Call Me by Your Name (Luca Guadagnino, 2017)Ā
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#extradirty

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@itwascareless
Call Me by Your Name (Luca Guadagnino, 2017)Ā

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self-confidence, iām realizing, is a lot deeper than just thinking iām beautiful and being free in who i am. it also includes being confident in my decisions and trusting myself to be committed to the things i want to do. to step outside of my comfort zone and assure myself that i will be okay in doing so. this kind of self-confidence will help me see the success i want to see.
Much Ado About Nothing (1993) dir. Kenneth Branagh
Yeah no, dude, sheās about to kick your ass.
This may be the most perfect straight-white-dude line in all of dramatic history.
Woman: *obvious body language of outrage, frustration, annoyance*Ā *outright words of irritation*
Man: Sheās definitely into me.
Benedick, you beautiful idiot. I love you.
I think the reason I enjoy Ghibli so much is it romanticizes the little things. It makes me want to bake, study, clean the house, garden, and more while listening to happy music and occasionally picking wildflowers and lying in the grass. It helps me find joy in day-to-day life and thatās honestly sooo important for my mental health.
Hayao Miyazaki has said on numerous occasions that he wants children to know that even when the world seems harsh and life is hard, it is always still worth living, and there is always something beautiful in it.
That mental health boost is intentional and Miyazaki wants you to believe that you should continue to live, even if just for those little things.
Lady Gaga, Bradley Cooper - Shallow
iām off the deep endĀ Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā watch as I dive inĀ Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā iāll never meet the groundĀ Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā crash through the surficeĀ Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā where they canāt hurt usĀ Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā weāre far from the shallow now

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Remember, you can disappear into the woods whenever you want. Youāre an adult.
tempting
You may be the James Dean of this kind of stuff but Iāve never had a boyfriend.
Marty: Doc, why would you build a time machine... out of the least practical and reliable car possible??
Doc: For the Aesthetic(tm), Marty! For the A E S T H E T I C!
#what a dork
You know weāre in the dark timeline when Stephenie Meyer has minded her own damned business for years and J.K. Rowling keeps tumbling down the metaphorical steps of murdering her own universe and personal character in the public eye for everyone to see.
Like, if in 2008 you had told me Stephenie Meyer would quietly retire and stay in her lane instead of continuing to write weird Mormon fantasy with nothing but white characters and J.K. Rowling would be on Twitter spouting some shit likeĀ āTHE GOBLET OF FIRE WAS ACTUALLY ONCE A TRANS WOMAN, IāVE BEEN SITTING ON THIS SINCE 1986!ā Iād say you were a fucking liar.
But here we are.

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forgot to say that, without Howl chasing girls and Sophie resenting him for it, the film completely erases part of the point of Sophie being old. Ā Wynne Jones is using an idea that Beauvoir talked about - that being an old woman is both tragic (as we lose male attention/attractiveness) and freeing (as we are freed from the male gaze). Ā the idea is that with being old comes liberation, and the true meaning of what it is to be a woman, as society no longer forces gender norms on us.
Sophie is free from Howlās attentions and therefore safe from harm (a big part of the book is the fact that Sophie believes he eats womenās hearts, and him chasing girls proves this to her). Ā she takes solace in the fact that sheās old, and finds it freeing. Ā when she learns more about Howl (notably: that he doesnāt eat hearts and that heās not evil), she starts to curse her age and resent him chasing girls. Ā BUT she remains old OF HER OWN VOLITION - Howl notes that sheās perpetuating the spell by wishing to remain āin disguiseā. Ā there are SO many layers to this, and lots to do with gender politics - if sheās still old Sophie canāt get hurt, she likes the freedom, etc. Ā but of course on a personal level being old is her denying her feelings for Howl, and also a representation of her low self esteem - being old is a defence mechanism and protection, both on a gender level and a personal one.
and the film kinda⦠loses this? Ā the only thing that remains is being old = low self esteem. Ā which really sucks. Ā because thereās SO MUCH MORE to Sophie being old in the book (perspective I already mentioned), and a HUGE amount of this is gender politics. Ā that the film just erases.
Also thereās the subversion of that in the book. Sophieās belief that sheās safe from Howl, isnāt quite true because he fell in love with her while she was under the spell (and in the book, thereās no switching between looking young and old. Sophie is looking ninety the entire time, and Howl falls in love anyway.)
Also, her belief that being old means she canāt go to her stepmother or her sisters, that theyād fail to recognize her or reject her, is also unfounded. Fanny almost immediately recognizes her at the end of the book, and hugs her and cries over her and asks why Sophie disappeared. Sophieās belief that the love of her family, friends and even her romantic interests is somehow conditional on her appearance is shown to be completely false at the end, which I think is absolutely beautiful.
Like, thereās definitely gender politics and commentary going on about beauty and youth and age and the male gaze and male violence going on, but thereās also this message about how love, real love, transcends all of that.
I actually adore the movie on its own merits, but I think it absolutely did a disservice to Sophie as a character. When I was doing a reread last month, what hit me was that Sophie is every bit as much of a volatile emotional disaster as Howl is, and thatās pretty heckinā great.Ā
Howl is a pissy, dramatic asshole even when heās at his best. He dissolves into green slime when his hair looks wrong. He deals with his problems by getting falling-over drunk and makes the walls shake every time he sneezes just so everyone will take pity on him. Heās a self-proclaimed coward who has to trick himself into taking responsibility for anything.
Movie Sophie deals with this as well as she can. She learns to look past his drama and sees his tender heart and noble intentions. She becomes the mature one in the castle, fixing everyoneās problems, essentially taking up a motherly role to all the other characters.
Book Sophie does the same⦠but she does it while dealing out as good as she takes. Howl is chasing after every woman except Sophie? Sophie meticulously cuts up his suit into triangles. Howl floods the room with green slime? Sophie hate-magics weed killer strong enough to melt concrete, and chucks it at Howlās head. Howl canāt stop avoiding his problems? Meet the queen of avoidance, who clung to her curse to avoid confronting her feelings for Howl. Howl has to basically trick himself into taking action? I would like you to meet Sophie, who was too scared to leave her home her whole life, but the moment sheās under a curse is likeĀ āWELP, GUESS IāD BETTER LEAVE HOME RIGHT THIS MOMENT AND NEVER COME BACK.ā
The moment of Howl and Sophie getting together in the book isnāt āSophie fixes everything through her inherent goodness.ā Itās āSophie realizes that Howl has been secretly scheming to fix all her problems exactly the same way that she has been secretly scheming to fix all his problems because neither of them is a normal functioning adult, and they both look forward to yelling at each other for the rest of their wonderful lives.ā And losing that, losing all of Sophieās flaws and ridiculous moments as well as Howlās efforts to fix her life as much as sheās trying to fix his, means that weāre left with a typical romance trope of a woman having to fix all of a manās problems and be the perfect, mature one in the relationship, while he can coast purely on charm. The revelation that half of Howlās antics were actually schemes to break Sophieās curse or even just make her happy is important because for once it goes both ways. Not just āwoman fixes man with her love,ā but āpeople fix each other with their love, sort of, except for all the parts that will never change and thatās okay because flaws can be just as attractive as virtues, and if he laughs when you throw weed killer at him then he might be the one.ā
Omg YES
DIANA WYNNE JONES WAS A FUCKING GIFT AND WE DID NOT DESERVE HER
women writing horror that focuses on the fears of women in a society that is a constant danger to their mental health and well-being? genius. men writing horror where women suffer for shock value? garbage.
(āæā āæā )

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i donāt trust men who are unable to maintain platonic relationships with women.
Good. Donāt.
This, and also: donāt trust women that do not allow their boyfriends to have platonic relationships with other women.
exactly
A Star Is Born (2018) dir. Bradley Cooper