Full Time Ai & Aqua & Kamiki Apologist

I wouldn't have cared what kind of ass pull Aka would have pulled for him to get away with killing Hikaru. I would have rather that than having a decent character being needlessly killed off.

IMO, I don't think Aqua's death coming on the heels of him achieving happiness and hope for the future is necessarily bad - in some ways, it parallels Ai's death in that knowing just how fucking badly Aqua wanted to live does add to the tragedy of that future being taken away from him. The issue is more that the manga had established too strongly that Aqua was looking forward to his future and it had given him an 'out' in terms of his self destruction in that he was able to get his revenge on Kamiki in a way that didn't involve anyone dying.

So all of a sudden, we have to scrabble to invent a reason for Aqua to kill Kamiki despite literally everything and everyone making it very clear that Aqua does not want to die and has a future waiting for him.

I think if the framing was different, it could be really easy to interpret this as like... Aqua has been suicidal since he was four years old and that wasn't just going to arbitrarily turn off just because he managed to avoid his self-imposed pre-destined deadline. You could SO easily read Aqua's death as him still struggling with his suicidal ideation and survivors guilt trying to move onto the future, only to get the rug yanked out from under him re: his dad again and just immediately start spiralling and relapsing to the extent that he impulsively confronts Kamiki and ends up destroying himself in the process - seeing the first chance he had to justify his own implosion and leaping headfirst into it because his brain was screaming at him to die that intensely.

PARALLEL GIRLS STAY LOSING❗❗❗

Genuinely it really shows how little Akasaka like, really knows about idol culture that Kana's graduation was handled in the way it was because Strawberry Productions probably would not have recovered from that scandal. There are very specific traditions surrounding idol graduations (for better or worse) and Kana's graduation throws all of those in the trash to, seemingly, shove Ruby into everyone's faces some more.

And also the fact I feel like much of its themes didn’t reach a satisfying conclusion like what it means to live a life of lies/lying in general and (the focus of this last chapter) what to do with your life and how to live it.

We see all the characters magically moving on and being fine which is like, yea, good (ignoring the terrible execution) but? Why was? Aqua? The male lead/protagonist of much of the story? Not allowed to do that? Why can’t he move on from any of his trauma, sadness, suicidal tendencies and the idea his life has less value than those of others? Why can’t he get better? I hope it’s kinda understandable what I mean, this isn’t a „Why can’t my fave character be happy“ thing I‘m trying to get at but more so a „I think the themes could‘ve been explored way better in terms of his character and I‘m disappointed it wasn’t.“ I feel like I‘m missing something but it really just feels like the story is telling us that Aqua was right in believing this self imposed lie that the only value in his life is to die (so his sister gets to be in the spotlight for the final chapters)

Idk just leaves a really bitter taste in my mouth the way they handled Aqua‘s mental health/state and suicide

Honestly yeah, it feels like everyone is just kind of circling a Character Development Cul-de-sac. Sometimes recovery does mean taking a few steps back before you can go forwards but this feels less like a depiction of the natural and inevitable unevenness of healing after trauma and more like Akasaka just, like. Didn't have an end point in mind for anyone's arcs apart from Aqua lol. AND EVEN THEN, IT'S... YEAH.

I said this in a previous ask but I think if the story was more willing to frame Aqua's death as him relapsing in his recovery and ultimately succumbing to his suicidal ideation & survivor's guilt, I think that could be not just cathartically tragic but quite an important message to send - that, unfortunately, yeah. Long term suicidal ideation really can just catastrophically consume someone even if they're actively looking forward to and taking steps towards building their future. Aqua has textually been suicidal since he was four years old and that's not something that would've just turned itself off.

But even when the story does acknowledge Aqua's death as being a suicide, it still also has this weird horrible framing of like. It's SAD, sure, but it's this beautiful and necessary sacrifice that he was DESTINED to make to protect Ruby('s career lol). So we end in this horrible place where Aqua's life, dreams and happiness are implicitly, cosmically Not Important in comparison to Ruby's and that Aqua himself is not just acceptable bit of collateral damage but a necessary one.

As of chapter 166, Oshi no Ko has finished a roughly four-and-a-half year run started back in 2020. While there's some speculation about an epilogue or some extra content in volume 16 when it drops, this is where the main story ends. And you know what that means!!!

OSHI NO KO HAS OFFICIALLY ENDED WITHOUT ADDRESSING OR ACKNOWLEDGING THE FACT THAT RUBY KISSED HER BROTHER IN CHAPTER 143

please understand that this is FUCKING BOGUS

I'll probably do a longer post on this subject specifically, but my main critique of 143 when the chapter dropped was that while I liked the individual beats in it and I was really glad to see Akasaka finally addressing this tension bubbling underneath Aqua and Ruby's relationship, the immediate swerve away from showing us the aftermath of that kiss felt to me like an admission that the story was going to needlessly draw this out even more. Now that the story has ended and we can see that moment had literally no impact on the plot or even the character dynamics, I'd like to revise that statement - it feels like an admission of compromise. It feels like crumbs thrown to AquRuby fans to tempt them to keep reading and to stir up the waters of the ship wars, so people would keep reading and stay invested in the manga right to the very end. But most of all, it feels deeply disrespectful to both Aqua and Ruby as characters. Rather than exploring their feelings and giving both of them interiority and complexity in relation to incest or even just fucking acknowledging that the kiss had happened and letting their dynamic evolve, the series just memory holes the entire event and asks that you do too. Rather than letting Ruby have any development whatsoever as pertains to that relationship or, god forbid, let a female character move on romantically from the male lead, the series ends with her feelings so up in the air that I literally could not tell you what she thinks of Aqua by the time he dies.

ANYWAY… FINAL CHAPTER. BREATHES OUT VERY HARD.

I really can't believe it's taken us until the final chapter to actually deal with Ruby's grief over Aqua lol. We got a snippet of it last chapter but it was so brief that it really just felt like a tease. I also just think it's kind of bizarre that we're spending this little time on Ruby having feelings about Aqua's death to the extent that I have no idea how or when she found out about it.

It's also kind of hard to feel particularly strongly about Ruby's grief when the chapter doesn't really bother to explore it all that much. It's just a montage of Ruby quite literally Screaming, Crying and Throwing Up while Akane dispassionately narrates it all. The art also doesn't really help in terms of connecting with the emotions at play - I usually really like Mengo's expression work and the way she depicts extreme emotions but this all just felt like of… I don't know how else to put it. Goofy??? Is that an insane thing to say about Ruby grieving her brother???

Idk, something about both the panelling and just the extreme on-the-noseness of Ruby, again, literally Screaming, Crying Throwing Up while she's wearing a Burning cosplay Just In Case You, The Audience, Didn't Get It only for her to abruptly be done crying with no exploration or insight as to what's going on in her head that allows her to move forward.

Honestly, this is kind of the issue with everyone in the cast. The resolution is just sort of "Aqua died and we were sad about it but then we stopped being sad". I know what the story is trying to go for here - it's trying to express that even when you're in pain, life goes on and so you have to find a way to go on with it. But the result is that we spend all this time oogling at their pain without spending equivalent or even meaningful time on their recovery process.

It feels both excessive and undercooked at the same time and I'm left with the same icky, voyeuristic feeling I got from Aqua's funeral last chapter. This should be the point in the story at which we empathize with Ruby the most, but she remains a frustratingly distant figure right to the final pages. Part of this is an unfortunate consequence of Akane's narration directing these final chapters meaning that we're hearing about Ruby from an outsider's perspective and thus don't really see what's going on in her head… but if I can be frank, this has been an issue of Aka's with Ruby in particular basically nonstop since chapter 123.

As others & myself have noted, despite the absolutely catastrophic downward spiral Ruby is in at that point, Aqua revealing himself as Gorou basically flips it all off like a switch. There's some mild lipservice paid to the idea that Ruby is just using her dependency on Gorou to prop herself up and it's pointed out that the issues that contributed to her breakdown haven't actually been resolved - but none of these issues are ever even acknowledged again, let alone resolved. So, functionally, that reveal does fix all Ruby's problems in the space of a single chapter and the result is, again, that we spend multiple chapters gourging on depictions of Ruby's absolute rock bottom only for her to ping back to normal like a lightswitch. As such, the depictions of her pain feel less like explorations of Ruby's interiority and more like voyeuristic oogling at Ruby's misery and trauma and the effect is that the resolution to it all is both unsatisfying and a little gross. The result is that it feels like Akasaka is just indulgently mining the imagery of cute girls suffering because it causes simple thoughts neuron activation but doesn't respect these girls enough as characters to build them back up.

It doesn't help that this is basically the in-universe excuse for Ruby's career further skyrocketing. Instead of Ruby becoming a star on her own merits as the story keeps insisting she was supposed to, she's artificially buoyed by the public's morbid fascination with her tragedy. If I was feeling charitable towards the story right now, I would say this is an avenue of intentional critique but… well, I don't feel super charitable about the story right now lol

I WILL say that the one part of this chapter I did just uncomplicatedly like was the beat of Mem trying to suspend activities (presumably in the wake of her grief for Aqua) only for Kana to basically immediately explode into her room and help her get back on her feet. It's a beat that would've been much more effective if we'd, you know, seen it, but I otherwise enjoyed it and I thought it was sweet.

But. pbbbbtttt. I guess I can't talk around it any longer… let's get into the Dome concert.

To start things off on the immediately worst note possible, Akane describes Ruby performing at the Dome as being 'everyone's dream', including Aqua's. I'm reminded once again of the strange turn the story took in insisting that um, actually, performing at the Dome was totes Ai's dream all along (even though she literally didn't give a shit even a week before she was due to perform there herself) so Ruby performing there is fulfilling that dream for her!!! and I can't help but wonder if this abrupt shift in focus is an attempt to make readers forget what Ai's actual dream was - to see her beloved children grow up happy and healthy. Hell, it wasn't even really Aqua's dream, until the story suddenly had to try and convince us that his entire purpose for existence was to kill himself so Ruby could be an idol for slightly longer than she would've otherwise. The only people whose dreams she's textually fulfilling are Ichigo and Miyako and Ruby herself, but…

Honestly, is this really Ruby's dream anymore?

Who is Hoshino Ruby? What does she want? Why does she want it? These should be the very least of what we can concretely say about not only a protagonist but a character who has become a central figure of the entire story as Ruby has, but with the way Oshi no Ko has warped and distorted her, I find myself increasingly unsure of what the story wants her to be or how I should answer those questions.What does Ruby feel about Aqua? Was she still in love with him? Had she moved on, romantically? Was she still waiting for a response to her confession? Did she finally realize it was probably kind of shitty to respond to her brother going "lowkey wanna kms" by sticking her tongue down his throat? I Guess We'll Never Know.

This extends to whatever the fuck Ruby's relationship with idols and being an idol is. Almost the entirety of Ruby's time in the story has been spent reiterating over and over that Ruby cannot just be an idol who imitates Ai and that to truly shine, she needs to step out of her mom's shadow and shine in her own way. Ruby even literally tells Kana in no uncertain terms in 137 - "I'll be a star in my own way. I won't be like Mama."

While this has always been the text of the story, as I've pointed out before, the actual art with which Ruby's idolhood depicts her basically just as Ai 2.0. It relies so heavily on mining the imagery of Ai's charisma and personality as an idol and using them as the measure of Ruby's success as an idol that Ruby essentially has no visual or conceptual identity of her own as an idol. She's just Ai, But Arbitrarily Better, For Reasons The Narrative Fails To Actually Establish But Hopes That You Just Accept Anyway. This was always kind of annoying, but now that friction seems to have been resolved by… just making her Ai 2.0, But Arbitrarily Better (etc, etc) in the text as well. The fact that we're given no further insight as to Ruby's feelings and continue to just have Akane Explain Ruby's Character Arc to the camera also doesn't help.

All this combines to make the Dome concert and the final few pages feel exceptionally cold in a way I really don't think was intended by Akasaka. Yes, that splash page was nice and flashy but… I just felt nothing. I have no idea if or why Ruby cares about this. And even though the Dome concert has been hyped up through the entire story as the peak of Ruby's achievements as an idol, I feel no sense of accomplishment in her finally being there - not just because her journey to it was basically sneezed at us across two panels, but because it just feels hollow as a victory lap for Ruby. Again, she feels so distant and abstracted as a character that I can't bring myself to feel very strongly about her good or bad.

I think the perfect encapsulation of this are the final four pages of the story. Ruby's words here are very clearly intended to be a callback to Ai's words to Gorou in chapter one but as @all-of-her-light pointed out in our initial discussions of the chapter, Ruby very much does not have an equivalent to Ai's conclusion that she nevertheless wants and values the opportunity to find personal happiness and fulfillment outside of being an idol. Are we supposed to believe that simply being an idol is all that Ruby needs to achieve a similar degree of happiness and fulfillment? Is there no more to her than that?

I've seen a lot of people interpret this ending as exceptionally bleak and, as usual, gleefully predicting Ruby's immanent suicide because her beloved oniichansensei isn't around but this is indulging in, if you'll allow me to be frank, some pretty transparently ship-motivated flanderization. Despite what certain sections of the fandom would like to believe, Aqua and Ruby's lives, past and current, have never revolved around each other to the exclusion of every other relationship in their life. Ruby has a massive support network of people who love and care for her and actively want her to get back on her feet. I can one hundred percent believe that she does not need Aqua in her life to be happy and content.

The issue is that we don't see enough of Ruby to understand that ourselves. Again, she has become such a distant figure with so little insight into what she's thinking and why that this ending is basically a Rorschach test in which you can interpret basically whatever the hell you want or assume because we have so little canon basis to support or debunk our assumptions.

and yes. don't think i didn't see them. it IS both grimly hilarious and weirdly tonally appropriate for this ending that ruby has a bunch of oshi goods of ai and aqua including their fucking autographs set up to say goodbye to every day.

AND…… WE'RE DONE!!! THAT'S OSHI NO KO, BABY!!!! well, technically, there's going to be a 20 page extra chapter in volume 16 but I don't see it being big or substantive enough to meaningfully change my feelings about the ending so… I guess we're leaving it here. Damn. Feels crazy to be done with it.

I'll probably do a bigger post down the line about my thoughts on the ending as a whole but in terms of just How This Chapter Made Me feel, I guess the word is just… meh! It's definitely not an ending I like and I think the execution is sloppy and rushed but I also just don't really have the energy to feel angry about it. Maybe that's sad in its own way but tbh… I still really love Oshi no Ko! I still find it engaging and I find the characters I enjoy rewarding to talk about. I like the artistry of the anime adaptation. I don't blame anybody else for being so turned off by this ending that they're done with the series but for me, I like what I like about OnK too much that this ending could retroactively ruin it for me. Whatever else happens with the OnK franchise, whatever directions the anime and live-action take, this will always be the series that gave me Ai and the Hoshino family and. look at me. look at what she's done to my brain. could I really ask for anything more than that?

Aqua Hoshigan Status: It's Officially Hoshinover

Chapters Until The Story Ends Without The 143 Kiss Being Addressed Or Acknowledged: 1

damn i guess they really did just kill his ass

I'm gonna be so real with you gamers, I kind of don't have a lot to say about this one either lol. Which I acknowledge sounds completely wild given the Everything that happens in it, but most of my meat and potatoes analysis in these reviews comes from breaking down characterization and we're flying through everything at such breakneck pace that we're barely getting any characterization.

It continues to drive me bugfuck insane that Ai is completely absent from this finale despite the importance of 15 Year Lie. Its imagery is plastered all over but whenever we return to it, we just see Aqua. Not only that, but Gotanda is the one who insists on pushing the movie through for Aqua. 15YL as a story about Ai's true self and her tragedy is now officially taking a backseat to being about Aqua's tragic death and legacy. It was already bad enough that we spent so much time in the Movie Arc not actually focusing on Ai to the extent that, as everyone pointed out, based on what we saw on-page it was basically a Sad Kamiki Movie, but this really is just pissing right in the wound at this point lmao.

The funeral scene also serves as the final nail in the coffin for any Secretly Alive Aqua copes, which is kind of a relief. I still don't like how Aqua's death played out, but I think dragging it out for four chapters then going "sorry you thought i was /srs when i was just /jk" would have been infinitely more insulting. I don't like this ending, but I can respect that Akasaka seems to be sticking to his guns on it, even if we still do have like a whole chapter left for him to whip around and go "I WAS /JK ALL ALONG!!!!" but I don't see it happening.

Anyway, yeah! The funeral! Uh. Is it gonna sound weird if I say I felt kind of like… grossed out reading this the first time? Like, I really don't know how else to explain the visceral "why the fuck is the author making me read this" reaction I had to it. I think it's just because Kana is so fucking distraught here and the drama is just so hammy and so over the top that it feels kind of… ech. I dunno. I just really didn't vibe.

It doesn't help that this is part of a much broader pattern in the back half of OnK of Aka getting us right up close into the gory details of a character's complete mental breakdown and suffering and then spend zero time or focus on their recovery. This happened with Ruby all over the Movie Arc and this many times and with this little runway to the end of the series, it just starts to feel exploitative, like a way to cheaply pull at our heartstrings without doing the work to build everyone back up after tearing them down.

also pre-emptively dreading all the fuel this is going to add to the fires of People Who Are Weird And Misogynistic About Kana but she could die saving innocent children from a burning building and people would find reasons to be shitty about her lmao

we really are not seeing ruby's reaction to finding out her brother was dead huh lol

I will say the one thing I didn't Actively Dislike about this chapter was Ruby, though. I was honestly starting to get pretty skeeved out with how many people were gleefully predicting or actively wishing for her immediate suicide purely for ship motivated reasons and I was also worrying that the story was going to pretend that Ruby doesn't like. Have a life and support system outside of Aqua. Yes, she should absolutely be affected by his death but this period of her shutting down only to drag herself back onto her feet that we seem to be getting feels way more in line with pre-Movie Arc flanderization Ruby and I'll take that W where I can get it.

god. I haven't even talked about Kamiki's supposed serial killer cult. I just don't have the strength. Like… that's self-evidently stupid, right? I don't need to explain to you why that's ridiculous and unbelievable? You don't need me to tell you why it's fucking crazy that we're getting this information about the alleged overarching antagonist of the series not only in the second-to-last chapter of the entire series but after he was already dead, right? We can just move on? Ok good. jesus christ.

This post discusses suicide and suicidal ideation in the context of Oshi no Ko.

Chapters Until The Story Ends Without The 143 Kiss Being Addressed Or Acknowledged: 2

Bizarrely, I feel like I don't have a ton to say about this chapter. Not because stuff doesn't happen in it but because… fuck, man. What do I even say. I can't quite 100% shake my suspicion that Akasaka has some asspull up his sleeve and that Aqua might come back in style form, even if altered to the point that he isn't the Aqua we know anymore, but this chapter is clearly set up for us to think he's dead and for us to see other character's reactions to this news, so I'll talk about the text with that assumption in mind. This one will probably be kind of all over the place so bear with me ig

That being said… this is all kind of dumb as fuck, huh

Like. There's just so many insane contrivances with this setup that it's impossible for me to take it seriously. Putting aside that there's no way on planet earth Aqua's plan should have fooled anybody, why in God's name are his family and friends finding out about this from a news broadcast and not, like… Being contacted by the police?? Or at least hearing about it beforehand??

I also really don't like that we're setting up to have a whole chapter focusing on Ruby's response to all this while Aqua's Literal Mother and all his friends get like. Two panels to be shocked at the news. If the series ends without giving them all the space to grieve I think I will be legitimately really pissed off lmao

The presence of 15 Year Lie in this chapter also makes me agonizingly aware that we know basically nothing about it to this day, even though the contents of the movie are what this final arc revolves around. Aqua's plan relies on Kamiki's crimes as exposed by the movie being heinous enough that Kamiki would kill Aqua to silence them but…

WHAT FUCKING CRIMES???

The Kamiki we saw in the movie was only ever portrayed as a victim in the scenes we see. Unless the story is trying to imply that Kamiki is somehow responsible for Uehara and Airi's deaths or that 15YL makes him directly responsible for Gorou's death or - literally I have no idea what this could be referring to.

I dunno, man. It's hard for me to really want to buckle down and analyse this because so much of it feels entirely contrary to the story that came before. I've always insisted that the one thing that we could guarantee was that Aqua and Ruby would survive the series and be happy because so much emotional weight is put on Ai's wish for Aqua and Ruby to grow into adults and be happy, and it really seemed like we were building up to an ending of Aqua deciding for himself that he wants to finally live for himself, so this sudden swerve into Aqua being told by God "actually your purpose in life is to nobly commit suicide for your sister" is uh, jarring to say the least.

Part of the issue with this is that I think Akasaka doesn't think of Aqua's sacrifice as being a suicide, narratively speaking, even though Akane literally acknowledges it as such. But the thing is, Aqua's "sacrifice" is emergent from all the same things as his suicidal ideation - his belief that his life is intrinsically less valuable than everyone else's and his continued guilt and self loathing as a result of his trauma. Aqua literally says to Ruby's face in 143 that he feels guilty just for being alive and it's literally never addressed again.

So it's very difficult not to read this ending as the story approving of Aqua killing himself, but only if it's for the right reasons. Not only is that an insanely irresponsible message to put into a story as widespread and visible as OnK is right now, it's also just fucking ghoulish.

Idk. Even if Aqua lived here, I just really dislike this idea of his whole life's purpose being Narratively Affirmed as being to uplift Ruby at his own expense. Aqua is very much like Ai in that he's a person who has spent basically all of both his lives in service to other people, unable to pursue the things that he wants and that make him genuinely fulfilled - an ending that parallels Ai, where he is denied this to the extent that it kills him, is not a bad idea on paper but the execution here makes it fall apart. Like, if the framing was that Aqua and Kamiki were both unable to move on from the past to the point that it kills them, I'd vibe with that or something like it. But as is, this shit is just baffling.

It doesn't help that Aqua's death is just completely unmoored from anything the series has been setting up all this time. I've seen people defending this as being what Aqua's revenge was building up to, but this very explicitly isn't about Aqua's revenge. It's about "protecting Ruby's future", but the idea that Kamiki was a threat to Ruby specifically is something that was introduced all of four chapters ago. Even then, it's deeply undercooked. Like, what it is about Kamiki that makes him SUCH a threat to Ruby that Aqua has no choice but to take the nuclear option and kill them both? Why is this the one and only way to stop him? We don't know - we basically know nothing about Kamiki besides "he's Ai's crazy ex" which is such a massive letdown for an antagonist who's been built up for this long.

Speaking of Ai…. where the fuck is she!!!

I know this is predictable background noise from the Ai Wife Guy, but it really is baffling to me that she's such a nonfactor when the climax happening right now is her son confronting the man who killed her. At best, we get mild lipservice as to her existence but the series is so all-in on this "protecting Ruby's future" framing that Ai's absence here feels jarring. It's not just that Ai should be relevant because I like her (but I DO and she SHOULD) but because it makes for a bizarrely deflated finale. Instead of the tragedy we've been building up to avenging for over 140 chapters, Aqua's death comes as the result of a plan he came up with on the spot to deal with an ill-defined threat that only came into existence 4-6 chapters ago.

It just doesn't really feel satisfying, especially when the series has been so wishy washy when it comes to focusing on Aqua and Ruby's relationship. If the series was going to make that connection The central axis on which this climax revolves, then it needed more fleshing out than it got, regardless of if the series went the AquRuby route or not.

OnK has been pretty consistently interested in the growing divide between "Gorou" and "Aqua" for a while so I'm glad we got a chapter definitively laying out exactly how it works and how we're supposed to understand it. Admittedly I don't love that we got this characterization by having Tsukuyomi literally Look Into The Camera and Explain It but this has caused enough sturm und drang in the fandom that having it laid out In Text is something to appreciate, I guess. Then again I am also already seeing people go "Oh, so Aqua doesn't exist and he was Gorou all along!" so maybe I'm a bit optimistic lol- Anyway, the Tsukuyomi's framing of it does seem to fall in line with how I understood things, which is that Aqua himself was born as the meeting point of Gorou's memories and will and Aqua's body, but his life and emotions are his alone. Like in 150, "Gorou" is described as "a role" that was born in Aqua and his memories are described as those of an adult in contrast to Aqua, who is definitively established as just a regular teenager by Literally God. Again, nice to have this raised to the level of Text but I fully expect people to keep making pedo accusations anyway lol

I also like that Aqua's life *as Aqua's* is given weight and value here just by virtue of him being alive, even if it doesn't quite make up for "btw your purpose for existing is to kill yourself for ruby" last chapter lol

Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 18

Aqua Hoshigan Status: For the future

Never has an OnK chapter gone from It's Hoshinover to We Are Oshi no Back quite as hard and fast as this one. I have issues with this chapter in terms of what it implies about the story's overall structure and the fact that it sort of ruins 153-4 by association but this chapter's back half is so fucking good and the chapter itself works so well in isolation that much like 153-4, I kind of uhhh don't care about the structural issues because the story's heart is, for the most part, not just intact but beating harder and more passionately than it has in a long time.

To get what I don't like out of the way, the story seems to have settled on Super Evil Serial Killer Mastermind Kamiki as his final form characterization with some helpful Tsukuyomi exposition to just straightforwardly Tell Us things the manga probably should have spent some of the last 70something chapters Showing Us about Hikaru. The basic idea of Hikaru being some sort of serial killer so dedicated to upholding Ai's legacy that he kills women with the potential to surpass her was more or less always where I expected his character to land and this settling of his character does at least preserve what I think is the most important thing: that he genuinely loved Ai and his bent towards villainy only came after her death.

What I don't love as much is that this chapter seems to continue leaning into Uber God Manipulator Mastermind Kamiki like last chapter. I already talked at length about my issues with this framing in my previous chapter review so all I'll reiterate here is that the story's attempt to frame Hikaru as being equally or even more culpable for the actions of Nino and Ryosuke fall entirely flat to me, especially when the manga itself does such a pisspoor job of actually explaining how or why Kamiki was able to control and/or predict their actions to the extent that he supposedly did. And ESPECIALLY especially given that Nino and Ryosuke seem to have already been dangerously obsessed with Ai by the time they approached him.

In general, Hikaru's character is honestly just so inconsistent at this point that making any sense of his actions feels fruitless. If I really dig into what's going on, I can infer that maybe he fell into the same trap as Aqua by overcompensating for his trauma-induced helplessness by becoming overly controlling and guess that his fucked up trauma response to Ai's death combined with those terrible words Kindaichi gave him at Airi's funeral lead him down he road he's traveling now. I can even extrapolate that Aqua showing him the DVD message in 153-4 pushed Hikaru to this extreme and now that he has nothing to lose, he's lashing out at his children too - though, it should be noted, that the manga still hasn't actually established what Hikaru's culpability is in Nino's attempt on Ruby's life, outside of Aqua saying "well you didn't use your psychic powers to perfectly predict nino's actions so it's on you".

But like - this is all stuff I'm having to infer and extrapolate and guess, reverse engineering logic from our end point in an attempt to create a stable foundation for this characterization. The manga has done such a poor job of properly establishing Hikaru both as an antagonistic force and as a consistent character that I feel like I'm trying to assemble a coherent image from two different puzzle sets with all the fucking corner pieces missing and that's with Crow Girl looking into the camera and Explaining Him to me.

And listen, I am a bitch who LOVES to infer things. One of my absolute favourite pieces of fiction of all time ever is Umineko no Naku Koro Ni, a mystery story that literally does not contain any straightforwardly explicit, textual confirmation of the culprit's identity or motives because it believes so strongly that you, the reader, are smart enough and empathetic enough to put in the time and effort necessary to understand it regardless and it deeply, deeply values being able to give you that experience. But OnK feels less like it's intentionally encouraging me to think hard and enjoy the process of putting my head and my heart to work - it feels like it's leaving its homework unfinished and letting the reader do the actual hard work of sewing up the internal logic.

I probably won't talk much more about Kamiki this chapter cos I'd just be saying all this shit over and over but I really just am struggling to understand from a perspective of authorial intent what the vibe is even supposed to be. Like I mentioned in a previous ask, if this is where Kamiki's arc is reaching its conclusion then it means that the Movie Arc was essentially a whole-ass waste of time in and out of universe. Blech. Hate that.

Also, before I move on, I don't want to leave this just implied - making Kamiki explicitly a CSA victim and then ending his arc on Aqua (and implicitly the narrative) dismissing him as being too broken/corrupted to be saved is a really major misstep that I think represents a huge black mark on OnK's handling of CSA as a topic. The idea of an eternal defilement or an unfixable core wrongness in the self is already something real life CSA victims struggle with in the process of unpacking their trauma and having our likable and supposedly morally superior protagonist espouse this unchallenged in a work as prominent and relevant as Oshi no Ko is irresponsible bordering on dangerous. It's incredibly disappointing that after all the care Aka and Mengo seemingly took in handling this topic that it was whiffed so badly at the last second.

ANYWAY!!! Now all the beef's been dealt with, we can cleanse our palettes and move onto everything else I liked which was… basically everything else in this chapter!

Admittedly, Aqua's overall arc is still suffering from us being kicked out of his head from like 123 onwards for no real apparent reason and while 150 was a welcome refresher on where he's at in this part of the story, it still feels a bit like the story is prioritizing preserving the surprise factor of its twists over making these surprises feel earned. Compare it to volume 1 - you are basically told exactly what is going to happen to Ai, especially in the manga when Saitou and Gotanda outright say as much - but her death is still incredibly impactful and upsetting. I think this chapter is very effective, but could've been a lot moreso if we'd spent more time in Aqua's head leading up to it.

THAT SAID… If the intention of keeping us out of his head was to recontextualize Aqua's behaviour across the past ten or so chapters in this new light, I don't hate it as much as I might have. I initially took issue with what felt like the story off-screening and not addressing the resolution to Aqua's suicidal ideation so whipping back around to prove that it was still very much present puts some particular Aqua moments over this past volume into a very different light. As some people pointed out, Aqua missing Kana's pitch - literally dropping the ball in responding to her feelings - and his wide-eyed look of alarm in 151 seemed very ominous omens for the success of her confession and that beat of him covering his face when Kana approves of his dream… very incheresting knowing Aqua was still struggling with 'love or revenge' at this point.

Most interesting of all to reconsider is Aqua breaking down in tears in Miyako's arms in 155 when she addresses him as her son for the first time. At the time it read like catharsis but now I can't help but wonder if this was Aqua grieving for something he desperately wants but thinks is out of his reach.

i do have to say though. i get the general vibe of this plan and think it works fine as the apex of aqua's self-sacrificial protectiveness for the people he loves but how is being the daughter of a serial killer somehow any less scandalous for her career than being the sister of someone who killed one dude. does aqua think they just won't notice that kamiki happens to be their biodad or something. wasn't that the whole point of the movie. goofy ass plan.

What really saves this whole scenario is the emotions at play, though. This really does feel like Aqua at his most Aqua in a really long while and this chapter has so much love and respect for his life as Aqua and the bonds he has formed as a result. The dreams Aqua lays out are so agonizingly simple, too - he wants to pursue the career he finds rewarding. He wants to date the girl he likes. He wants to accept Miyako as his mom and Himekawa as his brother and to make things right with Akane after hurting and using her. He wants to see Ruby achieve her dream and be there to support her when she does.

But Aqua's always considered his dreams impossible, hasn't he?

I fully admit; I got spoiled with the full page spread of Aqua stabbing himself way in advance of the chapter and initially hated it as a twist. But with the full chapter as context and the sheer weight of Aqua's longing to just fucking live and find joy, it's not just effective but absolutely gutwrenching. It is the synthesis of Aqua's series-long battle to choose love or revenge and it resonates perfectly because it has never been one or the other for him - Aqua's revenge has always been rooted in the fact that he loves others so wholly and completely and hates himself so utterly that he thinks sacrificing himself to preserve their futures is the only path for him to take. It's the culmination and final release of the suicidal ideation Aqua has been dealing with since he was four years old and like Ai's tragedy before him, there's a horrible sense that maybe there really was no other way this could've gone.

Aqua being the character who actually takes the knife also firmly cements him as Ai's narrative echo in the text which has me barkin and howlin because it's what I've been saying all this time. Not just that, but so many of Aqua's expressions in this chapter pointedly and deliberately echo Ai's after she was stabbed. Not just that, but Aqua's achingly simple dreams echo Ai's own heartrendingly simple regrets - all the two of them ever wanted was to be happy with the people they love.

This also reframes the story's prior establishment of Ruby as paralleling Ai and seems to place the twins in the position of echoing not Ai in her entirety but Ruby as 'Ai of B-Komachi' and Aqua as 'Ai Hoshino'. This was actually something I outlined in one of my very first meta posts on the series, but I think making it more specific to 'Ruby as Ai the idol' and 'Aqua as Ai the human', this actually gives Ruby's arc in relation to Ai a bit of breathing room. Don't get me wrong, everything I've said about her post-BH writing being underbaked and inconsistent is still the case, especially when it comes to how confused the story is on whether Ruby is her own idol or New And Improved Ai 2.0 but giving it less ground to cover helps in terms of her writing no longer being spread quite as thin.

Speaking of Ruby, that beat of her seeming to react or sense something is up the moment Aqua takes the stab. 'Something happened to my loved one far away and I just Feel It' is a trope I'm always a sucker for and I really dig it here.

"The public don't care about the truth, so let's tell them a lie" is such a crazy hard sentiment to go out on too. Holy fuck.

There go our boys…!!! Quite a few people predicted they might go over the edge when Aqua showed up in his Mephisto fit (Mefitsto) and I'm interested to see if we get any parallels to the ED's imagery in the next few chapters. Overall, though, I'm really excited for where things are going - I don't think Aqua will die, but I do have some theories about what might happen. I can't think of a more traditional misogi purification experience than the middle of the ocean in late December, after all…

No break next week! Woohoo! While the delay of episode 12 means we won't be getting them on the same day, that is the same week S2 of the anime will be concluding and Aka does like lining up his bombshells with the anime. So who knows what we'll see.

Do you have any predictions regarding how the fallout of the chapter will go/the ending of the series?

I HOPE YOU ENJOYED IT WHEN IT WENT UP, ANON!!!

I keep saying I'm not gonna predict the ending of OnK because Aka could do licherally anything then my gears get turning lol. So here's some of my tinfoil hatting off the back of this chapter:

The imagery in Mephisto has me pretty certain Aqua will be going into the sea (he is Aqua'marine' after all……..) but I do also think there's a possibility that either or both of them won't go over. Building on Kamiki's declaration of 'doing something' for Ai, he could decide to push Aqua back as a final act of atonement to her, saving her son even at the cost of his life. They could be struggling at the fence, and Kamiki's very pointedly dropped cell phone still playing the B-Komachi concert could end up catching Aqua's attention and, as a representation of the future he wants to have, it causes him to finally give up on sacrificing himself.

HOWEVER, like I said, I do think Aqua will go into the sea and I think his doing so will be a metaphorical purification-by-water. It'll be the moment he finally lets go of all his pain and baggage and at last accepts that he, too, is deserving of the happy ending he wants to achieve for everyone else.

This is less speculation and more a wish, but I really hope he gets one of those like. 'conversation with a ghost' type moments with ai, where it's ambiguous whether or not he's just dreaming/hallucinating because i NEED aqua to call her mama at least once WHAT'S THE POINT OF THIS MANGA IF HE DOESN'T!!! BRO!!!!

Broadly speaking, I think Aqua will experience a sort of 'spiritual death' as his revenge-seeking self and emerge purified and ready to embrace his future. But probably also to go to the hospital AQUA YOUR STAB WOUND!!! 😭

I do also have a shot I'm not quite confident in calling definitively but I think would be cool; I think it's possible that 'Gorou' will die in Aqua's place, taking the weight of their past life with him and finally allowing Aqua at last to just live as 'Aqua Hoshino'. I think it'd be a cool resolution to what Gorou says in 150 of him being an old scar gradually fading and how Aqua needs to step down from being 'Gorou Amamiya'.

Eldest sibling, who is bringing his younger sibling and biological dad (they both had a bonding moment in the sea) to their sister's concert (circa chapter 161).

Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 17

Aqua Hoshigan Status: Incomprehensible

144 held out strong for nearly 20 whole chapters but 160 comes in like a beast to take its crown as Oshi no Ko Chapter That Has Baffled And Confounded Me The Most. The way it talks about the characters and arcs it's trying to convey to the reader is just mind boggling - some of this stuff just feels completely disconnected from the character arcs it's supposedly commentating on. It almost feels like an Oshi no Ko chapter from an alternate universe version of the manga.

I kind of suspect this is actually the case, in spirit at least. Akasaka has previously stated that he's had at least an ending for OnK planned at least since midway through Tokyo Blade based on when this interview was given. You would think the amount of time between then and now would have given Aka the time to organically work towards this but I think the opposite is true here - because the story has organically drifted and grown in the telling, as is natural for a serialized work of this length, the story that Akasaka ended up telling does not naturally lead into the ending he wanted to give it. And rather than compromise he's just… going ahead with it without making any adjustments, which leads to this bizarre sense of whiplash that's come from the last handful of chapters.

It's definitely possible that some of the stuff in here will read better when we're not getting this stuff bit by bit across however many break weeks but… man. I ain't getting my hopes too high.

To my relief, we start off on a note of confirming that Nino and Ryosuke were, in fact, both freaks about Ai way before Kamiki ever got involved with them. Even so, the story's framing of how he influenced them is just… weird. Based on the little flashback panels we see of their supposed friendship I'm inclined to think Kamiki is being truthful here just because whenever we see on-panel flashbacks in this way, they tend to be more-or-less factual accounts of events. Aqua tries to say he's lying, that he definitely intended to do harm but this is really hard for me to swallow, given that this 'intent to do harm' ball would've had to have started rolling back when Kamiki was fourteen at the oldest and long before he and Ai broke up.

Not only that but I have to stress, again; Nino and Ryosuke were already freaks about Ai at this point!!! They tracked down one of her loved ones under false pretenses and entered his life presumably for the purposes of crowbarring info about Ai from him!!! Wil from the OnK Brainrot server pointed out that this comes off much more strongly like Ryosuke and Nino taking advantage of Kamiki's naivety to prey on Ai, which I agree with and think lines up way more straightforwardly with the Kamiki we saw leading up to 154 and its conclusion.

It almost feels like there's two Kamikis; the victim of circumstance Kamiki who embraces monstrousness as an act of reclamation, who knows he can never again be good so he will surrender to being bad and the flatly evil Light Yagami ass Kamiki who's bad because uhhh he just is ok? It probably goes without saying which of the two I find more compelling and overall more consistent with what the story has been building up so far, but the way the story keeps abruptly switching between the two makes it almost impossible to get a coherent read on him.

At the end of the day, I simply find it very hard to swallow the manga's attempt to almost sweep Nino and Ryosuke's culpability under the rug or to transfer the weight of their actions to Kamiki and hold him accountable for them because of this supposed manipulation. A healthy, well-adjusted person with no tendencies towards violent or antisocial behaviour does not suddenly get mindbroken into a misogynistic murderer overnight because they saw that the subject of their parasocial obsession keeps a toothbrush at her boyfriend's house. I can believe that Kamiki certainly didn't help but the idea that he is solely responsible for turning Nino and Ryosuke into violent murderers is a stretch.

I feel like I'm kind of talking in circles on this point a lot because I'm struggling to articulate why it bothers me so much so I'll end this section by paraphrasing a section of Higurashi YouTuber Bess's deep dive post-mortem on the GouSotsu anime duology. that I think sums up where I'm at.

In it, Bess quotes the original author in describing the actions of the overarching antagonist as "giving a gun to someone who is being bullied and getting emotional" and says that she agrees but points out that if the victim chooses to fire that gun, they are the ones who hold responsibility for their actions and that being the victim of manipulation does not suddenly rob them of accountability for their violence, whereas the framing of GouSotsu is that the overarching villain is the sole person who bears responsibility.

I feel like this is the dynamic at play here with Kamiki and Ryosuke/Nino too - except Kamiki, in this metaphor, didn't even fucking give anyone a gun because both Ryosuke and Nino were already armed to begin with. BUT I'LL MOVE ON NOW I SWEAR…

Aside from ^ ALL THAT ^ I also feel like this chapter's attempt to define the white/black hoshigan dichotomy is also just kind of a flop. It's so overly specific that it doesn't actually match with how the black OR white hoshigans have been portrayed symbolically before (was Aqua using his super special dark and evil star powers to dominate and manipulate others when he was eating potato chips and pumping up a pool floatie? come on, man) but it's also just so on the nose and overly dramatic that it comes off as kind of goofy and hard to take seriously.

It's also really funny and kind of frustration to see this dichotomy established seemingly for the purposes of just propping Ruby up some more. Aqua insisting that Ruby is ~just different~ from him and Hikaru REALLY flops because like… IS SHE REALLY THO???

Understand that I don't say this to shit on Ruby but like. Ruby literally had a whole arc about going black hoshigan and using her talent to manipulate and use people for her own benefit! She effectively utilized girl power to put the jobs of an entire TV show's worth of people at risk so she could clout chase a little more efficiently!!! Literally everything Kamiki tries to assert about him and Aqua are also perfect descriptions of how Ruby behaved during that leg of the manga until it flipped off like a switch and she faced literally zero consequences and learned nothing from it.

This is another indication to me that this conversation is an artifact of Akasaka's originally planned ending because this whole bit gassing up how Ruby is just ~so different~ from Kamiki and Aqua simply does not cohere with a story where Ruby had an entire arc of her just being Aqua 2.0 that was never really resolved and she never really learned anything from. If the framing here was just a LITTLE different, I think it could work - maybe instead of Aqua acting like Ruby is just intrinsically, arbitrarily Pure of Heart or whatever, a point could be made that Ruby is actively choosing to be a good and loving person even after all the shit she's been through and especially after an accidental taste of the dark side. But as it stands the accidental implication of the story ends up being that Ruby's BH era was Good, Actually and the actions she took during it were also good lol.

I continue to have all the same issues with the B-Komachi concert as I did in my previous chapter review so I won't repeat myself on that. I will, however, point out that the song Ruby namedrops in this chapter is a reference to Spica (where we translated it as 'When You Wish Upon Your Star'), in which this is a song written and performed by Ai as a message of support for her fans. That is to say, we are once again seeing Ruby, from a narrative perspective, not being allowed to stand on her own as her own idol but relying on the imagery and legacy of Ai's idolhood.

Not only that but… again, I must ask: why is Ruby the center and narrative focus of Kana's graduation concert? Like, obviously, given that Aqua and Kamiki are talking about her the framing is going to focus on Ruby but why is this conversation happening during a moment that had been massively built up to be about Kana? Why is Aqua talking about Ruby as an idol like the rest of B-Komachi just doesn't exist? Why is the narrative unironically indulging in all the same favoritism and coddling of Ruby that, in-universe, tore apart the first generation of B-Komachi?

I guess at the end of the day my problem is that I'm just kind of fed up with Ruby as a character and the way the story has been bending over backwards to coddle her so it's hard to me to get invested when the story goes YEAAAAHHH WOOOOOO RUBY!!!! Especially when, like it has been for a while now, this coddling comes not just at the expense of other characters but also at the expense of Ruby herself and the coherency and consistency of her character arc. It sucks for Ruby as a character and it sucks for me, as a reader, who used to rank Ruby as one of their top three faves but now just feels kind of exhausted with her.

LOOK OUT KAMIKI HE'S GOT A KNIFE

God this whole bit with Aqua getting double white hoshigans while he pulls a knife on Kamiki is just kind of too goofy to take seriously lol. I have some thoughts about how this potentially recontextualizes some of Aqua's actions through the Movie Arc and during the previous confrontation with Kamiki but. I just keep coming back to Aqua being like "white hoshigans means love r something which i'm going to prove by killing you in cold blood" and just shaking my head. It really feels like a moment written just to be a cliffhanger so, like I have with the last three damn chapters, I'll hold back any commentary on it until we get a continuation of this thread next week.

honestly the part of this chapter I enjoyed most was that creepypasta ass full page panel of Kamiki's fucked up smile. that genuinely really alarmed me when i first saw it and even now I don't like looking at it for too long or i get the willies lol. Genuinely fire horror imagery from Mengo as usual. Can she PLEEEEEEEEASE do a horror manga next i'm BEGGING to get spooked by mengo-sensei

no wait i lied. the best part was that cute panel of ai and her babies. <3

justice for memcho and kana, tho, for real

Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 16

Aqua Hoshigan Status: White

Surprise! As predicted by literally everyone in the fandom, the stab was a fakeout! To the shock of perhaps three people, no, one of the titular Kos of Oshi No fame was not, in fact, dying in an unceremonious cliffhanger stabbing - the only real question was exactly what sort of fakeout it was going to be. I did see quite a few folks suggest 'Akane in a wig and a stabproof vest' even in jest so congrats on calling it! Admittedly this is kind of silly but I would take 'silly' over the character assassination massacre that last chapter's apparent twist would've been any day of the week.

I guess if anything about this reveal surprised me it's that Kana wasn't involved at all…? Unless this is a double fakeout and something's going to happen at her graduation (which is not impossible for reasons we'll get into). Whereas all the buildup for Ruby (seemingly) getting stabbed basically only came in the same chapter it happened in, we've been getting some pretty heavy handed hints that something might happen to Kana for over 60 chapters now if my mental math is right - her parallels to not just Ai and Yura (i.e, our two on-screen victims), language associating her with the "type" we see targeted and that huge "Kana Arima will always protect Ruby Hoshino" red flag dropped by Gotanda, among other things. Kana is also the character who has the most actual direct parallels with Ai, where Ruby is defined mostly in how she differs from Ai… Or at least she does when the story makes sense lol. But I guess we'll see.

Either way, I personally have mixed feelings on Akane's involvement here, in this moment. On the one hand, I like what it represents about Aqua's development - the reason he and Akane broke up was over her 'endangering herself' but really it was because of Aqua's mortal terror over the people he loves being hurt in association with him. Letting Akane get involved here is an expression of growth and trust on his part and I do like that.

On the other… this is super Akane just being treated like a convenient device for the plot, as has happened to her before. It really feels like Akasaka has realized he made her way too competent as a character so he only busts her out to use as a blunt force tool to patch up his story. Hate that shit! Akane deserves better.

THAT SAID… Ichigo's involvement here is something I do straightforwardly like even if the execution isn't perfect. Now we're past the fakeout, I can say that my worst case scenario for The Stabbening was the "Aqua uses his 1337 surg30n ski11z to save the stabbing victim and make up for not saving Ai" because people have been predicting that Literally since volume 2 and I'm gonna be real with you, I've fucking hated it no matter the configuration of characters or events involved lol. It would, even if only subtextually, frame Aqua's self-loathing and suicidal ideation in relation to the incident as justified and that he somehow needs to 'redeem' himself for his failure of not stopping a grown man with a knife from stabbing his mother to death when he was literally four years old.

Ichigo, by contrast, actually is at least partially responsible for Ai's death. He is a literal agent of the system that abused and exploited her, he failed to support her properly as both her manager and her father and it's ultimately his commodification of Ai and B-Komachi as a whole that created the kind of fan attitude that gives birth to a person like Ryosuke. He's the person who actually needs to make up for failing Ai, so having him literally reenact that failing and getting able to do it right this time for the purposes of protecting Ai's beloved children is a direction for his character that I really like.

^_^ However! I do not feel anywhere near as positively about this retcon to Ryosuke and Nino's characters!!!!

like. come on, man. do i even need to explain why this is bad. even outside of how utterly transparent a retcon this is, these kinds of 'everyone is connected!!!' surprise twists are really not suited to a story like Oshi no Ko. They make the world of the story feel much smaller

In addition… it really feels like lately, Akasaka has this problem where he tries to make things more dramatic and complex by adding twists and reveals about Secret Additional Context like this to a character's behaviour but ends up just flattening them by way of making them more cartoonish as a result. Ironically, Nino and Ryosuke are both victims of this with this new retconned in connection and it cheapens not only their own arcs but their relationships with Ai (and how her own arc is informed by her relationship with them in turn) as a result. It's a cascade failure that wrenches everything else down along with it.

The other big reason this retcon frustrates me as much as it does is not just because it entirely shatters the logic of Ryosuke as a character but because one additional picrosecond of thought put into his could not only have prevented it, but even added to the story in some really meaningful and interesting ways. As other people are surely going to point out, this is an insane level of hypocrisy, so - lean into it! Make that hypocrisy explicit and textual!

Parasociality is already inherently illogical and the types of misogynistic hostile masculinity Ryosuke expresses towards Ai are already internally contradictory ideologies. Idol fan culture, too, is built on hypocrisy, especially in a gachikoi group like gen 1 B-Komachi. The girls are expected to roleplay as being romantically (and implicitly, sexually) available to their fans while also being pure and virginal to the point of farce. None of this shit makes sense! So leaning into that by explicitly acknowledging Ryosuke as a hypocrite and acknowledging these contradictory expectations could only have done the story well.

As it stands, this retcon just doesn't work. Like, look at the Ryosuke we see in those flashbacks - happy, healthy and functional enough to be close to at least two B-Komachi members. Are we really expected to believe that Ai rizzed him so hard she mindbroke him into being a Phantom of the Opera tier basement dwelling incel? Or are we supposed to believe Ryosuke was Like That simultaneously with him dating Nino? Literally no direction you come at this from makes any sense whatsoever lol

Ichigo supposedly knowing about them dating at the time also raises approximately one hundred billion questions. Primarily: DID NO ONE THINK TO TELL THE COPS AT THE TIME??? The guy who brutally murdered Ai in her own home just happened to be banging one of her coworkers who was known to have a bad relationship with her and this just… never came up?? Even though the news report on the incident explicitly says the police were investigating the possibility of an accomplice being involved?? AGAIN, NO MATTER HOW YOU APPROACH THIS TWIST IT JUST DOESN'T WORK…

I will say. For all my complaints, that final exchange between Akane and Nino, about how badly Ai and Nino ultimately just wanted to be regular friends… that really hit. It felt like a little flash of the messed up but deeply, achingly human Nino from 45510 I'd been missing so much every since she was turned into this weird caricature of herself. I'm still incredibly dissatisfied with the majority of her handling after the Movie Arc but if this is the note she gets to go out on, I'll take that W.

Concert time! Congrats to AkaMengo for creating a concert scene that annoyed me even more than the last one!

This is the sort of thing I mean when I talk about the ways in which the narrative has excessively favoured Ruby makes her come off as excessively self-centered in a way that is clearly not intentional. Not only does the story frame her as seemingly taking over the concert but she's also portrayed as the center every time she's on panel - even though that's Kana's position, that she only took in the first place because Ruby pressured her into it. This isn't something that happens by accident - in-universe, this can only have happened because the Strawberry Productions staff pushed Ruby into the center AT KANA'S GRADUATION CONCERT and instead of saying "hey, this is KANA'S GRADUATION CONCERT maybe she should be center", Ruby just went along with it. This is not my girl!!! This is not the Ruby of the First Concert arc!!!

No wonder there are in-universe fans getting pissed off. B-Komachi isn't even real and I'm getting pissed off. Like, can you imagine going to your favourite idol's graduation and her nepo baby coworker who's already constantly upstaging her is hogging the spotlight at her last ever idol performance? I would be physically incapable of not starting to throw rocks.

To make matters worse, the story is continuing to try and push what it flopped out last chapter of Ruby supposedly surpassing Ai as an idol. Like I said last chapter, I didn't buy it then and I extra don't buy it now!

Not only is the story still failing to do the work necessary to believably sell this, but the only way it seems to be able to try is to lean so heavily on Ai associated imagery that the whole thing is at risk of buckling under the weight - the double hoshigans, her outfit and even her popping Ai's iconic volume 1 pose. Not only does this feel generally unearned, it also falls flat as a moment where Ruby is supposed to be strutting her stuff as an idol because she is literally, explicitly, just imitating her mom.

Like… Remember when Aqua and Ruby had that big moment of Aqua telling Ruby not to try and be like Ai anymore and to get out of her shadow? Remember when Ruby and Kana had that heart to heart where Ruby said she'd be a star in her own way and she wouldn't be like Ai? How does that remotely cohere with the story relying so heavily on these callbacks? How am I supposed to believe Ruby has surpassed Ai and is shining in her own way when the seemingly only measure of success in this regard is how much she resembles Ai in the process of doing so?

Ruby has been catching strays left and right pretty much the entire time I've been doing these chapter reviews so let me be clear: I think this sucks because I think this sucks for Ruby. It completely undermines everything the story has previously set up regarding Ruby finding her own way of being an idol and it also cheapens the relationship she previously had with Ai's memory. Instead of the love and reverence she once had for her mother's legacy and efforts, now it feels like Ai has been used as a stepping stone to prop up Ruby's success story. The narrative is fighting for its fucking life to sell us on the idea that Ruby has surpassed Ai, but the execution is so ham-fisted that it ends up doing the opposite. By relying so heavily the imagery of Ai's radiance and her idolhood, it’s clear that the story doesn’t trust Ruby to stand on her own merits.

Like… fuck, man. Maybe this is a lot to read into four splash pages with no dialogue and maybe there's more to come from this concert - Kamiki is watching a live broadcast, after all, so the show is still ongoing. Maybe there'll be something in the concert to come that resolves some of my frustrations here. But this is all so consistent with the way the story has framed B-Komachi for almost 100 chapters now that it's hard for me to imagine it even recognizing that this is an issue, let alone taking the steps necessary to fix it.

And speaking of Hikaru………. man, what even is there to say about that ending lol

Much like last chapter, anything I could say about it necessarily relies on context and info we don't have yet. This is such an obviously deliberately provocative cliffhanger like last chapters that I don't see the point in trying to speculate too much about what it could all mean when Aka has historically gone hard on fakeouts. All I'll say is that like with last chapter's apparent twist, if the story is straightforwardly going to follow through on what is being presented right now with no additional twist, it will be much worse off for it.