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I just know this is so them

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I hate how they are turning Eloise just to her being lonely and left behind by her siblings. I mean yes of course that plays an important part on someone, but Eloise would never just run to a man because she feels lonely. She wants to nurture he mind, wants to discover the world, wants to learn and challenge and change its ways, wants to explore beyond the ton, beyond society, to know what lays outside her tint bubble, wants to travel and go around the world, wants to study and be involved in politics and be a radical who fights for women's rights.
She's not waiting for a man to pick her up. Philip is her greatest misery, one that you are happily condemning her to
The Other Bennet Sister demonstrated that it is perfectly possible to tell a story about a bookworm girl in Regency times who is a little disdainful of love, who then goes through a whole arc which results in her happily marrying a man and wanting children. It also demonstrates that in order to do so it needs to be established from the beginning that a part of the girl actually does want love and marriage but convinces herself she doesn't due to external reasons. AND the show must make it clear that finding love and marriage is actually secondary, that she found her place in the world without that, and that it was a bonus but she was complete without it. AND the show must explicitly condemn the characters that try to force the girl to conform to their expectations.
So if Bridgerton wanted to give Eloise that storyline they could have set it up, but they did not, and I'll be very upset if they force it anyways.
YOU. YOU GET IT. Eloise bridgerton and Mary Bennet in TOBS certainly have trusts in common but at the end of the day, their core beliefs and desires in relation to romance are starkly different and that is FINE , it does not make either of them lesser than the other just different. Forcing Eloise into a romantic plotline goes against what has been set up for her character for an entire four seasons and is genuine character assassination as compared to Mary who grows into her character and desires throughout the story and finds romantic love like she desired which is character growth not assassination.
United against the common enemy

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Eloise Bridgerton makes me feel so deeply sad.
that feeling of growing up different, knowing there's something about you that makes you unable to be who people think you should be.
of having people in your life who you think can relate - a best friend, a sister, a brother - but the years go on and one by one they succumb to the traditional life. and you're happy for them, but-
but-
but you're so lonely
and they love you, but they don't understand. they're capable of fitting in in a way you aren't.
and your mum loves you but - does she? does she actually love you, or just the idea of what you could be.
if you were normal.
anyway if Eloise's "happy ending" ends up with her just finding the right man and proving her mother right I will end up on the news
Well, I believe I just did.
I HATED Violet this season
THELOISE WEEK 2026 | To Miss Eloise, With Love (or, Eloise Bridgerton and Theo Sharpe through pamphlets, books, and secret notes)
I'm not sure I'll ever stop being pissed off by people who think "woman who has correct views on the oppression of women and therefore doesnt want to marry being continually softened and coerced into the idea until she relents" is good writing
Jess ruined Eloise and you cannot change my mind. S4 Eloise was written with the very poorly-thought, very banal, loose trope of "she's hasn't found the right man yet/she has the wrong idea of marriage" because that's all they can give her. Just rewatch the first couple of seasons and you'll get it. Not every woman is about finding peace and love regardless of the era they are born in, Eloise is a clear example of that: she's not just scared of childbirth or of losing herself to marriage, she wants (wanted) MORE. She wanted to achieve something beyond a lord's name and yet that's all she will get in this terribly-written show that gave us queer (Franchaela) but drew the line at different classes (Theloise). There is a stark contrast between the fiery, rebellious Eloise we met in the first couple of seasons and the trajectory they seem to be forcing her onto now: early Eloise wasn't rejecting the marriage mart simply because the men were boring or because she was afraid of childbirth, she was rejecting the system itself. Now, reducing her whole radical, systemic critique of society into a simple case of "waiting for a guy who allows her to read or kisses the floor she walks on" undermines the very foundation of her character (let's remember her scene with Violet in S2). There is a sort of fundamental tension with Eloise’s character on the show due to her being a feminist radical trapped inside a traditional romance franchise: the writers built an Eloise who demands a different kind of ending but ended up steering her toward the altar in the most boring of ways (could've done diff partner, setting, meeting). They built her on false promises, that's the tragedy of it. Philip is a very boring end for her and does not fit Eloise for a loong number of reasons. Even if he does give her everything she's ever dreamed of, it still comes packaged within the exact patriarchal institution she fiercely critiqued. They can try to modernize him for the screen to make him more intellectual/accommodating, it doesn't change that settling into quiet, rural domesticity feels like a massive regression for a woman who wanted to change the world and make a name for herself outside of a man's shadow.
There have been generations of women who avoided marriage not because they were naive to the wonders of a man and a quiet domestic life (*eyeroll*) but because they saw the institution for the prison it inevitably became for most women. Or because they just wanted to do and be other things in their teens and early 20's. Jfc.
Under Jess, Bridgerton seems to want to say that women who believe there's more to life than hoping for a nice warden are naive, silly, and have never been in love. Which is utterly ridiculous, but a lot of fandom seems to be siding with her. 🤷🏽♀️ Like, I'm not shocked that we haven't seen Kate do much more than travel and have babies despite all of her ambitions when she met Anthony. She and Eloise could have founded a school by now, but why should they do that when they can be in love?
Exactly! Like, I understand that it is a romance, but if the intention was to keep the same ending as the books, don't change Eloise so drastically, don't turn her into a character with dreams she can never conquer, don't make as see all her frustration toward the institution and the system just to then erase it all under the pretension of maturity. And same with Kate: I love her, but she's flat now, like the only thing that counts about her is her role of mother and viscountess. Violet too, was starting to take Eloise differently but then fumbled badly and returned to point 0 in season 3-4. Penelope from being one of the most interesting, complex characters became too nothing more than a mother and a wife. I understand that it is romance, but you can achieve romance and marriage without betraying or watering down WVERY character along the way. Seems like Jess only knows how to kill characters

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genuinely crazy to think about how bridgerton wrote itself into a wall with eloise. you chose to change her character from the books, you chose to make her the independent anti-marriage feminist when you know the only way out of being a bridgerton main character is to succumb to big monogamy and you know you can't follow the book plot at all anymore. my suggestion is simply never give her a season, just let her be, show her thriving in the background and give her some non-romantic subplots every season. you would not making her the main character would make her fans angry but i think you would be saving her from a horrible fate
Jess ruined Eloise and you cannot change my mind. S4 Eloise was written with the very poorly-thought, very banal, loose trope of "she's hasn't found the right man yet/she has the wrong idea of marriage" because that's all they can give her. Just rewatch the first couple of seasons and you'll get it. Not every woman is about finding peace and love regardless of the era they are born in, Eloise is a clear example of that: she's not just scared of childbirth or of losing herself to marriage, she wants (wanted) MORE. She wanted to achieve something beyond a lord's name and yet that's all she will get in this terribly-written show that gave us queer (Franchaela) but drew the line at different classes (Theloise). There is a stark contrast between the fiery, rebellious Eloise we met in the first couple of seasons and the trajectory they seem to be forcing her onto now: early Eloise wasn't rejecting the marriage mart simply because the men were boring or because she was afraid of childbirth, she was rejecting the system itself. Now, reducing her whole radical, systemic critique of society into a simple case of "waiting for a guy who allows her to read or kisses the floor she walks on" undermines the very foundation of her character (let's remember her scene with Violet in S2). There is a sort of fundamental tension with Eloise’s character on the show due to her being a feminist radical trapped inside a traditional romance franchise: the writers built an Eloise who demands a different kind of ending but ended up steering her toward the altar in the most boring of ways (could've done diff partner, setting, meeting). They built her on false promises, that's the tragedy of it. Philip is a very boring end for her and does not fit Eloise for a loong number of reasons. Even if he does give her everything she's ever dreamed of, it still comes packaged within the exact patriarchal institution she fiercely critiqued. They can try to modernize him for the screen to make him more intellectual/accommodating, it doesn't change that settling into quiet, rural domesticity feels like a massive regression for a woman who wanted to change the world and make a name for herself outside of a man's shadow.
Philoises be like
Oh we love Eloise...
anyway here's a list of everything wrong and awful about her <3 it's pretty much her entire personality 😽 but it's ok because she's gonna have character development! 🥰 Sir Phillip will fix her and turn her into a tradwife ❤️but like feminist. she's gonne be a better friend to Penelope (it was like so out of line her being angry that Penelope betrayed her gas lit because PEN HAD TO DO THAT!!!) 🤬Eloise is gonna be so humbled when everyone gets married and abandons her 😏we know she doesn't like marriage and motherhood and wants to change the world 🤣 (oh Eloise you're so silly and eccentric) 😻she's gonna grow up so much, and learn not to talk so much! It's gonna be great and soooo romantic!
I look at Eloise in the show, so bold and full of dreams and ambitions, and so much potential. I think of TSPWL and I hear the Grim Reaper's stopwatch ticking. Writers, please, do right by her. Change her fate.
Sexism in the Philoise Fandom
is never more evident than when Philoises whine and and wail and bash on Eloise because she is snarky to her siblings and complains about traditionally feminine pursuits, while at the same time defending Sir Phillip for neglecting his children, raping Marina, and wanting Eloise to be his emotional support sex nanny.
Women must be gentle, supportive, ministering angels, whereas men can get away with rape if their backstory is "tragic" enough.

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They knew what they were doing.
If I were to give a general estimation as to when i think Maomao gained romantic feelings for Jinshi, it would have been at the end of LN4
Jinshi saves Maomao from her kidnapping, and she returns to working as the Verdigris House's Apothecary. With Jinshi's true status revealed, Maomao assumes she's never going to see him again
She thinks about this a lot, about how she's too low born for someone of his status to ever see her, and how he doesn't even need her help with his injury anyway, because Luoman is at the rear palace now. There's no logical reason for them to ever see each other again. And it itches at her
And so she starts her experiments again, harming herself. There doesn't seem to be a purpose for the concoctions she's making either, as if she's trying to treat something with no obvious cause. Something too deep for the failed medicines to reach
So she goes to cut off her finger. Specifically, her left pinky finger.
Again, there doesn't seem to be a purpose for this behavior at all- until you remember that her mother cut off the tip of her left pinky, out of anguish and rage at Lakan for abandoning her. Fengxian's love for Lakan is the reason her mother harmed her.
Maomao relates that particular finger of her's to romantic love, because of her parent's tragic love story and the trauma it caused her
Maomao knows how stupid love can make even the most intelligent of people, and has consciously and subconsciously avoided it, because she doesn't want to experience that same sort of attachment and hurt. She's heard her parent's story, heard stories of those seeking love at the Verdigris House, how courtesan's speak about love in hushed tones, and how it always ended in pain for everyone involved
But when she thinks she's never going to see Jinshi again, she goes to cut off her left pinky finger, as if on instinct. The finger she associates with romantic love. The same action Fengxian did, when she thought she'd been abandoned by Lakan.
Maomao is doing the exact same thing as her mother, for the exact same reasons.
It's only when Jinshi walks in through the door that Maomao unties her pinky and puts away the knife, and returns to her normal self.
It's one of those things where - I don't think even Maomao understands the reasons behind her actions here. Something was bothering her, something deep, and she went to the only solution she could think of to fix it- cutting off the piece of her that she associates with romantic love- but she stops feeling that subconscious itch as soon as Jinshi comes to see her. As soon as he's back in her life, things are right again, and she stops hurting herself
it's a moment i think about a lot, and it's one of my favorites in the series, because of what it represents for Maomao specifically. it says a lot about her character and how she feels about Jinshi, even if it takes years for those feelings to fully bloom