sometimes it's like nobody even wants to cut a hole in me and fuck me through it
Cosimo Galluzzi

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he wasn't even looking at me and he found me

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@itsameatcute
sometimes it's like nobody even wants to cut a hole in me and fuck me through it

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Worship the hand that beats you or whatever
sources: l.e.s. by donald glover // this year by the mountain goats // maya hornbacher, madness // watchisjawdrop on tumblr // wuntrum on tumblr // kim kardashian // unknown // godblessryankent on tiktok // nayyirah waheed // unknown // lev st. valentine
on hope, finally
web weave finds that made me want to claw my eyes out
arousal! repulsion! arousal! repulsion! arousal! repulsion! arousal! repulsion!

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have you reopened the wound? will you reopen the wound? when will you reopen the wound?
Itās not senseless violence to me, not if itās you
*trying to flirt* haha i bet ur guts look soooo pretty i bet u have the greatest bones ever. ur beating heart would be so sexy to hold in my hands i would be so gentle with it. why are you running
1st base: raw ethically dubious fucking
2nd base: exist in a public space together
3rd base: you witness me have a real, candid emotion
4th base: I reveal an aspect of my tragic backstory to you
image credits: @moonlightsonatah
its good to acknoweldge the hollowness of revenge but sometimes you really do just need a story about someone who gets hurt and then kills and kills and kills and kills their enemies. its cathartic, babey.
"there's nothing that can bring my loved one back, so there's no point in killing you" and "there's nothing that can bring my loved one back, so there's nothing that can save you" are two themes that can and should co-exist
"nothing will ever undo what you did to me, so killing you solves nothing" and "nothing will ever undo what you did to me, but at least i can make sure you won't do it to anyone else" are also themes that can and should co-exist

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blood and organs burst from truck in Netherlands
the aftermath
I usually tell my students that āclose readingā means looking at what is actually on the page, reading the text itself, rather than some idea ābehind the text.ā It means noticing things in the writing, things in the writing that stand out. To give you some idea of what this means, Iāve made up a list of five sorts of things that a close reading might typically notice: (1) unusual vocabulary, words that surprise either because they are unfamiliar or because they seem to belong to a different context; (2) words that seem unnecessarily repeated, as if the word keeps insisting on being written; (3) images or metaphors, especially ones that are used repeatedly and are somewhat surprising given the context; (4) what is in italics or parentheses; and (5) footnotes that seem too long. This list is far from completeāin fact, no complete list is possibleābut the list is meant to begin to give you an idea of what sorts of things we notice when weāre doing close reading.
What all five of my examples have in common is that they are minor elements in the text; they are not main ideas. In fact, your usual practice of reading which focuses on main ideas would dismiss them all as marginal or trivial. Another thing they have in common is that, although they are minor, they are nonetheless conspicuous, eye-catching: they are either surprising or repeated, set off from the text or too long. Close reading pays attention to elements in the text which, although marginal, are nonetheless emphatic, prominentāelements in the text which ought to be quietly subordinate to the main idea, but which textually call attention to themselves.
Most of you have been educated to ignore such elements. You have been taught to seek out and identify the main ideas, dismissing the trivial as you go. This has had to be trained into you: read to a young child sometime, you will notice she has the annoying habit of interrupting the flow of the story to draw attention to some minor thing. Close reading resembles the interruptions of that child. It is a method of undoing the training that keeps us to the straight and narrow path of main ideas. It is a way of learning not to disregard those features of the text that attract our attention, but are not principal ideas.
Jane Gallop,Ā āThe Ethics of Close Reading: Close Encounters,ā Journal of Curriculum Theorizing, Vol.16, No.3 (Fall 2000), pg.7-8 (x)
doomed
okay fine well if you dont wanna play dissection or mind control then what else is there
Anne Rice on her erotica / pornography
Good Morning, People of the Page. Question: What do the words, pornography, and erotica, mean to you? Do you feel pornography is a legitimate word for me to use for my Sleeping Beauty books (A.N.Roquelaure) or should I use erotica? And if I should prefer the word, erotica, why? Thanks for your thoughts on this. - Anne Rice on FB, 2015 (x)

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And then you had that dream again.
did perfectionism ever truly protect you from harm or neglect as a child though. ultimately. Lol
[REALLY NORMAL AND WELL-ADJUSTED VOICE] well you never know maybe it COULD have saved me. if i ever actually achieved perfection. it could have happened then. if i was actually ever enough. Which i was not