Part Three,Β Book I, Chapter 6,Β Les MisΓ©rables,Β Victor Hugo
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Part Three,Β Book I, Chapter 6,Β Les MisΓ©rables,Β Victor Hugo

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Folks let me talk about Crowley and sunglasses, because I have a lot of emotions about when he wears them and when he doesnβt, and Hiding versus Being Seen.
Weβre introduced to the concept of Crowley wearing glasses even before weβre introduced to Crowley, by Hastur: βIf you ask me heβs been up here too long. Gone native. Enjoying himself too much. Wearing sunglasses even when he doesnβt need them.β
Honestly Crowleyβs whole introduction is a fantastic; we learn so much about his character in a tiny amount of time. The fact that heβs late, the Queen playing as the Bentley approaches, the βHi, guysβ in response to Hastur and Ligurβs βHail Satanβ. I like this intro much better than the one originally scripted with the rats at the phone company, but I digress.
Crowley wears sunglasses when he doesnβt need them. Specifically, he still wears them around the demons, and when heβs in hell.
You know where Crowley doesnβt wear glasses? At home.
We never once see him wearing glasses in his flat, except for when he knows Hastur and Ligur are coming. Thatβs an emotional kick to the gut for me. Hereβs one of the only places Crowleyβs comfortable enough to be sans glasses, and when he knows itβs going to be invaded he prepares not just physically with the holy water, but by putting up that emotional barrier in a place where he wasnβt supposed to need it.
An argument could be made that Crowley actually never needs glasses. Weβre shown that itβs well within the angelsβ and demonsβ powers to pass unnoticed by humans. Crowley and Aziraphale waltz out of the manor in the middle of a police raid, and going unnoticed by the police takes so little effort that they can keep up a conversation while they stroll through. Even an unimaginative demon like Hastur apparently doesnβt have trouble with the humans losing it over his demonic eyes. The humans in the scene at Megiddo are acting like βthis guy is a little weirdβ and not βholy shit his entire eyeballs are black jellyβ
That means that Crowleyβs glasses are a choice, just like Aziraphaleβs softness. Sure, he could arrange matters so that nobody ever noticed his eyes, but he doesnβt want to. Crowley wants acceptance, and he wants to belong, and heβs never, ever had that. He didnβt fit in before the Fall in Heaven, he doesnβt fit in with the demons in Hell. With the glasses, and with the Bentley and his plants and with the barely-bad-enough-to-be-evil nuisance temptations, heβs choosing Earth. This is where he wants to fit in, perhaps not with the humans, but amongst them.
Even after Crowley is at his absolute lowest, when he thinks Aziraphaleβs dead and heβs on his way to drink until the world ends, he takes the time to put a new pair on when the old ones are damaged. He needs that emotional crutch right now, even with everything about to turn into a pile of puddling goo heβs not ready for the world to see his eyes.
Which is why I swore out loud when Hastur forcibly takes them off.
Itβs about the worst thing that Hastur could have done. Rather than leading with a physical threat, his first act is to strip away Crowleyβs emotional defences. Itβs a great writing choice because god it made me hate Hastur, even more than all the physical violence we see him do.
Itβs also the moment that Crowley really truly gets his shit together, and focuses all of his considerable imagination on getting to Tadfield and Aziraphale to help save the world. Heβs wielding the terrifyingly unimaginable power of someone whoβs hit rock bottom and realised it literally could not get any worse than this. He doesnβt put another pair of glasses on after discorporating Hastur, and he spends the majority of the airbase sequence without them.
He puts them back on again, I think, at the moment that he really lets himself hope. When he thinks βshit, there may be a real chance that we get through this to a future that I donβt want to loseβ.
The vulnerability is back, and he needs Adam to trust him. In Crowleyβs mind being accepted by a human means he needs to have his eyes hidden. Someone give the demon a hug, please.
Interestingly, thereβs only one time in the whole series that we see Crowley willingly choose to take his glasses off around another person. Only one person heβll take down that barrier for, and even then heβs drunk before he does it.
Dear God/Satan/Someone that makes my heart ache. Crowleyβs chosen Earth, but heβs also chosen Aziraphale. Heβs been looking for somewhere to belong his entire existence, and itβs with the angel that he finally feels it.
When the dust settles and the world is saved and they finally have space to be themselves unguarded, I like to imagine Crowley takes off the glasses when itβs just the two of them; the idea of being known doesnβt scare him quite so much anymore. Β
Brittany Bogan
Aykut Aydogdu, Recent Work.
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Aykut Aydogdu, Recent Work.
Recent illustrations by artist Aykut Aydogdu (Previously on Supersonic Art).
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Be sure to follow Supersonic Art on Instagram!
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