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once you start typing in all lowercase you unfortunately kind of have to keep doing it forever or if you start capitalizing things people will think youāre either mad at them or having some kind of episode

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Clark Kent š
There is nothing more rage inducing for me than receiving a text message when Iām overstimulated. Feeling my phone vibrate when Iām barely clinging on and internally Iām like āI HATE PHONES. I HATE THEM. AGHHHHH WHY DOES EVERYONE ALWAYS WANT SOMETHING FROM ME, EVERYTHING IS SO FUCKING DIFFICULT- Oh, my mommy is asking me what kind of aftershave I want for my birthday.ā
Secrets for the Sleepless
summary: youāre an insomniac, and you canāt help but notice your new roommate's comings and goings at odd hours. Peterās a not-very-good liar that gets worse as he falls in love
tasm!Peter x fem!reader ā” 14k words
You hear the first stirrings when sunlight is already spilling warm and bright through your apartment. The groan of bedsprings, followed by a more human groan, followed by feet hitting the floor. The floor groans too, old wood with old water bubbles trapped beneath.Ā
Itās a short time later that Peter trudges out from his room, going immediately to the kitchen and the pot of coffee you started early this morning. The pajama bottoms he puts on for your benefit are on backwards.Ā
āGood morning.ā You stop looking at him as soon as he looks at you, peering intently at the textbook in your lap. Youāve been on the couch since before the sun rose. The fall semester only began yesterday, and already youāre bogged down with readings and the early stages of projects. This couch is newāor new to you, you found it on a curb last weekābut soon you suspect the cushion youāre sitting on will have an indent just about where youāre sitting now.Ā
āMorning,ā Peter mumbles, tired but not unfriendly. āYouāve got homework already too, huh?āĀ
You give him a rueful smile over your shoulder. āI donāt think it ever stops.āĀ
Peter makes a noise somewhere between humorous and sorrowful and pulls a mug down from the cupboard. One of yours, but you donāt care.Ā
You think that if heās this tired on the second day of classes, youāre going to hate to see him during finals. Youāre tired too, but at least you have a reason. Though, you allow, you donāt know for sure that Peterās reason might not be the same as yours.Ā
This is the problem with random roommates. You donāt know if itās more likely that the person sleeping across the hall from you is a nocturnal studier or has a drug problem.Ā
āDid you go out last night?ā you ask.Ā
Peterās brows jump together. He watches his mug as he fills it up. āNo. Why?āĀ
You feel immediately stupid. Youāve overstepped. Youāre nosy. You donāt mean to be.Ā
āI heard the door open.āĀ
No way to say that without sounding like a paranoid freak. You have a quiet door in a loud city. At nearly midnight, with sirens wailing and your neighbor singing in the shower on the other side of your wall, you shouldnāt have heard it. But you did.Ā
If Peter finds this odd, he doesnāt mention it. āOh,ā he says, dragging the word out long and slow. āOut as in out of the apartment. I thought you meant out out, like to the club or something. No, I justā¦I had a late night craving. Went down to the bodega to grab some chips.āĀ
You feel yourself frown. You hadnāt heard the door open again until a couple hours later, far longer than a trip to the bodega would take. But to ask more questions would be to admit youād still been listening, so you donāt. Maybe Peter has some emotional attachment to a bodega in Queens. He said he was from Queens, right?Ā
Peter joins you in the living room. Youāve opened a window to let the air in, still warmish but getting cool enough that you can get away with running the fans and not the air conditioning, and Peter turns his face into the light as he settles in on the opposite side of the couch. You wonder if heāll have his own dent in time, too. He doesnāt strike you as the type.Ā
āYou were up late, too, huh?ā he asks. The smell of his coffee mingles with the smells of wet pavement and car exhaust coming in through your window.Ā
āSorry,ā you say, before you can stop yourself, āI didnāt mean to pry.āĀ
āItās cool. Itās not prying to make sure the door to your apartment isnāt left unlocked in the middle of the night.ā Peter grins. Two dimples dive into his cheeks. āWere you doing homework then, too?āĀ
āNo.ā You donāt consider lying. Itās not something you feel the need to be private about, even with virtual strangers. āI just donāt sleep much.āĀ
Your roommateās head tilts. The movement reminds you of a cocker spaniel. āLike, you canāt?āĀ
āI canāt,ā you confirm. āNot usually, at least.āĀ
āOuch. That sucks.āĀ
Peterās sympathetic bemusement confirms for you that his reasons for being tired are not, in fact, the same as yours. Whatever they might be, you file it away as None of Your Business. Youāve asked, heās told, thatās the end of it. You sleep not twenty feet apart, but Peter is a near stranger to you. You donāt have any right to his mysteries.Ā
āSo,ā he says into the silence that follows, āany classes today?āĀ
āYeah.ā You check the time on your laptop. Corner the page of your textbook. āActually, Iād better go. It starts in twenty minutes. Do you care if I leave my mess on the coffee table?āĀ
Peter glances at your collection of pens and highlighters with a look that makes you think his version of mess might be different to yours.Ā
āGo ahead,ā he says. āSo long as you donāt mind my mess joining it.āĀ
āOf course not.ā You zip up your backpack, relieved.Ā
āYou coming back for lunch? I think Iām gonna go grab a bagel in a sec, I can bring you back one.āĀ
āOh, thatāsā¦ā Thatās too much. Thatās more than roommate duties, and more than you want to return. āThatās okay,ā you say, moving towards the door. āI packed a sandwich, Iāll probably camp out on campus between classes.āĀ
Peter raises his hand in a lazy salute. āLet me know if you change your mind.āĀ
āUh, yeah. Thanks.ā You try to mirror him. It feels weird; you let your hand drop halfway through. The door shuts nearly silently behind you.Ā
ā
Peter plies you with meatloaf when you return. Heās been to his auntās in Queens and brought back enough to feed a family of four.Ā
āItās notā¦Iām not gonna lie to you, itās a not world-renowned meatloaf,ā he says, bringing a forkful to his mouth. āBut itās food and itās free and I canāt eat it all by myself, so.āĀ
Youāre not in any position to turn down free food. You sit on the couch next to him. Peterās left the cushion by the window open, and you wonder if already you each have your own spot. The meatloaf isnāt bad.Ā
You talk about your classes. Peterās studying biophysics and biochemistry, two words which mean nothing to you but apparently require lots of time spent at the labs on campus. He congratulates you on the achievement of getting matched with a roommate who will make you feel like you live by yourself; his classes are only getting started, but soon heāll be in the lab most of the time. Though your own classes are far from easy, you donāt envy him.Ā
Peter doesnāt need any help from you; he finishes the rest of the meatloaf in that one sitting.Ā
ā
You get into a rhythm quickly. On campus from your first class in the morning until your assignments (or at least the ones due the next day) are finished usually sometime in the evening, cooking at home, eating on the run, plasma donation on Thursdays at seven to make some extra cash, four scoops of coffee grounds in the machine because both you and Peter need it strong. Peter brings home more meals from his aunt. Her name is May, you learn, and after the third free dinner you write her a thank-you note for Peter to bring back to her.Ā
Your hot water goes out. Peter sweet-talks the landlord while you send stern emails to the leasing company until it gets fixed. You bring his laptop instead of yours to campus by mistake and have to meet up at a library to swap. Peter comes from the lab, half-jogging with plastic goggles pushed up into his hair and making it stick out in every direction. Itās endearing beyond reason. You make him a sandwich to take to class when he oversleeps. He comes to pick you up from the plasma donation clinic when you forget to eat beforehand. You develop inside jokes about the flickering light above your stove, and the erratic banging you think is your upstairs neighbors having sex, and the too-good-for-this-world cashier at the bodega on your corner. No matter how Peter tries to get you in on it, you refuse to develop inside jokes about his Aunt Mayās cooking.Ā
Itās in the dull blue of a sleepless night in September, Aunt Mayās pasta pomodoro still heavy in your stomach, when you hear the lock on your front door click. Itās a quiet sound, but youāre too antsy to miss it in your otherwise silent apartment. The door opens with a shush of air.Ā
You wonder if Peter is going out or coming in. Itās late, but not so late for the overworked grad student population. He warned you that heād eventually be spending long nights at the lab.Ā
You donāt get up with any suspicions. You only want to make sure the door gets re-locked, and you havenāt heard the second click.Ā
Thereās an odd sound as your bedroom door opens. Like plastic ripping or cast fishing line, blink-and-itās-over. You step out to find Peter wrapped up in your largest blanket and absolutely covered in filth.Ā
You blink.Ā
Peter blinks back at you.Ā
āJesus,ā you say.Ā
āNope, just me.ā Peter grins, but it falls short of his usual. āSorry, lame joke. My uncle used to make it. It was lame then, too, I guess.āĀ
āWhat happened to you?āĀ
āUh, there was a small accident at the lab. You should be asleep.āĀ
āSmall? Is that soot?āĀ
āItāsā¦itās soot, yeah.āĀ
Youāre reeling. You turn the kitchen light on to see him better. Peterās left footprints in from your front door. Thereās soot even in his hair, tinging it a darker color. āWas there an explosion?āĀ
He grimaces. āIt was a super small explosion. Very contained. But, you know, chemicals. Volatile stuff.ā You shake your head, baffled, and his expression softens. āIt was freaky, but everythingās fine now. Itās late, you should go back to sleep.ā
āI wasnāt sleeping.āĀ
Peterās brow furrows; the lines are more pronounced with soot etched into them. āYou werenāt? Itās almost three,ā he says, as if to himself.Ā
āWhatās with the blanket?āĀ
āTheā¦oh.ā He looks down. āRight, yeah. The lab actually took my clothes. Theyāre probably not contaminated or anything, but theyāre being disposed of for liability reasons.āĀ
You look down at your blanket, covering him toe-to-chin, and back up at Peter. āThey made you walk home naked?āĀ
Peter blinks. āUh. No, no, notā¦totally naked.āĀ
You raise your eyebrows at him.Ā
āThey gave usā¦lab coats?ā His voice tips up at the end like a question and the corners of his mouth tip up with it, sheepish. He gives a little shrug. āItās not super modest, but itās what they had on hand. Sort of like a slutty nurse costume situation? I didnāt want to, uh, you know, scar you as you were coming out of your room.āĀ
āRight.ā You frown, embarrassed of the heat you can feel coming to your face. āIā¦appreciate that.āĀ
āAnytime. But you can go to bed now, seriously.ā Peter starts edging towards the bathroom. āDonāt let me keep you up, I know you have that nine a.m. tomorrow.āĀ
You wave him off. āIāll be fine, we donāt have any explosions in my class. Are you okay? Is there anything I can help with?āĀ
āNope! No help.ā Peterās voice pitches slightly when you step towards him. He draws the blanket tighter, walking backwards until his back bumps the wall and feeling his way into the bathroom. āItās just that Iām really basically naked. Like, so, so naked, and itās embarrassing, so you should just go to your room and Iāll shower and then we can, uh, probably just not talk about this, if youāre alright with that. Because Iām embarrassed. Okay?āĀ
āOkay.ā You hold your hands up peaceably. āIf youāre sure.āĀ
āSuper sure.ā Peter flashes you a smile before shutting the bathroom door. āGoodnight!āĀ
You go back to your room and sit with your head laid flat in the middle of your pillow, your bent knees making a tent of your covers. You listen to the shower running until it squeaks off at three-thirty.Ā
ā
Your backpack feels heavier leaving the library than it did on the way to campus this morning. Your train runs less frequently after midnight, so walking is nearly just as efficient. Itās a long, slow trudge up the hill that leads from campus to your neighborhood, past empty university buildings and through dapples of pale streetlights. A raccoon stops riffling through a trash can to look at you as you pass. You raise a hand to let him know youāre a kindred spirit.Ā
Itās clichĆ©, but you sort of love the city after dark. Itās less glitzy than people think. The city may not sleep, and neither do you, and apparently neither does Peter, but some people have to. The streets are relatively quiet, technicolor dulled into grays and blues that blur together as you pass them by. Somewhere out of view, a siren wails like a ghostās cry.Ā
Itās the quiet that allows you to hear the schwick and rush of air that comes before feet hit the sidewalk beside you.Ā
You flinch hard. Nearly send yourself tumbling into the street, but a hand whips out to catch you before you can slip off the curb. Slippery red fabric with black latticework spanning up the wrist.Ā
āItās okay.ā Spider-Man steps back as soon as youāre steady. He holds his hands up. āItās okay.āĀ
You put a hand to your heart, feeling it beating beneath your palm. āJesus. Donāt you know not to sneak up on girls walking by themselves?āĀ
āDonāt you know girls shouldnāt walk by themselves?ā Spider-Man counters lightly.Ā
You suppose youāre meant to feel chastened, except you are a girl, and you have to get places, you canāt have a chaperone at all times. Also, this superhero speaks in a deep, rough voice that makes you think of teenage boys trying to sound tough.Ā
āIs this really the most pressing thing you have to deal with?ā you ask him. Spider-Manās head tilts, and you gesture around you at the empty street. āArenāt there any bank robberies happening? Or, like, serial killers on the loose?āĀ
Heās wearing a mask, and yet you could swear itās like his eyebrows raise. āHow common do you think those are?āĀ
You shrug and keep walking, though youāre careful not to put your back fully to him. Even Spider-Man could turn out to be a bad guy to be stuck alone with. āI donāt need any help,ā you say. āThanks for the tip, though.āĀ
He keeps pace with you. āAre you a student?āĀ
You look at him sideways. āMaybe. What makes you ask?āĀ
He taps the pin on your backpack. āThe university has a walking buddy program, you know. So students donāt have to walk home alone after long nights at the library.āĀ
āHow long have you been following me for?āĀ
āWhat?ā
You narrow your eyes at him. You donāt like that he guessed you were coming home from the library; however, on the chance that it is a guess youāre not about to tell him he was right.Ā
āIām just saying.ā Spider-Manās hands are up again, in a gesture of peace. āYou should think about calling a walking buddy next time.āĀ
āMaybe Iād rather be alone than alone with someone whoās volunteered to learn the routes to peopleās homes.ā You throw him a pointed look.Ā
Spider-Manās casual gait doesnāt falter, but he lets out something that sounds almost like a laugh. āAre you always this suspicious of people trying to help you?āĀ
āJohn Wayne Gacy was known to lure victims by promising help.āĀ
āBut Iāmā¦ā The voice behind the mask changes, turning younger and less polished. He lifts his gloved hands haplessly. ā...Spider-Man.āĀ
You shrug, not allowing yourself to feel bad. āIām suspicious of people in general. And I donāt need help.āĀ
āNoted. Listen, can I just walk you to your building to make sure you get in safe? I wonāt know your apartment number or anything.āĀ
You give him an appraising look. Spider-Man walks with a respectable distance between you, his hands swinging at his sides. Itās not like you could actually make him go away even if you wanted to, but you do think he would fuck off if you said no. Ultimately, thatās what makes the decision for you.Ā
āOkay,ā you say, tacking on reluctantly, āthanks.āĀ
āHey, all in a dayās work. Until thereās another bank robbery or serial killer, obviously.āĀ
Spider-Man turns out to be a half-decent walking companion. He offers to give you a lift insteadābut once he clarifies what he means by lift and you swiftly decline, he only continues walking beside you at a New Yorkerās amble. He asks you about your classes. You admit to having fallen asleep earlier at the library, and then staying late to make up for the study time youād missed. He tells you about how it feels to swing through the city at night; how there are some neighborhoods he likes better than others for their calmness, but of course by the nature of what he does he tends to stick to the noisier ones. Times Square isnāt only a hotspot for crime during the day, as it turns out. He says, in a light, kind voice, that heās glad to have the break of walking you home. He enjoys the quiet of your little neighborhood, too.Ā
True to his word, Spider-Man lets you go at your building. He watches you walk up the front steps, waving when you turn around briefly before buzzing yourself in. You hear the schwick of his webbing shooting out just before the door closes behind you.Ā
You slog up the flights of stairs to your apartment, letting your backpack drop by the door and sending a silent apology to your downstairs neighbors right after. You feel lighter without it, but still your body all but drags you to the floor when you sit to take off your shoes. You turn at the sound of a door creaking open.Ā
Light spills out into the hall as Peter emerges in his plaid pajama bottoms. You wince.Ā
āHey,ā you say softly. āSorry, did I wake you up?āĀ
āNo.ā He shakes his head, though you obviously did. His hair is all messy from sleep, sticking out in every direction. āDid you just get back?āĀ
āMhm.āĀ
Peter makes a face highly reminiscent of a sad puppy. āYou were on campus all day?ā
You shrug, like what can you do? Peterās a grad student, too; heāll get it.Ā
But your roommate looks troubled. āDid you eat?āĀ
āIā¦ā You blink, realizing why, besides the late hour, you might have felt so tired on your walk home. āI guess I forgot about dinner. I fell asleep for a while in the library.āĀ
āYeah?ā Peterās already moving towards the kitchen. āSit down, Iāll make you something.āĀ
āPeter, thatās okay.āĀ
āIām not gonna have you passing out waiting for the microwave or whatever. Just sit down.āĀ
You find you donāt have much argument left in you. Youāre dead tired, and the couch does look like a nice place to rest. āI thought we ran out of Mayās lasagna.āĀ
āWe did. I canāt cook as good as her, but I can whip up a half decent quesadilla.āĀ
You fall silent, resting your cheek on the back cushion of the couch and watching as Peter puts a thin slice of butter into a pan on your stove. Your teeth worry into your lower lip.Ā
āDoesnāt the library close at midnight?ā he asks.Ā
āTwo,ā you correct him. āItās open twenty-four hours during midterms and finals week, though.āĀ
Peter glances at you out of the corner of his eye. āItās not midterms or finals.āĀ
āHence why I got kicked out.āĀ
He makes a chuffing sound like laughter, familiar in a way you canāt place. āCanāt believe you stayed late enough to get kicked out.ā
āI know, right? Itās like bar close for students.āĀ
āAre you really comparing yourself to people who get kicked out of bars?āĀ
āHey, weāre both committed, just to different pursuits.āĀ
Peter hums, ceding the point. āI guess the only difference is that you got kicked out on a Tuesday.āĀ
āYou think the barflies arenāt there on Tuesdays?ā You give him a droll look. āWisen up, Parker.āĀ
Your roommate casts you a glance paired with a half-smile. āYou know productivity decreases with exhaustion, right?āĀ
You scoff. āYou donāt get to talk about healthy sleeping habits. I know you work just as hard.ā He brings you a plate with a neatly folded quesadilla on it, and you soften your tone as you take it. āThank you.āĀ
Peter settles into his side of the couch, putting his feet up on the coffee table. He watches you take your first couple of bites. āI just think,ā he says, āthat if you pass out somewhere from sleep deprivation or low blood sugar or whatever, there might be some part of our lease agreement that says Iām responsible for that.āĀ
You raise your eyebrows at him. āDid you read that whole thing?āĀ
āOh, hell no.āĀ
āMe neither.āĀ
āIām only saying that itās possible. Landlords love weird clauses.āĀ
You hum as you chew, playing along. āOkay. Thatās fair. What if I kept a note constantly on my person that said this isnāt Peterās fault, so that if someone finds me passed out you can avoid culpability? Would that make you feel better?āĀ
Peterās lips twitch. He shrugs. āA little.āĀ
āPerfect. Thatās what Iāll do, then.āĀ
āYou could also just come home before some poor librarian has to kick you out. Or,ā he goes on, ācall me to walk you home if itās late.āĀ
You give him a look. āIām not going to call and wake you up so you can come get me every time I stay late on campus.āĀ
āI wouldnāt mind being woken up. I might be on campus too, and anyway Iād want to help.āĀ
āI donāt need help.āĀ
Peter frowns. āIf you say so.āĀ
You nod, trying to smile to soften the rejection. You hold up what remains of your quesadilla. āThis is really good, by the way.āĀ
Peter mirrors your half-hearted smile. āI learned from the best.āĀ
āYeah, you did. I really owe May another card.āĀ
āYou donāt owe May anything, and if she were here sheād tell you that herself.āĀ
ā
You feel like something is amiss. Itās not a new feeling. Some nights, you canāt stop going over things youāve done wrong. Times you said something you shouldnāt have, acted without thinking, didnāt act and regretted it, going back as long as you can remember. Itās enough to make you hate yourself.Ā
Other nights, like this one, you become convinced thereās something still yet to be done. You didnāt actually hit submit on that assignment. Youāve left the stove on. Your water bottle is sitting abandoned on your table in the library, begging to be stolen. Someoneās trying desperately to call you, but you clicked your phone to silent without realizing.Ā
The anxieties worm their way into your weary bones until the only option is to drag yourself out of bed and quiet them. Itās not like you were going to fall asleep anyway.Ā
Your building is old and creaky. You take care to walk on light footsteps into the kitchen, reassuring yourself forcefully as you go. The stove is off. The freezer is shut. The heater is not turned up so high that youāre going to be surprised by a heart-stopping electrical bill. The kitchen sink isnāt leaking. Your school things are just where you left them, heaped together in your backpack beside the door. The front door isā¦
The front door is unlocked.Ā
You know you locked it when you came in. Youāre sure you did, because you donāt allow yourself to put your keys on the hook unless you have and there they are. You look towards Peterās room.Ā
When you text him, thereās no chime you can hear.
YOU: Hey, are you home?
PETER: Just left, forgot my laptop on campus! Everything ok?
YOU: Yeah, itās fine. The door was unlocked.
PETER: Shit. SO SORRY!!!Ā
PETER: U can lock it, I have my key.
YOU: Itās fine. Locked now.
PETER: Wonāt happen again. Promise!
You double-check that Peterās key is missing from his hook before actually locking the door. You think wryly that you and Peter may have synced in your sleeping habits; you always seem to be awake at the same times. Or maybe you were simply both such terrible sleepers to begin with that the comings and goings of the other donāt make much difference.Ā
You run through a few more checks before going to bed. The window that goes to the fire escape is latched. The oven is off. Your laptop is charging.Ā
Right next to Peterās.Ā
ā
The next night, youāre not woken by worries but by cold. You rouse from a fitful hibernation to find yourself coiled tight like a crab within its shell, knees pressed together and chilled nose hidden beneath your covers. Early winter seeps through your apartment like a frozen kiss.Ā
You take your blankets with you as you stumble out of bed, bleary-eyed. You feel the chill more when you leave your room, though less in the living room. The heat is supposedly on. Peterās door is closed, but you knock to see if itās woken him, too. Thereās no answer.Ā
āPeter,ā you whisper.Ā
Still nothing, and you knock again.Ā
āPete, are you up?ā
When another minute of this produces no response, you turn the door knob tentatively. You know itās a massive invasion of privacy. You know that. But your apartment feels like itās teleported to the Arctic, and for all you know Peter could be comatose with hypothermia right now.Ā
It feels all the more plausible when you open the door and the air that meets you is cool enough to make your skin pebble under your blankets. Peter really might have hypothermia. If he was here.Ā
But Peterās bed is empty, and his window is open.Ā
You decide to leave it that way in case itās how he needs to get back in. You take more blankets with you to go back to bed.Ā
ā
There are few things you can think of which require someone to be out in the darkest hours of the night. None of them are reassuring. Things too illicit to be exposed to daylight, risky things, illegal things.Ā
If youāre being honest with yourself, you probably should have realized sooner. New York is expensive, and Peter doesnāt seem much better off than you are. Youāre both full-time students without jobs; everyone has to supplement their income somehow. He probably makes more doing whatever heās doing than you do pimping out your plasma once a week.Ā
Peter may not seem like the type, but you donāt have to be the type to do drastic things when youāre broke. Anybody could be doing anything. Some people do yard work, some people babysit, some people buy cheap shit and resell it on ebay; you donate plasma; Peter deals drugs, probably. Itās fine. Itāsā¦well, itās not fine, itās dangerous, but you can understand it. He has access to a lab and pays for school with government grants. He had to be paying for your rent somehow.Ā
āHey.ā Peter returns to your table with a mug in each hand. āYou good?āĀ
You let out a little hum. āYeah, why?āĀ
āYou just looked kinda spacey.ā He sets your coffee in front of you. You pick it up, gratified by the way it sears your tongue and seeps sweetness into your tastebuds.Ā
Youāve taken to spending your Saturdays together at this coffee shop, The Daily Bean. Itās big enough in size that you can always find a table in some hidden corner if you look hard enough, small enough in popularity that regulars can still stare-shame anyone who talks too loudly when everyone else is trying to work. You and Peter like that itās walkable from your apartment, and that the chairs are comfortable, and that every mug is unique so you can debate who got the better one when your drinks come out. The icing on the cake is that if you order a simple drink, refills are free so long as you bring back your mug. You keep asking Peter to go up to the counter because youāre worried the employees are going to get angry with you for abusing their policy by camping out all day, and no one can get angry with Peter.
And thatās sort of the sticking point, isnāt it?
Peter is a good guy. Heās nice, he works hard in school, he pays rent on time. Obviously he has this other thing going on on the side, but that doesnāt make you like him any less. Itās not fair that he should have to give up sleep and put himself in god-knows-what dangerous situations just to live. Lately, the crescents under his eyes are nearly as bad as yours. Youāre worried about him.Ā
āYou do photography, right?āĀ
Peter looks up, blinking, from where his attention had gone back to his laptop. Heās working on something he told you about during the walk over, some report of some sciency thing. You think he could tell you werenāt grasping it even as he explained it to you.Ā
āI take pictures sometimes,ā he says, doing a side-to-side sort of nod. āNot really the same thing.āĀ
āBut youāre good.āĀ
Itās not a question. Youāve seen the photos all over Peterās room. Theyāre stuck to the walls with scotch tape like heās not even proud of them, but theyāre incredible. Candids of a graying woman you imagine to be Aunt May in different locations of the same lovingly cluttered home. Stills of people in the motions of their day, on the subway and lounging on front steps and smiling at dogs. Angles of the city that make you feel like youāre flying.Ā
Peter makes a face. āEhā¦āĀ
You huff a laugh at his humility. āIām just saying, have you ever thought of charging people for that?āĀ
āForā¦ā
āTo take pictures of them. Or to buy your pictures, either way.āĀ
āI donāt know.ā Peter shrugs. He looks almost like he might be blushing. āI canāt think of anyone who would want to pay for that, and anyway Iām not sure I have the time to, like, monetize it or whatever.ā
āI could probably help,ā you say casually. Take a sip of your coffee to sell it.Ā
Peter watches you, unabashed in his staring even when you wonāt look back at him. āYeah? Youād do that?āĀ
You lift your shoulders. āSure.āĀ
āHow come?āĀ
You meet his gaze, though it sends tingles from your ears all the way down your spine to do it. The brown eyes waiting for you are just as warm and thrice as sweet as the drink in your hand. āBecause I want to,ā you say.Ā
Peterās mouth kicks up in the corner. āNoted,ā he replies. āThanks.āĀ
You make a mumbly sound of acknowledgement, going for your coffee again. Your roommateās grin worsens.Ā
āHey.ā He bumps your ankle lightly with his under the table. āYou want to learn something about protein misfolding and Alzheimerās?āĀ
āNo.āĀ
āYeah, you do.ā Peter shuts his laptop, setting his elbows on it to lean closer to you. āSo, when proteins lose their functional shapeā¦āĀ
ā
Lately, the only place you can find sleep is in places it shouldnāt be. Slumped over the table of a study room, in the chair of the plasma donation clinic, in your sunlit living room between classes. When Peter finds you, youāve started a small puddle of drool on your textbook. The fluorescent lights of the library press at your eyelids, obscuring any awareness of time in a distant outside world.Ā
Peter says your name with something soft curled around the syllables.Ā
Your eyes burn as you open them to find him crouched by your chair, one hand on your textbook and the other floating a few inches above his knee like heād been thinking of reaching for you. His hair is sticking up the way it does when heās run his fingers through it.Ā
āPeter?āĀ
āHey. Hi.ā He clears his throat, blinking something away from his expression. āGlad you still know my name. Since, you know, you seem to have forgotten where we live.āĀ
āWhatāre you doing here?āĀ
āIām hoping to save the librarians some hassle.ā His mouth curves, pink and lovely, into a little smile. āReady to go?āĀ
You peel yourself off of your textbook, allowing Peter to close a pencil in it to mark your page before dropping it into your backpack. You feel like youāre moving through molasses, back clicking as you stretch; you must have been sleeping deeply.Ā
āWhat time is it?ā you yawn as Peter helps you into your coat. He shoulders your backpack without saying anything.Ā
āOne-thirty.ā When you blink blearily at the near-desolate library, he touches your shoulder gently to direct you toward the elevators. You try to take your backpack from him, and Peter only hikes it up further on his shoulder. āTheyāre gonna put posters of you up at some point. I think youāre here more than anybody else on campus.āĀ
You send him a droll, sleep-addled look out of the corner of your eye. āI donāt think you get to talk about staying out late.āĀ
He doesnāt look at you. āNo? Why not?āĀ
āBecause youāre always at theāā You yawn hugely. āAt the lab.āĀ
Peter huffs a laugh. If it sounds a bit relieved, youāre perhaps too tired to judge. As you step into the elevator, he hits the button for the ground floor and steps back beside you to put an arm over your shoulders. āTouchĆ©.āĀ
You stand still in silent uncertainty as the elevator descends. This is closer than you and Peter have been before. It feels a slight shift from bumping elbows in the kitchen or accidentally brushing each otherās knees under your table at The Daily Bean, though maybe thatās just you. Regardless, itās going to be a cold walk home; Peterās body is emanating an enviable warmth through his coat, and youāre just sleepy enough to consider leaning a bit on him as you walk. You stay where you are.Ā
āHowād you know where I was?ā you ask as the elevator doors open. Peter steps out with you tucked under his arm as if itās the most natural thing in the world.
āItās almost two in the morning on a Thursday.ā He waves to the librarian at the desk, pushing the front door open for the both of you. āWhere else would you be?āĀ
āHa ha,ā you mutter. āBut, like, howād you find me?ā Itās a big library. Five floors, dozens of tables, and youād been hidden away in your own private corner chosen specifically for how rare it is for any other student to stumble across. You suppose someone outside might have seen you through the window by your table, but even that seems unlikely. Itās higher up than most people think to look.Ā
āIām an efficient search committee,ā says Peter. He adjusts his hold on you when the wind picks up and you step closer unconsciously, hand slipping down your arm to encourage further sharing of his warmth. āCold?āĀ
āYeah. It wasnāt this bad when I left.āĀ
He makes a half-smug humming noise; you feel its vibrations kiss the top of your head. āThatās what happens when you stay out this late, I guess. My Uncle Ben used to say nothing good happens after midnight.āĀ
āHave I called you a hypocrite yet?āĀ
āOnly in implication.āĀ
āWell, you are.āĀ
Peter laughs, the sound wonderfully crisp. āDid you at least eat?ā
āItās not your job to feed me, you know.āĀ
āSeems like someoneās gotta do it.āĀ
āWell, for the record, I did.āĀ
āGlad to hear it.āĀ
Peter seems to gather that if you walk all the way home heās going to end up carrying you for at least part of it, so you go down into the subway to wait for the next train. You fall briefly asleep on his shoulder waiting, and again in your seats once you get on. Itās a feat, considering youāre only a stop away on this line, but both times Peter rests his chin on the top of your head like heās surrendered to the idea of keeping you there.Ā
Itās only after heās half-dragged you up the stairs to your apartment and is digging your key out of your backpack (why he doesnāt seem to have his, you donāt bother asking) that you say, āIām sorry you had to come all the way to campus to get me.āĀ
Peter makes a quiet scoffing sound, jiggling the handle until the door gives way. āI didnāt have to. I donāt mind, I just wanted to make sure you were okay.āĀ
āYouāre always doing things for me, though.ā You shuck off your coat, tossing it over the back of the couch as he does the same with his. āYouāre either making me food or picking me up from places or bringing me my stuffā¦āĀ
Peterās eyebrow twitches, a teasing curve to his mouth that fits his voice to its shape. āSo what, Iām not allowed to do things for you? Youāre gonna rob me of that?āĀ
āDo you have a hero complex or something?āĀ
You think itās obvious youāre teasing him back, but Peterās expression flickers with something that makes you wonder if he didnāt catch the levity in your tone. He recovers fast. āMaybe.āĀ
āIām just saying,ā you try on a bit of sincerity, āyou donāt have to.āĀ
āHey, I know.ā He moves closer, eyes dark in the low light. Neither of you have moved for a light switch, your apartment cast in the cool blue tones of the moonlight coming in the window. āI really donāt mind. I like doing things for you.āĀ
āBut,ā you ask, hesitating, āwho does things for you?āĀ
Peterās eyebrows lift slightly, as though heās surprised youād ask. When his voice lowers, thereās something about the roughness of it which tugs at a memory. āYou do.āĀ
You feel yourself frown. Yes, you try to do things to make Peterās life a bit easier, but thatās half out of a sense of gratitude for all he already does for you and theyāre never really sizable things. A few extra pancakes left in the fridge when you know he wonāt wake with enough time to make breakfast before class, a pack of twizzlers snagged from the bodega when you notice heās running low. Is that as much care as Peter gets? It canāt be.Ā
Youāre about to tell him that he deserves better, but when you open your mouth you realize heās right there, and letting yourself list forward is just as easy.Ā
Peter kisses you like heās breathing you in. Slow at first, the beginnings of an inhale, and then in great pulls. He cups the side of your face, stepping forward, crowding you, his other arm winding around your waist to keep you from falling when you move backwards into the couch and nearly tip yourself over the edge. A few seconds later and heās changed his mind, sending you both over so you collapse down onto the cushions in a heap, him all on your side and you all on his. One sleepy, confusing tangle.Ā
āI thought you wanted me to go to bed,ā you mumble against his lips.Ā
āWho said that?ā Peter rolls you sideways, putting you to the inside of the couch so he can push your hair away from your face. āTomorrowās Friday. Itās basically the weekend already.āĀ
āCouldāve probably stayed at the library then.āĀ
āToo clichĆ©.āĀ
His hand coasts up your back, and you find youāre out of cleverness. āYeah?āĀ
āMhm. Plus, what would the librarians think of you? Youāre a big name over there.āĀ
āYouāre such a hypocrite.āĀ
Peter sighs into your mouth. āTell me about it.āĀ
ā
Maybe it should be awkward, but itās not. You and Peter already live together, already have your routines and your in-jokes and an ease of moving about each other in a small space, so adding kissing to the mix really doesnāt feel like so far of a leap.Ā
Itās not fireworks. Or butterflies or cartwheels or any of that. Itāsā¦easy. Like slipping into a warm bath. You feel yourself unspool one inch at a time, until coming home from class to lay yourself down in Peterās lap and go over flashcards with him is as natural as breathing.Ā
āItād be over in Chelsea, so I could stay here and take the bus.ā Peterās got his glasses on, which always want to make you kiss him hard enough to get them all askew, and his hands are wandering your legs and waist as he talks, not helping matters. āAnd theyāre doing this really cool stuff with ion channels that I could get involved inā¦āĀ
Heās telling you about an internship heās applying to for the summer. Youāre sitting in his lap trying to look engaged and not humiliatingly wanton. Really, you like the sound of this internship. It would mean youād both get to stay in the apartment for the summer, since youāre returning to a previous internship in the city, too, and of the options Peterās told you about this one offers the best pay. You may not understand ion channels or space radiation or half of what he talks about, but you love the idea of anything that might supplement his supplemental income.Ā
āDidnāt you say your internshipās in Greenwich?ā Peter asks, touch coasting up your back.Ā
You hum in the affirmative.Ā
He grins, flashing a dimple you want to poke your tongue into (because youāre a nonsensical, depraved thing). āWe could meet in the middle for lunch.āĀ
āThat would be nice.ā You give into your baser urges and lay a soft kiss on the side of Peterās nose. The frames of his glasses dent into your cheek. āWhere would we go?āĀ
āI know a good sandwich place on Eighth and Hudson,ā he murmurs, pushing his glasses up into his hair to kiss you properly. Damn him. His voice hums against your lips. āMaybe lunches there sometimes, dinners at Chelsea Market.āĀ
āChelsea Market?ā You smile, and Peterās quick to kiss the corner. āAre we made of money in this fantasy?āĀ
āDuh. Weāll have high-roller internshipsāāĀ
āSpeak for yourself.āĀ
āāand those of us who are possibly being taken advantage of for their cheap labor and wonderful, perfectāā He mushes his lips to your face with each word. āāreally very valuable brain will luckily have a lovesick biophysics intern to sponsor them.āĀ
You hum, sliding your finger along the curve of his glasses behind his ear. āWhere am I gonna find one of those, you think? Should I start loitering on park benches reading genetics books and looking confused?āĀ
For someone so gentle and who spends so much of his time in labs, Peter is surprisingly strong. Youāve discovered this several times over now, enough to want to goad it out of him when you can, and still it surprises you to find yourself flat on your back against the couch cushions less than a second later. Youāre giggling breathlessly before Peter even gets to you.Ā
āYou think youāre so funny,ā he mutters, a far cry from menacing as he smooshes wet kisses into the underside of your jaw.Ā
āOr IāI could try hanging around the three-in-one shampoo at the discount storeāā Peter squeezes your waist, and you gasp out a laugh. āāor hoard all the cityās ramen so they come to me.āĀ
āOkay, you know I eat better than that, you traitor. Are you trying to get yourself cut off from my culinary resources?āĀ
You squirm, pushing at Peterās hands and enjoying how useless it is. āYou wouldnāt dare.āĀ
āAlsoā āhe breezes right past the threat, because you both know he wouldnātā āif you have a problem with my hair, all youāve gotta do is say something. Does it smell bad?āĀ
He sticks the top of his head in your face, the soft ends of his hair tickling your nose. You stick your face in dutifully to take in a pull. You know the scent of Peterās three-in-one (you live together, youāve read the bottle), but somehow his hair always manages to smell like fresh laundry, too. You have every intention of feigning shock and disgust, except youāre overtaken by a rush of affection and the teasing mood leaves you.Ā
You press your lips to his forehead. āItās perfect.āĀ
āWow. Even with three-in-one in there?āĀ
āIām surprised, too.āĀ
Peter tilts his head up, bumping your noses together. āGuess you donāt have to go on the search for some other biophysics guy to fawn over you, then.ā
Fawn. Thatās exactly what Peter does, fawn over you, but itās somehow worse that he does it knowingly.Ā
āMaybe not,ā you say, ābut you know Iām not just going to let you get my lunch every time.āĀ
āOh, yeah? How are you gonna stop me?āĀ
āI donāt know.ā You heave a long, thoughtful sigh. āI guess probably start selling your photos to make my own way in the world.āĀ
Peter laughs. āI think probably one of the most adorable things about you,ā he says, lips to your cheek, āis that you think those are worth something. Theyāre all yours, pretty girl.āĀ
āTheyāre definitely worth something. Iām going to make millions.āĀ
āSure you are.āĀ
āYouāll see, when I move out of this place into a penthouse and youāre still just scraping by on your measly STEM salary.āĀ
Peter watches you with an analytical gaze. Youāre playing at levity, but he knows by now when youāre hiding your sincerity away, and he also knows what youāve been pushing for for weeks now.Ā
āWhy do you want me to sell them so badly?ā he asks.Ā
You shrug. āBecause,ā you say, āIāve never seen the city the way I do when I look at them. I think other people would like that, too.āĀ
He mushes your hip in his hand affectionately. āTheyāre not that original. Iād be one of a thousand people trying to sell pictures of New York.āĀ
āYeah, but yours are good.āĀ
āYouāre so stubborn,ā he mumbles, pushing his face into yours to kiss you with a vengeance, āand cute. I just donāt have the time, sweetheart.āĀ
āI can set you up a website.ā Itās not said in haste. Youāve been trying to think up ways to get this idea off the ground for a while now. āThat way you donāt have to do anything, Iāll just list them for you and handle the shipping when people buy them.āĀ
Peter blinks at you. Itās clear heās caught offguard, and it aches a bit that you offering to help him out is still so unexpected. Youāve been trying to do it moreāthough itās near impossible to keep up with how often Peter helps you, and it seems like he ups the ante with every attempt you makeābut you wonder if Peter will ever get used to the feeling of someone wanting to do things for him. You can relate to that particular discomfort.Ā
āWould that make you happy?ā he asks after a moment.Ā
āIt would,ā you reply honestly.Ā
He hesitates. āI would want to choose which ones you put up. And I donāt want you to be disappointed if they donāt sellā¦āĀ
āI wonāt be disappointed.ā You wave him off, already reaching for your laptop despite still being trapped underneath him. āTheyāll sell like hotcakes.āĀ
āWhat even is a hotcake?ā Peter muses, though he moves when you nudge at him, allowing you to sit up and open your laptop.Ā
āPretty sure itās an old-timey word for pancakes.āĀ
āDo pancakes sell famously well?āĀ
You cut him a dry look. āThen theyāll sell like Mets merch, Peter. Is that better?āĀ
The distracted look in Peterās eyes diminishes, replaced by a more familiar one. āI think youāre the hotcake they were talking about,ā he says, smarmy.Ā
āAre you saying I sell?āĀ
āNo! No. You know thatās not what I meant.āĀ
āYeah, walk that one back, Parker.āĀ
ā
Youāre halfway to a dream about holiday break and Peterās fresh-laundry smell when the fire alarm goes off. It knocks you out of your study fugue state and knocks your coffee clean over, making you gasp and fumble for your laptop. Itās gotten all over your lap, too, but you donāt have time to think about that, ignoring the burn and the shrill wailing in favor of wiping your keyboard off on your shirt.
A moment later, and the coffee is no longer your laptopās paramount threat. The sprinklers go off. You stow your laptop in your bag, hugging the whole thing to your chest like you can shield it with your body. Itās then that you remember what a fire alarm means.Ā
Youāre not the only brain dead, half asleep straggler in the library who hasnāt been quick to action. There are other students just now making their way to the stairwell door; you grab your notes and follow suit.Ā
The alarm is deafening in the stairwell. It bounces off the walls in a painful, ceaseless screech, punctuated by flashes of bright white light. Coming down from the top floor, youāre joined by a throng of others as you descend. People shove; a girl shouts her friendās name; someone else stops by the railing, halting the flow around them as they try to make their way back up to some forgotten item. Most heads are ducked, the sprinklers still raining down and water dripping from chins and noses. You say an apology that gets swallowed up by the cacophony when you step on someoneās foot. You wince when someone else steps on yours. You curl around your backpack and keep going.Ā
Youāre near the back of the push down the stairs, so when Spider-Man arrives your only indication is the change in tone of the shouting below you. Cheers go up with the sirenās shriek, and you peer over the railing just as a stream of webbing shoots past you, sticking to the ceiling. The spandex-clad vigilante follows it up. He goes slowly, scanning faces as he goes by.Ā
āAll good? Everybody okay? Letās make our way down in a neat and orderly fashion, folks. No need to push. Whereās the fire, am I right?āĀ
If he wanted to go put out the fire, or even to sweep from the top floor down to make sure no oneās still not evacuating, there are surely quicker ways, but youāre a bit warmed that Spider-Man is taking the slower route to check that youāre all okay. Heās risen nearly to you now, and while some of the students around you have stopped or taken out phones, youāre still trying to get out of here. Of course, now that youāre looking at Spider-Man and not your feet, you fall straightaway onto your ass.Ā
Itās embarrassing. You narrowly avoid hitting your chin on the stair railing; someone near you gasps. Your tailbone and your pride both feel terribly bruised.Ā
āOh, shit. Hey. You okay?āĀ
It doesn't help matters that youāve pulled Spider-Manās attention, too.Ā
He swings neatly over the very railing that nearly concussed you a moment earlier, reaching down to pull you upright.Ā
āYeah, youāre okay. Nothing feels broken, right?ā He skims touches over your elbows, your waist. Itās all too much at once, an overwhelm, but you step away quickly when he lays a probing hand at the small of your back.Ā
āWhat?ā Spider-Manās voice rings with concern just loud enough to be heard over the alarm. āThat hurt?āĀ
Youāre shocked speechless. Does he just go around touching everyone like that? It feels intimate to you.Ā
āOh.ā He seems to get it. His demeanor changes, a few more inches of space appearing between you. āSorry. Are you hurt?āĀ
āIām fine,ā you say.Ā
āCan I, uh.ā He looks up in the direction he was heading, then back to you. āCan I give you a lift down?āĀ
You feel yourself frown. āI can make it on my own.āĀ
Spider-Man breathes out a dry chuckle. āI forgot how suspicious you are of people who want to help you.āĀ
You blink, biting your tongue against the question that rises to it. You remember me? Itās difficult not to feel flattered, but youāre also just baffled. Spider-Man saves dozens of people every day, and yet he remembers a conversation with a girl he only walked home on an uneventful night?
āJust let me take you to the ground floor,ā he asks. āI wonāt be able to relax if I think thereās some injured bootstrapper hobbling their way down the stairs.āĀ
You donāt remember deciding to agree, and you certainly think youāre going to argue his bootstrapper label more than comes out, but you find yourself clinging to spandex-clad and surprisingly warm shoulders a minute later, Spider-Manās hold far from unwelcome now as he lowers you gently to the ground.Ā
āCome on,ā he says, ignoring the people who stop and stare in favor of guiding you outside.Ā
You think itās probably a good sign that there isnāt smoke visibly pouring out of any windows you can see. The libraryās fire suppression system may have worked fast enough to put the fire out before it grew too large. Spider-Man keeps you close, maneuvering you both through the gathering crowd and past the arriving firefighters to the curb across the street.Ā
āWhat happened here?ā he asks you, something achingly familiar about the gentleness of his tone as he looks down at your lap. Whereas most of your clothes are speckled with dampness from the sprinklers, across your thighs is a dark, prominent splotch.Ā
āCoffee,ā you answer resignedly.Ā
He hisses. āHot?āĀ
āNot cold.āĀ
āDoes it hurt?āĀ
āNo, not really. I think the sprinklers cooled me off.āĀ
You try on a smile there. You think maybe Spider-Man mirrors it, his tone lightening some.Ā
āIs your butt okay, too?āĀ
āMy buttās none of your concern.āĀ
āHey, I concern myself with every butt in this city. Youāre all under my care.āĀ
It feels ridiculous, laughing while your university library is still being evacuated and alarms are still going off. Itās also nice. The laughter gathers like bubbles in your chest, fizzing and popping and disrupting the tension in there. You wonder if this is how Spider-Man does what he does, if itās what makes him so good at it.Ā
āIām fine,ā you tell him.Ā
āPromise?āĀ
āYeah. Donāt you need toā¦ā You look at where the firefighters are running into the building.Ā
Spider-Man follows your gaze. āYeah,ā he says, though he doesnāt move. He glances between you and the building a few more times, fingers twitching at his sides. āI, uh.āĀ
āThanks for your help.ā
The dismissal is clear, and it seems to snap him out of it.Ā
āRight. Okay.ā He finally takes a step back. āStay put, okay? Donāt go anywhere. Iām serious. Just, I have toāyou stay here.āĀ
āOkay,ā you say. Heās already shot away on a web, and with the sirens and the shouting, you arenāt sure if he hears you.Ā
You arenāt sure why Spider-Man would ask you to wait. Does he plan to come back? He seemed flustered; he might not have meant it. Youāre resting your head on your knees with eyelids growing heavier, but it seems rude to leave when someone rescues you and then asks you to wait up.Ā
āHey.ā You jolt when a hand lands on the back of your neck. āHey, hey. Itās just me.āĀ
Peterās a sight for sore eyes. His grin is tentative as he sits on the curb beside you, all soft brown eyes and hooked brows. The apprehension goes out of you in an instant.Ā
āHi,ā you say, warmth filling your chest.Ā
āHi, sweetheart.ā Peter rubs between your shoulder blades, looking you over. āWhat happened?āĀ
āThereās a fire in the library.āĀ
āYeah, I think they put that out.ā He offers you a small smile. āI mean what happened to you? Whatās this?ā He sets a hand to your thigh, over the wet spot on your jeans. His brows rise. āItās warm.āĀ
āYeah, Iā¦ā You shake your head, breathing out a sigh. āI knocked over my coffee when the alarm went off.āĀ
Peter frowns. āOuch.āĀ
āHowād you even know about the fire? I thought you were at the lab tonight.āĀ
āI, uh.ā He seems distracted, still looking concernedly at your burnt jeans. āI saw it on the news.āĀ
āAlready?āĀ
āYeah, the school sent out a text alert. Hey, donāt you want to get those pants off?ā Peter gives you a look in exchange for the one you give him. āNot like that, you delinquent. Get your mind out of the gutter. I mean letās go home and put some ice packs on your or something, okay? Are you good to walk?āĀ
Youāre shaking your head before heās finished talking. āPete, Iām fine. But I have toā¦ā The words shrivel up, humiliated with themselves, before leaving your mouth.Ā
Can you really tell Peter that Spider-Man asked you to wait here for him? Peter might like you well enough to make out from time to time, but you canāt imagine they make rose-tinted glasses thick enough to look past anything that sounds so pathetically made up as that. Why would the cityās favorite vigilante, with his very busy schedule, want you to stay put so he could come back for you after saving the day? Itās a good question. Peter said the fire is out; if Spider-Man was coming back, surely he would have already?
āWhatās up?ā Peter asks you. His voice is gentle. āYou okay?āĀ
āYeah.ā You shake your head to clear a nagging thought. āLetās go home.āĀ
You stand on your own, though Peterās hands hover while you do and he gets an arm around you as soon as heās allowed. You walk tucked close to his side, his thumb rubbing absently over your hip.Ā
āHowād you know I was gonna be here?āĀ
āWell, itās quarter to midnight on a Friday. I was gonna go around checking the clubs first, butā¦āĀ
āAsshole.āĀ
āNerd.āĀ
ā...Did you really come looking for me?āĀ
āDuh. And itās not like I was far, the labās just across campus. Hey, did you hurt your butt somehow?āĀ
āWhat?āĀ
āYouāre walking funny.āĀ
āI am not.āĀ
āYeah you are, itās likeā¦itās sort of a hobble. Did you?āĀ
āYouāre making this up.āĀ
āIām not! What happened to your butt?āĀ
āI am not hobbling.āĀ
ā
You find out the next day that the fire was started by some idiots who tried to smoke and then freaked and tossed their still-lit blunt when they heard someone coming. If it had fallen onto the carpet or a table it might have gone out, but of course it landed right on the corner of a bookshelf, seemingly endless kindling spread out in front of it like the promised land. The fire was put out quickly, but not before most of that shelf went up and not without incurring water damage on everything else in the library.Ā
You read the news article and seethe while Peter applies burn cream to your legs, doing it for you because he claims youāre neither gentle nor patient enough with yourself to do it nicely. His touch is featherlight.Ā
Itās Saturday, and so Peter succeeds in cajoling you into spending the day in bed, napping and touching and musing in whisper-soft voices about what you might order for dinner, but Sunday you heed the universityās call for help.Ā
The library is all but destroyed. The carpet needs to be ripped out, some of the furniture needs to be recovered or replaced, hundreds of books need to be inspected and salvaged. The librarians and janitorial staff canāt do it all themselves.Ā
You may be selfish (Peter calls it single-minded), but this isnāt something youād normally concern yourself with; youāve got your own shit to deal with, impending exams and a now-glitchy laptop that could use some attention. It bothers you that this was your library, though. Youāve spent a lot of time tucked away in its stacks, Peterās spent nearly as much navigating them to come drag you home, and if the fire had been more serious you couldāve been in real trouble. You feel like you owe it something, a little bit. At least a few hours of your time.Ā
Peter comes to help, because Peter doesnāt need a sense of obligation to step up. Heās made of better stuff.Ā
You go through the shelves with other volunteers, sorting books into bins based on how damaged they are. Peter gets tasked with bringing old furniture out into the sun, stuff that should have been replaced decades ago but the school is still going to try to save, even if itāll probably smell like mildew forever. You get periodically distracted when he walks by with some musty armchair and you can see the shapes of his biceps through his shirt. At lunchtime you run home to make sandwiches, and you and Peter eat them on the same curb he found you sitting on two nights prior, the sun on your faces and breaths clouding in front of your mouths.
You call it quits when it gets dark, though some of the volunteers switch the lights on and stay. Peter buys you both hot chocolate on the way home. He waves you off when you try to pay and teases you about being extra careful because youāve already had enough hot drink incidents for one week.Ā
Despite knowing you have heaps of studying left to get through, you feel strangely energized. Peter sits down in his couch dent when you get home and pulls up his notes, and you canāt stop thinking about the library. Thereās got to be a more efficient way to dry the books. Whoās making sure the staff gets meals, when theyāre there supervising all day? And surely thereās a more durable flooring than carpet to put in a library. If they take it down to the hardwood, and then people donate old rugs to help swallow soundā¦
You go back. It becomes a part of your routine. You go to class, you study, you help at the library, you bring Peter something to eat at the lab, you study some more. Peter goes for dinners at his Aunt Mayās and comes home with tupperware intended specifically for you. At night, he tries to help you fall asleep, experimenting with different things heās read to see what works. On some of those nights you end up faking it so that he feels accomplished. Most nights, you donāt, so that heāll stay with you for longer before eventually saying he has to go to the lab or to the bodega or to wherever before slinking off. Those nights you think you sleep the least, though itās hard to be sure.Ā
You and two other students haul a donated couch up the library stairs. You learn how to wedge paper towels between the pages of the most waterlogged books, a tedious but rewarding process. You get friendlier with the librarians than you ever have been, which Peter finds ironic considering you spend half the time you used to there. One of them is married to one of your professors, and your efforts earn you a bit of extra credit, a small miracle youād never have dared to hope for.Ā
āWhatās this?ā Peter asks one afternoon at The Daily Bean. Youāre meeting between classes for a quick study session; you havenāt seen him since you left him sleeping early this morning to go to the library. Rain falls in gentle patterings outside the window, fog clinging to the panes. Autumn is having its last hurrah. Thanksgiving is next week, and the city tends to grant everyoneās wishes for snow soon after that. The last of the leaves have been shaken from the trees, and now they squelch rather than crunch under your feet.Ā
You look at where Peterās turned your hand to the side. āOh.ā You roll your eyes, rubbing at the white so that it flakes off. āItās paint.āĀ
āTheyāre making you paint now?āĀ
āYeah. I guess they figure if theyāre already gutting so much of the building, may as well do a full remodel.āĀ
āIs it starting to feel like theyāre just using you for free labor?āĀ
āOh, definitely,ā you laugh.Ā
Peterās dimples frame his smile in parenthesis. āYou donāt seem mad about it,ā he says.Ā
āNo, Iām resentful.āĀ
āYou are?āĀ
āI am.āĀ
āYeah?āĀ
āYup.āĀ
āYou seem resentful.ā Peterās grinning for real now, his eyes warm. Sometimes you think youād say anything to get him looking at you like this. Itās addicting. āYou seem ready to revolt.āĀ
āI might.ā You take a sip of your coffee. āNo, I donāt know. I donāt mind it.āĀ
āAw,ā he says. āYouāve gone soft.āĀ
āI have not. Donāt think Iāve abandoned my get-rich-quick scheme. The website is up.āĀ
Peter blinks. āMy website?āĀ
āMy website,ā you correct him, teasing, āsince you wonāt sell your own photos yourself. Iām just waiting for the go-ahead from you on which ones to put up.āĀ
āYeah,ā he says, quieting. āWe can do that.āĀ
āSoon?āĀ
āTell you what, pretty girl.ā Peter takes your hand, kissing the side of your pinkie just before the paint starts. It sends goosebumps all the way up your arm. āYou find some time to pencil me in between your studying and being the schoolās go-to laborer, and weāll do it.āĀ
You have to look away from your roommateās sweetheart brown eyes. Heās still holding your hand. āIād probably have less studying to do later if we actually did some now.āĀ
āYou canāt study now. This is a date.āĀ
āIt is?āĀ
āYeah, duh. Did you think we were actually going to study? Thatās just how I get you to come to these things, loser.āĀ
ā
āIs it, like, the suit and tie kind of dinner or the nice sweater kind?ā you ask.
Peterās exhale suggests heās trying to be quiet about his amusement, but not very hard. āYou could show up in yoga pants and my sweaty t-shirt, and sheād still think you were gorgeous.āĀ
āCould you try to be a little less biased?āĀ
āIf I was being biased, Iād tell you to wear my sweaty t-shirt and forget the pants.āĀ
āPeter, Iām serious.ā You step out of your room and into the hall where he can see you. āIs this going to be okay, or should I pick something nicer?āĀ
Peter turns around from where heās standing in front of his own mirror trying to subdue a cowlick. Heās wearing a sweater and jeans, which is reassuring. Itās also new. Youāre used to seeing Peter in his pajamas, or in rumpled sweatshirts he threw on in a rush to get to class, but this isā¦well, your roommate cleans up nice. His handsomeness is no surprise, but the new effect on you is. The green of his sweater somehow makes his eyes look an even softer color as they take you in.Ā
āYou look beautiful,ā Peter says.Ā
Your cheeks tingle at the bald reverence in his tone. You finger the hem of your dress. āItās okay?āĀ
āCome on.ā He huffs a laugh. āAre you kidding me?āĀ
āNo.ā But Peter looks like he wants to eat you, and heās dressed more casually than you are, so you think you have your answer. You move on before he gets any ideas. āIām thinking of trying to throw together a pumpkin pie,ā you say, going to check on your rolls in the oven. Peter tails you. āIād have to run to the bodega, though. Do you think we have time?āĀ
Peter leans against the counter. āWhat would you have to get?āĀ
āA pie tin, crust, pumpkin puree, eggs, andā¦um, I think there might be milkā¦ā You take out your phone to check.Ā
Peter steals it from your hand, kissing the frown that comes to your lips. āDonāt sweat it. Your rolls are going to be more than enough.āĀ
Your frown persists. āIt feels rude to only bring one thing and let her do everything else.āĀ
āItās not rude. Are you kidding? Aunt Mayās had me mooching off her since forever, sheāll be psyched that you brought anything at all.āĀ
āI already owe her for probably a dozen meals.āĀ
āSweetheart.ā Peter puts his arms around your shoulders, drawing you into a lazy hug. āYouāre freaking out.āĀ
āIām not freaking out.āĀ
āYou are. And itās sweet,ā he allows, kissing your temple, ābut you donāt have to. Mayās already obsessed with you. Sheās asked me, like, six times this week if you like green bean casserole.āĀ
āI like anything she makes,ā you mumble.Ā
āI know. Kiss-ass.āĀ
You canāt deny it. You want Peterās aunt May, this woman whoās fed you for the better part of a semester and now invited you to Thanksgiving at her home, to like you, obviously. And part of you suspects that Peterās reassurances arenāt entirely empty. Itās hard to imagine anyone who raised a boy this kind being anything but loving and generous. Youāve seen pictures of Aunt May in Peterās room; she has eyes remarkably like his, considering theyāre related by marriage, and smile lines etched onto her face the way only genuine warmth can scar. Itās not so much that youāre worried sheāll dislike you for wearing the wrong thing or using the wrong fork, but sheās something to Peter and itās becoming harder to deny that Peterās something to you now, so you canāt help but want to make a good impression.Ā
āNot trying to be a kiss-ass,ā you murmur, circling your arms around Peterās waist, ābut you look really nice.āĀ
Peter smiles. āSee, thatās exactly the kind of thing a kiss-ass would say.āĀ
āI know. It was a risk I had to take, because I needed to tell you.āĀ
You get squished to Peterās chest. You suspect itās so you wonāt see him fluster.Ā
āDonāt tell her the rolls were frozen, okay?ā you plead. āThe story is I made them from scratch.āĀ
āRight. With, like, yeast and wheat?āĀ
āAnd whatever else goes into bread, sure.ā You squeeze him back, but your grip slackens when Peter hisses. āWhat?āĀ
āNothing.ā His voice buoys with false levity. āSorry.āĀ
āPeter, what?ā You retreat enough to see him, hand skimming up his side. āAre you hurt?āĀ
āItās nothing,ā he says again. His hand comes up to cover yours when it lands on his ribs, and you know without asking thatās the sore spot. āI just, I fell yesterday. Iām a little bruised up.āĀ
You look up at him. Your concern feels like a tender thing, like your guts are spilling out into the space between you. It makes you a bit sick. āWhat happened?āĀ
āI was, uh, skateboarding.āĀ
āYou were skateboarding.āĀ
āYeah.ā Peterās shrug looks bashful. āI havenāt done it since high school. Turns out itās not exactly like riding a bike.āĀ
You donāt know if you believe him. You want to. You really want to, you want to think Peter would never lie to you, but you know already that he does. It used to be something you could ignore, but now it makes you too sad to bear thinking on.Ā
āPlease be careful with yourself,ā you ask him.Ā
Peter catches the sobriety in your tone. āIām fine,ā he says, more sincerely now, cupping your face. āI wonāt do it again. Anyway, maybe Iām tougher than I look, did you ever think of that?āĀ
You chuff a laugh. āYouāre not.āĀ
āMean.ā He kisses you. āYouāre a meanie.āĀ
āKiss-ass, meanie. Pick something to call me and stick with it.āĀ
When you arrive at Aunt Mayās, she already knows who you are, but Peter introduces you anyway. This time, he calls you his girlfriend.Ā
ā
On occasion, when you know Peterās gone on one of his late-night errands, you also take the opportunity to do away with the pretense of sleep. Finals are nearly done. Thereās nothing you can do for the library at night, though repairs are nearly completed and the school expects for it to reopen at the start of the spring semester anyway. Thereās really not much for you to do, but your head drives you out of bed with an itchy sense of urgency nonetheless.Ā
This time of year, your apartment is well lit all through the night. The wattage of the city has increased tenfold, lights of white and red and gold twinkling at all hours to entice tourists and holiday shoppers into storefronts. Peter insisted on getting you a cheap tinsel tree, too. It glows warmly in the corner of your living room.Ā
You hear Peterās window slide open somewhere around two-thirty. Itās a bit earlier than he usually comes back, but you hope heās in to stay. You know Peter knows that you wake up to find him gone at least some of the time; but you donāt ask, and so neither does he. Itāsā¦an ache.Ā
You imagine the silence sometimes like a physical thing, a weight balanced on a string that stretches between the two of you, pulled tight. You feel it some times more than others. You hear the slide of Peterās window, and the string tugs at the center of your chest, impeding on your breathing room. A dull, familiar ache.Ā
You know from experience what will happen now. Peter will sleep in his room for the rest of the night. You might hear another few soundsāa shoe being tossed into the closet, the groan of bedsprings. Heāll come out in the morning to find youāmaybe asleep, maybe still awakeāon the couch, and heāll chide you between playful kisses so as not to seem too serious, and youāll pretend not to resent his hypocrisy, though really itās not the hypocrisy you resent.Ā
You donāt expect him to come out of his room.Ā
You almost wouldnāt know it was him if not for the way the figure steps carefully over the squeakiest of your floorboards. Peter is wearing sweatpants and a bulky hoodie, so rumpled you almost wonder if he threw them on just now. He cracks the door to your room, peering inside.Ā
āPeter?āĀ
Peter turns on his heel lightning-fast. āHey,ā he says. He looks flustered, face mostly in shadow but the whites of his eyes are lit in your treeās glow. āHey, hi. Whatāre you doing up?āĀ
āI couldnāt sleep.ā Your voice sounds shockingly normal for the tension crackling through the room. Peter shifts on his feet. āAre you okay?āĀ
He shrugs, giving a quick shake of his head as though unsure why youād ask. āYeah, Iām justāI had a weird feeling, so I wanted to see if you were okay. Nightmare, I guess.āĀ
āOh. Sorry.āĀ
āSo you are?āĀ
āHuh?āĀ
āYouāre okay?ā Peterās acting twitchy, and itās making you nervous. Of the two of you, he definitely seems the least okay.Ā
āYeah, Pete,ā you say gently. āIām fine.ā You open your arms in invitation, and Peter hesitates a moment before stepping forward. Itās a bit of an awkward hug, you half twisted to reach over the back of the couch and him bent over to get to you, but you make the most of it.Ā
āWhatās going on?ā you murmur, raking your fingers through the hair at his nape. Itās sweaty, like heās been running. You donāt really anticipate a genuine answer to your question, but it feels important for Peter to at least know you care enough to ask.Ā
You feel his head shake. āNothing,ā he says. He gives you a squeeze, some other half of an excuse probably already on his tongue, but before he can get it out you both jerk apart.Ā
āOw.ā Your skin burns where Peterās wrist pressed to it.Ā
āShit. Sorry, baby, let me see.āĀ
You turn around, allowing him to pull the collar of your sleep shirt down enough to look at it. āWhat was that?āĀ
āI have, uh. I was just tinkering around with something in my roomāyou know me, tinkeringāand this thing I was messing with sort of exploded. I didnāt realize it was still hot, Iām sorry.ā He blows a bit of cool air on your skin. You turn to try and see for yourself. āHold on, I think we still have some of that burn cream.āĀ
But in turning, you can now see the light on his face. āPeter,ā you breathe.Ā
Peter must hear something in your voice, because he stops mid-pivot. The weight between you heavies. You feel the strain on your lungs.Ā
āWhat happened to your face?āĀ
His expression twinges. You wonder that it doesnāt reopen the cut on his lip, or if that slow seep of blood is all it can muster anymore. Your boyfriendās jaw is marred with an ugly splotch of color, already darkening in the center. The cheery glow of your Christmas tree shows in unforgiving starkness the dried blood crusted around his nostrils and the bruise of his nose.Ā
āThis?ā Peter smiles, and now his lip does reopen. He hardly seems to notice. āI, uhā¦well, itās embarrassing, but I fell out of bed.āĀ
āPeter.ā Your voice thins.Ā
āI know, itās so stupid. Didnāt put my arms out to save myself or anything, just boomāface to floor.āĀ
āPeter,ā you say again. āJust tell me what happened. Please.āĀ
āIām telling you.ā Heās smiling still, like youāre silly, his silly girl, but you can see the strain around his eyes. āBabe, I think youāre more tired than you notice. Letās go to bed, okay? I actually have to go out and get a replacement part for the thing I exploded, butāāĀ
āDonāt.ā Your eyes are burning. You see Peter see them, his smile dissolving at the edges. āPlease just tell me the truth. Whoās doing this to you?āĀ
āSweetheartāāĀ
āNo, IāI got it at first, because weād just moved in and you had no reason to trust me. It wasnāt my business, and I got that. I didnātāI was fine with letting you do whatever you wanted to.ā Tears blaze hot paths down your cheeks, but you refuse to break Peterās stare long enough to wipe them. āIt just seems like it keeps getting worse, though, you know? Or maybe it was always this bad and I just didnāt know, but nowāI donāt know, I donāt really know what this is, but itās different than it was at first. Weāre not strangers anymore, right? You can trust me. Please, I justāā Your voice splinters. āI just want to help.āĀ
Peterās looking at you with something desperate in his expression. You can see the whites of his eyes again, and his chest is moving like heās breathing harder than he needs to. He takes a step back, and the string between you pulls taut. It feels sharper than an ache now.Ā
āI have toāāĀ
āDonāt go,ā you cut him off.Ā
Peterās face pinches. āI have to. I have to, Iām sorry. Please go to bed.āĀ
āWhy?ā Your shoulders jump, something in you crumpling as you realize thereās nothing you can do to make him stay. Your nose runs. āJust stay here.āĀ
He glances toward his bedroom, then back at you. He must have left the window open; you can feel the night chill beginning to permeate your apartment. Peterās fingers twitch at his sides.Ā
āPlease,ā you try again.Ā
Sirens wail outside, and Peter takes another step away from you. āSorry,ā he says. āIām sorry, Iām sorry, I have to go right now. Iāll be back, okay?āĀ
You donāt reply, watching through blurred vision as he goes.Ā
It takes you less than a minute to come to a decision after that. Youāre still leaking from your eyes and nose, so you grab a wad of toilet paper from the bathroom, cramming it into your pocket before throwing on a sweatshirt over your sleep clothes and shoving your feet into shoes.Ā
Peterās not on the fire escape when you stick your head out his window. You have no clue how he climbed down so fast. You push the window closed and go out the front door.Ā
Your neighborhood is less quiet tonight. The sirens that make up the cityās constant white noise are closer than usual, louder, echoing down alleyways to reach your peaceful cluster of buildings. You think half-humorously that they might create an opportunity for Spider-Man to pay a visit; maybe if heās not too busy, you can get him to help track down your runaway boyfriend and scare some sense into him.Ā
You hate to think of what could compel Peter to come back out here tonight, when he was already so beat up and he clearly didnāt want to. You donāt understand what role he could play. Is he making things for someone? Is that why he had that exploding thing on his wrist? Peterās skilled, and smart, but you donāt think heād get mixed up in anything that required him to pass off dangerous technology to anyone who wouldnāt be responsible with it. Unless he had to, at least.Ā
Youāre so furious with him. You tear off a square of toilet paper, blowing your nose. If he gets any more hurt than he already is, youāll tell Aunt May on him, you swear to god.Ā
Itās almost funny, considering how much better lit the streets are, that you donāt notice anyone around until the gun is at your back.Ā
āPurse,ā says a voice at your ear.Ā
āI donāt have one.ā Your voice wobbles, but mostly because of the whiplash. Christ, what a shitty day. āI donāt have anything on me.āĀ
āDonāt fucking lie to me.ā The gun presses harder into your back. āPhone, then.āĀ
āI donāt have one.āĀ
āDonāt lie.āĀ
āI donāt! I left it at home.āĀ
āYou know whatāāĀ
āWhat?ā Comes a voice from behind you both. A familiar voice.Ā
For a millisecond, you could swear itās Peter, your heart clenching, but you turn after the mugger does to find Spider-Man standing a few feet away. As soon as the gun is trained on him, white webbing jams the barrel and itās cast harmlessly to the side.Ā
āI donāt think sheās lying, man.ā Spider-Man moves toward you, firing webs on the way that plaster the muggerās feet to the concrete. āI think you just picked the wrong girl tonight.ā He jerks his head at you, and you get his meaning instinctively, stepping out of the way as he moves close enough to give the mugger a shove. The other man goes careening backwards. As soon as his hands land on the ground, webs ensure thatās where they stay.Ā
Spider-Man takes your elbow in hand, guiding you away. āWhat are you doing here?ā
āIāmā¦ā Somethingās nettling you. You wish for Spider-Man and he appears, is that how it works now? You have the feeling like youāre forgetting something. āThis is where I live.āĀ
He laughs, but it doesnāt sound very amused. āI know, but why are you here? Whatāre youāā He pulls the waist of your pajama pants up from where theyāve started to slip. āSweetheart, itās freezing out. Couldnāt you at least have put on a real coat?āĀ
Sweetheart.Ā
Your voice sticks in your throat.Ā
āYour fingernails are gonna fall off,ā Spider-Man goes on in a familiarly chiding tone (playful, so as not to seem too serious). He walks you out of the alley, ignoring the calls of the man stuck to the pavement. āWhat do I have to say to get you back inside? Iāll come with you, howās that?āĀ
āPeter?āĀ
Spider-Man looks over at you. Eyes of all white, and yet everything said in the tilt of his head. āI was going to tell you when I got back,ā he says, still walking towards your building, ābut of course you had to go out and find trouble. You probably think Iām full of shit now.āĀ
āPeter,ā you say. Not a question this time, but an exhalation. Something released.Ā
āIām not making it up, though, I really was going to tell you. I would have told you before I left, but there wasnāt really time, I could hear the cops having a shootout and I really felt like I had to goāI actually only came home because my web-shooter caught a stray, so I needed a backupā¦āĀ
Youāre reeling, you think. Or swooning. Youāve never figured out the difference. Spider-Manās (Peterās. Spider-Manās?) hand has found its way around your waist, keeping you propped up against him. Silly, to be treated like youāre the delicate one when you know for a fact heās all bruised and bleeding under that mask. There are probably other injuries you donāt know the half of.Ā
When Peter stops, you donāt understand why until you realize youāre standing in back of your own building. Youāve crossed streets without noticing.Ā
āI thought weād take the fast way up,ā he says.Ā
You manage a āhm?ā before heās tightening his grip on you and youāre sling-shotting up six stories. Peter sets you down on the fire escape. You grip the railing when he lets you go, the cold metal digging into your palms as he jimmies open his bedroom window. He has to gently uncurl your fingers to usher you inside.Ā
Itās clear one of you is more practiced at going in and out of windows than the other. You half-crawl onto Peterās bed, stumbling a bit in an attempt to avoid getting your shoes on his pillow, whereas your boyfriend slips gracefully through and is laying down before youāve managed to turn around. He pulls the window shut so that it hardly makes a sound. You wonder if itās habit.Ā
āYou okay?ā Peter asks as he pulls off his mask.Ā
You stare. āMe?āĀ
He looks chastened, but says anyway, āYeah, sweetheart. Youāre shaking a little.āĀ
āIāmā¦ā You reach for him. Your fingertips lay themselves over the bruised bridge of his nose. Peterās eyes are sorry. āIām surprised.āĀ
āYou also just had a gun pointed at you.āĀ
āSo did you. You probably have guns pointed at you all the time.āĀ
He shrugs, as though this is more or less true. āAre you mad?āĀ
āI donāt know what I am,ā you admit. āProbably, a little.āĀ
āIs it okay to ask for a hug?āĀ
āAm I going to hurt you?āĀ
āNo,ā he promises, reaching forward to bring you to him. His lips mush to your cheek. āIt looks worse than it is. Perk of the spider mutant thing, I heal fast.āĀ
Youāre still careful with him. You hug him with your arms around his shoulders, feeling the strange texture of the webbing spread over his suit. Thereās a strangeness to your senses; it feels like a tuning fork has been struck, everything reverberating and trembling its way into alignment. Your heart trembles with it.
āThis isnāt what I was expecting,ā you hear yourself say.Ā
āItās not? I sort of thought you had it all figured out.āĀ
You shake your head.Ā
āWell, youāre taking it a lot better than I expected. If that helps at all. I kind of thought you might freak out.āĀ
āI donāt know how much freak out I have left.ā You intend to stop there, but the next admission comes tumbling from your mouth unbidden. āIāve been worrying for a long time.āĀ
āOh, yeah?ā Peter sounds genuinely apologetic, and so doting it makes your chest tight. He rubs your back like he can feel it happening. āIām sorry. Really. I didnāt want to drag you into this, but then it seemed like you were gonna find out no matter what, andā¦honestly, I just thought Iād get matched with a roommate who didnāt give a shit.āĀ
āBad luck.āĀ
āYeah, maybe. Not really.ā He pulls back enough to kiss you, bumping his nose against yours affectionately. āHey, maybe itās too soon, but there might be a pro to the whole dating Spider-Man thing.āĀ
You look at him. A face you know as well as anything, and from the neck down a suit youāve seen mostly in news clips. Heās your boyfriend; heās Spider-Man. Heās your boyfriend whoās Spider-Man.Ā
āYeah?ā you ask.
āIf you really like those pictures in my room, I can bring you to the places where I took them from. Itās not, ah, something most of the public can access. Special privilege only.āĀ
āOh.ā You nod slowly. āYeah, thatās cool.āĀ
āToo soon?āĀ
āMaybe. Iām still coming to terms with the fact that you work for the cops.āĀ
āUh, okay, I donāt work for the cops, I work with them. Iām not some narc.āĀ
The incredulity in his tone is so distinctly Peter that you come back into yourself. All of the trembling pieces settle into alignment.Ā
āRight, itās just. I donāt know.ā Your lips give a small tug. You see a familiar amused curiosity ignite in familiar warm brown eyes, and you press a quick kiss to his lips before delivering the news. āIāve been picturing you more or less at odds with the law. I was pretty sure you were a drug dealer.āĀ
āWell, there was sort of aāwait, what?āĀ
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Things between you and Peter change with the seasons. [17k]Ā
c: friends-to-lovers, hurt/comfort, loneliness, peter parker isnāt good at hiding his alter ego, fluff, first kisses, mutual pining, loved-up epilogue, mention of self-harm with no graphic imagery
ļ½”š¦¹Ā°ā§ā.į
FallĀ
Peter Parker is a resting place for overworked eyes, like warm topaz nestled against a blue-cold city. He waits on you with his eyes to the screen of his phone, clicking the power button repetitively. A nervous tic.Ā
You close the heavy door of your apartment building. His head stays still, yet heās heard the sound of it settling, evidence in his calmed hand.Ā
āGood morning!ā You pull your coat on quickly. āSorry.āĀ
āGood morning,ā he says, offering a sleep-logged smile. āShould we go?āĀ
You follow Peter out of the cul-de-sac and into the street as he drops his phone into a deep pocket. To his credit, he doesnāt check it while you walk, and only glances at it when youāre taking your coat off in the heat of your favourite cafe: The Moroccan Mode glows around you, fog kissing the windows, condensation running down the inner lengths of it in beads. You murmur something to do with the odd fog and Peter tells you about water vapour. When it rains tonight, he says itāll be warm water that falls.Ā
He spreads his textbook, notebook, and rinky-dink laptop out across the table while you order drinks. Peter has the same thing every visit, a decaf americano, in a wide brim mug with the pink-petal saucer. You put it down on his textbook only because thatās where he would put it himself, and you both get to work.Ā
As Peter helps you study, you note the simplicity of another normal day, and canāt help wondering what it is thatās missing. Something is, something Peter wonāt tell you, the absence of a truth hanging over your heads. You ask him if he wants to get dinner and he says no, heās busy. You ask him to see a movie on Friday night and he wishes he could.Ā
Peter misses you. When he tells you, you believe him. āI wish I had more time,ā he says.Ā
āItās fine,ā you say, āyou canāt help it.ā
āWeāll do something next weekend,ā he says. The lie slips out easily.Ā
To Peter it isnāt a lie. In his head, heāll find the time for you again, and youāll be friends like you used to be.Ā
You press the end of your pencil into your cheek, the dark roast, white paper and condensation like grey noise. This time last year, the air had been thick for days with fog you could cut. He took you on a trip to Manhattan, less than an hour from your red-brick neighbourhood, and you spent the day in a hotel pool throwing great cupfuls of water at each other. The fog was gone just fifteen miles away from home but the warm air stayed. When it rained it was sudden, strange, spit-warm splashes of it hammering the tops of your heads, your cheeks as you tipped your faces back to spy the dark clouds.Ā
Peter had swam the short distance to you and held your shoulders. You remember feeling like your whole life was there, somewhere youād never been before, the sharp edges of cracked pool tile just under your feet.Ā
You peek over the top of your laptop screen and wonder if Peter ever thinks of that trip.Ā
He feels you watching and meets your eyes. āI have to tell you something,ā he says, smiling shyly.Ā
āSure.āĀ
āI signed us up for that club.āĀ
āEpigenetics?āĀ
āMolecular medicine,ā he says.Ā
The nice thing about fog is that it gives a feeling of lateness. Itās still morning, barely ten, but it feels like the early evening. Itās gentle on the eyes, colouring the whole room with a sconced shine. You reach for Peterās bag and sort through his jumble of possessions āstick deodorant, loose-leaf paper, a bodegaās worth of protein barsā and grab his camera.Ā
āWhat are you doing?āĀ
āIām cataloguing the moment you ruined our lives,ā you say, aiming the camera at his chin, squinting through the viewfinder.Ā
āTechnically, I signed us up a few days ago,ā he says.Ā
You snap his photo as his mouth closes around āagoā, keeping his half-laugh stuck on his lips. āSemantics,ā you murmur. āAnd molecular medicine club, this has nothing to do with the estranged Gwen Stacy?ā
āIt has nothing to do with her. And you like molecular medicine.ā
āI like oncology,ā you correct, which is a sub-genre at best, āand I have enough work without joining another club. Go by yourself.āĀ
āI canāt go without you,ā he says. Simple as that.Ā
He knew youād say yes when he signed you up. Itās why he didnāt ask. Youāre already forgiven him for the slight of assumption.Ā
āWhen is it?ā you ask, smiling.Ā
ā
Molecular medicine club is fun. You and a handful of ESU nerds gather around a big table in a private study room for a few hours and read about the newer discoveries and top research, like regenerative science and now taboo Oscorp research. Itās boring, sometimes, but then Peter will lean into your side and make a joke to keep you going.Ā
He looks at Gwen Stacy a lot. Slender, pale and freckled, with blonde hair framing a sweet face. Only when he thinks youāre not looking. Only when she isnāt either.Ā
ā
āGood morning,ā you say.Ā
Peter holds an umbrella over his head that heās quick to share with you, and together you walk with heads craned down, the umbrella angled forward to fight the wind. Your outermost shoulder is wet when you reach the cafĆ©, your other warm from being pressed against him. You shake the umbrella off outside the door and step onto a cushy, amber doormat to dry your sneakers. Peter stalks ahead and order the drinks, eager to get warm, so you look for a table. Your usual is full of businessmen drinking flat whites with briefcases at their legs. They laugh. You try to picture Peter in a suit: youāre still laughing when he finds you in the booth at the back.Ā
āTell the joke,ā he says, slamming his coffee down. Heās careful with yours. Heās given you the pink petal saucer from the side next to the straws and wooden stirrers.Ā
āI was thinking about you as a businessman.āĀ
āAnd thatās funny?āĀ
āWhen was the last time you wore a suit?āĀ
Peter shakes his head. Claims he doesnāt know. Later, youāll remember his Uncle Benās funeral and feel queasy with guilt, but you donāt remember yet. āWhen was the last time you wore one?ā he asks. āI donāt laugh at you.āĀ
āYouāre always laughing at me, Parker.āĀ
The cafe isnāt as warm today. Itās wet, grimy water footsteps tracking across the terracotta tile, streaks of grey water especially heavy near the counter, around it to the bathroom. Thereās no fog but a sad rattle of rain, not enough to make noise against the windows, but enough to watch as it falls in lazy rivulets down the lengths of them.
Your face is chapped with the cold, cheeks quickly come to heat as your fingers curl around your mug. They tingle with newfound warmth. When you raise your mug to your lips, your hand hardly shakes.
āYou okay?ā Peter asks.Ā
āFine. Are you gonna help me with the math today?āĀ
āDonāt think so. Did you ask nicely?āĀ
āI did.ā Youād called him last night. You wouldāve just as happily submitted your homework poorly solved with the grade to prove it āyou donāt want Peterās help, you just wanted to see him.Ā
Looking at him now, you remember why his distance had felt a little easier. The rain tangles in his hair, damp strands curling across his forehead, his eyes dark and outfitted by darker eyelashes. Peter has the looks of someone youāve seen before, a classical set to his nose and eyes reminiscent of that fallen angel weeping behind his arm, his russet hair in fiery disarray. There was an anger to Peter after Ben died that you didnāt recognise, until it was Peter, changed forever and for the worse and it didnāt matter āhe was grieving, he was terrified, who were you to tell him to be nice againā until it started to get better. You see less of your fallen, angry angel, no harsh brush strokes, no tears.Ā
His eyes are still dark. Bruised often underneath, like heās up late. If he is, it isnāt to talk to you.Ā
You spend an afternoon working through your equations, pretending to understand until Peter explains them to death. His earphones fall out of his pocket and he says, āHere, Iāll show you a song.āĀ
He walks you home. The song is dreary and sad. The man who sings is good. Lover, You Shouldāve Come Over. It feels like Peterās trying to tell you something āhe isnāt, but it feels like wishing he would.Ā
āYou okay?ā you ask before you can get to your street. A minute away, less.Ā
āIām fine, why?āĀ
You let the uncomfortable shape of his earbud fall out of your ear, the climax of the song a rattle on his chest. āYou look tired, thatās all. Are you sleeping?āĀ
āI have too much to do.āĀ
You just donāt get it. āMake sure youāre eating properly. Okay?āĀ
His smile squeezes your heart. Soft, the closest youāll ever get. āYou know May,ā he says, wrapping his arm around your shoulders to give you a short hug, āshe wouldnāt let me go hungry. Donāt worry about me.āĀ
ā
The dip into depression you take is predictable. You canāt help it. Peter being gone makes it worse.Ā
You listen to love songs and take long walks through the city, even when itās dark and you know itās a bad idea. If anything bad happens Spider-Man could probably save me, you think. New Yorkās not-so-new vigilante keeps a close eye on things, especially the women. You canāt count how many times youāve heard the same story. A man followed me home, saw me across the street, tried to get into my apartment, but Spider-Man saved me.Ā
Youāre not naive, you realise the danger of walking around without protection assuming some stranger in a mask will save you, but you need to get out of the house. It goes on for weeks.Ā
You walk under streetlights and past stores with CCTV, but honestly you donāt really care. Youāre not thinking. You feel sick and heavy and itās fine, really, itās okay, everything works out eventually. Itās not like itās all because you miss Peter, itās just a feeling. Itāll go away.Ā
āYouāre in deep thought,ā a voice says, garnering a huge flinch from the depths of your stomach.
You turn around, turn back, and flinch again at the sight of a man a few paces ahead. Red shoulders and legs, black shining in a webbed lattice across his chest. āOh,ā you say, your heartbeat an uncomfortable plodding under your hand, āsorry.āĀ
āWhy are you sorry? I scared you.ā
āI didnāt realise you were there.āĀ
Spider-Man doesnāt come any closer. You take a few steps in his direction. Youāve never met before but youād like to see him up close, and you arenāt scared. Not beyond the shock of his arrival.Ā
āCan I walk you to where youāre going?ā Spider-Man asks you. Heās humming energy, fidgeting and shifting from foot to foot.Ā
āHow do I know youāre the real Spider-Man?āĀ
After all, there are high definition videos of his suit on the news sometimes. You wouldnāt want to find out someone was capable of making a replica in the worst way possible.Ā
You canāt be sure, but you think he might be smiling behind the mask, his arms moving back as though impressed at your questioning. āWhat do you need me to do to prove it?ā he asks.Ā
He speaks hushed. Rough and deep. āI donāt know. Whatās Spider-Man exclusive?āĀ
āI can show you the webs?āĀ
You pull your handbag further up your arm. āOkay, sure. Shoot something.āĀ
Spider-Man aims his hand at the streetlight across the way and shoots it. He makes a severing motion with his wrist to stop from getting pulled along by it, letting the web fall like an alien tendril from the bulb. The light it produces dims slightly. A chill rides your spine.Ā
āCan I walk you now?ā he asks.Ā
āYou donāt have more important things to do?ā If the bitterness youāre feeling creeps into your tone unbidden, he doesnāt react.Ā
āNothing more important than you.āĀ
You laugh despite yourself. āIām going to Trader Joeās.āĀ
āYellowstone Boulevard?āĀ
āThatās the oneā¦āĀ
You fall into step beside him, and, awkwardly, begin to walk again. Itās a short walk. Trader Joeās will still be open for hours despite the dark sky, and youāre in no hurry. āMy friend, he likes the rolled tortilla chips they do, the chilli ones.āĀ
āAnd youāre going just for him?ā Spider-Man asks.Ā
āNot really. I mean, yeah, but I was already going on a walk.āĀ
āDo you always walk around by yourself? Itās late. Itās dangerous, you know, a beautiful girl like you,ā he says, descending into an odd mixture of seriousness and teasing. His voice jumps and swoons to match.Ā
āI like walking,ā you say.Ā
Spider-Man walking is a weird thing to see. On the news, heās running, swinging, or flying through the air untethered. Youāre having trouble acquainting the media image of him with the quiet man youāre walking beside now.
āIs everything okay?ā he asks. āYou seem sad.āĀ
āDo I?āĀ
āYeah, you do.āĀ
āMaybe I am sad,ā you confess, looking forward, the bright sign of Trader Joeās already in view. It really is a short walk. āDo you everāā You swallow against a surprising tightness in your throat and try again, āDo you ever feel like youāre alone?āĀ
āIām not alone,ā he says carefully.
āMe neither, but sometimes I feel like I am.āĀ
He laughs quietly. You bristle thinking youāre being made fun of, but the laugh tapers into a sad one. āSometimes I feel like Iām the only person in the world,ā he says. āEven here. I forget that itās not something I invented.āĀ
āWell, I guess being a hero would feel really lonely. Who else do we have like you?ā You smile sympathetically. āIt must be hard.āĀ
āYeah.ā His head tips to the side, and a crash of glass rings in the distance, crunching, and then thereās a squeal. It sounds like a car accident. Spider-Man goes tense. āIāll come back,ā he says.Ā
āThatās okay, Spider-Man, I can get home by myself. Thank you for the protection detail.āĀ
He sprints away. In half a second heās up onto a short roof, then between buildings. It looks natural. It takes your breath away.Ā
You buy Peterās chips at Trader Joeās and wait for a few minutes at the door, but Spider-Man doesnāt come back.Ā
ā
I donāt want to study today, Peterās text says the next day. Come over and watch movies?Ā
The last handholds of your fugue are washed away in the shower. You dab moisturiser onto your face and neck and stand by the open window to help it dry faster, taking in the light drizzle of rain, the smell of it filling your room and your lungs in cold gales. You dress in sweatpants and a hoodie, throw on your coat, and stuff the rolled tortilla chips into a backpack to ferry across the neighbourhood.Ā
Peter still lives at home with his Aunt May. Youād been in awe of it when you were younger, Peter and his Aunt and Uncle, their home-cooked family dinners, nights spent on the roof trying to find constellations through light pollution, stretched out together while it was warm enough to soak in your small rebellion. Ben would call you both down eventually. When youāre older! heād always promise.Ā
Peterās waiting in the open door for you. He ushers you inside excitedly, stripping you out of your coat and forgetting your wet shoes as he drags you to the kitchen. āLook what I got,ā he says.Ā
The Parker kitchen is a big, bright space with a chopping block island. The counters are crowded by pots, pans, spices, jams, coffee grounds, the impossible drying rack. Thereās a cross-stitch about the home on the microwave Ben did to prove to May he could still see the holes in the aida.Ā
You follow Peter to the stove where he points at a ceramic Dutch oven youāve eaten from a hundred times. āThere,ā he says.Ā
āDid you cook?ā you ask.Ā
āOf course I didnāt cook, even if the way you said that is offensive. I could cook. Iām an excellent chef.āĀ
āThe only thing Mayās ever taught you is spaghetti and meatballs.āĀ
āHope you like marinara,ā he says, nudging you toward the stove.Ā
You take the lid off of the Dutch oven to unveil a huge cake. Dripping with frosting, only slightly squashed by the lid, obviously homemade. Heās dotted the top with swirls of frosting and deep red strawberries.Ā
āItās for you,ā he says casually.Ā
āItās not my birthday.āĀ
āI know. You like cake though, donāt you?āĀ
Youād tell Peter you liked chunks of glass if that was what he unveiled. āWhyād you make me a cake?āĀ
āI felt like you deserved a cake. You donāt want it?āĀ
āNo, I want it! I want the cake, letās have cake, we can go to 91st and get some ice cream, itāll be amazing.ā You donāt bother trying to hide your beaming smile now, twisting on the spot to see him properly, your hands falling behind your back. āThank you, Peter. Itās awesome. I had no idea you could evenā that youād evenāā You press forward, smushing your face against his chest. āWow.āĀ
āWow,ā he says, wrapping his arms around you. He angles his head to nose at your temple. āYouāre welcome. I wouldāve made you a cake years ago if I knew it was gonna make you this happy.āĀ
āIt mustāve taken hours.āĀ
āMay helped.āĀ
āThat makes much more sense.āĀ
āDonāt be insolent.ā Peter squeezes you tightly. He doesnāt let go for a really long time.Ā
He extracts the cake from the depths of the Dutch oven and cuts you both a slice. He already has ice cream, a Neapolitan box that he cuts into with a serrated knife so you can each have a slice of all three flavours. Itās good ice cream, fresh for what it is and melting in big drops of cream as he gets the couch ready.
āSit down,ā he says, shoving the plates with his strangely great balance onto the coffee table. āRemoteās by you. Iām gonna get drinks.āĀ
You take your plate, carving into the cake with the end of a warped spoon, its handle stamped PETE and burnished in your grasp. The crumb is soft but dense in the best way. The ganache between layers is loose, cake wet with it, and the frosting is perfect, just messy. You take another satisfied bite. Youāre halfway through your slice before Peter makes it back.Ā
āI brought you something too, but itās garbage compared to this,ā you say through a mouthful, hand barely covering your mouth.Ā
Peter laughs at you. āYeah, well, say it, donāt spray it.āĀ
āI guess Iāll keep it.āĀ
āKeep it, bub, I donāt need anything from you.āĀ
He doesnāt say it the way youāre expecting. āNo,ā you say, pleased when he sits knee to knee, āyou can have it. Sājust a bag of chips from Traderāā
āThe rolled tortilla chips?ā he asks. You nod, and his eyes light up. āYou really are the best friend ever.āĀ
āBetter than Harry?āĀ
āHarryās rich,ā Peter says, āso no. Iām kidding! Joking, come here, let me try some of that.āĀ
āEat your own.āĀ
Peter plays a great host, letting you choose the movies, making lunch, ordering takeout in the evening and refusing to let you pay for it. This isnāt that out of character for Peter, but what shocks you is his complete unfiltered attention. He doesnāt check his phone, the tension you couldnāt name from these last few weeks nowhere to be felt. Youāre flummoxed by the sudden change, but you missed him. You wonāt look a gift horse in the mouth; you wonāt question what it is that had Peter keeping you at armās length now itās gone.
To your annoyance, you canāt stop thinking about Spider-Man. You keep opening your mouth to tell Peter you talked to him but biting your tongue. Why am I keeping it a secret? you wonder.Ā
āHave something to tell you.āĀ
āYou do?ā you ask, reluctant to sit properly, your feet tucked under his thigh and your body completely lax with the weight of the Parker throw.Ā
āIs that surprising?āĀ
āIs that a trick question?āĀ
āNo. Just. Iāve been not telling you something.āĀ
āOkay, so tell me.āĀ
Peter goes pink, and stiff, a fake smile plastered over his lips. āMe and Gwen, weāre really done.āĀ
āI know, Pete. She broke up with you for reasons nobody felt I should be enlightened right after graduation.ā Your stomach pangs painfully. āUnless youā¦ā
āSheās going to England.āĀ
āShe is?āĀ
āOxford.āĀ
You struggle to sit up. āThat sucks, Peter. Iām sorry.āĀ
āBut?āĀ
You find your words carefully. āYou and Gwen really liked each other, but I think thatāā You grow in confidence, meeting his eyes firmly. āThat thereās always been some part of you that couldnāt actually commit to her. So. I donāt know, maybe some distance will give you clarity. And maybe itāll break your heart, but at least then youāll know how you really feel, and you can move forward.ā You avoid telling him to move on.Ā
āIt wasnāt Gwen,ā he says, which has a completely different meaning to the both of you.Ā
āObviously, sheās the smartest girl Iāve ever met. Sheās beautiful. Of course itās not her fault,ā you say, teasing.
āReally, that you ever met?ā Peter asks.Ā
āSheās the best girl you were ever gonna land.āĀ
He rolls his eyes. āYeah, I guess so.ā After a few more minutes of quiet, he says, āI think we were done before. I just hadnāt figured it out yet. Something wasnāt right.āĀ
āYou were so back and forth. Youāre not mean, there mustāve been something stopping you from going steady,ā you agree. āYou were breaking up every other week.ā
āI know,ā he whispers, tipping his head against the back couch.Ā
āWhich, itās fine, you donātāā You grimace. āI canāt talk today. Sorry. I just mean that itās alright that you never made it work.ā You worry that sounds plainly obvious and amend, āDoesnāt make you a bad person. Youāre never a bad person, Peter.āĀ
āI know. Thank you.āĀ
āYouāre welcome. You donāt need me to tell you.āĀ
āItās nice, though. I like when you tell me stuff. I want all of your secrets.āĀ
You should say Good, because I have something unbelievable to tell you, and I shouldāve said it the moment I got home.Ā
Good, because last night I met the bravest man in New York City, and he walked me to the store for your chips.Ā
Good, because I have so much Iām keeping to myself.
You ruffle his hair. Spider-Man goes unmentioned.Ā
āĀ
He visits with a whoop. You donāt flinch when he lands āyouād heard the strange whip and splat of his webs landing nearby.Ā
āSpider-Man,ā you say.Ā
āWhatās that about?āĀ
āWhat?āĀ
āThe way you said that. You laughed.ā Spider-Man stands in spandexed glory before you, mask in place. Heās got a brown stain up the side of his thigh that looks more like mud than blood, but itās not as though each of his fights are bloodless. Theyāre infamously gory on occasion.
āDid you get hurt?ā you ask. Youāre worried. You could help him, if he needs it.Ā
āAw, this? Thatās a scratch. Thatās nothing, donāt worry about it. Iāve had worse from that stray cat living outside of 91st.āĀ
You look at him sharply. 91st is shorthand for 91st Bodega, and itās not like you and Peter made it up, but suddenly, the man in front of you is Peter. The way he says it, that unique rhythm.Ā
Peterās not so rough-voiced, you argue with yourself. Your Peter speaks in a higher register, dulcet often, only occasionally sarcastic. Spider-Man is rough, and cawing, and loud. Spider-Man acts as though the ground is a suggestion. Peter canāt jump off the second diving board at the pool. Spider-Man rolls his shoulders back in front of you with a confidence Peter rarely has.Ā
āWhat?ā he asks.Ā
āSorry. You just reminded me of someone.āĀ
His voice falls deeper still. āSomeone handsome, I hope.āĀ
You take a small step around him, hoping it invites him to walk along while communicating how sorely you want to leave the subject behind. When he doesnāt follow, you add, āYes, heās handsome.āĀ
āI knew it.ā
āWhat do you look like under the mask?ā
Spider-Man laughs boisterously. āI canāt just tell you that.āĀ
āNo? Do I have to earn it?āĀ
āItās not like that. I just donāt tell anyone, ever.āĀ
āNobody in the whole world?ā you ask.Ā
The rain is spitting. New York lately is cold cold cold, little in the way of sunshine and no end in sight. Perhaps thatās all Novemberās are destined to be. You and Spider-Man stick to the inside of the sidewalk. Occasionally, a passerby stares at him, or calls out in Hello, and Spider-Man waves but doesnāt part from you.Ā
āTell me something about you and Iāll tell you something about me,ā Spider-Man says. āIāll tell you who knows my identity.āĀ
āWhat do you want to know about me?ā you ask, surprised.Ā
āA secret. Thatās fair.āĀ
āHold on, howās that fair?ā You tighten your scarf against a bitter breeze. āWhat use do I have for the people who know who you are? That doesnāt bring me any closer to the truth.āĀ
āItās not about who knows, itās about why I told them.ā Spider-Man slips around you, forcing you to walk on the inside of the sidewalk as a car pulls past you all too quickly and sends a sheet of dirty rainwater up Spider-Manās side. He shakes himself off. āJerk!ā he shouts after the car.Ā
āMy secrets arenāt worth anything.ā
āI doubt that, but if thatās true, that makes it a fair trade, doesnāt it?āĀ
He sounds peppy considering the pool of runoff collecting at his feet. You pick up your pace again and say, āAlright, useless secret for a useless secret.āĀ
You think about all your secrets. Some are odd, some gross. Some might make the people around you think less of you, while others would surely paint you in a nice light. A topaz sort of technicolor. But they arenāt useless, then, so you move on.Ā
āOh, I know. I hate my major.ā You grin at Spider-Man. āThatās a good one, right? No one else knows about that.āĀ
āYou do?ā Spider-Man asks. His voice is familiar, then, for its sympathy.Ā
āI like science, I just hate math. Itās harder than I thought it would be, and I need so much help it makes me hate the whole thing.āĀ
Spider-Man doesnāt drag the knife. āOkay. Only three people know who I am under the mask. It was four, briefly.ā He clears his throat. āI told one person because I was being selfish and the others out of necessity. Iām trying really hard not to tell anybody else.ā
āHow come?āĀ
āIt just hurts people.āĀ
You linger in a gap of silence, not sure what to say. A handful of cars pass you on the road.Ā
āTell me another one,ā he says.Ā
āWhat for?āĀ
āI donāt know, just tell me one.āĀ
āHow do I know you arenāt extorting me for something?ā You grin as you say it, a hint of flirtation. āYouāll know my face and my secrets and even if you tell me a really gory juicy one, I have no one to tell and no name to pair it with.āĀ
āIām not showing you anything,ā he warns, teasing, sounding so awfully like Peter that your heart trips again, an uneven capering that has you faltering in the street.Ā
Peterās shorter, you decide, sizing him up. His voice sounds similar and familiar but Peter doesnāt ask for secrets. He doesnāt have to. (Or, he didnāt have to, once upon a time.)Ā
āWhere are you going?ā Spider-Man asks.Ā
āOh, nowhere.āĀ
āSeriously, youāre out here walking again for no reason?āĀ
āI like to walk. Itās not like itās dark out yet.ā Youāre not far at all from Queensboro Hill here. Walking in any direction would lead you to a garden āFlushing Meadows, Kew Gardens, Kissena Park. āWalk me to Kissena?ā you ask.Ā
āSure, for that secret.āĀ
You laugh as Spider-Man takes the lead, keeping time with him, a natural match of pace. Itās exciting that Spider-Man of all people wants to know one of your useless secrets enough to ask you twice. The attention of it makes searching for one a matter of how fast you can find one rather than a question of why youād want to. It slips out before you can think better of it.Ā
āI burned my wrist a few days ago on a frying pan,ā you confess, the phantom pain of the injury an itch. āIt blistered and I cried when I did it, but I havenāt told anyone about it.āĀ
āWhy not?ā he asks.Ā
He shouldnāt use that tone with you, like heās so so sorry. It makes you want to really tell him everything. How insecure you feel, how telling things feels like asking for someone to care, and half the time they donāt, and half the time youāre embarrassed.Ā
You walk past the bakery that demarcates the beginning of Kissena Park grounds across the way. āI didnāt think about it at first. Iām used to keeping things to myself. And then I didnāt tell anyone for so long that mentioning it now wouldnāt make sense. Like, bringing it up when itās a scar wonāt do much.ā Itās a weak lie. It comes out like a spigot to a drying up tree. Glugs, fat beads of sound and the pull to find another thing to say.
āIt was only a few days ago, right? It must still hurt. People want to know that stuff.āĀ
āMaybe Iāll tell someone tomorrow,ā you say, though you wonāt.Ā
āThanks for telling me.ā
The humour in spilling a secret like that to a superhero stops you from feeling sorry for yourself. You hide your cold fingers in your coat, rubbing the stiff skin of your knuckles into the lining for friction-heat. The rain has let up, wind whipping empty but brisk against your cheeks. Your lips will be chapped when you get home, whenever that turns out to be.Ā
āThis is pretty far from Trader Joeās,ā he comments, like heās read your mind.Ā
āJust an hour.āĀ
āAre you kidding? Itās an hour for me.āĀ
āThatās not true, Spider-Man, Iāve seen those webs in action. I still remember watching you on the News that night, the cranes. I remember,ā āyou try to meet his eyes despite the maskā āmy heart in my throat. Werenāt you scared?ā
āIs that the secret you want?ā he asks.Ā
āI get to choose?āĀ
Spider-Man throws his gaze around, his hand behind his head like he might play with his hair. You come to a natural stop across the street from Kissena Parkās playground. Teenagers crowd the soft-landing floor, smaller children playing on the wet rungs of the climbing frame.Ā
āIf you want to,ā he says.Ā
āThen yeah, I want to know if you were scared.āĀ
āI didnāt haveI time to be scared. Connors was already there, you know?ā He shifts from one foot to the other. āI donāt think Iāve ever thought about it before. I wasnāt scared of the height, if thatās what you mean. I already had practice by then, and I knew I had to do it. Like, I didnāt have a choice, so I just did it. I had to save the day, so I did.āĀ
āWhen they lined up the cranesāā
āIt felt like flying,ā Spider-Man interrupts.Ā
āLike flying.ā
You picture the weightlessness, the adrenaline, the catch of your weight so high up and the pressure of being flung between the next point. The idea that you have to just do something, so you do.Ā
āThatās a good secret.ā You offer a grateful smile. āIt doesnāt feel equal. I burned myself and you saved the city.āĀ
āSo tell me another one,ā he says.Ā
ā
Maybe you started to fall for Peter after his Uncle Ben passed away. Not the days where youād text him and heād ignore you, or the days spent camping outside of his house waiting for him to get home. It wasnāt that you couldnāt like him, angry as he was; thereās always been something about his eyes when heās upset that sticks around. You loathe to see him sad but he really is pretty, and when his eyelashes are wet and his mouth is turned down, formidable, itās an ache. A Cabanel painting, dramatic and dark and other.Ā
It was after. When he started sending Gwen weird smiles and showing up to the movies exhilarated, out of breath, unwilling to tell you where heād been. Skating, heād always say. Most of the time he didnāt have his skateboard.Ā
Youād only seen them kiss once, his hand on her shoulder curling her in, a pang of heat. You were curdled by jealousy but it was more than that. Peter was tipping her head back, was kissing her soundly, a fierceness from him that made you sick to think about. You spent weeks afterwards up at night, tossing, turning, wishing heād kiss you like that, just once, so you could feel how it felt to be completely wrapped up in another person.Ā
Youād always held out for Peter, in a way. It was more important to you that he be your friend. You were young, and love had been a far off thing, and then one day you suddenly wanted it. You learned just how aching an unrequited love could be, like a bruise, where every time you saw Peter āwhether it be alone or with Gwen, with anyoneā it was like he knew exactly where to poke the bruise. Press the heel of his hand and push. The worst is when he found himself affectionate with you, a quick clasp of your cheek in his palm as he said goodbye. Nights spent in his twin bed, of course youāll fit, of course you couldnāt go home, not this late, May wonāt care if we keep the door open āthe suggestion that the door being closed mightāve meant something. His sleeping arm furled around you.Ā
Now youāre nearing the end of your second semester at ESU, Gwen is going to England at the end of the year, and Peter hasnāt tried to stop her, but heās still busy.Ā
āWhatever,ā you say, taking a deep breath. Youāre not mad at Peter, you just miss him. Thinking about him all the time wonāt change a thing. āItās fine.āĀ
āIād hope so.āĀ
You swing around. āDonāt do that!ā
Spider-Man looks vaguely chastened, taking a step back. āI called out.āĀ
āYou did?āĀ
āI did. Hey, miss, over there! The one who doesnāt know how to get a goddamn taxi!āĀ
āI like to walk,ā you say.Ā
āYeah, so youāve said. Have you considered that all this walking is bad for you? Itās freezing out, Miss Bennett!āĀ
āItās not that bad.ā You have your coat, a scarf, your thermal leggings underneath your jeans. āIām fine.āĀ
āWhatās wrong with staying at home?āĀ
āThatās not good for you. And youāre one to talk, Spider-Man, arenāt you out on the streets every night? You should take a day off.āĀ
āI donāt do this every night.āĀ
āDonāt you get tired?ā
Spider-Manās eyelets seem to squint, his mock-anger effusive as he crosses his arms across his chest. āNo, of course not. Do I look like I get tired?āĀ
āI donāt know. Youāre in a full suit, I canāt tell. I guess you donāt⦠seem tired. You know, with all the backflips.āĀ
āWant me to do one?āĀ
āOn command?ā You laugh. āNo, thatās okay. Save your strength, Spider-Man.āĀ
āSo where are you heading today?ā he asks.Ā
Thereās a slip of skin peeking out against his neck. Youāre surprised he canāt feel the cold there, stepping toward him to point. āI can see your stubble.āĀ
He yanks his mask down. āHasty getaway.āĀ
āA getaway, undressed? Spider-Man, thatās not very gentlemanly.āĀ
You start to walk toward the Cinemart. Spider-Man, to your strange pleasure, follows. He walks with considerable casualness down the sidewalk by your left, occasionally letting his head turn to chase a distant sound where it echoes from between high-rises and along the busy street. Itās cold and dark, but New York is hectic no matter what, even the residential areas. (Is there such a thing? The neighbourhoods burst with small businesses and backstreet sales, no matter the time.)
āLuckily for you, crime is slow tonight,ā he says.Ā
āLucky me?ā You wonder if your acquainted vigilante flirts with every girl he stalks. āYou realise Iāve managed to get everywhere Iām going for the last two decades without help?āĀ
āI assume there was more than a little help during that first decade.āĀ
āThatās what you think. I was a super independent toddler.āĀ
Spider-Man tips his head back and laughs, but that laugh is quickly squashed with a cough. āSure you were.āĀ
āIs there a reason youāre escorting me, Spider-Man?ā you ask.Ā
āNo. Iā I recognised you, I thought Iād say hi.āĀ
āHi, Spider-Man.āĀ
āHi.āĀ
āCan I ask you something? Do you work?āĀ
Spider-Man stammers again, āIā yeah. I work. Freelance, mostly.āĀ
āI was wondering how you fit all the crime fighting into your life, is all. University is tough enough.ā You let the wind bat your scarf off of your shoulder. āI couldnāt do what you do.āĀ
āYeah, you could.āĀ
He sounds sure.Ā
āHow would you know?ā you ask. āMaybe Iām awful when youāre not walking me around. I hate New York. I hate people.āĀ
āNo, you donāt. Youāre not awful. Donāt ask me how I know, ācos I just know.āĀ
You try not to look at him. If you look at him, youāre gonna smile at him like he hung the moon. āWell, tonight Iām going to be dreadfully selfish. My friend said heād buy my movie ticket and take me out for dinner, a real dinner, the mac and cheese with imitation lobster at Bennyās. Have you tried that?āĀ
Spider-Man takes a big step. āTonight?ā he asks.Ā
āYep, tonight. Thatās where Iām going, the Cinemart.ā You frown at his hand pressing into his stomach. āAre you okay? You look like youāre gonna throw up.āĀ
āI can hearā something. Someoneās crying. I gotta go, okay? Have fun at the movies, okay?ā He throws his arm up, a silken web shooting from his wrist to the third floor of an apartment complex. āBye!ā he shouts, taking a running jump to the apartment, using his web as an anchor. He flings himself over the roof.Ā
Woah, you think, warmth filling your cold cheeks, the tip of your nose. Heās lithe.Ā Ā
Peter arrives ten minutes late for the movie, which is half an hour later than youād agreed to meet.Ā
āSorry!ā he shouts, breathless as he grabs your hands. āGod, Iām sorry! Iām so sorry. You should beat me up. Iām sorry.āĀ
āWhat the fuck happened?ā you ask, not particularly angry, only relieved to see him with enough time to still catch the movie. āYouāre sweating like crazy, your hairās wet.āĀ
āI ran all the way here, Jesus, do I smell bad? Donāt answer that. Fuck, do we have time?āĀ
You usher Peter inside. He pays for the tickets with hands shaking and you attempt to wipe the sweat from his forehead with your sleeve. āYou couldāve called me,ā you say, content to let him grab you by the arm and race you to the screen doors, āwe couldāve caught the next one. Why were you so late, anyways? Did you forget?āĀ
āForget about my favourite girl? How could I?ā He elbows open the doors to let you enter first. āNow shh,ā he whispers, āfind the seats, donāt miss the trailers. You love them.āĀ
āYou love themāā
āIāll get popcorn,ā he promises, letting the door close between you.Ā
Youāre tempted to follow, fingers an inch from the handle.Ā
You turn away and rush to find your seats. Hopefully, the popcorn line is ten blocks long, and he spends the night punished for his wrongdoing. My favourite girl. You laugh nervously into your hand.Ā
ā
WinterĀ
Spider-Man finds you at least once a week for the next few weeks. He even brings you an umbrella one time, stars on the handle, asking you rather politely to go home. He offers to buy you a hot dog as youāre walking past the stand, takes you on a shortcut to the convenience store, and helps you get a piece of gum off of your shoe with a leaf and a scared scream. Heās friendly, and youāre getting used to his company.Ā
One night, youāre almost home from Trader Joeās, racing in the pouring rain when a familiar voice calls out, āHey! Running girl! Wait a second!āĀ
Him, you think, as ridiculous as it sounds. You donāt know his name, but Spider-Manās a sunny surprise in a shitty, wet winter, and you turn to the sound with a grin.
He jogs toward you.Ā
You feel the world pause, right in the centre of your throat. All the air gets sucked out of you.Ā
āHey, what are you doing out here? Did you get my texts?āĀ
You blink as fat rain lands on your face.Ā
āYou okay?ā Peter asks, Peter, in a navy hoodie turning black in the rain and a brown corduroy jacket. Itās sodden, hanging heavily around his shoulders. āCome on, letās go,ā āhe takes your hand and pulls until you begin to speed walk beside himā āitās freezing!āĀ
āPeterāā
āJesus Christ!āĀ
āPeter, what are you doing here?ā you ask, your voice an echo as he drags you into the foyer of your apartment building.Ā
Rain hammers the door as he closes it, the windows, the foyer too dark to see properly.Ā
āI wanted to see you. Is that allowed?āĀ
āNo.āĀ
Peter takes your hand. You look down at it, and he looks down in tandem, and it is decidedly a non-platonic move. āNo?ā he asks, a hairās width from murmuring.Ā
āShit, my groceries are soaked.āĀ
āItās all snacks, itās fine,ā he says, pulling you to the stairs.Ā
You rush up the steps together to your floor. Peter takes your key when you offer it, your own fingers too stiff to manage it by yourself, and he holds the door open for you again to let you in.Ā
Your apartment is a ragtag assortment to match the one next door, old wooden furniture wheeled from the street corners they were left on, thrifted homeward and heavy blankets everywhere you look. You almost slip getting out of your shoes. Peter steadies you with a firm hand. He shrugs out of his coat and hangs it on the hook, prying the damp hoodie over his head and exposing a solid length of back that trips your heart as you do the same.Ā
āSorry I didnāt ask,ā Peter says.Ā
āWhat, to come over? Itās fine. I like you being here, you know that.āĀ
All your favourite days were spent here or at Peterās house, in beds, on sofas, his hair tickling your neck as credits run down the TV and his breath evens to a light snore. You try to settle down with him, changing into dry clothes, his spare stuff left at the bottom of your wardrobe for his next inevitable impromptu visit. You turn on the TV, letting him gather you into his side with more familiarity than ever. Rain lays its fingertips on your window and draws lazy lines behind half-turned blinds. You rest on the arm and watch Peter watch the movie, answering his occasional, āYou okay?ā with a meagre nod.Ā
āWhatās wrong?ā he asks eventually. āYouāre so quiet.āĀ
Your hand over your mouth, you part your marriage and pinky finger, marriage at the corner, pinky pressed to your bottom lip, the flesh chapped by a season of frigid winds and long walks. āāM thinking,ā you say.Ā
āAbout?āĀ
About the first night in your new apartment. You got the apartment a couple of weeks before the start of ESU. Not particularly close to the university but close to Peter, your best, nicest friend. You met in your second year of High School, before Peter got contacts, ācos he was good at taking photographs and you were in charge of the school newspapers media sourcing. You used to wait for Peter to show up ten minutes late like clockwork, every week. And every week heād barge into the club room and say, āFuck, Iām sorry, my last class is on the other side of the building,ā until it turned into its own joke.Ā
Three years later, you got your apartment, and Peter insisted you throw a housewarming party even if he was the only person invited.Ā
āFuck,ā heād said, ten minutes late, a cake in one hand and a whicker basket the other, āsorry. My last class is onāā
But he didnāt finish. Youād laughed so hard with relief at the reference that he never got the chance. Peter remembered your very first inside joke, because Peter wasnāt about to go off to ESU and meet new friends and forget you.Ā
But Peterās been distant for a while now, because Peterās Spider-Man.Ā
āDo you remember,ā you say, not willing to share the whole truth, āwhen you joined the school newspaper to be the official photographer, and you taught me the rule of thirds?āĀ
āSo you didnāt need me,ā he says.Ā
āI was just thinking about it. We ran that newspaper like the Navy.āĀ
Peter holds your gaze. āIs that really what you were thinking about?āĀ
āJust funny,ā you murmur, dropping your hand in your lap and breaking his stare. āSo much has changed.āĀ
āNot that much.āĀ
āNot for me, no.āĀ
Peter gets a look in his eyes you know well. Heās found a crack in you and heās gonna smooth it over until you feel better. Youāre expecting his soft tone, his loving smile, but youāre not expecting the way he pulls you in āyouād slipped away from him as the evening went on, but Peter erases every millimetre of space as he slides his arm under your lower back and ushers you into his side. You hold your breath as he hugs you, as he looks down at you. Itās really like he loves you, the line between platonic and romantic a blur. Heās never looked at you like this before.
āI donāt want you to change,ā he whispers.Ā
āI want to catch up with you,ā you whisper back.Ā
āCatch up with me? Weāre in the exact same place, arenāt we?ā
āI donāt know, are we?āĀ
Peter hugs you closer, squishing your head down against his jaw as he rubs your shoulder. āOf course we are.āĀ
Peter⦠What is he doing?Ā
You let yourself relax against him.Ā
āYou do change,ā he whispers, an utterance of sound to calm that awful bruise he gave you all those months ago, āyou change every day, but you donāt need to try.āĀ
āI just⦠feel like everyone around me isā¦ā You shake your head. āEveryoneās so smart, and they know what theyāre doing, or theyāreā theyāre special. I donāt know anything. So I guess lately Iāve been thinking about that, and then youāā
āWhat?āĀ
You can say it out loud. You could.Ā
āPeter, youāreā¦āĀ
āIām what?ā he asks.Ā
His fingers glide down the length of your arm and up again.Ā
If you're wrong, heāll laugh. And if youāre right, he mightā might stop touching you. Your head feels so heavy, and his touch feels like itās gonna put you to sleep.Ā
Heās Spider-Man.Ā
It makes sense. Who else could have a good enough heart to do that? Of course itās Peter. It explains so much about him, about Peter and Spider-Man both. Why Peter is suddenly firmer, lighter on his feet, why he can help you move a wardrobe up two flights of stairs without complaint; why Spider-Man is so kind to you, why he knows where to find you, why he rolls his words around just like Pete.Ā
Spider-Man said there are reasons he wears his mask. And Peter doesnāt tell you much, but you trust him.Ā
You wonāt make him say anything, you decide. Not now.Ā
You curl your arm over his stomach hesitantly, smiling into his shirt as he hugs you tighter.Ā
āI was thinking about you,ā he says.Ā
āYeah?āĀ
āYouāre quieter lately. I know youāre having a hard time right now, okay? You donāt have to tell me. Iām here for you whenever you need me.āĀ
āYeah?ā you ask.
āYou used to sit on my porch when you knew May wouldnāt be home to make sure I wasnāt alone.ā Peterās breath is warm on your forehead. āI donāt know what youāre worried about being, but Iām with you,ā he says, āān nothing is gonna change that.āĀ
Peter isnāt as far away as you thought.Ā
āThank you,ā you say.Ā
He kisses your forehead softly. Your whole world goes amber. He brings his hand to your cheek, the thought of him tipping your head back sudden and heart-racing, but Peter only holds you. You lose count of how many minutes you spend cupped in his hand.Ā
āCan I stay over tonight?ā he utters, barely audible under the sound of the battering rain.Ā
āYeah, please.āĀ
His thumb strokes your cheek.Ā
ā
Two switches flip at once, that night. Peter is suddenly as tactile as youāve craved, and Spider-Man disappears.Ā
Heās alive and well, as evidenced by Peterās continued survival and presence in your life, but Spider-Man doesnāt drop in on your nightly walks.Ā
You take less of them lately, feeling better in yourself. Your spirits are certainly lifted by Peterās increasing affection, but now that you know heās Spider-Man you were waiting to see him in spandex to mess with his head. Nothing mean, but you wouldāve liked to pick at his secret identity, toy with him like you know heād do to you. After all, heās been trailing you for weeks and getting to know you. Peter already knows you. Plus, you told Spider-Man secrets not meant for Peter Parkerās ears.Ā
You find it hard to be angry with him. A thread of it remains whenever you remember his deception, but mostly you worry about him. Peterās out every night until who knows what hour fighting crime. There are guns. He could get shot, and he doesnāt seem scared. You end up watching videos on the internet of the night he ran to Oscorp, when he fought Connorsā and got that huge gash in his leg. His leg is soiled deep red with blood but banded in white webbing. He limps as he races across a rooftop, the recording shaky yet high definition.Ā
Itās not nice to see Peter in pain. You cling to what heād said, how he wasnāt scared, but not being scared doesnāt mean he wasnāt hurting.Ā
You chew the tip of a finger and click on a different video. Your computer monitor bears heat, the tower whirring by your thigh. Your eyes burn, another hour sitting in the same seat, sick with worry. You donāt mind when Peter doesnāt answer your texts anymore. You didnāt mind so much before, just terrified of becoming an irrelevance in his life and lonely, too, maybe a little hurt, but never worried for his safety. Now when Peter doesnāt text you back you convince yourself that heās been hurt, or that heās swinging across New York City about to risk his life.
Itās not a good way to live. You canāt stop giving into it, is all.Ā
In the next video, Spider-Man sits on a billboard with a can of coke in hand. He doesnāt lift his mask, seemingly aware of his watcher. You laugh as he angles his head down, suspicion in his tight shoulders. He relaxes when he sees whoever it is recording.Ā
āHey,ā he says, āyou all right?āĀ
āShould you be up there?ā the person recording shouts.Ā
āIām fine up here!āĀ
āAre you really Spider-Man?āĀ
āSure am.āĀ
āAre you single?āĀ
Peter laughs like crazy. How you didnāt know it was him before is a mystery āit couldnāt sound more like him. āIāve got my eye on someone!ā he says, sounding younger for it, the character voice he enacts when heās Spider-Man lost to a good mood.Ā Ā
Your phone rings in the back pocket of your jeans. You wriggle it out, nonplussed to find Peter himself on your screen. You click the green answer button.Ā
āHello?ā Peter asks.Ā
You bring the phone snug to your ear. āHey, Peter.āĀ
āHi, are you busy?āĀ
āNot really.āĀ
āDo you wanna come over? I know itās late. Come stay the night and tomorrow weāll go out for breakfast.āĀ
āIs Aunt May okay with that?āĀ
āSheās staring at me right now shaking her head, but Iām in trouble for something. May, can she come over, is that allowed?āĀ
āSheās always allowed as long as you keep the door open.ā
You laugh under your breath at Mayās begrudging answer. āAre you sure sheās alright with it?ā you ask softly. āI donāt want to be a burden.āĀ
āYou never, ever could be. Iām coming to your place and weāll walk over together. Did you eat dinner?āĀ
āNot yet, butāā
āOkay, Iāll make you something when you get here. Iāll meet you at the door. Twenty minutes?āĀ
āI have to shower first.āĀ
āTwenty five?āĀ
You choke on a laugh, a weird bubbly thing youāre not used to. Peter laughs on the other side of the phone. āHow about Iāll see you at seven?āĀ
āItās a date,ā he says.Ā
āMm, put it in your calendar, Parker.āĀ
ā
Peter waits for you at the door like he promised. He frowns at your still-wet face as he slips your backpack from your shoulder, throwing it over his own. āYouāre gonna get sick.āĀ
āIāll dry fast,ā you say. āI took too long finding my pyjamas.āĀ
āI have stuff you can wear. Probably have your sweatpants somewhere, the grey ones.ā Peter pulls you forward and wipes your tacky face. āI wouldāve waited,ā he says.Ā
āItās fine.ā
āItās not fine. Are you cold?āĀ
āPete, itās fine.āĀ
āYou always remind me of my Uncle Ben when you call me Pete,ā he laughs, āsuper stern.āĀ
āIām not stern. Look, take me home, please, Iām cold.āĀ
āYou said it wasnāt cold!āĀ
āItās not, Iām just dampāā Peter cuts you off as he grabs you, sudden and tight, arms around you and rubbing the lengths of your back through your coat. āHandsy!ā
āYou like it,ā he jokes back, his playful warming turning into a hug. You smile, hiding your face in his neck for a few moments.Ā
āI donāt like it,ā you lie.Ā
āOkay, you donāt like it, and Iām sorry.ā Peter gives you a last hug and pulls away. āNow letās go. I gotta feed you before midnight.āĀ
āThatās not funny.āĀ
āApparently, nothing is.āĀ
Peter links your arms together. By the time you get to his house, youāve fallen away from each other naturally. May is in the hallway when you climb through the door, an empty laundry basket in her hands.Ā
āI see Peter hasnāt won this argument yet,ā you say in way of greeting. Peterās desperate to do his own laundry now heās getting older. May wonāt let him.Ā
āNo, he hasnāt.ā She looks you up and down. āItās nice to see you, honey. And in one piece! Peter tells me youāve been walking a lot, and I mean, in this city? Canāt you buy a treadmill?ā she asks.Ā
āMay!ā Peter says, startled.Ā
āI like walking, I like the air,ā you say.
āCanāt exactly call it fresh,ā May says.Ā
āNo, but itās alright. It helps me think.āĀ
āIs everything okay?ā May asks, putting her hand on her hip.Ā
āOf course.ā You smile at her genuinely. āI think starting college was too much for me? It was hard. But things are settling now, I donāt know what Peter told you, but Iām not walking a lot anymore. You know, not more than necessary.ā
She softens her disapproving. āGood, honey. Thatās good. Peterās gonna make you some dinner now, right?āĀ
āYeah, Aunt May, Iām gonna make dinner,ā Peter sighs, pulling a leg up to take off his shoes.Ā
Peter shouldnāt really know that youāve been walking. He might see you coming back from Trader Joeās or the bodega on his way to your apartment, but you havenāt mentioned any of your longer excursions, and everybody in Queens has to walk. Thatās information he wouldnāt know without Spider-Man.Ā
He seems to be hoping you wonāt realise, changing the subject to the frankly killer grilled cheese and tomato soup that heās about to make you, and pushing you into a chair at the table. āWarm up,ā he says near the back of your head, forcing a wave of shivers down your arms.
He makes soup in one pan, grilled cheese in the other, two for him and two for you. Peterās a good eater, and he encourages the same from you, setting a big bowl of tomato soup (from the can, splash of fresh cream) down in front of you with the grilled cheese on a plate between you. You eat it in too-hot bites and try not to get caught looking at him. He does the same, but when he catches you, or when you catch him, he holds your eye and smiles.Ā
āI can do the dishes,ā you say. You might need a breather.Ā
āAre you kidding? Iām gonna rinse them, put them in the dishwasher.ā Peter stands and feels your forehead with his hand. āWarmer. Good job.āĀ
You shrug away from his hand. āLoser.āĀ
āConcerned friend.āĀ
āHandsy loser.āĀ
āShut up,ā he mumbles.Ā
As flustered as youāve ever seen, Peter takes your empty dishes to the kitchen. When heās done rinsing them off you follow him upstairs to his bedroom and tuck your backpack under his bed.Ā
You look down at your socks. Peterās room is on the smaller side, but itās never been as startlingly small as it is when Peterās socked feet align with yours, toe to toe. Quick recovery time, this boy.Ā
āThereās chips and stuff on my desk. Or I could run to 91st for some ice cream sandwiches if you want something sweet,ā he says.Ā
You lift your eyes, tilt your head up just a touch, not wanting him to think youāre in his space no matter how strange that might be, considering he chose to stand there. āIām all right. Did you want ice cream? We can go if you want to, but if you want to go ācos you think I do then Iām fine.āĀ
āThatās such a long answer,ā he says, draping an arm over your shoulder. āYou donāt have to say all of that, just tell me no.āĀ
āI donāt want ice cream.āĀ
āWasnāt that easy?ā he asks.Ā
āWell, no, it wasnāt. Saying no to you is like saying no to a puppy.āĀ
āBecause Iām adorable?āĀ
āPersistent.āĀ
āYeah, I guess I am.ā He drapes the other arm over you. The soap he used at the kitchen sink lingers on his hands.Ā
āPeterā¦?ā you murmur.Ā
āWhat?ā he murmurs back.Ā
You touch a knuckle to his chest. āThisā Youā¦ā Every quelled thought rushes to the surface at once āPeter doesnāt like you as you desire, how could he, you arenāt beautiful like he is, arenāt smart, arenāt brave, no exceptional kindness or goodness to mark you enough for him. Itās why his being with Gwen didnāt hurt; she made sense. And for months now youāve wondered what it is that made him struggle to be with her. And sometimes, foolishly, you wondered if it was you. But itās not you, itās never you, and whatever Peterās trying to do nowā
āHey, you okay?ā he asks, taking your face into his hand.Ā
āWhat are you doing?āĀ
āWhat?ā He pushes his hand back to hold your nape, thumb under your ear. āI canāt hear you.āĀ Ā
You raise your voice. āWhy did you invite me over tonight?āĀ
āāCos I missed you?āĀ
āI used to think you didnāt miss me at all.āĀ
Peter winces, hurt. āHow could you think that? Of course I miss you. What you said to May, about college being hard? Itās like that for me too, okay? I miss you all the time.āĀ
You bite the inside of your bottom lip. āā¦College isnāt hard for you.āĀ
āItās not easy.ā He frowns, the fallen angel, his lips an unsure brushstroke. āWhatās wrong? Did I say the wrong thing?āĀ
Youāre being wretched, you know, saying it isnāt hard for him. āYou didnāt. Really, you didnāt.āĀ
āBut why are you upset?ā he implores, dark eyes darker as his eyebrows tug together.
āIām notāā
āYou are. Itās okay, you can be upset. I just want you to feel better, you know that?ā He settles his hands at the tops of your arms. Less intimate, but something warm remains. āEven if it takes a long time.āĀ
āIām fine.āĀ
āYouāre not fine.ā
āHow would you know?ā you finally ask.Ā
Peter stares at you.Ā
āI know you,ā he says carefully, āand I know you arenāt struggling like you were, but that doesnāt mean it didnāt happen or that you have to be a hundred percent better now.āĀ
āI didnāt realise that I was,ā you say, licking your lips, āātil now. I didnāt get that it was on the surface.ā
Peter pulls you in for a gentle hug. āIām here for you forever, and Iāll make it up to you for not noticing sooner,ā he says, scrunching your shirt in his hand.
After the hug, he tells you to change and make yourself comfortable while he showers. So you put on your pyjamas and climb into Peterās bed, head pounding as though all your energy was stolen in a fell swoop. You press your nose to his pillow and arm wrapped around his comforter, gathering it into a Peter sized lump. The shower pump whines against the shared wall.Ā
Things arenāt meant to be like this. You thought Peter touching you āholding youā was the deepest of your desires, but you feel now exactly as you had before he started blurring the line, needing Peter to kiss you so badly it becomes its own kind of nausea. Why are you still acting like itās an impossibility?
When he comes back, youāll apologise. He hasnāt done anything wrong. He does keep a secret, but donāt you keep one too? Heās Spider-Man. Youāve had deep, complicated feelings for him for months. They are secrets of equal magnitude, and are, more apparently, badly kept.Ā
You wish you could fall asleep. Your heart ticks in agitation.
Peter returns as perturbed as earlier.Ā
āAre you sure thereās nothing wrong?ā he asks, raking a hand through his hair. A towel hangs around his neck.Ā
āIām sorry for being weird.āĀ
āYouāre not weird,ā Peter says, bringing the towel to his hair to scrub ruthlessly.Ā
āItās just ācos things have been different between us.ā And, you try to say, that scares me no matter how bad I wanted it. because youāre not just Peter anymore, youāre Spider-Man. Iām only me, and I canāt do anything to protect you.
Peter gives his hair a long scrub before draping the towel on his desk chair. He rakes it messily into place and sits himself at the end of the bed. You sit up.Ā
āYeah, they have been. Good different?ā he asks hesitantly.Ā
āI think so,ā you say, quiet again.Ā
āThatās what I thought.āĀ
āI donāt want you to feel like I donāt want to be here. I just worry about you.āĀ
Peter uses his hands to get higher up the bed. āDonāt worry about me,ā he says, āJesus, please donāt. Thatās the last thing I want from you, I hate when people worry about me.āĀ
You curl into the lump of comforter youād made. Peter lets himself rest beside you, his back to the bedroom wall, tens of Polaroids above him shining with the light of the hallway and his orange-bulbed lamp. His skin is glowing like itās golden hour, dashes of topaz in his eyes, his Cupidās bow deep. How would it feel to lean forward and kiss him? To catch his Cupid's bow under your lips?
You brush a damp curl tangled in another onto his forehead.Ā
You lay there for a little while without talking, listening to the sound of the washing machine as it cycles downstairs.Ā
āAm I going too fast?ā Peter murmurs.Ā
You press your lips together, shaking your head minutely.Ā
āIs it something else?āĀ
You donāt move.Ā
āDo you want me to stop?ā he asks.Ā
āNo.ā
Peter rewards you with a smile, his hand on your arm. āAlright. Let me get this blanket on you the right way. Youāre still cold.āĀ
You resent the loss of a shape to hold when Peter slips down beside you and wrangles the comforter flat again, spreading it out over you both, his hand under the blankets. His knuckles brush your thigh.Ā
He takes a deep breath before turning and wrapping his arm over your stomach, asking softly, āIs this alright?āĀ
āYeah.āĀ
He gives you a look and then lifts his head to slot his nose against your temple. āPlease donāt take this in a way that I donāt mean it, but sometimes you think about things so much I worry youāre gonna get stuck in your head forever.āĀ
āI like thinking.āĀ
āI hate it,ā he says quickly, a fervent, flirting cadence to his otherwise dulcet tone, āwe should never do it ever again.āĀ
āIāll try not to.āĀ
āWould you? For me?āĀ
You laugh into his shirt, feeling the warmth of your breath on your own nose. āIāll do my best.āĀ
āGood. Iād miss you too much if you got lost in that nice head of yours.āĀ
You relax under his arm. You arenāt sure what all the fuss was about now that he's hugging you. āIād miss you too.ā
May comes up the stairs about an hour later. To her credit, she doesnāt flinch when she finds you and Peter smushed together watching a DVD on his old TV. Heās holding your arm, and youāre snoozing on his shoulder, half-aware of the world, fully aware of his nice smells and the shapes of his arms.Ā
āDoor open,ā she says.Ā
āNot that either of us want it closed, May, but weāre adults.āĀ
āNot while Iām still washing your clothes, youāre not.āĀ
He snorts. āGoodnight, Aunt May. The door isnāt gonna close, I promise.āĀ
āI know that,ā she says, scornful in her pride. āYouāre a good boy.ā She lightens. āThings are going okay?āĀ
Peter covers your ear. āGoodnight, Aunt May.āĀ
āI have half a mind to never listen to you again. You talk my ear off and I canāt ask a simple question?āĀ
āI love you,ā Peter sing-songs.Ā
āI love you, Peter,ā she says. āDonāt smother the girl.āĀ
āI wonāt smother her. Itās in my best interest that she survives the night. Sheās buying my breakfast tomorrow.āĀ
āPeter Parker.āĀ
āIām kidding,ā he whispers, petting your cheek absentmindedly. āJust messing with you, May.āĀ
You smile and curl further into his arms. His voice is like the sun, even when he whispers.Ā Ā
ā
To your surprise, Spider-Man comes to find you after class one evening. A guest lecturer had talked to your oncology class about click chemistry and other molecular therapies against cancer, and the zine book sheād given you is burning a hole in your pocket. Peter is going to love it.Ā
You pull it out and pause beside a bench and a silver trash can, the day grey but thankfully without rain. The pages of your little book whip forcefully in the wind. Itās chemistry, sure, but itās biology too, wrapping your and Peterās interests up neatly. If it werenāt for Peter you doubt youād love science as much as you do. Heās always been good at it, but since you started college he's been a genius. Watching him grow has encouraged you to work harder, and understanding the material is satisfying, if draining. You take a photo of the middle most pages and tuck the book away, writing a quick text to Peter to send with it.Ā
Look! it says, LEGO cancer treatment!!Ā
The moment you press send a beep chimes from somewhere close behind you, all too familiar. You turn to the source but find nobody you know waiting. Coincidence, you think, shaking yourself and beginning the trek to the subway.Ā
But then you hear the tell tale splat and thwick of Spider-Manās webbing.Ā
You wait until youāre at the alleyway between Portoās Bakery and the key cutting shop and turn down to stop by one of the dumpsters.Ā
āSpider-Man?ā you ask, shoulders tensed in case itās not who you think.Ā
āWhat are you doing?ā he asks.
You gasp as he hops down in front of you, his suit shiny with its dark web-pattern caught by the grey sunshine passing through the clouds overhead. āShit, donāt break your ankles.āĀ
āMy ankles?ā He laughs. He sounds so much like Peter that you can only laugh with him. What an idiot he is for thinking you donāt know; what a fool youād been for falling for his put upon tenor. āTheyāre fine. What would be wrong with my ankles?āĀ
āYou just dropped down twenty feet!āĀ
āItās more like thirty, and Iām fine. You understand the super part of superhero, donāt you?āĀ
āWho said youāre a superhero?āĀ
āNice. What are you doing down here?āĀ
āI was testing my theory. Youāre following me.āĀ
āNo, Iām visiting you, itās very different,ā he says confidently.Ā
āYou havenāt come to see me for weeks.āĀ
āYes, well, Iāā Spider-Peter crosses his arms across his chest. āHey, youāre the one who told me to take a day off.āĀ
āI did tell you to take a day off. Itās not nice thinking about you trying to save the world every single night. Thatās a lot of responsibility for one person to have.āĀ
āBut itās my responsibility,ā he says easily. āNo point in a beautiful girl like you wasting her time worrying about it. I have to do it, and I donāt mind it.āĀ
āDo you flirt with every girl you meet out here in the city?ā you ask, cheeks hot.Ā
āNo,ā he says, fondness evident even through the mask, ājust you.āĀ
āDo you wanna walk me home? I was gonna take the subway, but itās not that far.āĀ
Spider-Man nods. āYeah, Iāll walk you back.āĀ
He doesnāt hide that he knows the way very well. He takes preemptive turns, crosses roads without you telling him to go forward. You canāt believe him. Smartest guy at Midtown High and he canāt pretend to save his life.Ā
āAre you having a good semester?ā he asks.Ā
āItās getting better. Iām glad I stuck with it. I love biology, itās so fucking hard. I used to think that was a bad thing, but it makes it cooler now. Like, itās not something everyone understands.ā You give him a look, and you give into temptation. āMy best friend got me into all this stuff. I used to think math was hopeless and science was for dorks.āĀ
āItās definitely for dorks.āĀ
āRight, but I love being one.ā You offer a useless secret. āI like to think that itās why weāre such great friends.āĀ
āMe and you?ā Spider-Man asks hoarsely.Ā
āMe and Peter.ā You elbow him without force. āWhy, do you like science?āĀ
āI love itā¦āĀ
āYou know, I really like you, Spider-Man. I feel like weāve been friends for a long time.ā Youāre teasing poor Peter.Ā
He doesnāt speak for a while. He stops walking, but you take a few steps without him. When you realise heās stopped, you turn back to see him.Ā
Peterās gone so tense you could strike him with a flint and catch a spark. Itās the same way Peter looked at you when he told you about his Uncle, a truth he didnāt want to be true. Seeing it throws a spanner in the works of all your teasing: youād meant to wind him up, not make him panic.Ā
āWhatās wrong?ā you ask. āCan you hear something?āĀ
āNo, itās not thatā¦ā Heās masked, but you know him well enough to understand why heās stopped.Ā
āItās okay,ā you say.Ā
āItās not, actually.āĀ
āSpider-Man.ā You take a step toward him. āItās fine.ā
He presses his hands to his stomach. The sun is setting early, and in an hour, the dark will eat up New York and leave it in a blistering cold. āDo you remember when we first met, the second time, we swapped secrets?āĀ
āYeah, I remember. Useless secret for another. I told you I hated my major. Itās not true anymore, obviously. I was having a bad time.āĀ
āI know you were,ā he says, emphasis on know, like itās a different word entirely.Ā
āBut meeting you really helped. If it werenāt for you, for Peter,ā āyou give him a searching lookā āI wouldnāt feel better at all.āĀ
āIt wasnāt his fault?ā he asks. āHe was your friend, and you were lonely.āĀ
āNoāā
āHe didnāt know what was going on with you, he didnāt have a clue. You hurt yourself and you felt like you couldnāt tell anybody, and I know it wasnāt an accident, so what was his excuse?ā His voice burns with anger. āItās his fault.āĀ
āOf course it wasnāt your fault. Is that what you think?ā You shake your head, panicked by the bone-deep self loathing in his voice, his shameful dropped head. āYes, I was lonely, I am lonely, I donāt know many people and Iā Iā I hurt myself, and it wasnāt as accidental as I thought it was, but why would that be your fault?āĀ
āPeterās fault,ā he says, though his head is lifted now, and he doesnāt bother enthusing it with much gusto.Ā
āPeter, none of it was your fault.ā You cringe in your embarrassment, thinking Fuck, donāt let me ruin this. āI was in a weird way, and yes, I was lonely, and I really liked you more than I should have. You didn't want me and that wasnāt your fault, thatās just how it was, I tried not to let it get to me, just there were a lot of things weighing on me at once, but it really wasnāt as bad as you think it was and it wasnāt your fault.āĀ
āI wasnāt there for you,ā he says. āAnd Iāve been lying to you for a long time.āĀ
āYou couldnāt tell me, right? Spider-Man is your secret for a reason.āĀ
āā¦I didnāt even know you were lonely until you told him. He was a stranger.āĀ
You hold your hands behind your back. āWell, he was a familiar one.āĀ
Peter reaches out as though wanting to touch you, but your arms arenāt in his reach. āItās not because I didnāt want you.āĀ
āPeter,ā you say, squirming.Ā
He steps back.Ā
āI have to go,ā he says.Ā
āWhat?āĀ
āI have toā I donāt want to go,ā he says earnestly, āsweetheart, I can hear someone calling out, I have to go. But Iāll come back, Iāllā Iāll come back,ā he promises.Ā
And with a sudden lift of his arm, Peter pulls himself up the side of a building and disappears, leaving you whiplashed on the sidewalk, the sun setting just out of view.
ā
You fall asleep that night waiting for Peter. When you wake up, 5AM, eyes aching, he isnāt there. You check your phone but he hasnāt texted. You check the Bugle and Spider-Man hasnāt been seen.Ā
You arenāt sure what to think. He sounded sincere to the fullest extent when he said heād come back, but he didnāt, not ten minutes later, not twenty. You made excuses and you went home before it got too dark to see the street, sat on the couch rehearsing what youād say. How could Peter think your unhappiness was his fault? Why does he always put the entire world on his shoulders?
Selfishly, you worried what it all meant for his lazy touches. Would he want to curl up into bed with you again now he knows what it means to you? Itās different for him. It isnāt like heās in love with you⦠youād just thought maybe he could be. That this was falling in love, real love, not the unrequited ache youād suffered before.Ā
But maybe you got everything wrong. All of it. It wouldn't be the first time.Ā
ā
You and Peter found The Moroccan Mode in your senior year at Midtown. The school library was small and you were sick of being underfoot at home. When you started at ESU, you explored the on campus coffeehouse, the Coffee Bean, but it was crowded, and youād found yourself attached to the Modeās beautiful tiling, blues and topaz and platinum golds, its heavy, oiled wooden furniture, stained glass lampshades and the case full of lemony treats. The coffee here is better than anywhere else, but the best part out of everything is that itās your secret. Barely anybody comes to the Mode on purpose.Ā
You hide in a far corner with a book and an empty cup of decaf coffee, a slice of meskouta on the table untouched. Decaf because caffeine felt a terrible idea, meskouta untouched because you canāt stomach the smell. You push it to the opposite end of the table, considering another cup of coffee instead. Itās served slightly too hot, and will still be warm when it gets to your chest.Ā
The sunshine is creeping in slowly. It feels like the first time youāve seen it in months, warming rays kissing your fingers and lining the walls. You turn a page, turn your wrist, let the sun warm the scar you gave yourself those few months ago, when everything felt too big for you.Ā
Looking back, it was too big. Maybe soon youāll be ready to talk about it.Ā Ā
The author in your book is talking about bees. They can fly up to 15 miles per hour. They make short, fast motions from front to back, a rocking motion. Asian giant hornets can go even faster despite their increased mass. They consider humans running provocation. If you see a giant hornet, youāre supposed to lay down to avoid being stung.Ā
You put your face in your hand. Next year, youāll avoid the insect-based electives.Ā
Across the cafe, the bell at the top of the door rings. Laughter falls through it, a couple passing by. The register clashes open. A minute later it closes.Ā
You donāt raise your head when footsteps draw near. A plate is placed on the table, pushed across to you, stopping just shy of your coffee.Ā
āDid you eat breakfast?ā Peter asks quietly.Ā
His voice is gentle, but hoarse.Ā
You tense.Ā
āAre you okay?ā he asks, not waiting for your answer to either question. āYou donāt look like yourself. Your eyes are red.āĀ
You lift your head. Wet with the beginnings of tears, you see Peter through an astigmatic blur.Ā
āWhat are you reading?ā He frowns at you. āPlease donāt cry.āĀ
You shake your head. Your smile is all odd, nothing like his, no inherent warmth despite your best effort. āIām okay.āĀ
He nudges you across the booth seat and sits beside you. His arm settles behind your shoulders. He smells like smoke and soap, an acrid scent barely hidden. āCan you tell me you didnāt wait long for me?āĀ
āTen minutes,ā you lie.Ā
āOkay. Iām sorry. There was a fire.ā He rubs your arm where heās holding you. āIām sorry.āĀ
āWill you go half?ā you ask, nodding to the sandwich heās brought you. Itās tough sourdough bread, brown with white flour on the crusts and leafy greens poking between the slices. You and Peter complain about the price. Youāve never had one. He passes you the bigger half, holding the other in his hand without eating.Ā
āI know youāre hungry,ā you say, tapping his elbow, ājust eat.āĀ
You eat your sandwiches. Now that Peterās here, you donāt feel so sick āheās not upset with you. The dull pang of an empty stomach wonāt be ignored.Ā
Peter puts his sandwich down, which is crazy, and wipes his fingers on the plates napkin. Youāve never seen him stop before heās done.
āIt was in the apartments on Vernon. Iā I think I almost died, the smoke was everywhere.āĀ
You choke around a crust, thrusting the rest of your half onto the plate. āAre you hurt?ā you ask, coughing.Ā
He moves his head from side to side, not a shake, but a slow no. āHow long have you known it was me?ā he asks, curling his hand behind your back again, fingers spread over your shoulder blade, a fingertip on your neck.Ā
You savour his touch, but you give in to your apprehension and stare at his chest. āThe night you caught me outside in the rain in November. You called me ārunning girlā. The way you said it, you sounded exactly like him. I turned around expecting,ā āyou whisper, weary of the quiet cafeā āSpider-Man, and I realised itās him that sounds like you. That he is you.āĀ
āWas that disappointing?āĀ
āPeter, youāre, like, my favourite person in the world,ā you whisper fervently, your smile making it light. You laugh. āWhy would that be disappointing?āĀ
āI thought maybe you think heās cooler than me.āĀ
āHe is cooler than you, Peter.ā You laugh again, pleased when he scoffs and draws you nearer. āI guess youāre the same person, right? So heās just as cool as you are. But why would being cool matter to me? You know I like you.āĀ
āYou flirted pretty heavily with Spider-Man.ā
āWell, he flirted with me first.āĀ
You chance a look at his face. From that moment you canāt look away, not from Peter. You like when he wears that darkness in his eyes, the hint of his rarer side so uncommonly seen, but you love this most of all, Peter like your best memory, the way heās looking at you now a picture perfect copy of that moment in a swimming pool in Manhattan with cracked tile under your feet. His arms heavy on your shoulders. You didnāt get it then, but youāre starting to understand now.
āIāve made a mess of everything,ā he says softly, the trail his hand makes to the small of your back leaving a wake of goosebumps. āI havenāt been honest with you.āĀ
āI havenāt, either.āĀ
āI want to ask you for something,ā Peter says, a fingertip trailing back up. He smiles when you shiver, not teasing, just loving. āYou can say no.āĀ
āYouāre hard to say no to.āĀ
āI need you to talk to me more,ā āand here he goes, Peter Parker, flirting and sweet-talking like his life depends on it, his face inching down into your spaceā ānot just because I love your voice, or because you think so much Iām scared youāll get lost, but I need you to talk to me. We need to talk about real things.ā
We do, you think morosely.Ā
āItās not your fault,ā he adds, the hand that isnāt holding your back coming up to cup your cheek, āitās mine. I was scared of telling you for stupid reasons, but I shouldnāt have let it be a secret for so long.āĀ
āNo, I doubt theyāre stupid,ā you murmur, following his hand as he attempts to move it to your ear. āItās not easy to tell someone youāre a hero.ā
His palm smells like smoke.Ā
āThatās not the secret I meant,ā he says.Ā
You take his hand from your face. Peter looks down and begins pressing his fingers between yours, squeezing them together as his thumb runs over the back of your hand.
āSo tell me.ā
The sunshine bleeds onto his cheek. Dappled orange light turning slowly white as time stretches and the sun moves up through a murky sky. āYou want to trade secrets again?ā he asks.Ā
āPlease.āĀ
āOkay. Okay, but I donāt have as many as you do,ā he warns.Ā
āI find that hard to believe.āĀ
āI donāt. Itās not a real secret, is it? Iāve been trying to show you for weeks, weā¦ā
He tilts his head invitingly.Ā
All those hand-holds and nights curled up in bed together. Am I going too fast? You know exactly what he means; it really isnāt a secret.
āIāll go first,ā he says, lowering his face to yours. You try not to close your eyes. āIāve wanted to kiss you for weeks.ā He closes his eyes so you follow, your breath not your own suddenly. You hold it. Let it go hastily. āWhatās your secret?āĀ
āSometime I want you to kiss me so badly I canāt sleep. It makes me feel sickāā
āSick?ā he asks worriedly.Ā
You touch the tip of your nose to his. āItās likeā like jealousy, butā¦āĀ
āYou have no one to be jealous of,ā he says surely. He cups your cheek, and he asks, āPlease, can I kiss you?āĀ
You say, āYes,ā very, very quietly, but he hears it, and his smile couldnāt be more obvious as he closes the last of the distance between you to kiss you.
It isnāt the sort of kiss that kept you up at night. Peter doesnāt hook you in or tip your head back, he kisses gently, his hand coming to live on your cheek, where it cradles. Itās so warm you donāt know what to make of him beyond kissing him back ākissing his smile, though itās catching. Kissing the line of his Cupidās bow as he leans down.Ā
āIām sorry about everything,ā he mumbles, nose flattened against yours.Ā
You feel sunlight on your cheek. Squinting, you turn into his hand to peer outside at the sudden abundance of it. Itās still cold outside, but the Mode is warm, Peterās hand warmer, and the sunshine is a welcome guest.Ā
Peter drops his hand. āOh, wow. December sun. Good thing it didnāt snow, weād be blind.ā
āI canāt be cold much longer,ā you confess. āIām sick of the shitty weather.āĀ
āI can keep you warm.āĀ
He smiles at you. His eyelashes tangle in the corners of his eyes, long and brown.Ā
āDid you want my meskouta?ā you ask.Ā
Peter plants a fat kiss against your brow.Ā
You let the sunshine warm your face. Two unfinished sandwich halves, a mouthful of coffee, and a round slice of meskouta, its flaky crumb and lemon drizzle shining on the table. You would ask Peter for his camera if youād thought he brought it with him, to take a picture of your breakfast and the carved table underneath. You could turn it on Peter, say something cheesy. This is the moment you ruined our lives, youād tease.
āYou never told me you met Spider-Man, you know.āĀ
You watch Peter lick the tip of his finger without shame. āThey could make a novella of things I havenāt told you about,ā you murmur wryly.Ā
Peter takes a bite of meskouta, reaching for your knee under the table. He shakes your leg a little, as if to say, Well, weāll work on that.Ā
ā
Spring
āSorry!ā
āNo, itāsāā
āSorry, sorry, Iāmā shit!ā
āāokay! All legs inside the ride?ā
āI couldnāt find my purseāā
āYou donāt need it!ā Peter leans over the console to kiss your cheek. āYou donāt have to rush.āĀ
āAre you sure you can drive this thing?āĀ
āHarry doesnāt mind.āĀ
āI donāt mean the car, I mean, are you sure you can drive?āĀ
āThatās not funny.āĀ
You grin and dart across to kiss his cheek, too. āNothing ever is with us.āĀ
Peter grabs you behind the neck āwhich might sound rough, if he were capable of such a thingā and pulls you forward for a kiss you donāt have time for. āIf we donāt check in,ā āyou begin, swiftly smothered by another press of his lips, his tongue a heat flirting with the seam of your lipsā āby three, they said they wonāt keep the roomāā He clasps the back of your neck and smiles when your breath stutters. You squeeze your eyes closed, kiss him fiercely, and pull away, hand on his chest to restrain him. āAnd then weāll have to drive home like losers.āĀ
Peter sits back in the driver's seat unbothered. He fixes his hair, and he wipes his bottom lip with his knuckle. Youāre rolling your eyes when he finally returns your gaze. āSorry, am I the one who lost her purse?āĀ
āPeter!āĀ
āI canāt make us un-late,ā he says, turning the key slowly, hands on the wheel but his eyes still flitting between your eyes and your lips.Ā
āAlright,ā you warn.Ā
He reaches for your knee. āItās a forty minute drive. Youāre panicking over nothing.āĀ
āItās an hour.āĀ
Your drive from Queens to Manhattan is entirely uneventful. You keep Peterās hand hostage on your knee, your palm atop it, the other hand wrapped around his wrist, your conversation a juxtaposition, almost lackadaisical. Peter doesnāt question your clinging nor your lazy murmurings, rubbing a circle into your knee with his thumb from Forest Hill to Lenox Hill. Thereās so much to do around Manhattan; you could visit MoMA, Central Park, The Empire State Building or Times Square, but you and Peter give it all a miss for the little known Manhattan Super 8.Ā
Itās been a long time since you and Peter first visited. You took the bus out to Lenox Hill for a med-student tour neither of you particularly enjoyed, feeling out future careers. Itās not that Lenox Hill isnāt one of the most impressive medical facilities in New York (if not the northeastern USA), itās that all the blood made him queasy, and you were panicking too much about the future to think it through. He got over his aversion to blood but chose the less hands-on science in the end, and you worked things through. Youāre a little less scared of the future everyday.Ā
You and Peter were supposed to get the bus straight back home for a sleepover, but one got cancelled, another delayed, and night closed in like two hands on your neck. Peter sensed your fear and emptied his wallet for a night in the Super 8.Ā
The next morning it was beautifully sunny. The first day of summer that year, warm and golden. The pool wasnāt anything special but it was invitingly cool, blue and white tiles patterned like fish below; you clambered into the water in shorts and a tank top and Peter his boxers before a worker could see and stop you.Ā
It was one of the best days of your life. When you told Peter about it last week, heād looked at you peculiarly, said, Bub, youāre cute, and let you waste the afternoon recounting one of your more embarrassing pangs of longing. A few days later he told you to clear your calendar for the weekend, only spilling the beans on what heād done when youād curled over his lap, a hand threaded into the hair at the nape of his neck, murmuring, Tell me, tell me, tell me.Ā
Heād hung his head over you and scrunched up his eyes. Cheater.
The best thing about having a boyfriend is that he always wants to listen to you. Peter was a good listener as a best friend, but now he has his act together and the secrets between you are never anything more than eating the last of the milk duds or not wanting to pee in front of him, heās a treasure. Thereās no feeling like having Peter pull you into his lap so he can ask about your day with his face buried in your neck, sniffing. Sometimes, when you text one another to meet up the next day, youāll accidentally will the hours away babbling about school and life and things without reason. Peter has a list on his phone of your silliest tangents; blood oranges to the super moon, fries dipped in ice cream to the world record for kick flips done in five minutes. Itās like when you talk to one another, you canāt stop.Ā
There are quiet moments. You wake up some mornings to find him awake already, an arm behind you, rubbing at your soft upper arm, fingertip displacing the fine hairs there and trailing circles as he reads. He bends the pages back and holds whatever novel heās reading at the bottom of his stomach, as though making sure you can see the words clearly, even when youāre sleeping.Ā
There are hectic, aching moments āvigilante boyfriends become blasĆ© with their lives and precious faces. Youāve teetered on the edge of anxiety attacks trying to pick glass from his cheek with a tweezers, lamented over bruises that heal the next day. Itās easier when Peterās careful, but Spider-Man isnāt careful. You ask him to take care of himself and heās gentle with himself for a few days, but then someone needs saving from an armed burglar or a car swerves dangerously onto the sidewalk and he forgets.Ā
He hadnāt patrolled last night in preparation for today.Ā
āDid you know,ā he says, pulling Harryās borrowed car into a parking spot just in front of the Super 8 reception, āthat todayās the last day of spring?āĀ
āAlready?āĀ
āTonightās the June equinox.āĀ
āWho told you that?āĀ
āAunt May. She said itās time to get a summer job.āĀ
You laugh loudly. āOur federal loans wonāt last forever.āĀ
āHarryās gonna get me something, I think. Do you want to work with me? It could be fun.āĀ
You nod emphatically. Itās barely a thought. āObviously I want to. Does Oscorp pay well, do you think?āĀ
Peter lets the engine go. The car turns off, engine ticking its last breath in the dash. āBetter than the Bugle.āĀ
You get your key from the reception and find your room upstairs, second floor. Itās not dirty nor exceptionally clean, no mould or damp but a strange smell in the bathroom. Thereās a microwave with two mugs and a few sachets of instant coffee. Peter deems it the nicest motel heās ever stayed in, laughing, crossing the room to its only window and pulling aside the curtain.Ā
āThere it is, sweetheart,ā he says, wrapping his arm around you as you join him, āthatās what dreams are made of.āĀ
The blue and white tiled pool. It hasnāt changed.Ā
Itās about as hot as itās going to get in June today, and, not knowing if itāll rain tomorrow, you and Peter change into your swim suits and gather your towels. You wear flip flops and tangle your fingers, clanking and thumping down the rickety metal stairs to the pool. Thereās nobody there, no lifeguard, no quests, and the pool is clean and cold when you dip your toes.Ā
Peter eases in first. Towels in a heap at the end of a sun lounger, his shirt tumbling to the floor, Peter splashes in frontward and turns to face you as the water laps his ribs. āItās cold,ā he says, wading for your legs, which he hugs.Ā
āI can feel it,ā you say, the cool waters to your calves where you sit on the edge.Ā
āYou wonāt come in and warm me up?ā he asks.Ā
You stroke a tendril of hair from his eyes. He attempts to kiss your fingers.Ā
āIām trying to prepare myself.āĀ
āMm, you have to get used to it.ā He puts wet hands on your thighs, looking up imploringly until you lean down for a kiss. The fact that heād want one still makes you dizzy. āThank you,ā he says.Ā
āYouāll have to move.āĀ
Peter steps back, a ripple of water ringing behind him, his hands raised. He slips them with ease under your arms and helps you down into the water, laughing at your shocked giggling āheās so strong, the water so cold.Ā
Peter doesnāt often show his strength. Never to intimidate, he prefers startling you helpfully. Heāll lift you when you want to reach something too tall, or raise the bed when youāre on his side to force you sideways.Ā
āOh, this is the perfect place to try the lift!ā he says.Ā
āHow will I run?ā you ask, letting your knees buckle, water rushing up to your neck.Ā
Peter pulls you up. He touches you easily, and yet you get the sense that heās precious with you, too. Thereās devotion to be found in his hands and the specific way they cradle your back, drawing your chest to his. āI donāt need you to do a running start, sweetheart,ā he says, tilting his head to the side, āIāll just lift you.āĀ
āLast time I laughed so much you dropped me.āĀ
āExactly, you laughed, and this is serious.āĀ
The world isnāt mild here. Car horns beep and tyres crunch asphalt. You can hear children, and singing, and a walkie talkie somewhere in the Super 8ās parking lot. The pool pumps gargle and Peterās breath is half laughter as he pulls you further from the sidelines, ceramic tiles slippery under your feet. In the distance, you swear you can hear one of those songs he likes from that poor singer who died in the Wolf River.Ā
Heās a beholden thing in the sun; you canāt not look at him, all of him, his sculpted chest wet and glinting in the sun, his eyes like browning honey, his smile curling up, and up.Ā
āYouāre beautiful,ā he says.Ā
You rest an arm behind his head. āThe rash guard is a good look?āĀ
āSweetheart, you couldnāt look cuter,ā he says, hands on your waist, pinky on your hip. āI wish youād mentioned these shorts a few days ago. I wouldāve prepared to be a more decent man.āĀ
āYouāre decent enough, Parker.āĀ
āMaybe now.āĀ
āWell, if things get too hot, you can always take a quick dip,ā you say.Ā
Youāre teasing, but Peterās eyes light up with mischief as he calls, āOh, great idea!ā and lets himself drop backwards into the water. You pull your arm back rather than go with him. You canāt avoid the great burst of water as he surges to the surface.Ā
He shakes himself off like a dog.Ā
āPete!ā you cry through laughs, wiping the water from your face before the chlorine gets in your eyes.Ā
āIt just didnāt help,ā he says, pulling you back into his arms, āyou know, the water is cold, but youāre so hot, and I actually got a pretty good look at them when I was under, and youāre just as pretty as I remembered you being ten seconds agoāā
āPeter,ā you say, tempted to roll your eyes.Ā
Water runs down his face in great rivers, but with the dopey smile heās sporting, they look like anything but tears. āTell me a secret?ā he asks, dripping in sunshine, an endless summer at his back.Ā
A soft smile takes your lips. āNo,ā you say, tipping up your chin, āyou tell me one first.ā
āWhat kind of secret?āĀ
āA real one,ā you insist.Ā
āOhā¦ā He leans away from you, though his arms stay crossed behind you. āOkay, I have one. Ask me again.āĀ
You raise a single brow. āTell me a secret, Peter.āĀ
He pulls your face in for a kiss. His hand is wet on your cheek, but no less welcome. āI love you,ā he says, kissing the skin just shy of your nose.Ā
Youāre lucky heās already holding you. āI love you too,ā you say, gathering him to you for a hug, digging your nose into the slope of his neck as his admission blows your mind. āI love you.āĀ
Peter wraps his arms around your shoulders, closing his eyes against the side of your head. You canāt know what heās thinking, but you can feel it. His hands canāt seem to stay still on your skin.Ā
The sun warms your back for a time.Ā
Peter lets out a deep breath of relief. You lean away to look at him, your hand slipping down into the water, where he finds it, his fingers circling your wrist.Ā
āThatās another one to let go of,ā he suggests.Ā
He peppers a row of gentle kisses along your lips and the soft skin below your eye.Ā
You and Peter swim until your fingers are pruned and the sun has been blanketed by clouds. You let him wrap you in a towel, and kiss your wet ears, and take you back to the room, where he holds your face.Ā
āIāll start the shower for you,ā he says, rubbing your cheeks with his thumbs, each stroke of them encouraging your face from one side to the other, just a touch, ever so slightly moved in the palms of his hands.Ā
āDonāt fall asleep standing up,ā he murmurs.Ā
Your eyes close unbidden to you both. āI wonāt.āĀ
He holds you still, leaning in slowly to kiss you with the barest of pressure. Every thought in your head fades, leaving only you and Peter, and the dizziness of his touch as he lays you down at the end of the bed.Ā
ļ½”š¦¹Ā°ā§ā.į
please like, comment or reblog if you enjoyed, i love comments and seeing what anyone reading liked about the fic is a treat āthank you for readingā¤ļø

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me: i just want to be included!
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It's punk to be a good person š¦øš»
griffin lovell doodle bc im stuck on a babel brain rot
Babel, by RF Kuang, is fun cause the first half is sad but also really sweet and hopeful and relatively low stakes and youāre like āaw this is nice, found family, thanksā and then suddenly itās the most intense most emotionally heart wrenching book youāve ever read in your life so thatās cool I guess.

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Make Me Happy
pairing. griffin lovell (harley) x gn!reader
synopsis. you and griffin are on your way to wreak havoc on liverpool, but before you can get there, you end up in a slippery situation.
notes. this is more of a character study for griffin as i get more accustomed to writing for him. i do intend to write something for y'all actually arriving and completing your mission in liverpool, but i wanted to get more comfortable with the dynamic i imagine he has with reader first. ignore the occasional ooc, i swear im working on it.
additional warning for discussion of political topics. i like to think i am well informed, but i am certainly not a literary academic like kuang. i dont have her vast knowledge of language or close fondness for classics, that allow her to reference them throughout her works in tasteful ways. she clearly researched 1830s politics and history in a way i am not familiar with. i am just a stem student, with way too much to say about chemical bonds and entropy. so. be warned that the political conversations here are limited to what i feel as though i can accurately represent. i tried my best. thank you for understanding.
word count. 4.5k
part 2
āYouāre going to start growing icicles,ā You chide fondly.
Griffin casts you a sullen, narrow eyed glance from over his shoulder, even as he shivers stubbornly. āYes. Itās a bit cold out.ā
You snort, mindful of your steps over the icy cobblestone beneath your feet as you follow behind him into Stafford. The market town bustles around you, with carriages narrowly dodging out of your way and small town dogs nipping at each otherās heels as they scurry along the alleyways between buildings.
āIt's been snowing since dawn, and itās only going to get worse later,ā You press on, despite seeing how Griffinās body tenses. āIf you werenāt so insistent on being miserable, you could borrow myāā
Griffin halts, turning around to face you. āCut that out.ā
You grin. āI hardly know what you mean.ā
āI need an ally, not a nanny,ā He says, and through one of the holes in his pockets you can see his balled up fist.
āThen consider me the Patroclus to your Achilles.ā You mock salute, grinning even wider at how his nostrils flare.
āI donāt see you taking any spears for me.ā
āNonsense, I would gladly fight the gods and go to war for you.ā A beat passes. āYouāve seen me take on Anthony when heās irate for your sake, is that not close enough?ā
It's true, Anthony and angry donāt really belong in the same sentence, but Anthony tends to have similar feelings about Griffin being unsupervised with gunpowder.
To his credit, Griffinās expression smooths, though you can tell heās not pleased, simply tired of your nonsense.
āA drink then,ā You try again, determined to keep his fingers from freezing off. If he wonāt take your help, at least the alcohol will warm him up. āItāll hold you over until we get to the lodge. Weāre not in any rush.ā
Griffin fixes you with a scrutinizing look, eyes darting over your features as he searches for any trace of mischief or patronizing.
āYouāll get the bill,ā Griffin finally concedes. Heās walking again before you can gloat, leaving you to scurry after his brisk pace.
You smile, a skip to your step. āWhen do I not?ā
It doesnāt take long to find a pub, tucked tightly between a brothel and a poorly stocked convenience store. It smells of grime and something sticky, with too many scurrying shadows resembling rodents in the corners, but no one acknowledges you both as you enter and that is the best you could ask for.
Griffin slips into the farthest empty table of the bar within a few quick strides, pushing out the chair opposite of him with a stretched leg. You gladly take a seat, knees brushing with his under the table.
āWeāve still got a five hour walk,ā You sigh, elbows resting on the tabletop to support the weight of your head in your hands. āMaybe we should get something to eat too.ā
Griffin raises a brow, lips quirked up knowingly. āWith what allowance?ā
You slap your pockets confidently, only to realize they are a lot more empty than you remembered. You laugh nervously. āWeāll grab something to eat at the lodge then.ā
Your stomach loudly disagrees, and Griffin shakes his head with a low huff of amusement.
Youāre a third of the way between Birmingham and Liverpool, and a week ahead of a shipment that is supposed to be coming in containing enough silver to feed an army.
Well, if the letters from Griffinās correspondents are correct at least.
Heās always vague about the details, and even more secretive about his letterās recipients. Duo missions like this one are dangerous for that reason.
Griffin likes being in control, likes knowing. He has a hard time relinquishing that advantage, even when it would benefit you both. Even though youāre supposed to be partners.
You like him so much that you let him lead you blind.
Unfortunately, the danger is a very large part of Griffinās allure and thrill. With him, the not-knowing and mortal peril is enough to keep you distracted from the much more frightening aspect of your relationship.
āDonāt drink,ā Griffin warns, frowning at how you study the menu posted over the bar. āYouāre already bundled like you're preparing for a Baltic winter, and Iām not babysitting a drunk the rest of the way to Newcastle.ā
āIām hardly a lightweight, take it easy,ā You wave him off, smiling at the barmaid when she catches your eye. āBesides, Iām paying.ā
Griffin gives you an incredulous look.
You make a gesture with your hand, signaling for two drinks and the barmaid nods. Turning back to Griffin, you return his cynical expression with a curl of your lips.
āAt least one of us needs to have a good time.ā
āIāll have a good time in Liverpool when we blast those British ships out of the water,ā Griffin says gruffly, foot tapping the floor. The pub is loud, loud enough that you almost donāt hear him; thankfully so too.
āIām sure you will. I know how hard youāve been working on those little explosives of yours,ā You say, a little morosely. You certainly arenāt jealous of bombs for hogging all his attention, because that would be ridiculous.
āDonāt patronize me,ā Griffin bristles. āTheyāre not little. Weāre not going to want to be anywhere near them when they go off.ā
āI know, youāve given me the safety drill at least forty times now, grandpa,ā You say, rolling your eyes.
Griffin is right though, heās getting better at making more destructive weapons and match pairs. He has a real knack for handling gunpowder and all things deadly, picking and patching himself up every time he makes an error.
You're convinced the only reason he refuses to replace his second skin of a coat is because it holds practically a warehouse of weapons in his intricate inner pocket system heās sewn in.
No, that you sewed in for him. He came to you one night with pricked fingers and an exasperated expression, needle and thread in hand. He hadnāt even needed to ask, you just took the coat from him and told him to retrieve it in the morning.
You stayed up all night sewing a second layer into the coat, hiding the seams of the pockets inside, allowing for better insulation and a sturdier structure. Griffin was very quiet when youād given the coat back, and practically avoided you for weeks afterwards.
You donāt take it personally.
You also try not to take it personally that he hasnāt come to you to fix any of the tears or tiny holes in his coat since.
A strained silence falls over the both of you. Griffin watches the other bar patrons carefully, no doubt making note of their conversations and pocketing what little information he can gather. Part of you wishes Anthony was here to cheerfully smooth over whatever tension has been so clearly bubbling between you and Griffin.
Your relationship with him is clearly hurtling towards⦠something. These past few months have felt like you both have been in a dance that only you and him know the steps to. Itās like riding tidal waves of great highs, where you both laugh and argue and delight in one anotherās presence; and immense lows, where Griffin pushes you as far away as he can and disappears like smoke between your fingersāor refuses to answer any questions you have for him, only providing you as much as he deems personally necessary.
The lows are typically caused by your stubborn attempts at getting him to be more vulnerable, though. God forbid you try to get him to eat a little more, or stay in one place long enough to have a full night's rest. What an unforgivable sin it is to want to see him cared for; warm, soft, and happy.
He pushes, you pull.
āLiverpool is going to be colder,ā You finally break the silence, turning away from Griffin to avoid his frustrated stare and flag down your waiter.
āWe arenāt going to be in Liverpool long,ā Griffin says, still glowering even as his drink is set before him.
āLiverpool is going to be cold and wet,ā You insist anyway.
āIāll be fine.ā
āYou really think I need two scarves and extra socks to stay warm?ā
āYou were the one who insisted on bringing them,ā Griffin drawls, skirting around your attempts with practiced ignorance.
Despite how often he comes to you for help, Griffin hates being cared for. Or well, you suspect it has less to do with hate, and more to do with uncertainty. Youāre not sure anyone has ever cared for Griffin, at least anyone he can remember. Knowing how to give and take is a difficult skill that Griffin has made very clear he has no intention of learning.
He simply takes and you let him. Because one of these days youāre hoping heāll take what he really needs.
The same awkward silence from before settles over you both again, except this time youāre peeved. You sip at your drink leisurely, listening in on other conversations to try and distract yourself from how Griffin is currently burning holes through your skull with his stare.
It's not like you donāt understand where heās coming from. Heās made it abundantly clear he can take care of himself. You yourself have fought tooth and nail to prove the same to your colleagues.
But you donāt understand why he has to fight you, too.
āI saw you with your little brother,ā You cave impulsively, because you canāt stand being in silence with Griffin when heās so clearly using it as a way to punish you.
āOh? So youāre following me now?ā Griffin does not raise to your bait, instead flipping it on you with an air of nonchalance. āDidnāt take you for the type.ā
āNo, not like that,ā You scramble to find the right words, flushing a little at the ears from how pleased Griffin seems to have caught you off guard. āIām surprised you didnāt notice me, you were walking through Kennington. I thought I was seeing double.ā
āAnd?ā Griffin asks, tilting his head and crossing his arms. āWhat did you think?ā
āI think you both have the same hair and facial structure, but thatās about where your similarities end,ā You say, being intentionally vague.
āPerceptive,ā Griffin laughs, āWhat gave it away?ā
āHe follows you like a lost puppy.ā You smile despite yourself. āHe hasnāt got a clue in the world.ā
āYou were like that once too,ā Griffin points out. āYou loved Babel almost as much as he does.ā
āHardly,ā You object, smile falling. āIt wasn't Babel I was in love with.ā
For some reason, this sentence seems to put Griffin on edge. āThen what was it? Certainly not the galas, we could hardly get you to show up to them.ā
āMy stipend,ā You sigh dreamily.
Griffin rolls his eyes with an exaggerated motion.
āIād give anything to be paid for learning again. I miss when I used to be able to blow half my budget out on sweets and drinks. I didnāt know how good I had it,ā You plow on, bemoaning your youth.
āYes, thatās how they get you, buffets and crisp new clothes, a cozy apartment and a filthy income, it really keeps you distracted,ā Griffin sneered, and you can tell that you have set him off.
Part of you understands that this argument is useless. Griffin already knows everything you have to sayāthis topic has been practically beaten to deathāyet itās still one of his favorites.
Maybe he likes seeing you get frustrated. Maybe itās revenge for how uncomfortable you make him with your attempts at coddling. Whatever the case, youāre determined to not let him win.
You force your limbs to relax despite how on edge his tone makes you.
āIām assuming your brother is neck deep in it, too,ā You say carefully, trying to redirect his ire.
āOf course,ā Griffin replies brusquely. āHe especially loves living in both worlds. Helping Hermes seems to be more of an adventure than a reality to him.ā
āHe's going to get hurt,ā You realize aloud, watching as Griffinās nostrils flare at the suggestion. āHe hasnāt got a clue how much danger heās in.ā
āPerhaps,ā Griffin admits, and it sends a chill down your spine.
You quickly shove the thought of Griffinās insecurities being taken out on his younger brother in such an indirect, and almost cruel way, out of your mind. You try very, very hard not to think of the wide eyed, giddy look on Robinās face when he spoke with his brother so eagerly. You have to trust that Griffin wouldn't be so indifferent to leave him like that to the wolves.
āHeās not the only one,ā You resign yourself to having the more difficult conversation with Griffin, because clearly, speaking about his brother is going to get you nowhere. āSeems like this whole country is asleep.ā
Griffin regards you thoughtfully, before nodding in agreement. āItās a miracle at that, with how many slip-ups parliament makes, itās through sheer economic dependency that this country maintains itself.ā
āItās through parliamentās exploitation that this country is up and running. The wealthy like acting as though theyāre so above the common person that they hardly realize they need them for their daily lives to function,ā You say, grateful that Griffin dropped the topic of his brother so easily.
āAnd the colonization of practically every surrounding country and their people for monetary gain, but sureā letās discuss how the average British citizen is playing an active role in that.ā This is Griffinās favorite point of argument. You know he loves talking about it, loves getting heated over it, and loves rehashing it at every opportunity you allow him.
āI think the radicals and recent strikers would disagree with you, but be my guest,ā You make a sweeping gesture with your hand, as if giving the floor to Griffin.
āTheyāre relying on human selfishness. Relying on the average personās desire to live a complicit, easy life. Itās the same selfishness that they then use to exploit those people.ā Griffinās hand moves in quick, open gestures, his tone bordering on lofty.
āI donāt think wanting to live is selfish,ā You counter, pulling your gloves from your hands and laying them flat on the table. āI think theyāre spinning the common person in circles with entertainment and commodities until theyāre so dizzy they donāt realize how far down theyāve been pushed. Itās hard to worry about how small the bubble of wealth is, when your biggest concern is whether or not youāre going to make it home after a day of work.ā
Griffin laughs. āExcusing the willful negligence of Britainās violent oppression makes you just as much of a bystander. What happens when itās the common person who is the oppressor? What happens when it isnāt about wealth, but instead, imagined racial superiority?ā
You untwist one of your scarves from your neck, sighing, āThese people do not understand that what theyāre living in isnāt normal because they have never known anything else, and their government certainly isnāt going to promote their education if it means theyāll rise against themā and you know they wouldāā You cut the growing argument you can already see Griffin building at your words. āOnly the wealthy can afford education and thatās why they donāt care about the violence of their empire, because they are the direct beneficiaries of it.ā
Griffin chews harshly at his chapped lips, ripping at the dead skin until it bleeds. His gaze is focused intently on the figures entering the bar, his foot hitting the ground in quick tapping motions.
āBritain needs a culture shock. An average working person is more empathetic than you might imagine. I know theyāre cruel and I know youāve seen more of it than I probably ever will, but the point still stands that we need their help,ā You lean over the table to reach a hand out, pushing one of the longer strands of hair from Griffin's face. It's a little wet from the snowfall outside, which has now melted, matting it to his head.
Distantly, you think of cutting it for him, and wonder what kind of devil deal you would have to make for him to agree to that.
It's your turn to grin at his off guard expression, how he flinches away and glances between the crinkles at the corners of your eyes and your fingertips. You pull your hand back into your lap. āAt least, thatās why Iām doing this. I think the common folk are smarter than we give them credit for. This empire, this worldā it doesnāt change until they do. Until they call for change.ā
āYouāre living in a fantasy world where you imagine these people are going to wake up and realize all their wrongdoings. They wonāt. They are cruel creatures. Being uneducated doesnāt stop them from following in parliament's footsteps, I know youāve seen it,ā Griffin says, scooting his chair further from the table and taking his drink with him. He is looking anywhere but you.
āWell, that too,ā You concede, āIād like to find a way to get them to direct all that violence towards the people theyāre truly mad at. Itād be nice to see it happen in my lifetime.ā
Griffin barks a laugh. āGood luck.ā
Taking a swing of your large pint, you swallow the golden ale of your cup until itās halfway gone. Setting the cup down, you lean forward until your forehead hits the table with a thud, fingers still clutching the handle of your drink. With the taste of the liquor still simmering on your tongue, you find the confidence to criticize him openly. āYou have no faith in humanity.ā
āI have no faith in racist Brits with superiority complexes that stem from misguided preconceptions set by their government,ā Griffin reiterates, āOne that is playing them all for fools.ā
āExactly, theyāre playing them for fools. That's why we have to do something about it.ā You lift your head to take another drink, then clink it back down. āHow many more stealth missions is it going to take before we start getting our point across?ā
āAs many as it takes.ā You can feel Griffin trying to tug your drink from your hand.
āAs many as it takes until it kills us,ā You grumble cynically, laying your cheek on the table to peer up at Griffin as he finally manages to take your ale away from you.
Griffin is very silent, and very still. Heās watching you with an expression you canāt discern. His eyes are like two dark clouds, storming with volatile emotion and the briefest flicker of forlorning. It stirs the same somber feeling in your gut that you get when it rains.
With a blink itās gone, back to his meticulously crafted mask of indifference.
You exhale until your whole body is slack, forcing yourself to look away from him.
āNo, get up. Youāve had enough time to rest. I want to arrive before sundown.ā Griffin moves to stand, pushing both your drinks to the furthest edge of the table from you.
You catch one of his feet between your ankles before he can fully retreat, linking them together to trap him. He yanks his foot, but you press your legs together tighter, grinning at the annoyed look he gives you.
āDo you enjoy being difficult?ā He asks, eyes flinty.
āOnly when you look at me like that,ā You tease, lifting your head to blink at him through your lashes.
Griffin practically rips himself from you, forcefully pulling his foot from your grasp in a way that leaves your ankles stinging. He stands very abruptly, enough so that several other bar-goers peer over to see what the commotion is about.
Scooping up your gloves and scarf, Griffin takes them in one hand and slaps some pence on the table with the other. Nevermind how he insisted that you be the one to pay.
Youāre hoisted up to your feet by your wrist, and then practically yanked all the way out of the pub. You trip over your feet, a mixture of alarmed and uncoordinated, only managing to balance yourself when Griffin stops near an alleyway down the street.
He faces you with a sour expression, the muscles of his jaw clenched tight. You very much wish you had listened to his advice, because you can already feel your head starting to grow fuzzy. It was a lot warmer in the pub, and being back outside with all the snow and ice isnāt doing your senses much good.
Griffin loops the scarf you took off earlier around your neck, wrapping it tight and yanking. You stumble slightly, reaching out to support your balance on the building wall beside you.
āGriffāā Your voice is muffled as Griffin shoves your gloves in your face, holding them there even as you freeze up with momentary confusion.
He only lets go when you bring your hands up to cup his own, fingers brushing against his and the knitted fabric of your ratty gloves. Part of you wants to be upset with him for making a scene at the pub, to say something smart like you always do and start another argument. You have half a mind to scold him for being so careless with your things and dragging you like a doll.
You donāt say any of that. Through the fabric on your face, you say, āThank you.ā
Griffin takes a step back, eyes darting elsewhere as he gives you a stiff nod. āYou can thank me by keeping up, Iām serious about not babysitting.ā
It must be the alcohol, perhaps the cold, or maybe even your imagination that has you seeing a reddish tint at the tips of his ears.
He's running away again, his coat flourishing like crow wings behind him as he practically power walks off. His lean, haggard form strides quickly, halfway down the street before he notices you arenāt following.
āAre you deaf?ā He asks, though thereās no bite to it.
Your heartbeat is loud, and your face feels unusually flushed. You blink at him several times before coming back to reality and scrubbing a hand over your face to clear your mind. That was weird.
āSorry, I think hearing your voice all the time finally did my ears in,ā You apologize once you catch up, mindful of where you step to avoid where the road is iciest. āOnly so much abuse they can take.ā
Griffin elbows you, perhaps a little harder than necessary, and you chuckle as you pull on your gloves. You mean to return the gesture in the same playful way he had done it, but when you go to shove Griffin, you seem to forget that he is a lot lighter than he looks.
Perhaps if he had taken your endless droning about eating three full meals a day, he wouldnāt have fallen over so easily.
Griffin slips, the worn soles of his boots sliding against the slick, icy cobblestone. Youāre barely a snort into laughing at his desperation when one of his hands manages to find purchase at your wool scarf, yanking you down with him.
You screech, making a mad attempt to scamper away, but itās no use. Griffinās shoulder collides with your nose. Your knee knocks against his thigh. Thereās a brief moment where you consider pulling his hair just to piss him off further. Instead, you both push against each other helplessly to stay standing. The descent is ridiculous and humiliating, with you both landing on your asses in a spectacular heap; cold, wet, and bruised. But youāre still laughing, slapping at Griffinās bicep to try and get him to release your poor stretched scarf.
Itās nearly impossible to breathe, and even harder to care about the strange looks you're both getting. Griffin looks somewhere between wanting to murder you and wanting to die himself.
But when you finally manage to calm your giggle-fit and meet his eyes properly, Griffin is no longer red in the ears with shame.
For the briefest moment, something tender crosses Griffinās face, so soft and vulnerable that your breath catches in your throat.
Itās gone in an instant, but the sight of it is burned so deeply in your memory that youāre certain it is the only thing youāll be able to think about as you toss and turn before you sleep.
Itās only then that you realize youāre practically laying on top of him, limbs tangled in a dramatic display. You flush, scrambling all over again to give him space. When you finally manage to make it back to your feet, you offer Griffin a hand, but he waves you off.
āI think youāve helped enough,ā He grumbles. His feet are more stable under him this time, and he takes care to not flail around the same way you had. āI distinctly remember telling you not to drink for this exact reason.ā
You canāt help yourself. Youāre giggling again, even as Griffin fixes you with an exasperated glare. Part of you acknowledges that this, surely, is where you apologize for embarrassing him; but you canāt find it in yourself to feel sorry for him.
Guessing from the twitch of Griffinās lips that he is trying to smother, he isnāt really bothered by the new bruises youāve given him either.
āYouāre ridiculous.ā
āThank you, Iām brushing up my act for when the circus comes around.ā
āAs if anyone would pay to see your sorry face,ā Griffin snarks.
Youāre determined to crawl under his skin, live in the dirt under his nails, and grow from the roots of his hair. You shove him again, and his brief expression of panic fills you with vindicated satisfaction.
āAsshole,ā You smirk.
āCheeky shit,ā Griffin grins back, wolf-like and all teeth.
Maybe heās finally ready to let you.
You both break into fit of laughter, with Griffin keeping his to a low chortle. You kick his shin, dodging out of the way when he shouts and tries kicking back at you.
It's like youāre kids again, racing through the streets of Oxford without a clue where your future will take you besides a cushy position among other honored academics. Hopeful, bright, and so wonderfully oblivious.
After a few minutes of chasing each other through the back alleys of Stafford, you find yourselves at the edge of town. You're huffing, and Griffin manages to catch up, knocking the back of your head playfully as he strolls past you.
From over the top of his shoulder, you can see the way his cheek curves, rounding up with what you know to be his crooked boyish smile, that he hides the best he can from the world.
You have no idea where this feeling you have for him is going to take you both. Youāre not even certain you want to find out if it means jeopardizing what you have now. But you do know that it grows a little stronger at the sight of his smile, and maybe thatās enough.
jokes to make after failure that arenāt self-deprecating:
Iām the best to ever do it
Nobody saw that (best if said loudly)
No oneās ever done it like me
I could be President/they should make me President
Behold, a mere fraction of my power!
The public wants to be me soooooo bad
Iām an expert in (thing you just failed at)
How could this have happened to godās favorite princess?
Nothing ibuprofen and a glass of water cant fix
Iām being sabotaged
demisexuality can be so hard to explain because itās misconstrued as you just wanting to trust the other person before you have sex with them. and I get why the misconception happens. But demisexuality differs in that there isnāt sexual attraction at all before that bond forms.
I think what people have difficulty with is the idea that there are people out there who arenāt experiencing sexual attraction at all until a certain point, if ever, because weāre taught that sex, libido, and sexual attraction are all the same, both in and out of queer spaces.
And when youāre learning about asexuality and demisexuality, you may learn that people have romantic and aesthetic attraction separately from sexual attraction, and that sexual and romantic attraction arenāt necessarily intertwined, and that may challenge your worldview on sex.
But āI trust you enough to have sex with youā isnāt the same as āIām not sexually attracted to anyone but you, and the reason Iām sexually attracted to you now after weāve established this close bond is literally because of the bond of trust weāve been able to formā.
Itās easy to see how those can get conflated. On the surface, if youāre unfamiliar with asexuality, they may sound the same. But itās important to acknowledge the difference between āno sex until I trust youā and āno sexual attraction unless I trust you and maybe not even thenā.
Demisexuality is housed under the asexuality spectrum. Itās part of the gray area between being allosexual and asexual. Itās part of why the definition for asexuality includes ālittle to no sexual attractionā. Itās a mostly asexual experience with an asterisk.
While being demisexual may have impacts on a persons sexual activity, even demisexuals have a varied relationship to the act of participating in sex. Libido and sexual attraction are not always intertwined either, which can make telling the difference tricky.
I think of sexual attraction as libido that has a compass. Since I rarely ever experience sexual attraction, but do have libido, itās noticeable for me when that libido actually has a direction to go, rather than being a floating, nebulous, independent thing.
Remember, not everyone is demisexual. Thereās a difference between waiting to have sex and not having sexual attraction at all until a certain point. This also inherently ties demisexuality to romantic attraction and relationships, and not all demisexuals are alloromantic.
But if you read what demisexuality is and think āeveryone is like thatā or āthatās just being a womanā, you either 1) are demisexual 2) donāt understand what it is or 3) both. And itās okay to not know. Just as long as youāre willing to try to learn.
3rd years -> pro heroes š°š„¦š„
i'm too proud to talk to you anyway !
synopsis : but if you do, don't you know, that i don't mind...
an. im pretty sure this is the first time ive ever written non bf katsuki/ non childhood friend suki ever...im going thru withdrawal eugh...n e wayss! i thought this was a cute silly concept and i hope i did well ! hope yall enjoy :3
cw. nothing i think ! fluff, forced proximity i think ? katsuki's a potty mouth but..it's katsuki, reader is a sweetie, reader says thank you and sorry a lot so i mightve been projecting a bit sorry twins lolol :P, katsuki is referred to as bkg and it hurts my heart..like thats my man we aint casual </3 katsuki is lowkey pining but unaware and in denial, reader is in the bksquad ! lmk if i missed sum else !
shit, shit, shit. you were this close.
you pant and groan in annoyance, seeing your train about to depart just as you arrived at the terminal.
shit, you knew you shouldn't have slept in !
you loved taking this train because it never got too full. sure, there were always people commuting early but you had the luxury of not being squished to death in a train that, by the time you got to school, resembled a can of sardines.
you could make it, you were a hero-in-training ! you'd built up your stamina for moments like this...probably ! definitely !
so you continue running with all your strength, you don't think you'd ever run this fast just to catch a train in your life, but you remember what happened to kaminari when he ended up late during mr. aizawa's morning class and you'd rather not have to run extra laps.
so you run, and before you can reach for the doors, an arm stops them from closing just in time for you to jump in.
thanking everything that was holy, you jump in ready, to profusely thank your saviour. but you stop short when you realise who had saved you.
one of your classmates, bakugou katsuki.
"oh." you can't stop yourself from releasing the sound when you see him, but manage to fix your face and offer him a smile.
bakugou squints at you, scoffing before looking away.
well, you'd expected something like this.
you didn't talk to bakugou much. you'd always found him and his quirk amazing, especially during training, and he was actually a really good sparring partner. he took you seriously and he was more clever then you thought he was.(with the way he was always rushing into fights head first)
he also gave you a semblance of advice one time, at least you think so...there was definitely some type of advice hidden in between all that cursing.
but he was objectively quite the asshole.
the only reason you even started hanging out was because kirishima liked to invite him to hang out with you all during lunch. sometimes he tagged along, and sometimes he told him to fuck off. but kirishima always being determined and naturally friendly never stopped asking him. you assume that's why he'd been coming along with you guys more often now. guess nobody could resist the boy's manly charm.
and yeah, he was a dick. but you had to admit his quips and his back and forth with sero was pretty funny. the problem was that you have a feeling he doesn't like you. you specifically, for a reason you're unaware of.
you'd never been rude to him, not even teasing him as much as the rest of your friend group did (watching him blow up was always funnier anyway) but despite that it just seemed like he couldn't tolerate being around you for some reason. he always keeps his responses short and snippy, never even looking your way when you tried to strike conversation.
kirishima had told you once he was probably "just awkward, he's just that kinda guy ! maybe he's just too shy talk to you !" which you highly doubted but decided to keep your mouth shut.
you won't force conversation with him, you had no obligation to. but you do feel thankful that he hadn't let you embarrass yourself. and you really wanna thank him.
it takes you a few minutes to catch your breath, and three stops to find the courage to actually talk to him. but before you can open your mouth again, a huge group of people storm into the train, leaving you to gasp in surprise.
what the hell ? there aren't supposed to be so many people here, at least not in your sacred train !! what was going on ?!
to your utter dismay and irritation, you're being pushed and shoved around for other people to claim their places, growing more annoyed at the people shoving and insisting their was space and telling others to "please move along!"
"fucking hell..." you mutter, irritated.
"could fuckin' say that again."
you look up to see bakugou looking ahead at nothing. his scowl is ever present, if not harsher, and he grunts when he feels someone shove his shoulder, shoving them back with a growl. must be nice having balls of steel.
"oh, woops. sorry.." you apologise, trying your very best not to press up against him too much. despite the train crowding more and more.
"whatever. just stop squirming."
"it's not like i'm doing it on purpose !" you hiss defensively. bakugou rolls his eyes, but remains quiet.
you feel an arm in you rib and instinctively lean away, thus closer to bakugou. his eyes flit down towards you, but again, he says nothing.
"ughāuhm, thank youāfor this morning." you whisper, you're close enough where you're sure he can hear you. "you really saved me back there." you joke.
bakugou doesn't miss a beat, looking down at you with an eyebrow raised "yeah well. guess i felt nice for a change and didn't want you to embarrass yourself, running after the train like an idiot."
your face warms and you furrow your brows 'i was gonna make it."
he huffs out a laugh, you think this is the first time you've seen him do anything but frown. "sure, keep telling yourself that."
suddenly, the train comes to an abrupt halt. causing passengers to exclaim and jolt around, one such passenger bumps against you, shoving you forward. you trip, landing straight against bakugou's chest. your nose hurts as soon as you make contact. you'd seen how ripped this guy was, but was he genuinely made out of fucking stone ?!
your eyes snap open when an armāhis arm, wraps around your shoulder to stabilise you, he mutters curses under his breath towards the train constructor. he smells nice. you brace yourself against his chest.
"watch it, dumbass." he warns lowly. his voice quivers just a bit, like he's holding something back.
"...sorry. my bad." you squeak. the next time the train comes to a halt, you practically jump away from each other, avoiding looking each other in the eye while still being forced so close. you do notice the way that bakugou's arm stays behind your shoulder just a little bit longer. you notice but pretend you don't. looking up at him through the corner of your eye you see the way his jaw is set tight. you quickly look away.
(you don't notice him looking at you.)
after a certain stop, the train finally empties out. you take a deep breath, giving bakugou one last glance before finding a free spot to sit and finally relax your shoulders.
you jump when bakugou sits in the spot beside yours. there weren't that many left open, but there were definitely still way more free spots away from you.
"thanks, again." you mutter, avoiding eye contact.
bakugou grits his teeth, groaning like you saying those words pained him. or irritated him (or both.)
"stop thanking me, just didn't wanna get knocked over. fuckin' bastards fell limp like a stack of dominoes.."
his response makes you snorts unexpectedly, "yeah, it's usually not this full."
"s'cus the previous train got cancelled. somethin' about an accident." your classmate explains.
you blink in surprise, was bakugouāyour most explosive antisocial classmateāactually having a genuine conversation with you ?!
and suddenly you can't think of anything else to say besides "oh, makes sense."
"well, anyway...even if you didn't mean to, i'm glad. means i won't have to get crucified by mr. aizawa for being late.."
bakugou scoffs, but it sounds almost like a disguised laugh.
the announcer calls for the next stop, two more stops and you'll get off.
then, a lightbulb.
"oh, hey. i didn't know you took this train too ! i've never seen you."
bakugou doesn't look at you, squinting at himself through the opposite window, his leg bounces.
"usually sit in the front."
you raise an eyebrow "what made you come to the back ?"
"q-quit questioning me, dammit ! your ass should be grateful i was even in the back so you didn't fuckin' slice your hand off !"
now this was more like the bakugou you were familiar with, and for some reason this puts you at ease. you laugh at his defensiveness, and bakugou visibly un-tenses. he leans back and rests his head into his palm, muttering about you being "so damn weird..."
you manage to arrive to school without any further hiccups. and despite bakugou not actively making conversation with you, his strides almost match yours, like he wants you to catch up to him. and even though he barely gives you a nod when you wave at him later in between classes, you feel like you've gotten closer to him somehow. anyway, you're just glad to know he doesn't despise you.
when kirishima invites him to hang out during lunch today and you and your other friends wait for a response from him, some of your friends egging him on, you catch the way his eyes meet yours before he reluctantly agrees, calling your friends "fuckin' clingy".
he sits next to you during lunch.
kaminari whines about it, saying something about how he stole his spot.
"you snooze you fuckin' lose, dunce face." bakugou quips, causing your table to laugh.
unbeknownst to you, bakugou wonders why he'd decided to agree to hang out with you all more and more often lately. you and your lame ass friends had become a constant nuisance in his life. especially you.
ever since he'd noticed you, really noticed you and your strength when you'd paired up with him during training, you'd always been hanging in the back of his mind. your voice was always the first one he heard in crowds, your face was always the one he just so happened to look for see first, and your stupid perfume seemed to cling to him everywhere he went, ultimately always leading him to you.
shit, you were really fucking annoying.
unbeknownst to you, bakugou wonders why he decided to sit in the back as well.
( taglist ! )
@jastoo46 @cecelia77 @erenstitanweave @closehereyes @stoned-anime-babe @taxavoider @yannvi @sugurusmoon @allurearia @kaerotica @wonubby @cupidsblonde @catsoupki @ita606 @andysdrafts @omitea @lili-of-the-vally @serpent-hearted @ghostorchidd @shewki @pirana10 @witch-craft-works @kanvis @okkotsuus @dragonscribble @emmiesarchive @screaming-dough @napbatata @cacaandweewizzsstuff @redollface @meowsannie @katszumi @m-inluv @monchurie @the-hangry-otter @starlostlaiba @moonshuul @katsus-mistress @dondeh-zedonutqueen @liluvtojineteyam @aspiringwriter1111 @redvelvetstan1 @niktwazny303 @nemisimp @kit-katsukii @alphasage @milktea-academia @qyuin @bakugouswaif @themultifandomgirl @icey-wonders

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Twin stars
DEAD GIRL WALKING: the world is ending, yet they cling to hope ā document their last days online. gain a following, even. they make some friends, lose a few along the way. but what happens when they find out sheās infected?
an ITAFUSHI X READER blended (both social media & written) au loosely based off of hboās THE LAST OF US and slightly influenced by arcane and bones and all, with final girlism from scream 5.
main masterlist š jjk masterlist š other series
status: ongoing āÆāÆāÆāÆ taglist: full and closed, 50/50
backpack of contents
dig in the pockets, front and back zippers. extras: š THE PLAYLIST THAT WILL RUIN YOUR LIFE š A DUSTY STACK OF POLAROID PICTURES š WHAT TO DO IF SOMEONEāS INFECTED
love, keep your eyes on the road. tags: freader, apocalypse world, non curse au, two plots, found family, some platonic dynamics, antagonists, lots of written content.
itās not just the zombies you need to be afraid of. warnings: language, angst, gore, medical terms & discussion of infection, suggestive content but no smut, drinking/smoking, major character deaths, dark/crude humor, grief/coping.
please check individual chapter warnings before reading!
TEASER TRAILER
SOUVENIR: EGGSHELLS į°
DAY ZERO: IS THIS THING ON?
SOUVENIR: POCKET KNIFE
DAY ONE: BOTH REACHED FOR THE GUN į°
SOUVENIR: PURITY RING į°
DAY THREE: SPITFIRE
SOUVENIR: BOA CONSTRICTOR į°
DAY FOUR: PICKED OUT FOR YOU IN TOKYO į°
consider reblogging, leaving a comment, or sending an ask to show some love! thank you for reading dead girl walking <3
gen. taglist: @sin4satoru @kissunday @strawbberi @nekozaki @chososcamgirl want to be on the general taglist? just send me an ask like āgen for jjk plsā! reply to this post, for this seriesā taglist.
authorās note planned to finish altima before posting this then I remembered this is my blog my life and I get to do what I want so
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