Tahitian Women Bathing
Artist: Paul Gauguin (French, 1848â1903)
Date: 1892
Medium: Oil on paper, laid down on canvas
Collection: Metropolitan Museum of Art, New York City, NY, United States
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@impressionim-paintings
Tahitian Women Bathing
Artist: Paul Gauguin (French, 1848â1903)
Date: 1892
Medium: Oil on paper, laid down on canvas
Collection: Metropolitan Museum of Art, New York City, NY, United States

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Lake Como
Artist: Tom Roberts (Australian, 1856-1931)
Date: 1922
Medium: Oil on canvas
Collection: National Gallery of Victoria, Melbourne, Australia
The Wolf Gorges (Les Gorges du Loup)
Artist: Henri Matisse (French, 1869-1954)
Date: 1920-1925
Medium: Oil on canvas
Collection: National Gallery of Art, Washington, DC, United States
PĂšre Fournaise
Artist: Pierre-Auguste Renoir (French, 1841â1919)
Date: 1875
Medium: Oil on canvas
Collection: The Clark Art Institute, Williamstown, MA, United States
Description
Alphonse Fournaise owned a restaurant and boat-rental business on an island in the river Seine near Paris. The proprietor may have commissioned this portrait to thank Renoir, a regular customer, for bringing in business. The painting records an informal moment: Fournaise smokes his pipe at a table on which two glasses of beer standâone for the sitter and one, perhaps, for the painter.
Earthly Paradise
Artist: Pierre Bonnard (French, 1867â1947)
Date: 1916-1920
Medium: Oil on canvas
Collection: Art Institute of Chicago, Chicago, IL, United States

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Portrait of the Artist
Artist: Vincent van Gogh (Dutch, 1853-1890)
Date: 1887
Medium: Oil on canvas
Collection: Musée d'Orsay, Paris, France
Winter
Artist: Walter Elmer Schofield (American, 1867-1944)
Date: 1899
Medium: Oil on canvas
Collection: Pennsylvania Academy of the Fine Arts, Philadelphia, PA, United States
About the Artist
Walter Elmer Schofield ROI RBA (1866 â 1944) was an American Impressionist landscape and marine painter. Although he never lived in New Hope or Bucks County, Schofield is regarded as one of the Pennsylvania Impressionists.
The Full-Length Mirror
Artist: Eva GonzalĂšs (French, 1847-1883)
Date: c. 1869-1870
Medium: Oil on canvas
Collection: The National Gallery, London, United Kingdom
Landscape at Chailly
Artist: Frédéric Bazille (French, 1841-1870)
Date: 1865
Medium: Oil on canvas
Collection: Art Institute of Chicago, Chicago, IL, United States
Mrs L. A. Abrahams
Artist: Tom Roberts (Australian, 1856-1931)
Date: 1888
Medium: Oil on canvas
Collection: National Gallery of Victoria, Melbourne, Australia

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The Shepherdess
Artist: Camille Pissarro (French, 1830-1903)
Date: 1881
Medium: Oil on canvas
Collection: Musée d'Orsay, Paris, France
Peonies
Artist: Pierre-Auguste Renoir (French, 1841â1919)
Date: ca. 1880
Medium: Oil on canvas
Collection: The Clark Art Institute, Williamstown, Massachusetts, United States
The Tea (Le Thé)
Artist: Mary Stevenson Cassatt (American, 1844â1926)
Date: c. 1880
Medium: Oil on canvas
Collection: The Museum of Fine Arts, Boston, Massachusetts, United States
High Tide in Saint-Malo
Artist: Ethel Carrick (English, 1872-1952)
Date: c. 1911-1912
Medium: Oil on canvas
Collection: Art Gallery of New South Wales, Sydney, Australia
Resting by the Stream. Edge of the Woods
Artist: Alfred Sisley (British-French, 1839-1899)
Date: 1878
Medium: Oil on canvas
Collection: Musée d'Orsay, Paris, France

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The Top Hat, Interior of the Visit
Artist: Félix Vallotton (Swiss-French, 1865-1925)
Date: 1887
Medium: Oil on canvas
Collection: Museum of Modern Art André Malraux, Le Havre, France
About the Artist
Félix Vallotton was a Post-Impressionist painter and printmaker. He is best known as a key member of Les Nabis, an influential group of Post-Impressionist avant-garde artists in Paris who bridged the gap between Impressionism and modern art by emphasizing emotional and symbolic expression.
Pianist and Checker Players
Artist: Henri Matisse (French, 1869-1954)
Date: 1924
Medium: Oil on canvas
Collection: National Gallery of Art, Washington, DC, United States
Matisse and Post-Impressionism
Matisse soon took centre stage as a prominent Post-Impressionist artist, achieving recognition through his development of Fauvism. The word Fauvism derives from the French âLes Fauvesâ, meaning âThe Willd Beastsâ. The Fauvist movement in France sought to break away from Cubism, another Post-Impressionist art form, in favour of a focus on colour.
The Fauvist experiments with colour drew on the works of Vincent Van Gogh and Paul Gauguin, among other Post-Impressionists, combining with the Neo-Impressionist techniques developed by Georges Seurat. Matisse developed his technique during the summer of 1905, which he spent in Collioure with André Derain.
Over this period, Matisse began using bright light and pure colours in his work, even if they did not represent the subject he was painting. He became known as the âchief Fauveâ, with the word Fauvism coming to define the eclectic collection of artists who adopted elements of Matisseâs style.
Matisse believed that colour should be the foundation of painting, both as a means of expression as well as decoration. He viewed painting and art as a form of therapy, âa soothing, calming influence on the mindâ.