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@id1eyouth-a
i think i might bite the bullet and make a new blog.
@id1eyouth

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i think i might bite the bullet and make a new blog.
@id1eyouth
i think i might bite the bullet and make a new blog.
@id1eyouth
i think i might bite the bullet and make a new blog.
@id1eyouth
i think i might bite the bullet and make a new blog.
@id1eyouth

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
i think i might bite the bullet and make a new blog.
"My house is a charnel house. I can say what I like."
"What does that mean."
he sets to work in silence, turning the screw slowly to allow the trapped air to release in soft, hissing bursts. only when the valve begins to bead does he tighten it once more, drying both fittings with his handkerchief before folding the cloth back into his pocket.
a minute, maybe, but not five. eddy supposed mick approached the job with as much knack as he did an itch between his legs. feckless bastard.
“see how it sounds tomorrow morning,” he glances over his shoulder. “if it’s still knocking, it’s likely the pipe expanding. not much to be done about that.”
as he begins to push himself upright, something catches his eye.
the small warming compartment built into the radiator had been fitted with a different latch. brass, and newer than the rest of it. his fingers brush against the metal.
“you keep something in here?”
"Aw right. Ah'll see how it behaves in the mornin'."
Her gaze drops briefly toward the warming compartment, and something in her expression changes when his fingers brush the newer brass latch. Not alarm, exactly. More a flicker of surprise, followed by a smile that is almost sheepish.
"That?"
A quiet laugh escapes her as she pushes away from the doorframe.
"Aye. Nothin' terribly excitin', ah'm afraid." She comes a little nearer, glancing at the compartment. "Ah keep a few things for the bairn in there. Bottled milk, sometimes a wee bit o' broth and bread. Keeps warm enough withoot scaldin' it."
Mädchen Amick attends the screening of ’Welcome Home Roxy Car Michael’ (September 30, 1990).

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@id1eyouth | cathy said: i can do a lot, but i can't control the weather.
HUBERT ATTEMPTS A POLITE LAUGH. His persistent, clinging sorrow renders this attempt failed. Instead, it sounds like he's coughing wetly—and he did not even bother to duck into the crook of his elbow.
"—apology—my apologies."
He shakes himself out. This does not limit or reduce being dampened by rainfall.
"I wouldn't ask that of you. But—" She must be local. "Is there somewhere agreeable we might take shelter? I'd be grateful, quite grateful."
Rain runs off the brim of her hat and gathers beneath her chin before falling in fat, cold drops to the pavement. The hem of her skirt drinks from every puddle it brushes.
A small smile ghosts across her mouth despite herself. Poor soul. He looks as though the weather has taken a personal dislike to him.
"Aye," comes her answer, softer than before. "There's a wee tearoom no' five minutes from here, if ye've the legs for it. Warm stove, decent tea. They'll no' mind us drippin' on the floor. I'll walk ye."
cathy in mom jeans and a flannel shirt. send tweet.
ah give a shrug. sometimes ah get pure nervous n it comes out as a string ay shit (see: talkin to cathy). ah take a sip ay ma pint, time tae simmer down. — whit you drinkin? ah'll get you one.
It feels like he's on edge. Not anything she's not used to, but, still. It feels uneasy. An offer of a drink softens it, though, "Ah'll take a schnapps and lemonade, if yer sure."
Adrian's head snaps up pissed off and throws the phone back.
Johns catches it like a pitcher, the zipties swelling his wrists together. His neutral scowl slackens, which is like a smile.
[ changeprofile⇒specs💪👻😜 ] i regard you [ changeprofile⇒specs💪👻😜 ] i think he is bored with this now he wanted to skip rush hour [ changeprofile⇒specs💪👻😜 ] stop us [ changeprofile⇒specs💪👻😜 shares his location ]
[ specs💪👻😜 ⇒ changeprofile ] thank you [ specs💪👻😜 ⇒ changeprofile ] i was worried you didn't respect me anymore [ specs💪👻😜 ⇒ changeprofile ] he? [ specs💪👻😜 ⇒ changeprofile ] you know what [ specs💪👻😜 ⇒ changeprofile ] i've nothing better to do [ specs💪👻😜 ⇒ changeprofile ] give me 15
Time passes. Bugatti speeds past the cop car, screeching to a halt to cut them off.
"What the hell is going on?"
"You were out of line, Hugo, you can't just ---"
"wrong. i can do whatever i want." he cuts her off so easily. looms, brushes a stray hair from her face and tucks it neatly behind her ear. his palm rests on her cheek, thumb brushing gently over the flush on her cheekbones, petting her the way you'd pet a guilty dog.
Willow doesn't soften, expecting a crack across the cheek any second now, threatened by Hugo's open palm more than his closed fist. She takes in a breath and tries again:
"You can't kill somebody because they broke your nose. It's your fault. You should have been faster -- and on your guard. They're fugitives." Hugo's eyes narrow, and Willow feels his thumbs begin to press into the hollow of her cheeks. "You provoked--"
"and what did bloodboiler do to you that gave you permission to make him go pop, 'lowe?"
"Fuck you--" She shoves him away.
"it's not any different, is it?" he laughs. steps back into her space, leans in, plucking the string of guilt with his voice. magical, terrible. the room fills with a heavy despair. "you're not in a position to make that kind of call."
It's clear Willow is effected. Paler than before. Standing smaller. Hugo claps his large hands over her shoulder and tells her to say 'sorry'. She resists, hollow-eyed and sinking into herself:
"Please don't." Because she knows an apology isn't enough.
The room goes very still, but not silent. Hugo's voice fills enough of the space to make silence impossible, but Spectre has long since learned how to exist inside the spaces between sounds. How to disappear so completely that even breathing feels like an unnecessary concession.
And yet, somehow, Willow still manages to make him listen.
For a moment, the room isn't here anymore. There is blood. There is the sharp, awful sound of something combusting. There is his father's body hitting the ground. There is Willow. His best friend. His best friend.
Standing there with the horror already settling across her face as Spectre stares at her, unable to understand how the person he'd trusted most in the world could possibly be responsible for the body lying between them.
Then the room snaps back into place.
Spectre remains exactly where he is. He should leave.
Every sensible part of him tells him to leave. This isn't his problem. Willow made her choice. Hugo is making his own. Whatever back-and-forth she's locked in with Hugo isn't something Spectre needs to involve himself in.
Apparently some stupid, stubborn part of him never learned how to stop caring. If Hugo puts his hands on her again—well, he has spent enough time as a ghost.

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Storm (1861) by Ivan Aivazovsky
Thunderbolts dir. Jake Schreier | 2025