Not yet.

Who did Wes call when he was in that cab and why did he introduce himself as Christophe?

WHAT THE HELL IS UP WITH THE MAHONEYS and what did Grandma!Mahoney mean by AK not understanding her relationship with her son and grandson?

How old was Charles when he sired Christophe? 

What are the circumstances regarding Wes’s conception, for that matter?

What was Laurel thinking to achieve by making Michaela chat up Charles at a bar???

Who the fuck is this Dominic and what does it matter that he is a ‘family friend’ of the Castillos?

Why the hell would Papa!Castillo want Wes (a man he’s never met) dead?

WHY THE FUCK WOULD THEY MAKE WES’S KILLER SOMEONE HE’S NEVER EVEN INTERACTED WITH? Like this one is so fucking rude and pointless and such an obvious reach for some inane plot twist/ character reveal and development?

HOW ON EARTH did Dominic know to wait for Wes at his professor’s house and not his apartment?

What’s Denver’s connection to Laurel’s dad via Dominic?

How the hell did Denver get away with all the bullshit he pulled off by kidnapping (!!!) Walsh and holding him hostage (!!!) to blackmail him into signing an immunity deal (???) to convict AK??

And like what the hell is with all these gymnastics to try and take down AK anyway? WHAT’S YOUR PROBLEM DENVER?

WHY’D YOU ALL HAVE TO BURN DOWN ANNALISE’S HOUSE?

IT WAS FOR THE DRAMA WASN’T IT??

For the goddamn hashtag.

What was the point of having Walsh crack Gibbins’s ribs during CPR?

Where is the fucking logic behind having LAUREL give that confession only to be swerved by a kidnapping incident that the show’s never explained when it was first brought up?

Why bring it up right then and there? FOR THE ADDED CONFLICT? Just to compound the fact that these are turbulent times indeed and the characters are suffering~

Because Wes dying wasn’t enough??

This is some Tiring Bullshit right here.

God and it’s become the classic HTGAWM tactic: blowing up the story line to provide drama and pain and angst, not pursue the new avenues that become available to further the plot along with whole new conflicts, then leaving behind the ones the show already has for even more drama that forces the story to actually fuck itself over trying to justify its own sidelining of the plot they set on in the first place.

You’re a love and this message was the reason I found the two hours (!) necessary to watch the finale (albeit late) and now am getting into the thick of sorting out my own thoughts about those final eps.