Steinberg’s room in Milan. 1937 -Saul Steinberg.
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Steinberg’s room in Milan. 1937 -Saul Steinberg.

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Liberty Magazine Cover, 1926 - Frank Lloyd Wright
Roosevelt Island Housing Competitions, New York City,NY, U.S - Peter Cook RA, 1975.
Gómez Ortega, Casimiro, Instructions for the safest and most economical ways to transport live plants, (Madrid : Joachin Ibarra impresor de Cámara de S.M, 1779), 39.
Taula terrae nouae, Ptolemy, Claudius. 1541

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Typical section and details of a greenhouse. Source: Loudon, John Claudius, Remarks on the construction of hothouses; also, a review of the various methods of building them in foreign countries as well as in England, (London, 1817), 113.
La Tempesta. 1506-08 - Giorgione.
Plan for Rebuilding the City of London after the Great Fire of 1666. London, England - Sir Christopher WrenÂ
Josef Frank - Fantasy House No 9 for Dagmar Grill, also known as ‘House for Djursholm’, published in FORM as ‘Accidentism’, 1958. Watercolour. Josef Frank Archive, Stockholm
Josef Frank - Fantasy House No 9 for Dagmar Grill, also known as ‘House for Djursholm’, published in FORM as ‘Accidentism’, 1958. Watercolour. Josef Frank Archive, Stockholm

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Collage "Inhabitation". 1956 - Alison & Peter Smithson.
Section and Detail of utilization of earthenwares in dome construction of Byzantine San Vitale, Ravenna, Italy. 6th century, a. Diagrammatic representation of amphorae placed vertically in haunches (c) and paired tubes (b) laid horizontally form dome curvature.
Image from El Significato Spaziale delle Volte Sottili Ro mane e Paleocristiane. Mesopotamia. Arslan, Ermanno A. 1967.
Mnemosyne Atlas (Unfinished work in 1929) - Aby Warburg
Berthold Lubetkin - 100 Houses Scheme - Thorntree Gill Housing, Peterlee. United Kingdom - 1944
Via RIBA Collections
Axonometric View of Golden Lane Competition. London, United Kigndom. 19152 - Peter & Alison Smithson.
You can see the Doorn Manifesto by the Team X here.

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Diagram from the book Distinction: A Social Critique of the Judgment of Taste. 1984 - Pierre Bourdieu
Long section in perspective, drawing by Charles de Wailly based on the second project of 1770, probably exhibited at the 1781 Salon. Comédie-Française (Odéon)