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@iamatck
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moving country:
reverse culture shock:
person who doesn’t think reverse culture shock is a thing:
person who just wants you to act normal, you know, like act like you’re from here again:
me, losing it over every little thing:
I've been living in America for nearly 7 years now and the are still so many things I don't understand.
Why does no one ever return their shopping carts?
Why are the scones triangular?
Why don't the drivers ever use their indicators? Like, ever.
What is that inch wide gap in public bathroom doors all about? Why do strangers need to see me pee?
And why oh why are the bathtubs so TINY
Reblog if you are a "Third Culture Kid"
Just curious how many other TCK’s are on tumblr
Third Culture Kid - being raised in a country that you’re parents are not from and you are not accepted as part of that culture, or simply finding it difficult to answer the question ‘Where are you from? ’

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europeans when countries sing in their native language
europeans when france sings in french
Until we meet again...
And I think it’s that which most people feel right now - unsettled. Uprooted. I realize with people moving out and away from my life, our vivid globalized modern world seems to spin faster, creating an inherent homelessness. There are few people which have lived in the same place all their lives and it seems very peaceful and quiet to me, like you establish yourself in a steady environment without too much change altogether. What must it feel like not to be torn between different places, always missing someone? This nostalgic reminiscence on the one hand and then this longing for something-else, undefined, far out there. There are many advantages to being at home everywhere and nowhere, I acknowledge that. It creates a certain openness and curiosity, and it leaves you feeling that wherever you are, everyone is people like you and I and creating the possibility of being at home anywhere. It also adds to critically questioning your own cultural beliefs, norms and values. However, it leaves you homeless as well. In most countries, people at least have nationalist pride. They feel happy and proud to be of their country - and unless it includes the exclusion of others or devalue other countries, it seems somewhat healthy to me. Germans are not proud of their country. It seems, we live in a history of shadows that still hover over our present; and sometimes, I feel like that myself, haunted by the shadows of the past, living in a state of myself defined by these dark spots, unable to escape because this is me, this is who I am. We build our identities on what has formed us, our personal history, and often times, we don‘t feel like we fit into the landscape of our body and the politics of our minds.
Is it our postmodern quest for a selfhood marked by fluidity, for individuality, our religion of self-realization that actually unsettles us? We‘re taught to move beyond borders, even if these exist for a reason. I‘ve moved away from the meadows and the fences I‘ve grown up with, the dichotomies of good and evil, black and white. And I‘ve learnt that freedom can lie both within and outside of fences. Albeit, to actually have the discernment, the wisdom of which borders to keep and which fences to tear down is another skill that requires long practice.
I‘ve come to think after all this moving, after all the different places and apartments I‘ve lived in, they all leave a mark on you, a certain feeling, memory or smell in the vast rooms of your heart. You never really let go of a place. Like with a person, you can transform it in your imagination by witnessing the ongoing change there. You could also keep an idealized version of it within. I guess it‘s just the same thing as with a human being, you believe you know a place but it evades classification in its constant evolution and flux.
Why then is it that we long for a constant, a thread connecting past and present, future and all the ways we move through time and space? I‘d say that we were made for a constant place, however not as in the perfect home with the perfect garden in the ideal spot (although it is a dream many, including me, fancy - the ocean-view-home, the remote countryside house, etc.). Rather, we long for both eternity - which encompasses all spheres of time known to us, obviously -, and for a home; or more precisely - a place that enables us to feel entirely ourselves and loved, known and secure in. I agree with C.S. Lewis‘s conclusion that our hearts must have been made for a different place. I neither reject nor cling to the idea of paradise. Through all the images, paintings and popular culture it has become somewhat cliché, somewhat kitschy, and somewhat unreal. But I still believe in such a place, and I believe, it must be God‘s heart where we‘re most at home, his lungs where our breath came from, his hands that molded our shape, and his eyes that saw us before our creation, even before the beginning of (human) time and the laying of world‘s foundation. ~
You may not notice her. At first glance, she may appear perfectly comfortable — these kids are chameleons, adept at taking on the colors of each new environment they are plunged into. She looks and sounds like the other kids in her class; she wears the same kind of clothes, has the same gadgetry, carries the same backpack.
Perhaps she comes to your attention because she is having adjustment problems, like any other new kid on the block. She isn’t making friends easily, doesn’t join group activities. She is withdrawn, uncooperative, angry or disruptive. Or maybe she’s been diagnosed and labeled, but it doesn’t seem to explain everything.
She doesn’t want to talk about it. She doesn’t know where to begin.
What you don’t know and can’t see is that she is a Third Culture Kid (TCK) — a child who has moved in and out of foreign countries as her parents have transferred around the world. Born into one culture, raised among others, her identity is most closely aligned with others raised like her, moving internationally. She is not “from” anywhere. Although she was born here, for her this country is another foreign assignment. Feeling out of place is only the tip of the iceberg. She is struggling through yet another adaptation, another culture shock, another freefall.
https://www.cmhnetwork.org/news/the-trouble-with-third-culture-kids/
Source: [x]
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Hong Kong Rob Carter
Melissa Launay (1979 - ) Marmalade on toast and an orange, 2012. gouache
Knives Out (2019), dir. Rian Johnson
The game is afoot. Eh, Watson?
Chișinău, Moldova
“You are a pretty girl, but I often think your eyes have seen too much for your age.”
— Noor Shirazie, Into the Wildfire: Battle Scars

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Old Sana'a, Yemen 2013.