Mary Pickford fan scrapbook, 1916-1919.

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Mary Pickford fan scrapbook, 1916-1919.

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At the Water's Edge by Emmanuel Benner (1887)
Georgia O'Keeffe photographed by Ansel Adams.
Couldnât resist adding some colour to this!
Mary Oliver, from âFrom the Book of Timeâ, Devotions

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Girl Under the Sun, 1930, Konstantin Somov
Phantom (F.W. Murnau, 1922).
Jitro v lese / Morning in the woods, MaĹĂĄk, Julius Edvard (1832 - 1899 ) - Etching on Cardboard -
Hugo Erfurth :: Olga Szentpal. Auftritt der ungarischen Tanzgruppe, 1923. | Olga Szentpal. Performance by the Hungarian dance group, 1923. | src Dorotheum
âEros is an issue of boundaries. He exists because certain boundaries do. In the interval between reach and grasp, between glance and counterglance, between âI love youâ and âI love you too,â the absent presence of desire comes alive. But the boundaries of time and glance and I love you are only aftershocks of the main, inevitable boundary that creates Eros: the boundary of flesh and self between you and me. And it is only, suddenly, at the moment when I would dissolve that boundary, I realize I never can.â
â Anne Carson, from Eros the Bittersweet: âFinding the Edgeâ

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Peter Edward Stroehling, 1768-ca.1826
Portrait of a Lady in the guise of Diana, n/d, watercolour and bodycolour on ivory, 10.4x8.2 cm
Private Collection
âWaiting is erotic.â
â Irène NĂŠmirovsky, Suite Française (via igorpjorrt)
[Study in Orange] by RenÊ Le Bègue, Metropolitan Museum of Art: Photography
Alfred Stieglitz Collection, 1949 Metropolitan Museum of Art, New York, NY Medium: Gum bichromate print
http://www.metmuseum.org/art/collection/search/269345
Anselm Kiefer â For Velimir Khlebnikov: Fates of Nations   (oil, emulsion, shellac, straw on canvas, lead boat, 2015â16)
by Adalbert WexÂ

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Ocean Vuong, On Earth Weâre Briefly Gorgeous
âI have wrestled with the angel and I am stained with light and I have no shame.â
â Mary Oliver, Upstream (via wethinkwedream)