the sex here is about the performance of a sexual archive brought to life through gesture, utterance and interpretation
Juana MarĂa RodrĂguez, âGesture and Utterance: Fragments from a Butch-Femme Archiveâ

shark vs the universe
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@imperfectphrase
the sex here is about the performance of a sexual archive brought to life through gesture, utterance and interpretation
Juana MarĂa RodrĂguez, âGesture and Utterance: Fragments from a Butch-Femme Archiveâ

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the question can be lived as an instrument of self-creation
Robyn Wiegman, Object Lessons (2012)
how long til tumblr bans this: NIPPLES
is it not the very weakness of Photography, this difficulty in existing which we call banality?
Roland Barthes, Camera Lucida (1980), p. 20
notes: the constitutive experience of shame
in my dream I went up to some woman [a teacher] thinking she was Mrs. C and asking do you remember me? I was in your very first third grade class âshe said no, I was confusing her with somebody else
I woke up & got out of bed looking for the notes [going immediately to the box on my dresser that contains old things old passport old letters from a high school friend old birthday cards one such repository I was half-asleep I must have been] that Mrs. C gave me needing to feel to see the love in them the blue glitter the impeccable cursive but they were not there [they were not in the box among the other old kept things]
I threw them away
I was ashamed
I was a girl in love with her young married schoolteacher [who may have known about it seen it and even this is the worst of it in her acceptable and sweet and normal way returned it returned love not in a sexual romantic or lesbian way not even remotely but in her way a newish teacher and a student so excited to be there with her in that classroom among her books and writing stories to show her there was so much I wanted needed that I did not know]
[ashamed] even, at the prospect that this woman liked me enough to use wet elmers glue & glitter on a whale-shaped piece of paper, to tell me (& my parents) just how wonderful I was
[this is what it feels like felt like to be to have been gay]

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To admit that what makes women like me transsexual is not identity but desire is to admit just how much of transition takes place in the waiting rooms of wanting things, to admit that your breasts may never come in, your voice may never pass, your parents may never call back.
Andrea Long Chu, âOn Liking Womenâ https://nplusonemag.com/issue-30/essays/on-liking-women/
There is no sentry posted at the border with a sign that reads: within these bounds, the straight and proper, and without, the queer.
many notebooks
itâs like hm I have a problem
processing my joy
In taking these notes, I'm trusting myself to the banality that is in me.
Roland Barthes, Mourning Diary, p. 17 (October 29, 1977)
Such are, I believe, the key features of the expository protocol that has taken the place of method. I said at the beginning: non-method. As always, the 'non-' is too simple. It would be better to say: pre-method. As if I were preparing my materials with a view to dealing with them methodically at some later stage; as if I actually weren't too bothered what method would take them up...That saidâand this is the point I'd like to end onâthe preparation for method is an infinite, infinitely open process. It's a form of preparation whose final achievement is forever postponed. Method is tolerated, but only in the form of a mirage: it's of the order of [italics] Later on.
Roland Barthes, concluding his lecture course, âHow to Live Togetherâ (1977), p. 136

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lesbian banalities, #9
November wind
we werenât ready
we were ready
we had coffee
I would like
a full length rain coat
then my legs
would not be
damp and in my dream
my house fell down
well not quite down, a wall collapsed
it made a ruin
my apartment, oversized and open-air like ancient Rome
in New York City
should we
pocket it
I said
I meant
our hands your hand in my hand
in my pocket
still the other
had to
carry
heavy bags
of apples carrots a potato
head of cabbage
we decided
not
to buy
the brussels sprouts stalk
it was
mm
a little
otherworldly
or just moldly
at the cut place
we were shattered
and the leaves came
I did
not look at your face
I wish
I had I closed my eyes
against the wind
lesbian banalities, #8
on Saturday,
a bagel in the sun
shared, everything
(with cream cheese)
turnip tops
the bitter greens
you left your watch
I put on pants
we parted ways
you went for groceries
I went home to sit in front of my computer
but not typing anything
a fear of too much happening
of happiness
I boiled water
had some tea
is tiredness too normative?
October something
Cold: it feels unsafe
but so luxurious
you see, I mark the privilege of that statement
you know everything already so
I lie to you
This cold
it feels unsafe
I have this bowl of pasta though
Iâll be okay
itâs how the notebook helps
and M
big bites
of roasted
I can settle down
Iâll cross out words
add salt
with her
I should have said
and reading it I will
itâs like a butch thing I mean
not being bothered by the cold
being able that is to stand it
(furnace out)
feels pretty standard
the butch does not need heating to subsist
there is even I believe some literary evidence for this
a butch in an unheated room in a novel somewhere
oh
Iâll be fine
more salt more salt
look tug at my big sweater sleeve and see what happens
itâs October in my house
itâs nothing special
thereâs no end and no beginning
I just made it up
I made the cauliflower and the cold
go warm your love
Iâll end it now
not love
just this
from an article about lesbian comic robin tyler performing at the san francisco international womenâs day celebration, published in the berkeley barb vol. 30 no. 14, march 1980
lesbian banalities, #7
looking at pictures of k. d. lang
and thinking wow she really is the ânumber one dykeâ of all time
not only that she looks a lot like the professor you had dreams about
also Canadian (you think)
and listening to Chris, formerly known as Christine and the Queens
âdoing my face with magic markerâ
or that eyelinerâyou did a mustache in fourth gradeâit was your momâs
a lot of sportswear
monochrome
and peanut butter
like an ordinary evening
watching Desert Hearts
not even watching Desert Hearts
is it okay?
hand on her stomach
"damn, I should have brought my hammer!â
porridge oats
and making plans for the mundane

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âany person who lives alone knows the situation of feeling like some kind of private museum.
Eileen Myles, âHow I Wrote Certain of My Poemsâ (1987), Not Me (1991)
there is no unthreatened, unthreatening conceptual home for a concept of gay origins. We have all the more reason, then, to keep our understanding of gay origin, of gay cultural and material reproduction, plural, multi-capillaried, argus-eyed, respectful, and endlessly cherished.
Eve Kosofsky Sedgwick, Epistemology of the Closet (1990)