MANHANDLING SYMBOL STARTERSΒ ( ACCEPTING )
β - grip my museβs jaw to make them look yours in the eye
Β Β Β Β Β Β Β Β breath CATCHES in Β her Β throat ( Β partially fear , Β partially β¦ Β something else Β ) Β as her Β head Β is Β WRENCHED Β towards him , Β gaze Β forcefully lifted Β upwards Β to where Β he Β T O W E R S Β over her Β chair & Β she finds Β herself Β with no Β choice Β but Β to stare into Β his Β dark eyes . Β β sorry , Β β Β she breathes Β out , Β though itβs Β hard Β to talk Β with Β his near-painful Β grip Β on her Β jaw . Β just a Β little Β LOWER Β and Β his Β hand would Β be Β around her Β THROAT Β and Β lord, Β something Β terribly pleasant Β TWISTS Β in her Β stomach Β just thinking Β about Β β Β stop that , Β percy , Β now is Β not Β the Β time. Β β Β vodka Β makes Β my Β mind wander , Β you Β see , Β even Β when dealing Β with Β such Β a Β charmingβ¦ Β conversationalist Β as yourself . Β β Β sheβs not Β drunk Β but she Β is Β tipsy , Β speech still Β clear Β but slowed Β as Β she takes Β her Β time as Β to Β not Β stumble Β over the LONGER words .
Β Β Β Β Β Β Β Β she Β casts Β her mind Β back Β to remember Β what Β they were Β last Β talking about , Β though Β a Β pretty Β BLUSH colors Β her Β cheeks when Β she Β remembers his Β attempts Β to take Β her Β somewhere more Β private . Β β Β OH, Β mr. Β marchβ Β β Β and Β the Β breathiness of Β her Β tone is Β not Β an Β affectation Β at Β all , but Β rather Β terribly genuine Β β Β β Β PLEASE, Β donβt Β think Β i Β donβt want Β you . β Β because Β she Β does , truth Β be Β told , though Β part Β of her Β is Β screaming that Β she Β should NEVER Β have come , Β that Β she Β KNOWS better , Β that he Β could Β easily Β kill her Β and Β she would Β have Β NO WAY Β of Β fighting back . Β
Β Β Β Β Β Β Β Β sheβs Β never Β done Β this before , Β least Β of all Β with Β a ghost . Β it Β always felt β¦ Β wrong , Β because Β she could Β see Β them even Β when Β they did Β not Β wish to Β be Β seen , too Β much Β POWER for Β her Β to lord Β over Β them . Β and Β march Β had made Β her Β feel powerful , Β if Β only for Β a Β MOMENT, Β with Β those Β pretty words of Β his Β ( Β DEVASTATING, Β heβd Β called her , Β and Β what a Β THRILL Β that Β had given Β her ! ) . Β but Β now she Β is Β in Β his Β hotel Β & Β it seems Β he Β holds all Β the Β cards , leaving Β her Β in a Β very Β dangerous position Β INDEED . Β β i just Β wouldnβt Β want your Β opinion Β of me Β to Β change for Β the Β worse . Β β Β that isnβt Β a Β lie , either ; Β she Β wants to Β stay Β in his Β good Β graces because Β it Β feels β¦ not Β safe , Β but Β certainly safer Β than Β the Β ALTERNATIVE . Β keep him Β interested , Β and maybe Β she Β has a Β higher Β chance of Β surviving Β this .. . Β almost Β like Β scheherazade , Β she Β fancies. Β but percy Β has Β no stories Β to Β tell , certainly Β not Β enough for Β a Β thousand and Β one Β nights , so Β she Β must be Β QUICK Β and CLEVER in Β other Β ways . listen Β to Β her instincts Β β Β and her Β instincts Β are telling Β her Β to Β give in . Β β Β you understand , Β donβt Β you ? a Β man Β of your Β reputation β¦ a Β man Β of your Β P O W E R Β . Β β Β flattery ? Β maybe , but Β her Β words are Β sincere . Β
Β Β Β Β Β Β Β Β βΒ you Β are a Β β¦ dangerous Β man , Β mr. march , Β ENCHANTINGLY Β so , Β and Β i Β wouldnβt want Β you Β to think Β poorly Β of Β me , Β but if Β you Β want me & going Β with you Β will Β not diminish Β me Β in Β your Β eyes , then β¦ Β β she feels Β as Β if she Β is Β vibrating , still Β afraid Β but Β also filled with Β wanting , Β wanting Β him and Β wanting Β the danger Β that Β comes with Β him , Β all twisting Β deliciously Β in Β her in Β some Β heady cocktail Β of Β lust Β and fear . Β β Β β¦ Β then Β i Β will give Β myself Β to Β you. Β β
germansingergirl
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amandla
