the literal actual fuck, bits

no offense but...the future is bulletproof. the aftermath is secondary. it’s time to do it now and do it loud. killjoys.........Make some noise...

i feel like we’re underappreciating the comedic gold that is andrew “i confessed to killing my mother during a random team meeting” “i broke the arm of the mafia man threatening my sort-of-boyfriend on live tv” “i threatened to murder anyone who steps within 10 feet of me” “i went toe to toe against the japanese mafia for a couple of dumbass stick ball players” minyard being neil’s impulse control

i am jack zimmermann’s defense attorney instead of arguing with people who say bad things tho i just kill them

actually i call it womanipulation. for femisism.

lmfao high key one of my favorite Neil Josten™ moments is when they’re at that banquet and Jean switches to French to have a Private Conversation with Kevin and is reprimanding him and Neil’s basically like “surprise bitch” in French

Ok but I’m still not done thinking about the inherent tenderness of Jack watching Bitty through the lens of his camera. Him waiting until Bitty is caught in the light to take the shot. Him seeing the sun light up his face and thinking “I want to remember this.” The way that he knew Bitty was important, that he equalled warmth, without knowing why. The way that they why didn’t matter in the photo, what mattered was that the photo captured the feeling. The way that Jack shared this feeling with classmates, captured it so effectively that they knew what he was seeing, what he was feeling before he did. The way that he was so caught up in light and shadow and Bitty that he couldn’t see the big picture until a little later. 

sorry but “it’ll be easier if he remains heterosexual” is the funniest line in aftg

*spanks your ass hard* can you help me with this math problem

Duality of man