Hello, I'm hounneybuonney. (Used to be Vill123)
I believe in calling a spade a spade. Though, a lot of my posts are jokes and aren’t meant to be taken seriously.
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@hounneybuonney
Hello, I'm hounneybuonney. (Used to be Vill123)
I believe in calling a spade a spade. Though, a lot of my posts are jokes and aren’t meant to be taken seriously.

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the anti chevalier fraction leaders
Being in a situation where there's only one person you could reasonably fall in love with makes the relationship inherently unhealthy even if its not in of itself abusive because you literally have no other option. Not just rofan but so many stories set up their romance likes this 💀
When that scenario is not being done on purpose it reeks of shallow writing, it's the same logic used when one love interest in a love triangle is suddenly antagonized or why every woman who isn't kissing the mc's ass is made into a villain. The writer doesn't know how to permanently shut out the other participants so they make them horrible people.
It's not even the trashy writing that bothers me but that warping the environment to give the FL her man is somehow seen as romantic? Or to be more frank, being stuck in a situation where there's only one person who I can rely on for all my needs is codependency, which is something I like to read, but it's rarely called as what it is.
In the end my problem has nothing to do with the fictional characters and everything to do with the author and fanbase.
Since VADTD is going to have an animated adaptation, now is a good time as ever to say that I really, REALLY, dislike the abrupt ending of the manhwa. I was genuinely surprised to find out that the story already was going to have its series finale because I expected there to be far more content considering how we go from dozens upon dozens of chapters of the same running theme of Penelope slowly developing into a person not too dissimilar to the Eckharts to Penelope having to save the world from the leader of a cult. I figured we'd have more time with the series so this second arc would be just as developed and thought out as the first arc.
And then it just rushes through everything, like the author got burnt out half way and decided that it wasn't worth it anymore. Admittedly, I did have context of what the manhwa was supposed to entail since I received spoilers from the novel readers but I still didn't expect it to be wrapped up so quickly. The final battle happens not too long after "Yvonne" makes her return, I figured there'd be more in between.
That's not even mentioning Eckles' ending. I held out more hope for VADTD compared to other manhwas that participate in the slavery trope because unlike those manhwa, VADTD didn't constantly cover the panels of the FL buying a slave with pretty flowers and bright overlays, whenever Penelope and Eckles were in the room together, the vibes always felt uncomfortable and there was a significant lack of sparkles compared to manhwas such as Divorcing my tyrant husband or Villainesses have more fun. There were so many seemingly obvious signals in the art that told me that Penelope was an abuser to Eckles that I figured that it was simply the fans who didn't understand that Eckles' later behavior was a result of being groomed by this noble lady.
Only for the author to basically back out last minute. Eckles as a character suffers from the same problem that Rashta did, the author wanted to try to make them look complex by utilizing a literal human rights violation to explain their behavior, but they were so wrapped up in the romance of the two main leads that they forgot to actually CARE about those other characters and their suffering, with said suffering basically just becoming a stepping stone for the plot itself. I figured that at some point, the narrative would prove the commenters wrong and now I feel quite foolish for ever thinking that slavery would ever matter in the long run just because the art itself seemed to imply that the aspect of slavery wasn't going to end up the same way it always ends up in other manhwas, it's like the author WANTED to go somewhere with this, but they were too scared of deviating from the romance that drew everybody in so they shoved Eckles to the side in order to appease the masses.
I tried my best to not be so negative for once because I want to actually enjoy reading something for once instead of looking for reasons to complain, every time, I thought that maybe the author was just trying to be subtle when they really just didn't know what they were doing, even when I was noticing some flaws, I didn't make a big deal out of it because every story out there is bound to have flaws, but how can I NOT complain when the fatal flaws are staring at me in the face? I just can't ignore how much that was originally presented to us was pushed to the side so Penelope could defeat the bad guy and marry her tyrannical prince.
I think the only reason we clinged to it so much is because even though it ended up failing so much, it's still better compared to the rest of the rofan slop you'd find on Webtoon or Tapas. The real issue with slavery was never really resolved but hey, at least Penelope actually acknowledged that she was a horrible person for what she did even though it was less about buying another human being and more about how she was a manipulative "partner", the remarried empress on the other hand barely remembers that the main leads are casually uplifting human traficking. VADTD still severely mishandled a lot of its serious subjects but at least it doesn't mishandled them AS MUCH as the rest of webtoon catalog, and it sucks that the bar has descended that low that so many people are willing to eat it up with questioning the author.
This is gonna introduce a LOT of people to manhwa and Korean web novels, basically the same way Solo Leveling did, (which got dragged left and right by people who saw it as nothing but fight slop) and honestly, I could see that effect snowballing from here.
Because yes, VADTD is genuinely one of the better ones. It actually engages with the reality of slavery and gives us a morally gray FL instead of just slapping another cardboard-cutout villainess or pure heroine, onto the narrative and calling it a day. But at the same time, it still ultimately falls back into the status quo, so it’s absolutely fair game to criticize it for that too.
Then it’s gonna spiral into the dumbest discourse cycle imaginable, where some people start defending the misogyny in rofan as a whole purely because they want to own the people who dismiss it as “girly slop” or hit them with the classic “EWW, GIRLS 🤢” Like, congratulations, you’ve somehow entered the shoujo’s cousin where everyone is fighting over whether the genre is allowed to be criticized without admitting that the way people dismiss women’s media is ALSO part of the problem.
I love the character designs of the women in Black Lagoon. Balalaika tops everyone in comparison, the design alone screams so much about who she is: a powerful, deeply scarred woman who has made a life for herself in the criminal underworld.
HER MILITARY JACKET HANGING OVER HER SHOULDER UGHHH

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I do think that’s inherently a GOOD THING that, despite my criticisms of JJK’s female characters, Gege critiques misogyny in a battle shonen manga.
“Chiho and Maou make no sense” no my dear you simply cannot read what’s right in front of you
Chiho and Maou’s relationship is constantly dominated by Emi and Maou’s relationship and development.
Yes, Chiho represents the life that Maou became a better person in, but the author didn’t allow Chiho to truly take over.
Despite wanting Chiho to become Maou’s love interest, and it ultimately happened, it still felt unearned to me. Chiho was never really allowed to overtaken Emi, either as a character or as Maou’s main emotional counterpart or even as a love interest. Maou and Emi had so much narrative, emotional weight from the beginning through their ‘hero vs villain’ dynamic, and Alas Ramus further strengthened their bond by giving them a family-like connection.
That made Emi’s relationship with Maou significant and heavy than Chiho’s for basically the entire the story. Chiho had her own strengths and a different perspective on Maou: She knew exactly who he was and what he had done, including the suffering he caused as the Demon King, yet she still chose to judge him based on the person she knew rather than letting his past or anyone decide her own feelings.
This is shown when she says to him, “Miss Yusa tried to stop me, so that I wouldn't have to regret falling for you. But I fell for you on my own. So when I stop liking you, I'll do that on my own, too.”
Chiho isn't naïve about Maou or ignoring his past; she understands it, and him but she also recognizes how much he has changed. She has seen the Maou who works hard, protects others, takes responsibility, and gradually learns to care about human life, and that is the person she chooses to fall in love with.
And that meant something to ME, that Chiho still accept him despite everything he did.
That's a genuinely strong foundation for a romance, which is why it's so frustrating that the story doesn't consistently give Chiho and Maou's relationship the same narrative development or even relationship development that it gives Maou and Emi. Chiho has one of the clearest understandings of who Maou has become, but Emi remains more deeply embedded in the story, and in Maou’s character, making it hard for Chiho's eventual romantic victory to feel earned.
Even with all my criticisms of manhwas like The Remarried Empress and For My Derelict Favorite, I’m not gonna shame people for enjoying them, because if liking and reading badly written fiction were a crime, I’ll be deserving of the electric chair.
The Remarried Empress tried to do the whole “what about the wife?” thing when it comes to the cheating trope but immediately undermined itself by making Rashta a slave while Navier was the literal empress.
Rashta isn’t framed as someone being possibly exploited by 2 ruling monarchs who own her, she’s framed as a fucking homewrecking whore who had the audacity to be a slave instead of a noblewoman.
Don’t get me wrong, I don’t even think that The Remarried Empress is wrong for trying to deconstruct that trope. I just think it’s an absurd to do that with a literal slave.

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The devil
The Remarried Empress tried to do the whole “what about the wife?” thing when it comes to the cheating trope but immediately undermined itself by making Rashta a slave while Navier was the literal empress.
Rashta isn’t framed as someone being possibly exploited by 2 ruling monarchs who own her, she’s framed as a fucking homewrecking whore who had the audacity to be a slave instead of a noblewoman.
There’s no amount of in-universe justifications that absolves the author of making that narrative choice.
I miss when I actually had the mental energy to play my games...
I use to play multiple, I could remember who I was romancing in what game, and where I was in the story, and could remember what things I had to do in which game.
Now....I can't do more than the barest of minimum in the few games I'm too attached to to get rid of (and even a few of those, I don't open at all)
I miss the joy I got from playing. Miss getting invested in the story, to the point it'd affect my mood in real life or I'd lose sleep cause I wouldn't be able to go to bed after a cliffhanger or until one of the characters I cherish was out of danger.
But now....I just can't get myself to pay attention very long or remember much of anything anymore.
I use to thrive on the love and joy I felt, now.....I just feel....hollow? Empty? Just sad or depressed? Grief?
Whatever it is....I might as well be dead....
Like a new friend!

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sorry but someone assuming you have "left a fandom" when you don't post about it a lot anymore feels like bilbo coming home to the sackville bagginses having him presumed dead and selling all his stuff. girl i was just on a little quest????
I’d be completely fine with “not supporting media made by problematic people” if the people making that statement weren’t defining “problematic” based on whatever standards they personally feel capable of living up to and comfortable adhering to.
I’m not taking you seriously if you are shitting on people still consuming Harry Potter with a One Piece profile picture. I’m not.