute.â Again, human denial seems crucial to the problem - no clean up, just a mounting problem on an exponential scale.Â
Allenâs table piece âSurfaceâ consisted of 135 small square paintings attached by a single thread to a sculpted paper surface. It brought practical action to bear as each painting was for sale, with 25% going to The Ocean Cleanup, a non-profit utilising ocean currents and passive drifting systems to rid the worldâs oceans of 5 trillion pieces of plastic. https://www.theoceancleanup.com
The last visit during our Artistsâ Open House weekend walkabout wasnât actually a DF entrant but more like a DF busker, or one in a growing number of artists who set up individually during or around Festival fortnight dates. In this case in a house on Beauval Road, just a few yards from Stikâs 2012 interpretation of Van Aelstâs âThe Fall of Manâ (part of the Dulwich Outdoor Gallery Art Trail).
Trevor Christie is a photographer we have seen before, most recently on large scale at the Carnegie Library before its conversion into a gym and when it had space to work with. Trevor Christie is an analogue (chiefly 35mm) photographer who taught himself photography through textiles, illustration and video.Â
Trevor began his photographic life in 2008, when he started to engage in London street photography. His pictures reveal London's soft, essential character. He exhibits infrequently, usually when a new body of work is ready. His work is storytelling, and reflects superficial ordinariness, utilising mechanical film cameras of the 1900s to produce his subject.
Topics explored in this show included homelessness, capitalism, inequality and isolation, all increasingly important urban themes in 2019. These stories and more are told in a unpolitical narrative of tonality, moment and majesty, all stemming from living in the city. All proceeds from gift and plant sales were donated to Shelter.