Hi I’m Beans!!!! My pronouns are they/them!!! I do art sometimes (when I have the time) My fandoms switch around so much I don’t feel that I could list em very well but these are the ones I am most consistently into!!!!!
-WTNV
-TMA
-Riptide (jrwi)
-Ace attorney
-Pjsk
-Haikyuu
-Ctc (countdown to countdown)
Anyway!!! Nice to meet u!!! I will probably mostly post random ideas and art stuff!!!!
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I don’t have the time or energy for this but i feel like a rly fun mass attack would be a where’s wally style attack!!!! And like the character they have to find is their oc!!!! I rly wanna do this but I know i would never finish it :(
hello. the masses need your albaquad spidersonas or theyll all die immediately (im the masses) (pretty please /nf)
They’re pretty rough, but these are the concepts I’ve come up with!
Some character design thoughts under cut, none of the lore things are 100% set in stone:
Auroras universe is stained glass themed, in order to match all the ice in the primrose archipelago. It’s mostly a normal city, but the buildings are all very castle and greenhouse like. Her magic came from a spider she found in her library. Her webs are little hanging stars!
Jay’s universe is very art nouveau, and it’s mostly a regular city but with art nouveau architecture and a lot of statues. Due to the portals in the universe, Jay gets bit by a spider while Ava is already spider woman, which leads to Faye killing her in order to control the anomalies. Jay’s webs are glowing teal and are shot out of her gun.
Chips world is textured like the weathered paper of a treasure map, his “city” is a huge fleet of pirate ships all traveling together. His spider magic came from when he was killed by captain widow and given a heart by the dread queen. His webs are ship rigging ropes.
Gillion’s world is inspired by Monet’s Impressionism, his world is half underwater half above water. He got his magic from pelagus instead of a spider. His webs are his glowing water magic that pull him forward.
I feel like simply calling JK Rowling a transphobe isn't strong enough anymore. Like. This is not your grandpa calling you by your deadname at a restaurant kind of transphobic. This is her wanting to eradicate all trans people (with an extra special hatred towards trans women specifically). This is her trying just that by personally funding transphobic hate groups with millions to push around laws in the UK. It is not hyperbolic to call her a dangerous, genocidal maniac.
It's not about cancelling a problematic writer. It's about literally trying to save lives by denying her as much money and power as possible.
Literally this!!!! Pls for the love of god do not watch the new harry potter show or buy the merch or do literally anything that gives her money!! She is literally using the money she makes to harm trans folk and u are still contributing to that harm if u give her money, no matter how small the amount u give her is!!!!!
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I think it would be rly funny to have a character who can read minds, but only like, by seeing the other person’s thoughts written on their forehead so when ppl have a fringe they have to like distract them and part their fringe without them noticing
It literally just occurred to me that the chips in riptide were probably crisps lmao…….. like fish and chips are just normal food together in the uk but like they’re american they’re talking abt crisps right….. :( fnc is such a funny ship name then like i just thought u meant the meal…….
why is it always "you have an infestation" and "oh my god why are you covered in lesions" and never "how is the wasp's nest in your attic? is it nice? does it thrum with life and malice? does it sing that you are beautiful, that you are a home, that you can be fully consumed by what loves you?"
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New Gillion design! I tried to incorporate more pink to reflect pelagus, and I added the pearl from the clam into the chest plate! Also gave him a sick tattoo since I wans5 creative enough to incorporate the other leviathans in the armour. I tried a bit with the extra pearls and shells for the clam, but idk what to do for the whale and crab.
+ some sketches
I’m thinking of starting to add extra sketches under my normal art as like, a bonus. Lemme know if you care about that.
I have been mulling something over for a while and have decided to share.
As part of my job, I read a lot of fiction that's still in development. After a while, you start to see the same errors, misunderstandings and shortcuts crop up repeatedly with different creators and it gets me thinking what is the most elegant way possible I could explain the issues to someone wanting to improve?
The one that comes up the most often and is the hardest to explain is:
"Why don't people care about my characters and/or story".
It's always a thorny problem and I think I have a workable answer that applies in most cases:
A story is a series of revelations regarding compounding, unintentional consequences to character decisions.
The further you stray from this, the less people care.
It translates to:
1) characters have to make decisions otherwise there is no drama
2) Those decisions have to matter otherwise there are no stakes
2) The consequences have to interact with one another. A affects or causes B affects or causes C etc. otherwise there is no progression
3) There must be some unintended consequences otherwise there is no conflict
4) The consequences have to be revealed (even at least implied) otherwise there is no conclusion
This works at the micro scale in terms of dialogue:
The specific word/tone/movement a character uses affects how another character reacts in an unexpected or interesting way which in turn causes another reaction and these layer onto one another until a decision is reached and a consequence implied thereby completing the scene.
It also works at the macro scale in terms of plot:
The decisions characters made in a scene prompts/affects the characters and context of the scene that follows (even if we don't know it at first) and by the end those layered interactions have been revealed to us and we see the unexpected or interesting result.
In my anecdotal experience, most times people don't care about a work of fiction is not because of a technical issue with the execution but because the writer has subtly misunderstood what makes a story a story. Their main character doesn't make any decisions, the decisions don't seem to matter, it feels disjointed because consequences aren't layering, there's no conflict because there are no misunderstandings etc.
There countless technical aspects which affect the quality of a piece of fiction but most times when someone asks me to help them make people care about their story they first need to realise they have misunderstood what actually makes a story at a fundamental level and they need to recognise that before things can improve.
I dunno if this helps anyone. I hope it does. Sorry if it doesn't.
If anyone wants to use this to assess their own work let me know what you discover, I'm genuinely curious.