Miss N

Ya Allah, replace our depression with hope.

Ya Allah, replace our anxiety with reassurance.

Ya Allah, replace our dependence on this dunya with Tawakkul.

Ya Allah, replace darkness of our life with Your light

Native Americans weren’t allowed US citizenship until 1924.

“Who made your clothes? A ‘Slow Fashion’ revolution rises”

by Colleen Kane in Fortune

your $5.80 Forever 21 t-shirt comes at a human price 

1000s of sweatshop workers are killed each year

Fashion is the second most polluting industry in the world, after petroleum

reduce, reuse, recycle - ask how your clothing is made

That’s pride alright lmfao

Gripping front-page story in the New York Times on Samar Hassan, a girl whose reaction to seeing her civilian parents killed by U.S soldiers became one of the most iconic and graphic photos to come out of the Iraqi war, seeing that photo for the first time, six years after it was taken.

Writer Tim Arango on Hassan’s life since the incident:

The photograph of Samar is frozen in history, but her life moved on, across a trajectory that is emblematic of what so many Iraqis have endured. In a country whose health care system has almost no ability to treat the psychological aspects of trauma, thousands of Iraqis are left alone with their torment.

And on the impact of the photo:

The photo of Samar had far-reaching impact, for it was visual testimony to a particular scourge of this war: the shooting of innocent civilians as they approached American checkpoints or foot patrols, killings made possible by liberal rules of engagement aiming to protect soldiers from suicide car bombers. The image was a point of discussion at the highest reaches of the Pentagon as it considered ways to reduce civilian casualties.

The Iraq war delivered few singular images for the popular imagination, partly because the country was too dangerous for photographers to move around freely, but also because in an age of saturated media coverage and short attention spans, it may be more difficult for news images to take root in the collective memory.

The military also set strict rules for embedded journalists that kept many graphic images from the public eye; the military asked Mr. Hondros to leave his embed assignment after he shot the pictures of Samar.